Funny pictures :: animation and comedy in studio-era Hollywood /
This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom's earliest days through the twentieth century. Written by a who's who of animation authorities, Funny pictures offers a stimulating range of views on why animation became associate...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. :
University of California Press,
©2011.
|
| Schriftenreihe: | ACLS Fellows' Publications.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom's earliest days through the twentieth century. Written by a who's who of animation authorities, Funny pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes ... |
| Beschreibung: | 1 online resource (viii, 331 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520950122 0520950127 |
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| 245 | 0 | 0 | |a Funny pictures : |b animation and comedy in studio-era Hollywood / |c edited by Daniel Goldmark and Charlie Keil. |
| 260 | |a Berkeley, Calif. : |b University of California Press, |c ©2011. | ||
| 300 | |a 1 online resource (viii, 331 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 520 | |a This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom's earliest days through the twentieth century. Written by a who's who of animation authorities, Funny pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes ... | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: what makes these pictures so funny? / Charlie Keil and Daniel Goldmark -- The (filmic) roots of early animation. The Chaplin effect: ghosts in the machine and animated gags / Paul Wells -- Polyphony and heterogeneity in early Fleischer films: comic strips, vaudeville, and the New York style / Mark Langer -- The heir apparent / J.B. Kaufman -- Systems and effects: making cartoons funny. Infectious laughter: cartoons' cure for the Depression / Don Crafton -- "We're happy when we're sad": comedy, gags, and 1930s cartoon narration / Richard Neupert -- Laughter by numbers: the science of comedy at the Walt Disney Studio / Susan Ohmer -- Retheorizing animated comedy. "Who dat say who dat?" racial masquerade, humor, and the rise of American animation / Nicholas Sammond -- "I like to sock myself in the face": reconsidering "vulgar modernism" / Henry Jenkins -- Auralis sexualis: how cartoons conduct Paraphilia / Philip Brophy -- Comic inspiration: animation auteurs. The art of diddling: slapstick, science, and antimodernism in the films of Charley Bowers / Rob King -- Tex Avery's prison house of animation, or humor and boredom in studio cartoons / Scott Curtis -- Tish-Tash in cartoonland / Ethan de Seife -- Beyond the studio era: building on tradition. Sounds funny/funny sounds: theorizing cartoon music / Daniel Goldmark -- The revival of the studio-era cartoon in the 1990s / Linda Simensky. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Animated films |z United States |x History and criticism. | |
| 650 | 0 | |a Wit and humor in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2008002296 | |
| 650 | 6 | |a Humour au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Animation. |2 bisacsh | |
| 650 | 7 | |a Animated films |2 fast | |
| 650 | 7 | |a Wit and humor in motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 653 | |a 20th century animation. | ||
| 653 | |a 20th century cartoons. | ||
| 653 | |a 20th century comedy. | ||
| 653 | |a american animations. | ||
| 653 | |a american entertainment history. | ||
| 653 | |a american entertainment. | ||
| 653 | |a animated comedy. | ||
| 653 | |a animation and comedy. | ||
| 653 | |a animation graphic design. | ||
| 653 | |a animation literature. | ||
| 653 | |a animation studies. | ||
| 653 | |a books for film enthusiasts. | ||
| 653 | |a charlie chaplain. | ||
| 653 | |a classic hollywood. | ||
| 653 | |a film and television. | ||
| 653 | |a film history. | ||
| 653 | |a history of animation. | ||
| 653 | |a history of cinema. | ||
| 653 | |a history of comedy. | ||
| 653 | |a history of motion picture. | ||
| 653 | |a pixar books. | ||
| 653 | |a popular entertainment. | ||
| 653 | |a studio era cartoons. | ||
| 653 | |a the simpsons. | ||
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Goldmark, Daniel, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjH83cvGhJv6Cq63crYdHy |0 http://id.loc.gov/authorities/names/n2002071539 | |
| 700 | 1 | |a Keil, Charlie, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjwJRgcqJgf4Wgm8WXkWCP |0 http://id.loc.gov/authorities/names/n86016549 | |
| 758 | |i has work: |a Funny pictures (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGjjV9pd6dyd8w4c9pjm7d |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Funny pictures. |d Berkeley, Calif. : University of California Press, 2011 |z 9780520267237 |w (DLC) 2011005494 |w (OCoLC)701672530 |
| 830 | 0 | |a ACLS Fellows' Publications. | |
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| _version_ | 1829094700374556672 |
| adam_text | |
| any_adam_object | |
| author2 | Goldmark, Daniel Keil, Charlie |
| author2_role | edt edt |
| author2_variant | d g dg c k ck |
| author_GND | http://id.loc.gov/authorities/names/n2002071539 http://id.loc.gov/authorities/names/n86016549 |
| author_facet | Goldmark, Daniel Keil, Charlie |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NC1766 |
| callnumber-raw | NC1766.U5 F86 2011eb |
| callnumber-search | NC1766.U5 F86 2011eb |
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| callnumber-subject | NC - Drawing, Design, Illustration |
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| contents | Introduction: what makes these pictures so funny? / Charlie Keil and Daniel Goldmark -- The (filmic) roots of early animation. The Chaplin effect: ghosts in the machine and animated gags / Paul Wells -- Polyphony and heterogeneity in early Fleischer films: comic strips, vaudeville, and the New York style / Mark Langer -- The heir apparent / J.B. Kaufman -- Systems and effects: making cartoons funny. Infectious laughter: cartoons' cure for the Depression / Don Crafton -- "We're happy when we're sad": comedy, gags, and 1930s cartoon narration / Richard Neupert -- Laughter by numbers: the science of comedy at the Walt Disney Studio / Susan Ohmer -- Retheorizing animated comedy. "Who dat say who dat?" racial masquerade, humor, and the rise of American animation / Nicholas Sammond -- "I like to sock myself in the face": reconsidering "vulgar modernism" / Henry Jenkins -- Auralis sexualis: how cartoons conduct Paraphilia / Philip Brophy -- Comic inspiration: animation auteurs. The art of diddling: slapstick, science, and antimodernism in the films of Charley Bowers / Rob King -- Tex Avery's prison house of animation, or humor and boredom in studio cartoons / Scott Curtis -- Tish-Tash in cartoonland / Ethan de Seife -- Beyond the studio era: building on tradition. Sounds funny/funny sounds: theorizing cartoon music / Daniel Goldmark -- The revival of the studio-era cartoon in the 1990s / Linda Simensky. |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/340973 |
| dewey-search | 791.43/340973 |
| dewey-sort | 3791.43 6340973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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:</subfield><subfield code="b">University of California Press,</subfield><subfield code="c">©2011.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 331 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom's earliest days through the twentieth century. Written by a who's who of animation authorities, Funny pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes ...</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: what makes these pictures so funny? / Charlie Keil and Daniel Goldmark -- The (filmic) roots of early animation. 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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn739104374 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:37:17Z |
| institution | BVB |
| isbn | 9780520950122 0520950127 |
| language | English |
| lccn | 2011005494 |
| oclc_num | 739104374 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 331 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | University of California Press, |
| record_format | marc |
| series | ACLS Fellows' Publications. |
| spelling | Funny pictures : animation and comedy in studio-era Hollywood / edited by Daniel Goldmark and Charlie Keil. Berkeley, Calif. : University of California Press, ©2011. 1 online resource (viii, 331 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom's earliest days through the twentieth century. Written by a who's who of animation authorities, Funny pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes ... Includes bibliographical references and index. Introduction: what makes these pictures so funny? / Charlie Keil and Daniel Goldmark -- The (filmic) roots of early animation. The Chaplin effect: ghosts in the machine and animated gags / Paul Wells -- Polyphony and heterogeneity in early Fleischer films: comic strips, vaudeville, and the New York style / Mark Langer -- The heir apparent / J.B. Kaufman -- Systems and effects: making cartoons funny. Infectious laughter: cartoons' cure for the Depression / Don Crafton -- "We're happy when we're sad": comedy, gags, and 1930s cartoon narration / Richard Neupert -- Laughter by numbers: the science of comedy at the Walt Disney Studio / Susan Ohmer -- Retheorizing animated comedy. "Who dat say who dat?" racial masquerade, humor, and the rise of American animation / Nicholas Sammond -- "I like to sock myself in the face": reconsidering "vulgar modernism" / Henry Jenkins -- Auralis sexualis: how cartoons conduct Paraphilia / Philip Brophy -- Comic inspiration: animation auteurs. The art of diddling: slapstick, science, and antimodernism in the films of Charley Bowers / Rob King -- Tex Avery's prison house of animation, or humor and boredom in studio cartoons / Scott Curtis -- Tish-Tash in cartoonland / Ethan de Seife -- Beyond the studio era: building on tradition. Sounds funny/funny sounds: theorizing cartoon music / Daniel Goldmark -- The revival of the studio-era cartoon in the 1990s / Linda Simensky. Print version record. Animated films United States History and criticism. Wit and humor in motion pictures. http://id.loc.gov/authorities/subjects/sh2008002296 Humour au cinéma. PERFORMING ARTS Animation. bisacsh Animated films fast Wit and humor in motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 20th century animation. 20th century cartoons. 20th century comedy. american animations. american entertainment history. american entertainment. animated comedy. animation and comedy. animation graphic design. animation literature. animation studies. books for film enthusiasts. charlie chaplain. classic hollywood. film and television. film history. history of animation. history of cinema. history of comedy. history of motion picture. pixar books. popular entertainment. studio era cartoons. the simpsons. Electronic books. Criticism, interpretation, etc. fast Goldmark, Daniel, editor. https://id.oclc.org/worldcat/entity/E39PCjH83cvGhJv6Cq63crYdHy http://id.loc.gov/authorities/names/n2002071539 Keil, Charlie, editor. https://id.oclc.org/worldcat/entity/E39PCjwJRgcqJgf4Wgm8WXkWCP http://id.loc.gov/authorities/names/n86016549 has work: Funny pictures (Text) https://id.oclc.org/worldcat/entity/E39PCGjjV9pd6dyd8w4c9pjm7d https://id.oclc.org/worldcat/ontology/hasWork Print version: Funny pictures. Berkeley, Calif. : University of California Press, 2011 9780520267237 (DLC) 2011005494 (OCoLC)701672530 ACLS Fellows' Publications. |
| spellingShingle | Funny pictures : animation and comedy in studio-era Hollywood / ACLS Fellows' Publications. Introduction: what makes these pictures so funny? / Charlie Keil and Daniel Goldmark -- The (filmic) roots of early animation. The Chaplin effect: ghosts in the machine and animated gags / Paul Wells -- Polyphony and heterogeneity in early Fleischer films: comic strips, vaudeville, and the New York style / Mark Langer -- The heir apparent / J.B. Kaufman -- Systems and effects: making cartoons funny. Infectious laughter: cartoons' cure for the Depression / Don Crafton -- "We're happy when we're sad": comedy, gags, and 1930s cartoon narration / Richard Neupert -- Laughter by numbers: the science of comedy at the Walt Disney Studio / Susan Ohmer -- Retheorizing animated comedy. "Who dat say who dat?" racial masquerade, humor, and the rise of American animation / Nicholas Sammond -- "I like to sock myself in the face": reconsidering "vulgar modernism" / Henry Jenkins -- Auralis sexualis: how cartoons conduct Paraphilia / Philip Brophy -- Comic inspiration: animation auteurs. The art of diddling: slapstick, science, and antimodernism in the films of Charley Bowers / Rob King -- Tex Avery's prison house of animation, or humor and boredom in studio cartoons / Scott Curtis -- Tish-Tash in cartoonland / Ethan de Seife -- Beyond the studio era: building on tradition. Sounds funny/funny sounds: theorizing cartoon music / Daniel Goldmark -- The revival of the studio-era cartoon in the 1990s / Linda Simensky. Animated films United States History and criticism. Wit and humor in motion pictures. http://id.loc.gov/authorities/subjects/sh2008002296 Humour au cinéma. PERFORMING ARTS Animation. bisacsh Animated films fast Wit and humor in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2008002296 |
| title | Funny pictures : animation and comedy in studio-era Hollywood / |
| title_auth | Funny pictures : animation and comedy in studio-era Hollywood / |
| title_exact_search | Funny pictures : animation and comedy in studio-era Hollywood / |
| title_full | Funny pictures : animation and comedy in studio-era Hollywood / edited by Daniel Goldmark and Charlie Keil. |
| title_fullStr | Funny pictures : animation and comedy in studio-era Hollywood / edited by Daniel Goldmark and Charlie Keil. |
| title_full_unstemmed | Funny pictures : animation and comedy in studio-era Hollywood / edited by Daniel Goldmark and Charlie Keil. |
| title_short | Funny pictures : |
| title_sort | funny pictures animation and comedy in studio era hollywood |
| title_sub | animation and comedy in studio-era Hollywood / |
| topic | Animated films United States History and criticism. Wit and humor in motion pictures. http://id.loc.gov/authorities/subjects/sh2008002296 Humour au cinéma. PERFORMING ARTS Animation. bisacsh Animated films fast Wit and humor in motion pictures fast |
| topic_facet | Animated films United States History and criticism. Wit and humor in motion pictures. Humour au cinéma. PERFORMING ARTS Animation. Animated films Wit and humor in motion pictures United States Electronic books. Criticism, interpretation, etc. |
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