Visualizing feeling :: affect and the feminine avant-garde /
Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowle...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
I.B. Tauris,
2011.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher. |
| Beschreibung: | 1 online resource (viii, 196 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780857720122 0857720120 |
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| 505 | 0 | |a Introduction -- Minimalism and subjectivity : aesthetics and the anti-aesthetic tradition -- Feeling and late Modern Art -- Participation, affect and the body : Lygia Clark -- Eva Hesse's late sculptures : elusive expression and unconscious affect -- Ana Mendieta : affect miniaturization, emotional ties and the Silueta Series -- The dream of the audience : the moving images of Theresa Hak Kyung Cha -- Conclusion : which anthropomorphism? | |
| 520 | |a Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher. | ||
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| contents | Introduction -- Minimalism and subjectivity : aesthetics and the anti-aesthetic tradition -- Feeling and late Modern Art -- Participation, affect and the body : Lygia Clark -- Eva Hesse's late sculptures : elusive expression and unconscious affect -- Ana Mendieta : affect miniaturization, emotional ties and the Silueta Series -- The dream of the audience : the moving images of Theresa Hak Kyung Cha -- Conclusion : which anthropomorphism? |
| ctrlnum | (OCoLC)756484698 |
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| discipline | Kunstgeschichte |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn756484698 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:37:24Z |
| institution | BVB |
| isbn | 9780857720122 0857720120 |
| language | English |
| oclc_num | 756484698 |
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| spelling | Best, Susan. http://id.loc.gov/authorities/names/no2011187531 Visualizing feeling : affect and the feminine avant-garde / Susan Best. London : I.B. Tauris, 2011. 1 online resource (viii, 196 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction -- Minimalism and subjectivity : aesthetics and the anti-aesthetic tradition -- Feeling and late Modern Art -- Participation, affect and the body : Lygia Clark -- Eva Hesse's late sculptures : elusive expression and unconscious affect -- Ana Mendieta : affect miniaturization, emotional ties and the Silueta Series -- The dream of the audience : the moving images of Theresa Hak Kyung Cha -- Conclusion : which anthropomorphism? Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher. Print version record. Avant-garde (Aesthetics) http://id.loc.gov/authorities/subjects/sh85010494 Women artists History 20th century. Emotions in art. http://id.loc.gov/authorities/subjects/sh85042824 Femmes artistes Histoire 20e siècle. Gender studies, gender groups. bicssc ART History Contemporary (1945- ) bisacsh Avant-garde (Aesthetics) fast Emotions in art fast Women artists fast 1900-1999 fast History fast has work: Visualizing feeling (Text) https://id.oclc.org/worldcat/entity/E39PCG6wFXPTtWPKbDT69Hjxj3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Best, Susan. Visualizing feeling. London : I.B. Tauris, 2011 9781848858510 (DLC) 2011283299 (OCoLC)695655049 |
| spellingShingle | Best, Susan Visualizing feeling : affect and the feminine avant-garde / Introduction -- Minimalism and subjectivity : aesthetics and the anti-aesthetic tradition -- Feeling and late Modern Art -- Participation, affect and the body : Lygia Clark -- Eva Hesse's late sculptures : elusive expression and unconscious affect -- Ana Mendieta : affect miniaturization, emotional ties and the Silueta Series -- The dream of the audience : the moving images of Theresa Hak Kyung Cha -- Conclusion : which anthropomorphism? Avant-garde (Aesthetics) http://id.loc.gov/authorities/subjects/sh85010494 Women artists History 20th century. Emotions in art. http://id.loc.gov/authorities/subjects/sh85042824 Femmes artistes Histoire 20e siècle. Gender studies, gender groups. bicssc ART History Contemporary (1945- ) bisacsh Avant-garde (Aesthetics) fast Emotions in art fast Women artists fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85010494 http://id.loc.gov/authorities/subjects/sh85042824 |
| title | Visualizing feeling : affect and the feminine avant-garde / |
| title_auth | Visualizing feeling : affect and the feminine avant-garde / |
| title_exact_search | Visualizing feeling : affect and the feminine avant-garde / |
| title_full | Visualizing feeling : affect and the feminine avant-garde / Susan Best. |
| title_fullStr | Visualizing feeling : affect and the feminine avant-garde / Susan Best. |
| title_full_unstemmed | Visualizing feeling : affect and the feminine avant-garde / Susan Best. |
| title_short | Visualizing feeling : |
| title_sort | visualizing feeling affect and the feminine avant garde |
| title_sub | affect and the feminine avant-garde / |
| topic | Avant-garde (Aesthetics) http://id.loc.gov/authorities/subjects/sh85010494 Women artists History 20th century. Emotions in art. http://id.loc.gov/authorities/subjects/sh85042824 Femmes artistes Histoire 20e siècle. Gender studies, gender groups. bicssc ART History Contemporary (1945- ) bisacsh Avant-garde (Aesthetics) fast Emotions in art fast Women artists fast |
| topic_facet | Avant-garde (Aesthetics) Women artists History 20th century. Emotions in art. Femmes artistes Histoire 20e siècle. Gender studies, gender groups. ART History Contemporary (1945- ) Emotions in art Women artists History |
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