Movement as meaning :: in experimental film /
"This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of inter...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; New York, NY :
Rodopi,
2008.
|
| Schriftenreihe: | Consciousness, literature & the arts ;
13. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valerys concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness." "Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning."--Jacket. |
| Beschreibung: | 1 online resource (iv, 224 pages) : illustrations |
| Bibliographie: | Includes filmography. Includes bibliographical references (pages 197-200) and index. |
| ISBN: | 9781435642331 1435642333 9042023856 9789042023857 9401205744 9789401205740 |
Internformat
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| 245 | 1 | 0 | |a Movement as meaning : |b in experimental film / |c Daniel Barnett. |
| 260 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2008. | ||
| 300 | |a 1 online resource (iv, 224 pages) : |b illustrations | ||
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| 490 | 1 | |a Consciousness, literature & the arts ; |v 13 | |
| 504 | |a Includes filmography. | ||
| 504 | |a Includes bibliographical references (pages 197-200) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a "This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valerys concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness." "Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning."--Jacket. | |
| 505 | 0 | |a Movement as Meaning; Table of Contents; Foreword: What this book is and what this book isn't:; Preface: Arriving at the scene:; Introduction: Two pictures of a rose in the dark; Part I: Modes of Perception and Modes of Expression; Part II: Dynamic And Syntactic Universals; Part III: The Moving Target; APPENDIX A:; Acknowledgements:; Bibliography; Filmography; Index | |
| 546 | |a English. | ||
| 650 | 0 | |a Experimental films. |0 http://id.loc.gov/authorities/subjects/sh85046442 | |
| 650 | 0 | |a Motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85088084 | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn712989227 |
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| _version_ | 1816881756165373952 |
| adam_text | |
| any_adam_object | |
| author | Barnett, Daniel, 1944- |
| author_GND | http://id.loc.gov/authorities/names/nb2008015383 |
| author_facet | Barnett, Daniel, 1944- |
| author_role | |
| author_sort | Barnett, Daniel, 1944- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.E96 B36 2008eb |
| callnumber-search | PN1995.9.E96 B36 2008eb |
| callnumber-sort | PN 41995.9 E96 B36 42008EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Movement as Meaning; Table of Contents; Foreword: What this book is and what this book isn't:; Preface: Arriving at the scene:; Introduction: Two pictures of a rose in the dark; Part I: Modes of Perception and Modes of Expression; Part II: Dynamic And Syntactic Universals; Part III: The Moving Target; APPENDIX A:; Acknowledgements:; Bibliography; Filmography; Index |
| ctrlnum | (OCoLC)712989227 |
| dewey-full | 791.43611 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43611 |
| dewey-search | 791.43611 |
| dewey-sort | 3791.43611 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Experimental films fast Motion pictures fast Experimental films. lcgft http://id.loc.gov/authorities/genreForms/gf2011026235 Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films expérimentaux. rvmgf Films. rvmgf |
| genre_facet | Experimental films Motion pictures Experimental films. Motion pictures. Films expérimentaux. Films. |
| id | ZDB-4-EBA-ocn712989227 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:46Z |
| institution | BVB |
| isbn | 9781435642331 1435642333 9042023856 9789042023857 9401205744 9789401205740 |
| language | English |
| oclc_num | 712989227 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (iv, 224 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Rodopi, |
| record_format | marc |
| series | Consciousness, literature & the arts ; |
| series2 | Consciousness, literature & the arts ; |
| spelling | Barnett, Daniel, 1944- https://id.oclc.org/worldcat/entity/E39PCjwvwkqccXDxHdmKrGbxtC http://id.loc.gov/authorities/names/nb2008015383 Movement as meaning : in experimental film / Daniel Barnett. Amsterdam ; New York, NY : Rodopi, 2008. 1 online resource (iv, 224 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Consciousness, literature & the arts ; 13 Includes filmography. Includes bibliographical references (pages 197-200) and index. Print version record. "This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valerys concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness." "Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning."--Jacket. Movement as Meaning; Table of Contents; Foreword: What this book is and what this book isn't:; Preface: Arriving at the scene:; Introduction: Two pictures of a rose in the dark; Part I: Modes of Perception and Modes of Expression; Part II: Dynamic And Syntactic Universals; Part III: The Moving Target; APPENDIX A:; Acknowledgements:; Bibliography; Filmography; Index English. Experimental films. http://id.loc.gov/authorities/subjects/sh85046442 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. PERFORMING ARTS Reference. bisacsh Experimental films fast Motion pictures fast Experimental films. lcgft http://id.loc.gov/authorities/genreForms/gf2011026235 Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films expérimentaux. rvmgf Films. rvmgf has work: Movement as meaning (Text) https://id.oclc.org/worldcat/entity/E39PCFKT7wP3bDmr6pgYm8wPkP https://id.oclc.org/worldcat/ontology/hasWork Print version: Barnett, Daniel. Movement as meaning. Amsterdam ; New York, NY : Rodopi, 2008 9042023856 9789042023857 (OCoLC)225819772 Consciousness, literature & the arts ; 13. http://id.loc.gov/authorities/names/no2005068696 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=223838 Volltext |
| spellingShingle | Barnett, Daniel, 1944- Movement as meaning : in experimental film / Consciousness, literature & the arts ; Movement as Meaning; Table of Contents; Foreword: What this book is and what this book isn't:; Preface: Arriving at the scene:; Introduction: Two pictures of a rose in the dark; Part I: Modes of Perception and Modes of Expression; Part II: Dynamic And Syntactic Universals; Part III: The Moving Target; APPENDIX A:; Acknowledgements:; Bibliography; Filmography; Index Experimental films. http://id.loc.gov/authorities/subjects/sh85046442 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. PERFORMING ARTS Reference. bisacsh Experimental films fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85046442 http://id.loc.gov/authorities/subjects/sh85088084 http://id.loc.gov/authorities/genreForms/gf2011026235 http://id.loc.gov/authorities/genreForms/gf2011026406 |
| title | Movement as meaning : in experimental film / |
| title_auth | Movement as meaning : in experimental film / |
| title_exact_search | Movement as meaning : in experimental film / |
| title_full | Movement as meaning : in experimental film / Daniel Barnett. |
| title_fullStr | Movement as meaning : in experimental film / Daniel Barnett. |
| title_full_unstemmed | Movement as meaning : in experimental film / Daniel Barnett. |
| title_short | Movement as meaning : |
| title_sort | movement as meaning in experimental film |
| title_sub | in experimental film / |
| topic | Experimental films. http://id.loc.gov/authorities/subjects/sh85046442 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. PERFORMING ARTS Reference. bisacsh Experimental films fast Motion pictures fast |
| topic_facet | Experimental films. Motion pictures. Cinéma. PERFORMING ARTS Reference. Experimental films Motion pictures Films expérimentaux. Films. |
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| work_keys_str_mv | AT barnettdaniel movementasmeaninginexperimentalfilm |