Verfügbarkeit: Psychoanalysis and film /

Psychoanalysis and film /:

In full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this inte...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
Weitere Verfasser:	Gabbard, Glen O.
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	London ; New York : Karnac, 2001.
Schriftenreihe:	International journal of psychoanalysis key paper series.
Schlagworte:	Psychoanalysis and motion pictures. Motion pictures > Psychological aspects. Psychoanalysis. Psychoanalysis Motion Pictures as Topic Psychoanalytic Theory Psychanalyse et cinéma. Psychanalyse. Cinéma > Aspect psychologique. psychoanalysis. PERFORMING ARTS > Film & Video > History & Criticism. Motion pictures > Psychological aspects Psychoanalysis and motion pictures Psychoanalyse Film Psychoanalyse. Filmkunst. Electronic book.
Online-Zugang:	Volltext
Zusammenfassung:	In full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this intelligent and enjoyable collection succeedes in combining clarity and accessibility with a deeply informed scholarship.
Beschreibung:	1 online resource (viii, 239 pages) : illustrations
Format:	Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Bibliographie:	Includes bibliographical references.
ISBN:	9781849403160 1849403163

Internformat

MARC


LEADER	00000cam a2200000 a 4500
001	ZDB-4-EBA-ocn730500593
003	OCoLC
005	20241004212047.0
006	m o d
007	cr cnu---unuuu
008	110614s2001 enka ob 000 0 eng d
040			\|a N$T \|b eng \|e pn \|c N$T \|d E7B \|d YDXCP \|d OCLCQ \|d OCLCF \|d NLGGC \|d OCLCO \|d OCLCE \|d EBLCP \|d IDEBK \|d COO \|d OCLCQ \|d OCLCO \|d OCLCQ \|d LOA \|d OCLCO \|d OCLCA \|d TOA \|d OCLCO \|d MOR \|d PIFAG \|d ZCU \|d OCLCO \|d OCLCQ \|d MERUC \|d OCLCO \|d OCLCQ \|d OCLCO \|d OCLCA \|d STF \|d YDX \|d VNS \|d WRM \|d OCLCO \|d VTS \|d NRAMU \|d ICG \|d VT2 \|d OCLCQ \|d UWO \|d WYU \|d OCLCA \|d DKC \|d OCLCO \|d OCLCQ \|d OCLCA \|d OCLCQ \|d U3W \|d OCLCA \|d UKCRE \|d AJS \|d OCLCQ \|d OCLCO \|d SFB \|d OCL \|d OCLCQ \|d OCLCO \|d OCLCL \|d SXB \|d OCLCQ
019			\|a 606648858 \|a 729166997 \|a 873014649 \|a 961621313 \|a 962712320 \|a 966263566 \|a 988474703 \|a 991923238 \|a 1037704766 \|a 1038653001 \|a 1038677989 \|a 1045438006 \|a 1055357135 \|a 1066595540 \|a 1081191167 \|a 1137107129 \|a 1153489959 \|a 1228527982
020			\|a 9781849403160 \|q (electronic bk.)
020			\|a 1849403163 \|q (electronic bk.)
020			\|z 1588752751
020			\|z 1855752751
020			\|z 9781855752757
035			\|a (OCoLC)730500593 \|z (OCoLC)606648858 \|z (OCoLC)729166997 \|z (OCoLC)873014649 \|z (OCoLC)961621313 \|z (OCoLC)962712320 \|z (OCoLC)966263566 \|z (OCoLC)988474703 \|z (OCoLC)991923238 \|z (OCoLC)1037704766 \|z (OCoLC)1038653001 \|z (OCoLC)1038677989 \|z (OCoLC)1045438006 \|z (OCoLC)1055357135 \|z (OCoLC)1066595540 \|z (OCoLC)1081191167 \|z (OCoLC)1137107129 \|z (OCoLC)1153489959 \|z (OCoLC)1228527982
037			\|b 00004526
042			\|a dlr
050		4	\|a PN1995.9.P783 \|b P79 2001eb
060		4	\|a 2005 M-154
060		4	\|a WM 460 \|b P97255 2001
072		7	\|a PER \|x 004030 \|2 bisacsh
082	7		\|a 791.43019 \|2 22
084			\|a 24.31 \|2 bcl
049			\|a MAIN
245	0	0	\|a Psychoanalysis and film / \|c edited and with an introduction by Glen O. Gabbard.
246	1	4	\|a Psychoanalysis & film
260			\|a London ; \|a New York : \|b Karnac, \|c 2001.
300			\|a 1 online resource (viii, 239 pages) : \|b illustrations
336			\|a text \|b txt \|2 rdacontent
337			\|a computer \|b c \|2 rdamedia
338			\|a online resource \|b cr \|2 rdacarrier
490	1		\|a International journal of psychoanalysis key papers series
504			\|a Includes bibliographical references.
505	0		\|a Introduction / Glen O. Gabbard -- the end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries / Jacob A. Arlow, NBew York -- Hitchcock's Vertigo: the collapse of a rescue fantasy / Emanuel Berman, Haifa, Israel -- Neil Jordan's The Crying Game / Glen O. Gabbard, Topeks, KS -- Hidden in the imagery: an unconscious scene in The Conformist / Herbert H. Stein, New York -- Ah doctor, is there nothin' I can take? A review of Reservoir Dogs / Adriene Harris, New York -- Arthur Penn's Night Moves: a film that interprets us / Emanuel Berman, Israel -- Lone Star: signs, borders and thresholds / Harriet Kimble Wrye, Pacific Palisades -- Letters, words and metaphors: a psychoanalytic reading of Michael Radford's Il Postino / Andrea Sabbadini, London -- Truffaut and the failure of introjection / Simona Argentieri, Rome -- I have not spoken: silence in The Piano / Bruce H. Sklarew, Chevy Chase, MD -- Over-exposure: Terry Zwigoff's Crumb / Eric J. Nuetzel, St. Louis -- Narrating desire and desiring narration: a psychoanalytic reading of The English Patient / Diana Diamond, New York -- The remains of the day / Mechthild Zeul, Madrid.
505	0		\|a Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen mansculinity / Ronald Baker, London -- The thing from inner space: Titanic and Deep Impact / Slavoj Zizek, Ljubijana -- Chinatown / Noel Hess, London -- Saging Private Ryan's surplus repression / Krin Gabbard, New York -- M (1931) / Janine Chasseguet-Smirgel, Paris -- Remembering and repeating in Eve's Bayou / Kimberlyn Leary, Ann Arbor, MI.
505	0		\|a Watching voyeurs: Michael Powell's Peeping Tom (1960) / Andrea Sabbadini, London -- Egoyan's Erotica: where does the real horror reside? / Ronit Maralon and Emanuel Berman, Israel -- The real thing? Some thoughts on Boys Don't Cry / Donald Moss and Lynne Zeavin, New York -- 15 minutes of fame revisited: Being John Malkovich / Glen O. Gabbard, Topekas, KS -- The sixth sense / Philip A. Ringstrom.
588	0		\|a Print version record.
506			\|3 Use copy \|f Restrictions unspecified \|2 star \|5 MiAaHDL
520			\|a In full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this intelligent and enjoyable collection succeedes in combining clarity and accessibility with a deeply informed scholarship.
533			\|a Electronic reproduction. \|b [Place of publication not identified] : \|c HathiTrust Digital Library, \|d 2010. \|5 MiAaHDL
538			\|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. \|u http://purl.oclc.org/DLF/benchrepro0212 \|5 MiAaHDL
583	1		\|a digitized \|c 2010 \|h HathiTrust Digital Library \|l committed to preserve \|2 pda \|5 MiAaHDL
650		0	\|a Psychoanalysis and motion pictures. \|0 http://id.loc.gov/authorities/subjects/sh88003429
650		0	\|a Motion pictures \|x Psychological aspects.
650		0	\|a Psychoanalysis. \|0 http://id.loc.gov/authorities/subjects/sh85108411
650	1	2	\|a Psychoanalysis
650	2	2	\|a Motion Pictures as Topic
650		2	\|a Psychoanalytic Theory \|0 https://id.nlm.nih.gov/mesh/D011574
650		6	\|a Psychanalyse et cinéma.
650		6	\|a Psychanalyse.
650		6	\|a Cinéma \|x Aspect psychologique.
650		7	\|a psychoanalysis. \|2 aat
650		7	\|a PERFORMING ARTS \|x Film & Video \|x History & Criticism. \|2 bisacsh
650		7	\|a Psychoanalysis \|2 fast
650		7	\|a Motion pictures \|x Psychological aspects \|2 fast
650		7	\|a Psychoanalysis and motion pictures \|2 fast
650		7	\|a Psychoanalyse \|2 gnd
650		7	\|a Film \|2 gnd \|0 http://d-nb.info/gnd/4017102-4
650	1	7	\|a Psychoanalyse. \|2 gtt
650	1	7	\|a Filmkunst. \|2 gtt
655		4	\|a Electronic book.
700	1		\|a Gabbard, Glen O.
776	0	8	\|i Print version: \|t Psychoanalysis and film. \|d London ; New York : Karnac, 2001 \|z 1855752751 \|w (OCoLC)48889943
830		0	\|a International journal of psychoanalysis key paper series.
856	4	0	\|l FWS01 \|p ZDB-4-EBA \|q FWS_PDA_EBA \|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=369309 \|3 Volltext
938			\|a EBL - Ebook Library \|b EBLB \|n EBL712269
938			\|a ebrary \|b EBRY \|n ebr10477697
938			\|a EBSCOhost \|b EBSC \|n 369309
938			\|a ProQuest MyiLibrary Digital eBook Collection \|b IDEB \|n 312560
938			\|a YBP Library Services \|b YANK \|n 15467481
938			\|a YBP Library Services \|b YANK \|n 6902294
994			\|a 92 \|b GEBAY
912			\|a ZDB-4-EBA
049			\|a DE-863

Datensatz im Suchindex

DE-BY-FWS_katkey	ZDB-4-EBA-ocn730500593
_version_	1816881761747992576
adam_text
any_adam_object
author2	Gabbard, Glen O.
author2_role
author2_variant	g o g go gog
author_facet	Gabbard, Glen O.
author_sort	Gabbard, Glen O.
building	Verbundindex
bvnumber	localFWS
callnumber-first	P - Language and Literature
callnumber-label	PN1995
callnumber-raw	PN1995.9.P783 P79 2001eb
callnumber-search	PN1995.9.P783 P79 2001eb
callnumber-sort	PN 41995.9 P783 P79 42001EB
callnumber-subject	PN - General Literature
collection	ZDB-4-EBA
contents	Introduction / Glen O. Gabbard -- the end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries / Jacob A. Arlow, NBew York -- Hitchcock's Vertigo: the collapse of a rescue fantasy / Emanuel Berman, Haifa, Israel -- Neil Jordan's The Crying Game / Glen O. Gabbard, Topeks, KS -- Hidden in the imagery: an unconscious scene in The Conformist / Herbert H. Stein, New York -- Ah doctor, is there nothin' I can take? A review of Reservoir Dogs / Adriene Harris, New York -- Arthur Penn's Night Moves: a film that interprets us / Emanuel Berman, Israel -- Lone Star: signs, borders and thresholds / Harriet Kimble Wrye, Pacific Palisades -- Letters, words and metaphors: a psychoanalytic reading of Michael Radford's Il Postino / Andrea Sabbadini, London -- Truffaut and the failure of introjection / Simona Argentieri, Rome -- I have not spoken: silence in The Piano / Bruce H. Sklarew, Chevy Chase, MD -- Over-exposure: Terry Zwigoff's Crumb / Eric J. Nuetzel, St. Louis -- Narrating desire and desiring narration: a psychoanalytic reading of The English Patient / Diana Diamond, New York -- The remains of the day / Mechthild Zeul, Madrid. Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen mansculinity / Ronald Baker, London -- The thing from inner space: Titanic and Deep Impact / Slavoj Zizek, Ljubijana -- Chinatown / Noel Hess, London -- Saging Private Ryan's surplus repression / Krin Gabbard, New York -- M (1931) / Janine Chasseguet-Smirgel, Paris -- Remembering and repeating in Eve's Bayou / Kimberlyn Leary, Ann Arbor, MI. Watching voyeurs: Michael Powell's Peeping Tom (1960) / Andrea Sabbadini, London -- Egoyan's Erotica: where does the real horror reside? / Ronit Maralon and Emanuel Berman, Israel -- The real thing? Some thoughts on Boys Don't Cry / Donald Moss and Lynne Zeavin, New York -- 15 minutes of fame revisited: Being John Malkovich / Glen O. Gabbard, Topekas, KS -- The sixth sense / Philip A. Ringstrom.
ctrlnum	(OCoLC)730500593
dewey-full	791.43019
dewey-hundreds	700 - The arts
dewey-ones	791 - Public performances
dewey-raw	791.43019
dewey-search	791.43019
dewey-sort	3791.43019
dewey-tens	790 - Recreational and performing arts
discipline	Allgemeines
format	Electronic eBook
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06837cam a2200877 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn730500593</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">110614s2001 enka ob 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">E7B</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">NLGGC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCE</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">COO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LOA</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCA</subfield><subfield code="d">TOA</subfield><subfield code="d">OCLCO</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">ZCU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCA</subfield><subfield code="d">STF</subfield><subfield code="d">YDX</subfield><subfield code="d">VNS</subfield><subfield code="d">WRM</subfield><subfield code="d">OCLCO</subfield><subfield code="d">VTS</subfield><subfield code="d">NRAMU</subfield><subfield code="d">ICG</subfield><subfield code="d">VT2</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UWO</subfield><subfield code="d">WYU</subfield><subfield code="d">OCLCA</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCA</subfield><subfield code="d">UKCRE</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">SXB</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">606648858</subfield><subfield code="a">729166997</subfield><subfield code="a">873014649</subfield><subfield code="a">961621313</subfield><subfield code="a">962712320</subfield><subfield code="a">966263566</subfield><subfield code="a">988474703</subfield><subfield code="a">991923238</subfield><subfield code="a">1037704766</subfield><subfield code="a">1038653001</subfield><subfield code="a">1038677989</subfield><subfield code="a">1045438006</subfield><subfield code="a">1055357135</subfield><subfield code="a">1066595540</subfield><subfield code="a">1081191167</subfield><subfield code="a">1137107129</subfield><subfield code="a">1153489959</subfield><subfield code="a">1228527982</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781849403160</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1849403163</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1588752751</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1855752751</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781855752757</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)730500593</subfield><subfield code="z">(OCoLC)606648858</subfield><subfield code="z">(OCoLC)729166997</subfield><subfield code="z">(OCoLC)873014649</subfield><subfield code="z">(OCoLC)961621313</subfield><subfield code="z">(OCoLC)962712320</subfield><subfield code="z">(OCoLC)966263566</subfield><subfield code="z">(OCoLC)988474703</subfield><subfield code="z">(OCoLC)991923238</subfield><subfield code="z">(OCoLC)1037704766</subfield><subfield code="z">(OCoLC)1038653001</subfield><subfield code="z">(OCoLC)1038677989</subfield><subfield code="z">(OCoLC)1045438006</subfield><subfield code="z">(OCoLC)1055357135</subfield><subfield code="z">(OCoLC)1066595540</subfield><subfield code="z">(OCoLC)1081191167</subfield><subfield code="z">(OCoLC)1137107129</subfield><subfield code="z">(OCoLC)1153489959</subfield><subfield code="z">(OCoLC)1228527982</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="b">00004526</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">dlr</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.P783</subfield><subfield code="b">P79 2001eb</subfield></datafield><datafield tag="060" ind1=" " ind2="4"><subfield code="a">2005 M-154</subfield></datafield><datafield tag="060" ind1=" " ind2="4"><subfield code="a">WM 460</subfield><subfield code="b">P97255 2001</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43019</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">24.31</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Psychoanalysis and film /</subfield><subfield code="c">edited and with an introduction by Glen O. Gabbard.</subfield></datafield><datafield tag="246" ind1="1" ind2="4"><subfield code="a">Psychoanalysis & film</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">London ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Karnac,</subfield><subfield code="c">2001.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (viii, 239 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">International journal of psychoanalysis key papers series</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction / Glen O. Gabbard -- the end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries / Jacob A. Arlow, NBew York -- Hitchcock's Vertigo: the collapse of a rescue fantasy / Emanuel Berman, Haifa, Israel -- Neil Jordan's The Crying Game / Glen O. Gabbard, Topeks, KS -- Hidden in the imagery: an unconscious scene in The Conformist / Herbert H. Stein, New York -- Ah doctor, is there nothin' I can take? A review of Reservoir Dogs / Adriene Harris, New York -- Arthur Penn's Night Moves: a film that interprets us / Emanuel Berman, Israel -- Lone Star: signs, borders and thresholds / Harriet Kimble Wrye, Pacific Palisades -- Letters, words and metaphors: a psychoanalytic reading of Michael Radford's Il Postino / Andrea Sabbadini, London -- Truffaut and the failure of introjection / Simona Argentieri, Rome -- I have not spoken: silence in The Piano / Bruce H. Sklarew, Chevy Chase, MD -- Over-exposure: Terry Zwigoff's Crumb / Eric J. Nuetzel, St. Louis -- Narrating desire and desiring narration: a psychoanalytic reading of The English Patient / Diana Diamond, New York -- The remains of the day / Mechthild Zeul, Madrid.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen mansculinity / Ronald Baker, London -- The thing from inner space: Titanic and Deep Impact / Slavoj Zizek, Ljubijana -- Chinatown / Noel Hess, London -- Saging Private Ryan's surplus repression / Krin Gabbard, New York -- M (1931) / Janine Chasseguet-Smirgel, Paris -- Remembering and repeating in Eve's Bayou / Kimberlyn Leary, Ann Arbor, MI.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Watching voyeurs: Michael Powell's Peeping Tom (1960) / Andrea Sabbadini, London -- Egoyan's Erotica: where does the real horror reside? / Ronit Maralon and Emanuel Berman, Israel -- The real thing? Some thoughts on Boys Don't Cry / Donald Moss and Lynne Zeavin, New York -- 15 minutes of fame revisited: Being John Malkovich / Glen O. Gabbard, Topekas, KS -- The sixth sense / Philip A. Ringstrom.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this intelligent and enjoyable collection succeedes in combining clarity and accessibility with a deeply informed scholarship.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2010.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Psychoanalysis and motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh88003429</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Psychological aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Psychoanalysis.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85108411</subfield></datafield><datafield tag="650" ind1="1" ind2="2"><subfield code="a">Psychoanalysis</subfield></datafield><datafield tag="650" ind1="2" ind2="2"><subfield code="a">Motion Pictures as Topic</subfield></datafield><datafield tag="650" ind1=" " ind2="2"><subfield code="a">Psychoanalytic Theory</subfield><subfield code="0">https://id.nlm.nih.gov/mesh/D011574</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Psychanalyse et cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Psychanalyse.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Aspect psychologique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">psychoanalysis.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Psychoanalysis</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Psychological aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Psychoanalysis and motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Psychoanalyse</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4017102-4</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Psychoanalyse.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Filmkunst.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic book.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gabbard, Glen O.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Psychoanalysis and film.</subfield><subfield code="d">London ; New York : Karnac, 2001</subfield><subfield code="z">1855752751</subfield><subfield code="w">(OCoLC)48889943</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">International journal of psychoanalysis key paper series.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=369309</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL712269</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10477697</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">369309</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">312560</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15467481</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">6902294</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection>
genre	Electronic book.
genre_facet	Electronic book.
id	ZDB-4-EBA-ocn730500593
illustrated	Illustrated
indexdate	2024-11-27T13:17:52Z
institution	BVB
isbn	9781849403160 1849403163
language	English
oclc_num	730500593
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (viii, 239 pages) : illustrations
psigel	ZDB-4-EBA
publishDate	2001
publishDateSearch	2001
publishDateSort	2001
publisher	Karnac,
record_format	marc
series	International journal of psychoanalysis key paper series.
series2	International journal of psychoanalysis key papers series
spelling	Psychoanalysis and film / edited and with an introduction by Glen O. Gabbard. Psychoanalysis & film London ; New York : Karnac, 2001. 1 online resource (viii, 239 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier International journal of psychoanalysis key papers series Includes bibliographical references. Introduction / Glen O. Gabbard -- the end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries / Jacob A. Arlow, NBew York -- Hitchcock's Vertigo: the collapse of a rescue fantasy / Emanuel Berman, Haifa, Israel -- Neil Jordan's The Crying Game / Glen O. Gabbard, Topeks, KS -- Hidden in the imagery: an unconscious scene in The Conformist / Herbert H. Stein, New York -- Ah doctor, is there nothin' I can take? A review of Reservoir Dogs / Adriene Harris, New York -- Arthur Penn's Night Moves: a film that interprets us / Emanuel Berman, Israel -- Lone Star: signs, borders and thresholds / Harriet Kimble Wrye, Pacific Palisades -- Letters, words and metaphors: a psychoanalytic reading of Michael Radford's Il Postino / Andrea Sabbadini, London -- Truffaut and the failure of introjection / Simona Argentieri, Rome -- I have not spoken: silence in The Piano / Bruce H. Sklarew, Chevy Chase, MD -- Over-exposure: Terry Zwigoff's Crumb / Eric J. Nuetzel, St. Louis -- Narrating desire and desiring narration: a psychoanalytic reading of The English Patient / Diana Diamond, New York -- The remains of the day / Mechthild Zeul, Madrid. Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen mansculinity / Ronald Baker, London -- The thing from inner space: Titanic and Deep Impact / Slavoj Zizek, Ljubijana -- Chinatown / Noel Hess, London -- Saging Private Ryan's surplus repression / Krin Gabbard, New York -- M (1931) / Janine Chasseguet-Smirgel, Paris -- Remembering and repeating in Eve's Bayou / Kimberlyn Leary, Ann Arbor, MI. Watching voyeurs: Michael Powell's Peeping Tom (1960) / Andrea Sabbadini, London -- Egoyan's Erotica: where does the real horror reside? / Ronit Maralon and Emanuel Berman, Israel -- The real thing? Some thoughts on Boys Don't Cry / Donald Moss and Lynne Zeavin, New York -- 15 minutes of fame revisited: Being John Malkovich / Glen O. Gabbard, Topekas, KS -- The sixth sense / Philip A. Ringstrom. Print version record. Use copy Restrictions unspecified star MiAaHDL In full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this intelligent and enjoyable collection succeedes in combining clarity and accessibility with a deeply informed scholarship. Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Psychoanalysis and motion pictures. http://id.loc.gov/authorities/subjects/sh88003429 Motion pictures Psychological aspects. Psychoanalysis. http://id.loc.gov/authorities/subjects/sh85108411 Psychoanalysis Motion Pictures as Topic Psychoanalytic Theory https://id.nlm.nih.gov/mesh/D011574 Psychanalyse et cinéma. Psychanalyse. Cinéma Aspect psychologique. psychoanalysis. aat PERFORMING ARTS Film & Video History & Criticism. bisacsh Psychoanalysis fast Motion pictures Psychological aspects fast Psychoanalysis and motion pictures fast Psychoanalyse gnd Film gnd http://d-nb.info/gnd/4017102-4 Psychoanalyse. gtt Filmkunst. gtt Electronic book. Gabbard, Glen O. Print version: Psychoanalysis and film. London ; New York : Karnac, 2001 1855752751 (OCoLC)48889943 International journal of psychoanalysis key paper series. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=369309 Volltext
spellingShingle	Psychoanalysis and film / International journal of psychoanalysis key paper series. Introduction / Glen O. Gabbard -- the end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries / Jacob A. Arlow, NBew York -- Hitchcock's Vertigo: the collapse of a rescue fantasy / Emanuel Berman, Haifa, Israel -- Neil Jordan's The Crying Game / Glen O. Gabbard, Topeks, KS -- Hidden in the imagery: an unconscious scene in The Conformist / Herbert H. Stein, New York -- Ah doctor, is there nothin' I can take? A review of Reservoir Dogs / Adriene Harris, New York -- Arthur Penn's Night Moves: a film that interprets us / Emanuel Berman, Israel -- Lone Star: signs, borders and thresholds / Harriet Kimble Wrye, Pacific Palisades -- Letters, words and metaphors: a psychoanalytic reading of Michael Radford's Il Postino / Andrea Sabbadini, London -- Truffaut and the failure of introjection / Simona Argentieri, Rome -- I have not spoken: silence in The Piano / Bruce H. Sklarew, Chevy Chase, MD -- Over-exposure: Terry Zwigoff's Crumb / Eric J. Nuetzel, St. Louis -- Narrating desire and desiring narration: a psychoanalytic reading of The English Patient / Diana Diamond, New York -- The remains of the day / Mechthild Zeul, Madrid. Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen mansculinity / Ronald Baker, London -- The thing from inner space: Titanic and Deep Impact / Slavoj Zizek, Ljubijana -- Chinatown / Noel Hess, London -- Saging Private Ryan's surplus repression / Krin Gabbard, New York -- M (1931) / Janine Chasseguet-Smirgel, Paris -- Remembering and repeating in Eve's Bayou / Kimberlyn Leary, Ann Arbor, MI. Watching voyeurs: Michael Powell's Peeping Tom (1960) / Andrea Sabbadini, London -- Egoyan's Erotica: where does the real horror reside? / Ronit Maralon and Emanuel Berman, Israel -- The real thing? Some thoughts on Boys Don't Cry / Donald Moss and Lynne Zeavin, New York -- 15 minutes of fame revisited: Being John Malkovich / Glen O. Gabbard, Topekas, KS -- The sixth sense / Philip A. Ringstrom. Psychoanalysis and motion pictures. http://id.loc.gov/authorities/subjects/sh88003429 Motion pictures Psychological aspects. Psychoanalysis. http://id.loc.gov/authorities/subjects/sh85108411 Psychoanalysis Motion Pictures as Topic Psychoanalytic Theory https://id.nlm.nih.gov/mesh/D011574 Psychanalyse et cinéma. Psychanalyse. Cinéma Aspect psychologique. psychoanalysis. aat PERFORMING ARTS Film & Video History & Criticism. bisacsh Psychoanalysis fast Motion pictures Psychological aspects fast Psychoanalysis and motion pictures fast Psychoanalyse gnd Film gnd http://d-nb.info/gnd/4017102-4 Psychoanalyse. gtt Filmkunst. gtt
subject_GND	http://id.loc.gov/authorities/subjects/sh88003429 http://id.loc.gov/authorities/subjects/sh85108411 https://id.nlm.nih.gov/mesh/D011574 http://d-nb.info/gnd/4017102-4
title	Psychoanalysis and film /
title_alt	Psychoanalysis & film
title_auth	Psychoanalysis and film /
title_exact_search	Psychoanalysis and film /
title_full	Psychoanalysis and film / edited and with an introduction by Glen O. Gabbard.
title_fullStr	Psychoanalysis and film / edited and with an introduction by Glen O. Gabbard.
title_full_unstemmed	Psychoanalysis and film / edited and with an introduction by Glen O. Gabbard.
title_short	Psychoanalysis and film /
title_sort	psychoanalysis and film
topic	Psychoanalysis and motion pictures. http://id.loc.gov/authorities/subjects/sh88003429 Motion pictures Psychological aspects. Psychoanalysis. http://id.loc.gov/authorities/subjects/sh85108411 Psychoanalysis Motion Pictures as Topic Psychoanalytic Theory https://id.nlm.nih.gov/mesh/D011574 Psychanalyse et cinéma. Psychanalyse. Cinéma Aspect psychologique. psychoanalysis. aat PERFORMING ARTS Film & Video History & Criticism. bisacsh Psychoanalysis fast Motion pictures Psychological aspects fast Psychoanalysis and motion pictures fast Psychoanalyse gnd Film gnd http://d-nb.info/gnd/4017102-4 Psychoanalyse. gtt Filmkunst. gtt
topic_facet	Psychoanalysis and motion pictures. Motion pictures Psychological aspects. Psychoanalysis. Psychoanalysis Motion Pictures as Topic Psychoanalytic Theory Psychanalyse et cinéma. Psychanalyse. Cinéma Aspect psychologique. psychoanalysis. PERFORMING ARTS Film & Video History & Criticism. Motion pictures Psychological aspects Psychoanalysis and motion pictures Psychoanalyse Film Psychoanalyse. Filmkunst. Electronic book.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=369309
work_keys_str_mv	AT gabbardgleno psychoanalysisandfilm AT gabbardgleno psychoanalysisfilm

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Volltext öffnen

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge