Leni Riefenstahl :: the seduction of genius /
Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party. Appointed by Hitler, she directed the Nazi propaganda film Triumph des Willens along with her best-known work Olympia, a documentary of the 1936 B...
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Format: | Elektronisch E-Book |
Sprache: | English German |
Veröffentlicht: |
London ; New York :
Continuum,
©2002.
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Schriftenreihe: | Propaganda! (Continuum (Firm))
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party. Appointed by Hitler, she directed the Nazi propaganda film Triumph des Willens along with her best-known work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous woman film director in the world; yet, after World War II, she was never again accepted as a filmmaker. Rainer Rother's book provides detailed coverage, from original documentation, of those aspects of Riefenstahl's career she herself h. |
Beschreibung: | 1 online resource (x, 262 pages, 32 unnumbered pages of plates) :) |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Bibliographie: | Filmography: pages 233-242. Includes bibliographical references (pages 243-256) and index. |
ISBN: | 9781441159014 1441159010 1283272059 9781283272056 |
Zugangseinschränkungen: | Legal Deposit; |
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240 | 1 | 0 | |a Leni Riefenstahl. |l English |
245 | 1 | 0 | |a Leni Riefenstahl : |b the seduction of genius / |c Rainer Rother ; translated by Martin H. Bott. |
260 | |a London ; |a New York : |b Continuum, |c ©2002. | ||
300 | |a 1 online resource (x, 262 pages, 32 unnumbered pages of plates) :) | ||
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490 | 1 | |a [Propaganda!] | |
504 | |a Filmography: pages 233-242. | ||
504 | |a Includes bibliographical references (pages 243-256) and index. | ||
505 | 0 | 0 | |t Introduction: The Problem with Leni Riefenstahl -- |t The Talent -- |t Beginnings -- |t Overcompensation -- |t The First Performance -- |t An Intimation of New Grandeur in Dance -- |t Her First Leading Role -- |t Struggles in Snow and Ice -- |t The Film Auteur Emerges -- |t Two Interpretations of the Same Story -- |t Das blaue Licht -- |t The Genius of Nazi Filmmaking -- |t A New Kind of Film: Sieg des Glaubens -- |t Behind the Scenes of the First Party Rally Film -- |t A Party Commission: New Quality -- |t Stylization and 'Spontaneity' -- |t The Auteur of Nazi Filmmaking -- |t The Story of the 'Movement' -- |t The Party Rally Film--A Historical Document? -- |t The Party Rally Narrative -- |t The Film Auteur -- |t Tag der Freiheit -- |t The Best Sports Film of All Time -- |t Storming to the Summit -- |t A Commission -- |t The Political Significance of an 'Unpolitical' Film -- |t Sports and Suspense -- |t The Function of the Genius -- |t Travel Diplomacy -- |t Stylized Events and 'Heroic Reportages' -- |t Studio Facilities for Leni Riefenstahl -- |t Deprived of Power -- |t A Partial Retreat: Tiefland -- |t A Substitute for the Pet Project -- |t A New Look at Familiar Territory -- |t The Return of the Outcast -- |t Scandalmongers and Court Cases -- |t Relative Innocence -- |t Extras from the Camp -- |t The Massacre at Konskie -- |t Symbolic Guilt -- |t Projects -- |t Repeating the Past -- |t Africa -- |t Legal Questions and the Question of Tact -- |t Legal Claims -- |t A Verdict -- |t According to the Files ... -- |t A Renaissance--But No Rehabilitation -- |t In the Public Eye -- |t Towards Cult Status -- |t In Conclusion: A Change of Persona. |
588 | 0 | |a Print version record. | |
506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
520 | |a Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party. Appointed by Hitler, she directed the Nazi propaganda film Triumph des Willens along with her best-known work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous woman film director in the world; yet, after World War II, she was never again accepted as a filmmaker. Rainer Rother's book provides detailed coverage, from original documentation, of those aspects of Riefenstahl's career she herself h. | ||
506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
600 | 1 | 0 | |a Riefenstahl, Leni |x Criticism and interpretation. |
600 | 1 | 7 | |a Riefenstahl, Leni |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdcD7fqkDKM3rD4T43bBP |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a Leni Riefenstahl (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFPygJXhr6VwTGxxgDfFDq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn746853665 |
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adam_text | |
any_adam_object | |
author | Rother, Rainer |
author_GND | http://id.loc.gov/authorities/names/n90679923 |
author_facet | Rother, Rainer |
author_role | |
author_sort | Rother, Rainer |
author_variant | r r rr |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.R54 R6813 2002eb |
callnumber-search | PN1998.3.R54 R6813 2002eb |
callnumber-sort | PN 41998.3 R54 R6813 42002EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction: The Problem with Leni Riefenstahl -- The Talent -- Beginnings -- Overcompensation -- The First Performance -- An Intimation of New Grandeur in Dance -- Her First Leading Role -- Struggles in Snow and Ice -- The Film Auteur Emerges -- Two Interpretations of the Same Story -- Das blaue Licht -- The Genius of Nazi Filmmaking -- A New Kind of Film: Sieg des Glaubens -- Behind the Scenes of the First Party Rally Film -- A Party Commission: New Quality -- Stylization and 'Spontaneity' -- The Auteur of Nazi Filmmaking -- The Story of the 'Movement' -- The Party Rally Film--A Historical Document? -- The Party Rally Narrative -- The Film Auteur -- Tag der Freiheit -- The Best Sports Film of All Time -- Storming to the Summit -- A Commission -- The Political Significance of an 'Unpolitical' Film -- Sports and Suspense -- The Function of the Genius -- Travel Diplomacy -- Stylized Events and 'Heroic Reportages' -- Studio Facilities for Leni Riefenstahl -- Deprived of Power -- A Partial Retreat: Tiefland -- A Substitute for the Pet Project -- A New Look at Familiar Territory -- The Return of the Outcast -- Scandalmongers and Court Cases -- Relative Innocence -- Extras from the Camp -- The Massacre at Konskie -- Symbolic Guilt -- Projects -- Repeating the Past -- Africa -- Legal Questions and the Question of Tact -- Legal Claims -- A Verdict -- According to the Files ... -- A Renaissance--But No Rehabilitation -- In the Public Eye -- Towards Cult Status -- In Conclusion: A Change of Persona. |
ctrlnum | (OCoLC)746853665 |
dewey-full | 791.4302/33/092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/33/092 |
dewey-search | 791.4302/33/092 |
dewey-sort | 3791.4302 233 292 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn746853665 |
illustrated | Illustrated |
indexdate | 2024-10-25T16:18:13Z |
institution | BVB |
isbn | 9781441159014 1441159010 1283272059 9781283272056 |
language | English German |
oclc_num | 746853665 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource (x, 262 pages, 32 unnumbered pages of plates) :) |
psigel | ZDB-4-EBA |
publishDate | 2002 |
publishDateSearch | 2002 |
publishDateSort | 2002 |
publisher | Continuum, |
record_format | marc |
series | Propaganda! (Continuum (Firm)) |
series2 | [Propaganda!] |
spelling | Rother, Rainer. http://id.loc.gov/authorities/names/n90679923 Leni Riefenstahl. English Leni Riefenstahl : the seduction of genius / Rainer Rother ; translated by Martin H. Bott. London ; New York : Continuum, ©2002. 1 online resource (x, 262 pages, 32 unnumbered pages of plates) :) text txt rdacontent computer c rdamedia online resource cr rdacarrier [Propaganda!] Filmography: pages 233-242. Includes bibliographical references (pages 243-256) and index. Introduction: The Problem with Leni Riefenstahl -- The Talent -- Beginnings -- Overcompensation -- The First Performance -- An Intimation of New Grandeur in Dance -- Her First Leading Role -- Struggles in Snow and Ice -- The Film Auteur Emerges -- Two Interpretations of the Same Story -- Das blaue Licht -- The Genius of Nazi Filmmaking -- A New Kind of Film: Sieg des Glaubens -- Behind the Scenes of the First Party Rally Film -- A Party Commission: New Quality -- Stylization and 'Spontaneity' -- The Auteur of Nazi Filmmaking -- The Story of the 'Movement' -- The Party Rally Film--A Historical Document? -- The Party Rally Narrative -- The Film Auteur -- Tag der Freiheit -- The Best Sports Film of All Time -- Storming to the Summit -- A Commission -- The Political Significance of an 'Unpolitical' Film -- Sports and Suspense -- The Function of the Genius -- Travel Diplomacy -- Stylized Events and 'Heroic Reportages' -- Studio Facilities for Leni Riefenstahl -- Deprived of Power -- A Partial Retreat: Tiefland -- A Substitute for the Pet Project -- A New Look at Familiar Territory -- The Return of the Outcast -- Scandalmongers and Court Cases -- Relative Innocence -- Extras from the Camp -- The Massacre at Konskie -- Symbolic Guilt -- Projects -- Repeating the Past -- Africa -- Legal Questions and the Question of Tact -- Legal Claims -- A Verdict -- According to the Files ... -- A Renaissance--But No Rehabilitation -- In the Public Eye -- Towards Cult Status -- In Conclusion: A Change of Persona. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party. Appointed by Hitler, she directed the Nazi propaganda film Triumph des Willens along with her best-known work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous woman film director in the world; yet, after World War II, she was never again accepted as a filmmaker. Rainer Rother's book provides detailed coverage, from original documentation, of those aspects of Riefenstahl's career she herself h. Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL Riefenstahl, Leni Criticism and interpretation. Riefenstahl, Leni fast https://id.oclc.org/worldcat/entity/E39PBJdcD7fqkDKM3rD4T43bBP PERFORMING ARTS Film & Video Direction & Production. bisacsh Criticism, interpretation, etc. fast has work: Leni Riefenstahl (Text) https://id.oclc.org/worldcat/entity/E39PCFPygJXhr6VwTGxxgDfFDq https://id.oclc.org/worldcat/ontology/hasWork Print version: Rother, Rainer. Leni Riefenstahl. English. Leni Riefenstahl. London ; New York : Continuum, ©2002 0826461018 (DLC) 2005412454 (OCoLC)50301490 Propaganda! (Continuum (Firm)) http://id.loc.gov/authorities/names/no2002106527 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=377681 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=377681 Volltext |
spellingShingle | Rother, Rainer Leni Riefenstahl : the seduction of genius / Propaganda! (Continuum (Firm)) Introduction: The Problem with Leni Riefenstahl -- The Talent -- Beginnings -- Overcompensation -- The First Performance -- An Intimation of New Grandeur in Dance -- Her First Leading Role -- Struggles in Snow and Ice -- The Film Auteur Emerges -- Two Interpretations of the Same Story -- Das blaue Licht -- The Genius of Nazi Filmmaking -- A New Kind of Film: Sieg des Glaubens -- Behind the Scenes of the First Party Rally Film -- A Party Commission: New Quality -- Stylization and 'Spontaneity' -- The Auteur of Nazi Filmmaking -- The Story of the 'Movement' -- The Party Rally Film--A Historical Document? -- The Party Rally Narrative -- The Film Auteur -- Tag der Freiheit -- The Best Sports Film of All Time -- Storming to the Summit -- A Commission -- The Political Significance of an 'Unpolitical' Film -- Sports and Suspense -- The Function of the Genius -- Travel Diplomacy -- Stylized Events and 'Heroic Reportages' -- Studio Facilities for Leni Riefenstahl -- Deprived of Power -- A Partial Retreat: Tiefland -- A Substitute for the Pet Project -- A New Look at Familiar Territory -- The Return of the Outcast -- Scandalmongers and Court Cases -- Relative Innocence -- Extras from the Camp -- The Massacre at Konskie -- Symbolic Guilt -- Projects -- Repeating the Past -- Africa -- Legal Questions and the Question of Tact -- Legal Claims -- A Verdict -- According to the Files ... -- A Renaissance--But No Rehabilitation -- In the Public Eye -- Towards Cult Status -- In Conclusion: A Change of Persona. Riefenstahl, Leni Criticism and interpretation. Riefenstahl, Leni fast https://id.oclc.org/worldcat/entity/E39PBJdcD7fqkDKM3rD4T43bBP PERFORMING ARTS Film & Video Direction & Production. bisacsh |
title | Leni Riefenstahl : the seduction of genius / |
title_alt | Leni Riefenstahl. Introduction: The Problem with Leni Riefenstahl -- The Talent -- Beginnings -- Overcompensation -- The First Performance -- An Intimation of New Grandeur in Dance -- Her First Leading Role -- Struggles in Snow and Ice -- The Film Auteur Emerges -- Two Interpretations of the Same Story -- Das blaue Licht -- The Genius of Nazi Filmmaking -- A New Kind of Film: Sieg des Glaubens -- Behind the Scenes of the First Party Rally Film -- A Party Commission: New Quality -- Stylization and 'Spontaneity' -- The Auteur of Nazi Filmmaking -- The Story of the 'Movement' -- The Party Rally Film--A Historical Document? -- The Party Rally Narrative -- The Film Auteur -- Tag der Freiheit -- The Best Sports Film of All Time -- Storming to the Summit -- A Commission -- The Political Significance of an 'Unpolitical' Film -- Sports and Suspense -- The Function of the Genius -- Travel Diplomacy -- Stylized Events and 'Heroic Reportages' -- Studio Facilities for Leni Riefenstahl -- Deprived of Power -- A Partial Retreat: Tiefland -- A Substitute for the Pet Project -- A New Look at Familiar Territory -- The Return of the Outcast -- Scandalmongers and Court Cases -- Relative Innocence -- Extras from the Camp -- The Massacre at Konskie -- Symbolic Guilt -- Projects -- Repeating the Past -- Africa -- Legal Questions and the Question of Tact -- Legal Claims -- A Verdict -- According to the Files ... -- A Renaissance--But No Rehabilitation -- In the Public Eye -- Towards Cult Status -- In Conclusion: A Change of Persona. |
title_auth | Leni Riefenstahl : the seduction of genius / |
title_exact_search | Leni Riefenstahl : the seduction of genius / |
title_full | Leni Riefenstahl : the seduction of genius / Rainer Rother ; translated by Martin H. Bott. |
title_fullStr | Leni Riefenstahl : the seduction of genius / Rainer Rother ; translated by Martin H. Bott. |
title_full_unstemmed | Leni Riefenstahl : the seduction of genius / Rainer Rother ; translated by Martin H. Bott. |
title_short | Leni Riefenstahl : |
title_sort | leni riefenstahl the seduction of genius |
title_sub | the seduction of genius / |
topic | Riefenstahl, Leni Criticism and interpretation. Riefenstahl, Leni fast https://id.oclc.org/worldcat/entity/E39PBJdcD7fqkDKM3rD4T43bBP PERFORMING ARTS Film & Video Direction & Production. bisacsh |
topic_facet | Riefenstahl, Leni Criticism and interpretation. Riefenstahl, Leni PERFORMING ARTS Film & Video Direction & Production. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=377681 |
work_keys_str_mv | AT rotherrainer leniriefenstahl AT rotherrainer leniriefenstahltheseductionofgenius |