Verfügbarkeit: Ostrannenie :

Ostrannenie :: on "strangeness" and the moving image : the history, reception, and relevance of a concept /

Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodern...

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Weitere Verfasser:	Oever, Annie van den, 1957-
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Amsterdam : Amsterdam University Press, ©2010.
Schriftenreihe:	Key debates ; 1.
Schlagworte:	Motion pictures > History. Cinéma > Histoire. The arts. Film, TV and radio. Films, cinema. Film theory and criticism. PERFORMING ARTS > Film & Video > Reference. PERFORMING ARTS > Film & Video > General. Motion pictures Defamiliarisation Ostrannenie Electronic books. History
Online-Zugang:	Volltext
Zusammenfassung:	Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.
Beschreibung:	1 online resource (278 pages)
Bibliographie:	Includes bibliographical references (pages 241-254) and indexes.
ISBN:	9789048507955 9048507952 1283050188 9781283050180 9786613050182 6613050180

Internformat

MARC


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505	0		\|a pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny.
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contents	pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny.
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genre	Electronic books. History fast
genre_facet	Electronic books. History
id	ZDB-4-EBA-ocn709606110
illustrated	Not Illustrated
indexdate	2024-11-27T13:17:45Z
institution	BVB
isbn	9789048507955 9048507952 1283050188 9781283050180 9786613050182 6613050180
language	English
oclc_num	709606110
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (278 pages)
psigel	ZDB-4-EBA
publishDate	2010
publishDateSearch	2010
publishDateSort	2010
publisher	Amsterdam University Press,
record_format	marc
series	Key debates ;
series2	The key debates ;
spelling	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept / edited by Annie van den Oever. Amsterdam : Amsterdam University Press, ©2010. 1 online resource (278 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier The key debates ; 1 Includes bibliographical references (pages 241-254) and indexes. Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny. Print version record. English. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. The arts. bicssc Film, TV and radio. bicssc Films, cinema. bicssc Film theory and criticism. bicssc PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion pictures fast Defamiliarisation Ostrannenie Electronic books. History fast Oever, Annie van den, 1957- Print version: Ostrannenie. Amsterdam : Amsterdam University Press, ©2010 9789089640796 (OCoLC)427319714 Key debates ; 1. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=361708 Volltext
spellingShingle	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept / Key debates ; pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. The arts. bicssc Film, TV and radio. bicssc Films, cinema. bicssc Film theory and criticism. bicssc PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion pictures fast
subject_GND	http://id.loc.gov/authorities/subjects/sh87002438
title	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept /
title_auth	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept /
title_exact_search	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept /
title_full	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept / edited by Annie van den Oever.
title_fullStr	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept / edited by Annie van den Oever.
title_full_unstemmed	Ostrannenie : on "strangeness" and the moving image : the history, reception, and relevance of a concept / edited by Annie van den Oever.
title_short	Ostrannenie :
title_sort	ostrannenie on strangeness and the moving image the history reception and relevance of a concept
title_sub	on "strangeness" and the moving image : the history, reception, and relevance of a concept /
topic	Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Cinéma Histoire. The arts. bicssc Film, TV and radio. bicssc Films, cinema. bicssc Film theory and criticism. bicssc PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion pictures fast
topic_facet	Motion pictures History. Cinéma Histoire. The arts. Film, TV and radio. Films, cinema. Film theory and criticism. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Film & Video General. Motion pictures Electronic books. History
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=361708
work_keys_str_mv	AT oeverannievanden ostrannenieonstrangenessandthemovingimagethehistoryreceptionandrelevanceofaconcept

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