Power performance for singers :: transcending the barriers /
To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succ...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Oxford University Press,
1998.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luc. |
| Beschreibung: | 1 online resource (xvi, 320 pages) |
| Bibliographie: | Includes bibliographical references (pages 313-316) and index. |
| ISBN: | 9780199761784 0199761787 0199880506 9780199880508 |
Internformat
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| 100 | 1 | |a Emmons, Shirlee. | |
| 245 | 1 | 0 | |a Power performance for singers : |b transcending the barriers / |c Shirlee Emmons, Alma Thomas. |
| 260 | |a New York : |b Oxford University Press, |c 1998. | ||
| 300 | |a 1 online resource (xvi, 320 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 313-316) and index. | ||
| 505 | 0 | 0 | |g pt. 1. |t The power of performance -- |g 1. |t This thing called performance -- |g 2. |t The characteristics of peak performance -- |g 3. |t What is mental toughness -- |g pt. 2. |t Preperformance -- |g 4. |t The performance cycle : plans and routines -- |g 5. |t The self and performance : you, the person; you, the performer -- |g 6. |t Physical well-being and relaxation -- |g 7. |t Setting goals -- |g 8. |t Developing self-confidence through positive thinking -- |g 9. |t The art of concentrating -- |g 10. |t Distractions -- |g 11. |t Dealing with anxiety -- |g 12. |t Imagery in performance -- |g 13. |t Memory -- |g 14. |t The coach's place in singer's preperformance work -- |g pt. 3. |t Performance -- |g 15. |t Exploring and planning "meaning" for performance -- |g 16. |t The audition and the competition -- |g 17. |t The song recital and the staged performance -- |g 18. |t The coach's and/or accompanist's place in singers' audition, competition, and performance work -- |g 19. |t Fear in performance -- |g pt. 4. |t Postperformance -- |g 20. |t Postperformance management -- |g 21. |t Staleness and burnout in performers -- |g 22. |t Mental rehabilitation following vocal injury or illness. |
| 520 | |a To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luc. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 600 | 0 | 7 | |a Sänger |2 gnd |0 http://d-nb.info/gnd/1125742062 |
| 650 | 0 | |a Singing |x Psychological aspects. | |
| 650 | 0 | |a Singing |x Interpretation (Phrasing, dynamics, etc.) |x Psychological aspects. | |
| 650 | 6 | |a Chant |x Interprétation |x Aspect psychologique. | |
| 650 | 6 | |a Chant |x Aspect psychologique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a Singing |x Psychological aspects |2 fast | |
| 650 | 7 | |a Auftritt |2 gnd |0 http://d-nb.info/gnd/4209881-6 | |
| 650 | 7 | |a Psychologie |2 gnd | |
| 650 | 7 | |a Vorbereitung |2 gnd |0 http://d-nb.info/gnd/4188638-0 | |
| 700 | 1 | |a Thomas, Alma, |d 1939- |1 https://id.oclc.org/worldcat/entity/E39PCjHktdWRqPJ8hdfQFcmdry |0 http://id.loc.gov/authorities/names/n97093922 | |
| 776 | 0 | 8 | |i Print version: |a Emmons, Shirlee. |t Power performance for singers. |d New York : Oxford University Press, 1998 |z 0195112245 |w (DLC) 97031732 |w (OCoLC)37675662 |
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Datensatz im Suchindex
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| _version_ | 1816881753958121472 |
| adam_text | |
| any_adam_object | |
| author | Emmons, Shirlee |
| author2 | Thomas, Alma, 1939- |
| author2_role | |
| author2_variant | a t at |
| author_GND | http://id.loc.gov/authorities/names/n97093922 |
| author_facet | Emmons, Shirlee Thomas, Alma, 1939- |
| author_role | |
| author_sort | Emmons, Shirlee |
| author_variant | s e se |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | MT892 |
| callnumber-raw | MT892 .E55 1998eb |
| callnumber-search | MT892 .E55 1998eb |
| callnumber-sort | MT 3892 E55 41998EB |
| callnumber-subject | MT - Instruction and Study |
| collection | ZDB-4-EBA |
| contents | The power of performance -- This thing called performance -- The characteristics of peak performance -- What is mental toughness -- Preperformance -- The performance cycle : plans and routines -- The self and performance : you, the person; you, the performer -- Physical well-being and relaxation -- Setting goals -- Developing self-confidence through positive thinking -- The art of concentrating -- Distractions -- Dealing with anxiety -- Imagery in performance -- Memory -- The coach's place in singer's preperformance work -- Performance -- Exploring and planning "meaning" for performance -- The audition and the competition -- The song recital and the staged performance -- The coach's and/or accompanist's place in singers' audition, competition, and performance work -- Fear in performance -- Postperformance -- Postperformance management -- Staleness and burnout in performers -- Mental rehabilitation following vocal injury or illness. |
| ctrlnum | (OCoLC)707922737 |
| dewey-full | 783/.043 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 783 - Music for single voices |
| dewey-raw | 783/.043 |
| dewey-search | 783/.043 |
| dewey-sort | 3783 243 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn707922737 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:44Z |
| institution | BVB |
| isbn | 9780199761784 0199761787 0199880506 9780199880508 |
| language | English |
| oclc_num | 707922737 |
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| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Emmons, Shirlee. Power performance for singers : transcending the barriers / Shirlee Emmons, Alma Thomas. New York : Oxford University Press, 1998. 1 online resource (xvi, 320 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 313-316) and index. pt. 1. The power of performance -- 1. This thing called performance -- 2. The characteristics of peak performance -- 3. What is mental toughness -- pt. 2. Preperformance -- 4. The performance cycle : plans and routines -- 5. The self and performance : you, the person; you, the performer -- 6. Physical well-being and relaxation -- 7. Setting goals -- 8. Developing self-confidence through positive thinking -- 9. The art of concentrating -- 10. Distractions -- 11. Dealing with anxiety -- 12. Imagery in performance -- 13. Memory -- 14. The coach's place in singer's preperformance work -- pt. 3. Performance -- 15. Exploring and planning "meaning" for performance -- 16. The audition and the competition -- 17. The song recital and the staged performance -- 18. The coach's and/or accompanist's place in singers' audition, competition, and performance work -- 19. Fear in performance -- pt. 4. Postperformance -- 20. Postperformance management -- 21. Staleness and burnout in performers -- 22. Mental rehabilitation following vocal injury or illness. To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luc. Print version record. English. Sänger gnd http://d-nb.info/gnd/1125742062 Singing Psychological aspects. Singing Interpretation (Phrasing, dynamics, etc.) Psychological aspects. Chant Interprétation Aspect psychologique. Chant Aspect psychologique. MUSIC Instruction & Study Voice. bisacsh Singing Psychological aspects fast Auftritt gnd http://d-nb.info/gnd/4209881-6 Psychologie gnd Vorbereitung gnd http://d-nb.info/gnd/4188638-0 Thomas, Alma, 1939- https://id.oclc.org/worldcat/entity/E39PCjHktdWRqPJ8hdfQFcmdry http://id.loc.gov/authorities/names/n97093922 Print version: Emmons, Shirlee. Power performance for singers. New York : Oxford University Press, 1998 0195112245 (DLC) 97031732 (OCoLC)37675662 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=359985 Volltext |
| spellingShingle | Emmons, Shirlee Power performance for singers : transcending the barriers / The power of performance -- This thing called performance -- The characteristics of peak performance -- What is mental toughness -- Preperformance -- The performance cycle : plans and routines -- The self and performance : you, the person; you, the performer -- Physical well-being and relaxation -- Setting goals -- Developing self-confidence through positive thinking -- The art of concentrating -- Distractions -- Dealing with anxiety -- Imagery in performance -- Memory -- The coach's place in singer's preperformance work -- Performance -- Exploring and planning "meaning" for performance -- The audition and the competition -- The song recital and the staged performance -- The coach's and/or accompanist's place in singers' audition, competition, and performance work -- Fear in performance -- Postperformance -- Postperformance management -- Staleness and burnout in performers -- Mental rehabilitation following vocal injury or illness. Sänger gnd http://d-nb.info/gnd/1125742062 Singing Psychological aspects. Singing Interpretation (Phrasing, dynamics, etc.) Psychological aspects. Chant Interprétation Aspect psychologique. Chant Aspect psychologique. MUSIC Instruction & Study Voice. bisacsh Singing Psychological aspects fast Auftritt gnd http://d-nb.info/gnd/4209881-6 Psychologie gnd Vorbereitung gnd http://d-nb.info/gnd/4188638-0 |
| subject_GND | http://d-nb.info/gnd/1125742062 http://d-nb.info/gnd/4209881-6 http://d-nb.info/gnd/4188638-0 |
| title | Power performance for singers : transcending the barriers / |
| title_alt | The power of performance -- This thing called performance -- The characteristics of peak performance -- What is mental toughness -- Preperformance -- The performance cycle : plans and routines -- The self and performance : you, the person; you, the performer -- Physical well-being and relaxation -- Setting goals -- Developing self-confidence through positive thinking -- The art of concentrating -- Distractions -- Dealing with anxiety -- Imagery in performance -- Memory -- The coach's place in singer's preperformance work -- Performance -- Exploring and planning "meaning" for performance -- The audition and the competition -- The song recital and the staged performance -- The coach's and/or accompanist's place in singers' audition, competition, and performance work -- Fear in performance -- Postperformance -- Postperformance management -- Staleness and burnout in performers -- Mental rehabilitation following vocal injury or illness. |
| title_auth | Power performance for singers : transcending the barriers / |
| title_exact_search | Power performance for singers : transcending the barriers / |
| title_full | Power performance for singers : transcending the barriers / Shirlee Emmons, Alma Thomas. |
| title_fullStr | Power performance for singers : transcending the barriers / Shirlee Emmons, Alma Thomas. |
| title_full_unstemmed | Power performance for singers : transcending the barriers / Shirlee Emmons, Alma Thomas. |
| title_short | Power performance for singers : |
| title_sort | power performance for singers transcending the barriers |
| title_sub | transcending the barriers / |
| topic | Sänger gnd http://d-nb.info/gnd/1125742062 Singing Psychological aspects. Singing Interpretation (Phrasing, dynamics, etc.) Psychological aspects. Chant Interprétation Aspect psychologique. Chant Aspect psychologique. MUSIC Instruction & Study Voice. bisacsh Singing Psychological aspects fast Auftritt gnd http://d-nb.info/gnd/4209881-6 Psychologie gnd Vorbereitung gnd http://d-nb.info/gnd/4188638-0 |
| topic_facet | Sänger Singing Psychological aspects. Singing Interpretation (Phrasing, dynamics, etc.) Psychological aspects. Chant Interprétation Aspect psychologique. Chant Aspect psychologique. MUSIC Instruction & Study Voice. Singing Psychological aspects Auftritt Psychologie Vorbereitung |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=359985 |
| work_keys_str_mv | AT emmonsshirlee powerperformanceforsingerstranscendingthebarriers AT thomasalma powerperformanceforsingerstranscendingthebarriers |