Heritage film audiences :: period films and contemporary audiences in the UK /
The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' fil...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
©2011.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' film successes since the 1980s, but also to comparable examples from Europe, North America and beyond. These successes have ranged from Merchant Ivory's A Room with a View, Maurice, Howards End and The Remains of the Day, via Jane Austen adaptations such as Ang Lee's Sense and Sensibility to post-heritage adaptations such as Sally Potter's Orlando. Yet the very idea of the heritage film has rested on untested assumptions about its audiences. This book breaks significant new ground in the scholarship on contemporary period films, and makes a distinctive new contribution to the growing field of film-audience studies, by presenting the first empirically based study of the audiences for quality period films. Monk engages directly with two highly contrasting sections of these audiences, surveyed in the UK in the late 1990s, to explore their identities, their wider patterns of film taste, and above all their attitudes and pleasures - in relation to the period films they enjoy, and on issues central to debates around the heritage film, literary adaptation and cultural value - with illuminating and unpredicted results. |
| Beschreibung: | 1 online resource (viii, 240 pages) |
| Bibliographie: | Includes bibliographical references (pages 224-231) and index. |
| ISBN: | 9780748647040 074864704X 9780748688869 0748688862 1283221802 9781283221801 |
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| 100 | 1 | |a Monk, Claire, |d 1963- |0 http://id.loc.gov/authorities/names/n2001038043 | |
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| 300 | |a 1 online resource (viii, 240 pages) | ||
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| 504 | |a Includes bibliographical references (pages 224-231) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Copyright; Contents; List of Appendices; Acknowledgements; Introduction; chapter 1 The Heritage Film Debate: From Textual Critique to Audience; chapter 2 The Heritage Audience Survey: Methodology and Issues; chapter 3 Demographics and Identities: A Portrait of the Survey Respondents; chapter 4 Respondents' Film Viewing Habit(u)s; chapter 5 Patterns of Film Taste: Period and Non-Period Films; chapter 6 Audience Pleasures, Attitudes and Perspectives 1: Visual Pleasure and 'Authenticity', Engagement and Escape | |
| 505 | 8 | |a Chapter 7 Audience Pleasures, Attitudes and Perspectives 2: 'Quality', Literary Pleasures, Adaptation and Cultural Valuechapter 8 Conclusions: Period Film Audiences, the Heritage Film Debate and Audience Studies; Appendices; Selective Filmography; Bibliography; Index | |
| 520 | |a The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' film successes since the 1980s, but also to comparable examples from Europe, North America and beyond. These successes have ranged from Merchant Ivory's A Room with a View, Maurice, Howards End and The Remains of the Day, via Jane Austen adaptations such as Ang Lee's Sense and Sensibility to post-heritage adaptations such as Sally Potter's Orlando. Yet the very idea of the heritage film has rested on untested assumptions about its audiences. This book breaks significant new ground in the scholarship on contemporary period films, and makes a distinctive new contribution to the growing field of film-audience studies, by presenting the first empirically based study of the audiences for quality period films. Monk engages directly with two highly contrasting sections of these audiences, surveyed in the UK in the late 1990s, to explore their identities, their wider patterns of film taste, and above all their attitudes and pleasures - in relation to the period films they enjoy, and on issues central to debates around the heritage film, literary adaptation and cultural value - with illuminating and unpredicted results. | ||
| 650 | 0 | |a Historical films |x History and criticism. | |
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| _version_ | 1816881771424251904 |
| adam_text | |
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| author | Monk, Claire, 1963- |
| author_GND | http://id.loc.gov/authorities/names/n2001038043 |
| author_facet | Monk, Claire, 1963- |
| author_role | |
| author_sort | Monk, Claire, 1963- |
| author_variant | c m cm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.H5 M66 2011eb |
| callnumber-search | PN1995.9.H5 M66 2011eb |
| callnumber-sort | PN 41995.9 H5 M66 42011EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Cover; Copyright; Contents; List of Appendices; Acknowledgements; Introduction; chapter 1 The Heritage Film Debate: From Textual Critique to Audience; chapter 2 The Heritage Audience Survey: Methodology and Issues; chapter 3 Demographics and Identities: A Portrait of the Survey Respondents; chapter 4 Respondents' Film Viewing Habit(u)s; chapter 5 Patterns of Film Taste: Period and Non-Period Films; chapter 6 Audience Pleasures, Attitudes and Perspectives 1: Visual Pleasure and 'Authenticity', Engagement and Escape Chapter 7 Audience Pleasures, Attitudes and Perspectives 2: 'Quality', Literary Pleasures, Adaptation and Cultural Valuechapter 8 Conclusions: Period Film Audiences, the Heritage Film Debate and Audience Studies; Appendices; Selective Filmography; Bibliography; Index |
| ctrlnum | (OCoLC)755006088 |
| dewey-full | 791.43/658 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/658 |
| dewey-search | 791.43/658 |
| dewey-sort | 3791.43 3658 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocn755006088 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:18:01Z |
| institution | BVB |
| isbn | 9780748647040 074864704X 9780748688869 0748688862 1283221802 9781283221801 |
| language | English |
| oclc_num | 755006088 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 240 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| spelling | Monk, Claire, 1963- http://id.loc.gov/authorities/names/n2001038043 Heritage film audiences : period films and contemporary audiences in the UK / Claire Monk. Edinburgh : Edinburgh University Press, ©2011. 1 online resource (viii, 240 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 224-231) and index. Print version record. Cover; Copyright; Contents; List of Appendices; Acknowledgements; Introduction; chapter 1 The Heritage Film Debate: From Textual Critique to Audience; chapter 2 The Heritage Audience Survey: Methodology and Issues; chapter 3 Demographics and Identities: A Portrait of the Survey Respondents; chapter 4 Respondents' Film Viewing Habit(u)s; chapter 5 Patterns of Film Taste: Period and Non-Period Films; chapter 6 Audience Pleasures, Attitudes and Perspectives 1: Visual Pleasure and 'Authenticity', Engagement and Escape Chapter 7 Audience Pleasures, Attitudes and Perspectives 2: 'Quality', Literary Pleasures, Adaptation and Cultural Valuechapter 8 Conclusions: Period Film Audiences, the Heritage Film Debate and Audience Studies; Appendices; Selective Filmography; Bibliography; Index The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' film successes since the 1980s, but also to comparable examples from Europe, North America and beyond. These successes have ranged from Merchant Ivory's A Room with a View, Maurice, Howards End and The Remains of the Day, via Jane Austen adaptations such as Ang Lee's Sense and Sensibility to post-heritage adaptations such as Sally Potter's Orlando. Yet the very idea of the heritage film has rested on untested assumptions about its audiences. This book breaks significant new ground in the scholarship on contemporary period films, and makes a distinctive new contribution to the growing field of film-audience studies, by presenting the first empirically based study of the audiences for quality period films. Monk engages directly with two highly contrasting sections of these audiences, surveyed in the UK in the late 1990s, to explore their identities, their wider patterns of film taste, and above all their attitudes and pleasures - in relation to the period films they enjoy, and on issues central to debates around the heritage film, literary adaptation and cultural value - with illuminating and unpredicted results. Historical films History and criticism. Historical films Great Britain Public opinion. Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Public opinion Great Britain. Films historiques Histoire et critique. Films historiques Grande-Bretagne Opinion publique. Cinéma Publics. Opinion publique Grande-Bretagne. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Public opinion fast Historical films fast Motion picture audiences fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Criticism, interpretation, etc. fast has work: Heritage film audiences (Text) https://id.oclc.org/worldcat/entity/E39PCGgw7W9dBYvPDV6DvMwKVC https://id.oclc.org/worldcat/ontology/hasWork Print version: Monk, Claire, 1963- Heritage film audiences. Edinburgh : Edinburgh University Press, ©2011 0748638245 (DLC) 2011486707 (OCoLC)505428050 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=386107 Volltext |
| spellingShingle | Monk, Claire, 1963- Heritage film audiences : period films and contemporary audiences in the UK / Cover; Copyright; Contents; List of Appendices; Acknowledgements; Introduction; chapter 1 The Heritage Film Debate: From Textual Critique to Audience; chapter 2 The Heritage Audience Survey: Methodology and Issues; chapter 3 Demographics and Identities: A Portrait of the Survey Respondents; chapter 4 Respondents' Film Viewing Habit(u)s; chapter 5 Patterns of Film Taste: Period and Non-Period Films; chapter 6 Audience Pleasures, Attitudes and Perspectives 1: Visual Pleasure and 'Authenticity', Engagement and Escape Chapter 7 Audience Pleasures, Attitudes and Perspectives 2: 'Quality', Literary Pleasures, Adaptation and Cultural Valuechapter 8 Conclusions: Period Film Audiences, the Heritage Film Debate and Audience Studies; Appendices; Selective Filmography; Bibliography; Index Historical films History and criticism. Historical films Great Britain Public opinion. Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Public opinion Great Britain. Films historiques Histoire et critique. Films historiques Grande-Bretagne Opinion publique. Cinéma Publics. Opinion publique Grande-Bretagne. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Public opinion fast Historical films fast Motion picture audiences fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088029 |
| title | Heritage film audiences : period films and contemporary audiences in the UK / |
| title_auth | Heritage film audiences : period films and contemporary audiences in the UK / |
| title_exact_search | Heritage film audiences : period films and contemporary audiences in the UK / |
| title_full | Heritage film audiences : period films and contemporary audiences in the UK / Claire Monk. |
| title_fullStr | Heritage film audiences : period films and contemporary audiences in the UK / Claire Monk. |
| title_full_unstemmed | Heritage film audiences : period films and contemporary audiences in the UK / Claire Monk. |
| title_short | Heritage film audiences : |
| title_sort | heritage film audiences period films and contemporary audiences in the uk |
| title_sub | period films and contemporary audiences in the UK / |
| topic | Historical films History and criticism. Historical films Great Britain Public opinion. Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Public opinion Great Britain. Films historiques Histoire et critique. Films historiques Grande-Bretagne Opinion publique. Cinéma Publics. Opinion publique Grande-Bretagne. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Public opinion fast Historical films fast Motion picture audiences fast |
| topic_facet | Historical films History and criticism. Historical films Great Britain Public opinion. Motion picture audiences. Public opinion Great Britain. Films historiques Histoire et critique. Films historiques Grande-Bretagne Opinion publique. Cinéma Publics. Opinion publique Grande-Bretagne. ART Film & Video. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video General. Public opinion Historical films Motion picture audiences Great Britain Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=386107 |
| work_keys_str_mv | AT monkclaire heritagefilmaudiencesperiodfilmsandcontemporaryaudiencesintheuk |