Michelangelo Red Antonioni Blue :: Eight Reflections on Cinema.
Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated for their influential, gorgeously austere style. But in this book, Murray P...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berkeley :
University of California Press,
2011.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery. |
Beschreibung: | 1 online resource (321 pages) |
Bibliographie: | Includes bibliographical references (pages 275-288) and index. |
ISBN: | 9780520948303 0520948300 1283291789 9781283291781 9786613291783 6613291781 |
Internformat
MARC
LEADER | 00000cam a2200000Mi 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn756484687 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr |n|---||||| | ||
008 | 111010s2011 cau ob 001 0 eng d | ||
010 | |z 2010038908 | ||
040 | |a EBLCP |b eng |e pn |c EBLCP |d YDXCP |d OCLCQ |d N$T |d TEFOD |d OCLCQ |d OCLCF |d OCLCQ |d AU@ |d CDX |d E7B |d CBT |d COO |d JSTOR |d P@U |d DKDLA |d K6U |d TEFOD |d OCLCQ |d AGLDB |d MOR |d PIFAG |d ZCU |d MERUC |d OCLCQ |d IOG |d EZ9 |d STF |d WRM |d OCLCQ |d VTS |d NRAMU |d ICG |d INT |d VT2 |d OCLCQ |d LVT |d YOU |d OCLCQ |d WYU |d TKN |d DKC |d OCLCQ |d HS0 |d DEGRU |d OCLCQ |d U3W |d OCLCQ |d UKCRE |d QGK |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
019 | |a 759006975 |a 781424852 |a 832594365 |a 961549724 |a 962640505 |a 974577827 |a 974616606 |a 988499814 |a 991963074 |a 1037794499 |a 1038680877 |a 1045602655 |a 1055394133 |a 1064992985 |a 1137109370 |a 1153548693 |a 1228543405 |a 1259204826 | ||
020 | |a 9780520948303 |q (electronic bk.) | ||
020 | |a 0520948300 |q (electronic bk.) | ||
020 | |z 9780520258709 | ||
020 | |z 9780520266865 | ||
020 | |z 0520258703 | ||
020 | |z 0520266862 | ||
020 | |a 1283291789 | ||
020 | |a 9781283291781 | ||
020 | |a 9786613291783 | ||
020 | |a 6613291781 | ||
024 | 8 | |a 9786613291783 | |
024 | 7 | |a 10.1525/9780520948303 |2 doi | |
035 | |a (OCoLC)756484687 |z (OCoLC)759006975 |z (OCoLC)781424852 |z (OCoLC)832594365 |z (OCoLC)961549724 |z (OCoLC)962640505 |z (OCoLC)974577827 |z (OCoLC)974616606 |z (OCoLC)988499814 |z (OCoLC)991963074 |z (OCoLC)1037794499 |z (OCoLC)1038680877 |z (OCoLC)1045602655 |z (OCoLC)1055394133 |z (OCoLC)1064992985 |z (OCoLC)1137109370 |z (OCoLC)1153548693 |z (OCoLC)1228543405 |z (OCoLC)1259204826 | ||
037 | |a 329178 |b MIL | ||
037 | |a 22573/cttsxb1p |b JSTOR | ||
037 | |a 566ECE58-B7B2-4E20-8435-0159650CBE8B |b OverDrive, Inc. |n http://www.overdrive.com | ||
050 | 4 | |a PN1998.3.A58 P66 2011 | |
072 | 7 | |a ART |x 057000 |2 bisacsh | |
072 | 7 | |a PER |x 004040 |2 bisacsh | |
072 | 7 | |a PER |x 004010 |2 bisacsh | |
082 | 7 | |a 791.4302 |a 791.4302/33092 | |
049 | |a MAIN | ||
100 | 1 | |a Pomerance, Murray. | |
245 | 1 | 0 | |a Michelangelo Red Antonioni Blue : |b Eight Reflections on Cinema. |
260 | |a Berkeley : |b University of California Press, |c 2011. | ||
300 | |a 1 online resource (321 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS. | |
505 | 8 | |a The Dangerous Thread of ThingsI; II; III; The Mystery of Oberwald; PROLOGUE; WITH THUNDER; IN SPRINGTIME; MONTAGNARDS; MYSTERY OF OBERWALD; TRACES; PERSUASION; Zabriskie Point; TOPOS; ENCOUNTER; IN MY END IS MY BEGINNING; NO WORDS; "FAILURES"; A CONDITION OF COMPLETE SIMPLICITY; POEM OF THE END OF THE WORLD; The Passenger; ANOTHER LIFE; OFF THE BEATEN PATH; GHOST; DATES; CIRCULARITY; THE PASSENGER; EVERYTHING YOU ALWAYS WANTED TO KNOW BUT WERE AFRAID TO ASK; Blow-Up; CULMINATION; OMNI ANIMAL POST COITUM TRISTE EST; ARCADY; THE ACT OF SIGHT; INNOCENTS; LONDON FALLING DOWN. | |
505 | 8 | |a "A SADLY UNFORTUNATE PERSON"UNNECESSARY CLOTHING; Works Cited and Consulted; Index. | |
520 | |a Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery. | ||
588 | 0 | |a Print version record. | |
504 | |a Includes bibliographical references (pages 275-288) and index. | ||
546 | |a English. | ||
600 | 1 | 0 | |a Antonioni, Michelangelo |x Criticism and interpretation. |
600 | 1 | 7 | |a Antonioni, Michelangelo |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkdkDQkQDYRXkFbMmFYfq |
650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
650 | 7 | |a Film. |2 hilcc | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
776 | 0 | 8 | |i Print version: |a Pomerance, Murray. |t Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. |d Berkeley : University of California Press, ©2011 |z 9780520258709 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=396158 |3 Volltext |
938 | |a YBP Library Services |b YANK |n 7162092 | ||
938 | |a Project MUSE |b MUSE |n muse30821 | ||
938 | |a EBSCOhost |b EBSC |n 396158 | ||
938 | |a ebrary |b EBRY |n ebr10504627 | ||
938 | |a ProQuest Ebook Central |b EBLB |n EBL784536 | ||
938 | |a Coutts Information Services |b COUT |n 19558413 | ||
938 | |a De Gruyter |b DEGR |n 9780520948303 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn756484687 |
---|---|
_version_ | 1816881772820955136 |
adam_text | |
any_adam_object | |
author | Pomerance, Murray |
author_facet | Pomerance, Murray |
author_role | |
author_sort | Pomerance, Murray |
author_variant | m p mp |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.A58 P66 2011 |
callnumber-search | PN1998.3.A58 P66 2011 |
callnumber-sort | PN 41998.3 A58 P66 42011 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS. The Dangerous Thread of ThingsI; II; III; The Mystery of Oberwald; PROLOGUE; WITH THUNDER; IN SPRINGTIME; MONTAGNARDS; MYSTERY OF OBERWALD; TRACES; PERSUASION; Zabriskie Point; TOPOS; ENCOUNTER; IN MY END IS MY BEGINNING; NO WORDS; "FAILURES"; A CONDITION OF COMPLETE SIMPLICITY; POEM OF THE END OF THE WORLD; The Passenger; ANOTHER LIFE; OFF THE BEATEN PATH; GHOST; DATES; CIRCULARITY; THE PASSENGER; EVERYTHING YOU ALWAYS WANTED TO KNOW BUT WERE AFRAID TO ASK; Blow-Up; CULMINATION; OMNI ANIMAL POST COITUM TRISTE EST; ARCADY; THE ACT OF SIGHT; INNOCENTS; LONDON FALLING DOWN. "A SADLY UNFORTUNATE PERSON"UNNECESSARY CLOTHING; Works Cited and Consulted; Index. |
ctrlnum | (OCoLC)756484687 |
dewey-full | 791.4302 791.4302/33092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302 791.4302/33092 |
dewey-search | 791.4302 791.4302/33092 |
dewey-sort | 3791.4302 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05501cam a2200781Mi 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn756484687</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |n|---|||||</controlfield><controlfield tag="008">111010s2011 cau ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2010038908</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AU@</subfield><subfield code="d">CDX</subfield><subfield code="d">E7B</subfield><subfield code="d">CBT</subfield><subfield code="d">COO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">P@U</subfield><subfield code="d">DKDLA</subfield><subfield code="d">K6U</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AGLDB</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">ZCU</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">EZ9</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">NRAMU</subfield><subfield code="d">ICG</subfield><subfield code="d">INT</subfield><subfield code="d">VT2</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LVT</subfield><subfield code="d">YOU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">TKN</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">HS0</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKCRE</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">759006975</subfield><subfield code="a">781424852</subfield><subfield code="a">832594365</subfield><subfield code="a">961549724</subfield><subfield code="a">962640505</subfield><subfield code="a">974577827</subfield><subfield code="a">974616606</subfield><subfield code="a">988499814</subfield><subfield code="a">991963074</subfield><subfield code="a">1037794499</subfield><subfield code="a">1038680877</subfield><subfield code="a">1045602655</subfield><subfield code="a">1055394133</subfield><subfield code="a">1064992985</subfield><subfield code="a">1137109370</subfield><subfield code="a">1153548693</subfield><subfield code="a">1228543405</subfield><subfield code="a">1259204826</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520948303</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520948300</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520258709</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520266865</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0520258703</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0520266862</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1283291789</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781283291781</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9786613291783</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">6613291781</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">9786613291783</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1525/9780520948303</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)756484687</subfield><subfield code="z">(OCoLC)759006975</subfield><subfield code="z">(OCoLC)781424852</subfield><subfield code="z">(OCoLC)832594365</subfield><subfield code="z">(OCoLC)961549724</subfield><subfield code="z">(OCoLC)962640505</subfield><subfield code="z">(OCoLC)974577827</subfield><subfield code="z">(OCoLC)974616606</subfield><subfield code="z">(OCoLC)988499814</subfield><subfield code="z">(OCoLC)991963074</subfield><subfield code="z">(OCoLC)1037794499</subfield><subfield code="z">(OCoLC)1038680877</subfield><subfield code="z">(OCoLC)1045602655</subfield><subfield code="z">(OCoLC)1055394133</subfield><subfield code="z">(OCoLC)1064992985</subfield><subfield code="z">(OCoLC)1137109370</subfield><subfield code="z">(OCoLC)1153548693</subfield><subfield code="z">(OCoLC)1228543405</subfield><subfield code="z">(OCoLC)1259204826</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">329178</subfield><subfield code="b">MIL</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/cttsxb1p</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">566ECE58-B7B2-4E20-8435-0159650CBE8B</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.A58 P66 2011</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">057000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004040</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.4302</subfield><subfield code="a">791.4302/33092</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pomerance, Murray.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Michelangelo Red Antonioni Blue :</subfield><subfield code="b">Eight Reflections on Cinema.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Berkeley :</subfield><subfield code="b">University of California Press,</subfield><subfield code="c">2011.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (321 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Dangerous Thread of ThingsI; II; III; The Mystery of Oberwald; PROLOGUE; WITH THUNDER; IN SPRINGTIME; MONTAGNARDS; MYSTERY OF OBERWALD; TRACES; PERSUASION; Zabriskie Point; TOPOS; ENCOUNTER; IN MY END IS MY BEGINNING; NO WORDS; "FAILURES"; A CONDITION OF COMPLETE SIMPLICITY; POEM OF THE END OF THE WORLD; The Passenger; ANOTHER LIFE; OFF THE BEATEN PATH; GHOST; DATES; CIRCULARITY; THE PASSENGER; EVERYTHING YOU ALWAYS WANTED TO KNOW BUT WERE AFRAID TO ASK; Blow-Up; CULMINATION; OMNI ANIMAL POST COITUM TRISTE EST; ARCADY; THE ACT OF SIGHT; INNOCENTS; LONDON FALLING DOWN.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">"A SADLY UNFORTUNATE PERSON"UNNECESSARY CLOTHING; Works Cited and Consulted; Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 275-288) and index.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Antonioni, Michelangelo</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Antonioni, Michelangelo</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJkdkDQkQDYRXkFbMmFYfq</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">Film & Video.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Direction & Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music, Dance, Drama & Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Pomerance, Murray.</subfield><subfield code="t">Michelangelo Red Antonioni Blue : Eight Reflections on Cinema.</subfield><subfield code="d">Berkeley : University of California Press, ©2011</subfield><subfield code="z">9780520258709</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=396158</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">7162092</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse30821</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">396158</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10504627</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL784536</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">19558413</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780520948303</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn756484687 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:18:02Z |
institution | BVB |
isbn | 9780520948303 0520948300 1283291789 9781283291781 9786613291783 6613291781 |
language | English |
oclc_num | 756484687 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (321 pages) |
psigel | ZDB-4-EBA |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | University of California Press, |
record_format | marc |
spelling | Pomerance, Murray. Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. Berkeley : University of California Press, 2011. 1 online resource (321 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS. The Dangerous Thread of ThingsI; II; III; The Mystery of Oberwald; PROLOGUE; WITH THUNDER; IN SPRINGTIME; MONTAGNARDS; MYSTERY OF OBERWALD; TRACES; PERSUASION; Zabriskie Point; TOPOS; ENCOUNTER; IN MY END IS MY BEGINNING; NO WORDS; "FAILURES"; A CONDITION OF COMPLETE SIMPLICITY; POEM OF THE END OF THE WORLD; The Passenger; ANOTHER LIFE; OFF THE BEATEN PATH; GHOST; DATES; CIRCULARITY; THE PASSENGER; EVERYTHING YOU ALWAYS WANTED TO KNOW BUT WERE AFRAID TO ASK; Blow-Up; CULMINATION; OMNI ANIMAL POST COITUM TRISTE EST; ARCADY; THE ACT OF SIGHT; INNOCENTS; LONDON FALLING DOWN. "A SADLY UNFORTUNATE PERSON"UNNECESSARY CLOTHING; Works Cited and Consulted; Index. Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery. Print version record. Includes bibliographical references (pages 275-288) and index. English. Antonioni, Michelangelo Criticism and interpretation. Antonioni, Michelangelo fast https://id.oclc.org/worldcat/entity/E39PBJkdkDQkQDYRXkFbMmFYfq ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Music, Dance, Drama & Film. hilcc Film. hilcc Criticism, interpretation, etc. fast Print version: Pomerance, Murray. Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. Berkeley : University of California Press, ©2011 9780520258709 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=396158 Volltext |
spellingShingle | Pomerance, Murray Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. Cover; Michelangelo Red Antonioni Blue; Title; Copyright; To Bill Rothman, true line of sight; Contents; Plates; Acknowledgments; On the Images in This Book; Introduction; Beyond the Clouds; CARMEN AND SILVANO; A DIRECTOR IN PORTOFINO; CARLO, PATRIZIA, HER HUSBAND, AND HIS LOVER; NICCOLO IN AIX; BEYOND THE CLOUDS; Identification of a Woman; LOVE STORY; A CHANGE OF LIGHT; BLIND KNOWLEDGE; SCIENCE; ATTENTION; NEITHER NIGHT NOR DAY; THE MODERN SELF; BORED; IMPOSSIBLE EXPERIENCE; The Red Desert; RENT; MONSTROUS SCENERY; RED; GUILT; ABSTRACT; DOWN; ONE; TUTTI; PROGRESS. The Dangerous Thread of ThingsI; II; III; The Mystery of Oberwald; PROLOGUE; WITH THUNDER; IN SPRINGTIME; MONTAGNARDS; MYSTERY OF OBERWALD; TRACES; PERSUASION; Zabriskie Point; TOPOS; ENCOUNTER; IN MY END IS MY BEGINNING; NO WORDS; "FAILURES"; A CONDITION OF COMPLETE SIMPLICITY; POEM OF THE END OF THE WORLD; The Passenger; ANOTHER LIFE; OFF THE BEATEN PATH; GHOST; DATES; CIRCULARITY; THE PASSENGER; EVERYTHING YOU ALWAYS WANTED TO KNOW BUT WERE AFRAID TO ASK; Blow-Up; CULMINATION; OMNI ANIMAL POST COITUM TRISTE EST; ARCADY; THE ACT OF SIGHT; INNOCENTS; LONDON FALLING DOWN. "A SADLY UNFORTUNATE PERSON"UNNECESSARY CLOTHING; Works Cited and Consulted; Index. Antonioni, Michelangelo Criticism and interpretation. Antonioni, Michelangelo fast https://id.oclc.org/worldcat/entity/E39PBJkdkDQkQDYRXkFbMmFYfq ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Music, Dance, Drama & Film. hilcc Film. hilcc |
title | Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. |
title_auth | Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. |
title_exact_search | Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. |
title_full | Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. |
title_fullStr | Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. |
title_full_unstemmed | Michelangelo Red Antonioni Blue : Eight Reflections on Cinema. |
title_short | Michelangelo Red Antonioni Blue : |
title_sort | michelangelo red antonioni blue eight reflections on cinema |
title_sub | Eight Reflections on Cinema. |
topic | Antonioni, Michelangelo Criticism and interpretation. Antonioni, Michelangelo fast https://id.oclc.org/worldcat/entity/E39PBJkdkDQkQDYRXkFbMmFYfq ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Music, Dance, Drama & Film. hilcc Film. hilcc |
topic_facet | Antonioni, Michelangelo Criticism and interpretation. Antonioni, Michelangelo ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video Direction & Production. Music, Dance, Drama & Film. Film. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=396158 |
work_keys_str_mv | AT pomerancemurray michelangeloredantonioniblueeightreflectionsoncinema |