The soul of Beijing opera :: theatrical creativity and continuity in the changing world /
Combining theatre, cultural, and area studies perspectives, this text explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation.
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hong Kong :
Hong Kong University Press,
©2010.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Combining theatre, cultural, and area studies perspectives, this text explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Any traditional theatre has to engage the changing world to avoid becoming a living fossil. How has Beijing opera -- a highly stylized theatre with breath-taking acrobatics and martial arts, fabulous costumes, and striking makeup -- survived into the new millennium while coping with a century of great upheavals and competition from new entertainment forms? Li Ruru's The Soul of Beijing Opera answers that question, looking at the evolution of singing and performance styles, make-up and costume, audience demands, as well as stage and street presentation modes amid tumultuous social and political changes. --Li's study follows a number of major artists' careers in mainland China and Taiwan, drawing on extensive primary print sources as well as personal interviews with performers and their cultural peers. One chapter focuses on the illustrious career of Li's own mother and how she adapted to changes in Communist ideology. In addition, she explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Through performers' negotiation and compromises, Beijing opera has undergone constant re-examination of its inner artistic logic and adjusted to the demands of the external world. --Li Ruru is senior lecturer in the Department of East Asian Studies at the University of Leeds. She is the author of Shashibiya: Staging Shakespeare in China. |
| Beschreibung: | 1 online resource (xvi, 335 pages, 16 unnumbered pages of plates) : illustrations (some color), music |
| Bibliographie: | Includes bibliographical references (pages 315-328) and index. |
| ISBN: | 9789882205802 9882205801 9882207391 9789882207394 1283016877 9781283016872 9786613016874 661301687X |
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| 245 | 1 | 4 | |a The soul of Beijing opera : |b theatrical creativity and continuity in the changing world / |c Li Ruru ; with a foreword by Eugenio Barba. |
| 260 | |a Hong Kong : |b Hong Kong University Press, |c ©2010. | ||
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| 504 | |a Includes bibliographical references (pages 315-328) and index. | ||
| 505 | 0 | |a Prologue : eyes on jingju -- Jingju : formation, growth and the first reform -- Training a total performer : four skills and five canons -- Cheng Yanqiu -- masculinity and femininity -- Li Yuru -- the Jingju tradition and communist ideology -- Ma Yongan -- a painted-face role type and a non-painted-face character -- Yan Qinggu -- staging the ugly and the beautiful in the millennium -- Kuo Hsiao-chuang -- a theatre that "belongs to tradition, modernity and to you and me" -- Wu Hsing-kuo -- subversion or innovation? -- Epilogue : new beginnings or the beginning of the end? | |
| 520 | 8 | |a Combining theatre, cultural, and area studies perspectives, this text explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. | |
| 520 | |a Any traditional theatre has to engage the changing world to avoid becoming a living fossil. How has Beijing opera -- a highly stylized theatre with breath-taking acrobatics and martial arts, fabulous costumes, and striking makeup -- survived into the new millennium while coping with a century of great upheavals and competition from new entertainment forms? Li Ruru's The Soul of Beijing Opera answers that question, looking at the evolution of singing and performance styles, make-up and costume, audience demands, as well as stage and street presentation modes amid tumultuous social and political changes. --Li's study follows a number of major artists' careers in mainland China and Taiwan, drawing on extensive primary print sources as well as personal interviews with performers and their cultural peers. One chapter focuses on the illustrious career of Li's own mother and how she adapted to changes in Communist ideology. In addition, she explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Through performers' negotiation and compromises, Beijing opera has undergone constant re-examination of its inner artistic logic and adjusted to the demands of the external world. --Li Ruru is senior lecturer in the Department of East Asian Studies at the University of Leeds. She is the author of Shashibiya: Staging Shakespeare in China. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 6 | |a Théâtre |z Chine |z Pékin |x Histoire et critique. | |
| 650 | 7 | |a ARCHITECTURE |x Interior Design |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Operas, Chinese |x Production and direction. |2 cct | |
| 650 | 7 | |a Operas, Chinese |x Performances. |2 cct | |
| 650 | 7 | |a Operas, Chinese |x History and criticism. |2 cct | |
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| 758 | |i has work: |a The soul of Beijing opera (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGG9c48dFrJjqBQh8JrVVK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Li, Ruru. |t Soul of Beijing opera. |d Hong Kong : Hong Kong University Press, ©2010 |z 9789622099944 |w (DLC) 2010505408 |w (OCoLC)619662415 |
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| contents | Prologue : eyes on jingju -- Jingju : formation, growth and the first reform -- Training a total performer : four skills and five canons -- Cheng Yanqiu -- masculinity and femininity -- Li Yuru -- the Jingju tradition and communist ideology -- Ma Yongan -- a painted-face role type and a non-painted-face character -- Yan Qinggu -- staging the ugly and the beautiful in the millennium -- Kuo Hsiao-chuang -- a theatre that "belongs to tradition, modernity and to you and me" -- Wu Hsing-kuo -- subversion or innovation? -- Epilogue : new beginnings or the beginning of the end? |
| ctrlnum | (OCoLC)707092641 |
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| dewey-ones | 729 - Design & decoration |
| dewey-raw | 729.50951/156 |
| dewey-search | 729.50951/156 |
| dewey-sort | 3729.50951 3156 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | China Beijing fast China. idszbz |
| geographic_facet | China Beijing China. |
| id | ZDB-4-EBA-ocn707092641 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:44Z |
| institution | BVB |
| isbn | 9789882205802 9882205801 9882207391 9789882207394 1283016877 9781283016872 9786613016874 661301687X |
| language | English |
| oclc_num | 707092641 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 335 pages, 16 unnumbered pages of plates) : illustrations (some color), music |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Hong Kong University Press, |
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| spelling | Li, Ruru. http://id.loc.gov/authorities/names/no2002011850 The soul of Beijing opera : theatrical creativity and continuity in the changing world / Li Ruru ; with a foreword by Eugenio Barba. Hong Kong : Hong Kong University Press, ©2010. 1 online resource (xvi, 335 pages, 16 unnumbered pages of plates) : illustrations (some color), music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 315-328) and index. Prologue : eyes on jingju -- Jingju : formation, growth and the first reform -- Training a total performer : four skills and five canons -- Cheng Yanqiu -- masculinity and femininity -- Li Yuru -- the Jingju tradition and communist ideology -- Ma Yongan -- a painted-face role type and a non-painted-face character -- Yan Qinggu -- staging the ugly and the beautiful in the millennium -- Kuo Hsiao-chuang -- a theatre that "belongs to tradition, modernity and to you and me" -- Wu Hsing-kuo -- subversion or innovation? -- Epilogue : new beginnings or the beginning of the end? Combining theatre, cultural, and area studies perspectives, this text explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Any traditional theatre has to engage the changing world to avoid becoming a living fossil. How has Beijing opera -- a highly stylized theatre with breath-taking acrobatics and martial arts, fabulous costumes, and striking makeup -- survived into the new millennium while coping with a century of great upheavals and competition from new entertainment forms? Li Ruru's The Soul of Beijing Opera answers that question, looking at the evolution of singing and performance styles, make-up and costume, audience demands, as well as stage and street presentation modes amid tumultuous social and political changes. --Li's study follows a number of major artists' careers in mainland China and Taiwan, drawing on extensive primary print sources as well as personal interviews with performers and their cultural peers. One chapter focuses on the illustrious career of Li's own mother and how she adapted to changes in Communist ideology. In addition, she explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Through performers' negotiation and compromises, Beijing opera has undergone constant re-examination of its inner artistic logic and adjusted to the demands of the external world. --Li Ruru is senior lecturer in the Department of East Asian Studies at the University of Leeds. She is the author of Shashibiya: Staging Shakespeare in China. Print version record. English. Theater China Beijing History and criticism. Operas, Chinese History and criticism. http://id.loc.gov/authorities/subjects/sh85094968 Théâtre Chine Pékin Histoire et critique. ARCHITECTURE Interior Design General. bisacsh PERFORMING ARTS Theater General. bisacsh Operas, Chinese Production and direction. cct Operas, Chinese Performances. cct Operas, Chinese History and criticism. cct Operas, Chinese fast Theater fast China Beijing fast Peking-Oper gnd http://d-nb.info/gnd/4173610-2 Peking-Oper. idszbz Theater. idszbz China. idszbz Criticism, interpretation, etc. fast has work: The soul of Beijing opera (Text) https://id.oclc.org/worldcat/entity/E39PCGG9c48dFrJjqBQh8JrVVK https://id.oclc.org/worldcat/ontology/hasWork Print version: Li, Ruru. Soul of Beijing opera. Hong Kong : Hong Kong University Press, ©2010 9789622099944 (DLC) 2010505408 (OCoLC)619662415 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=359459 Volltext |
| spellingShingle | Li, Ruru The soul of Beijing opera : theatrical creativity and continuity in the changing world / Prologue : eyes on jingju -- Jingju : formation, growth and the first reform -- Training a total performer : four skills and five canons -- Cheng Yanqiu -- masculinity and femininity -- Li Yuru -- the Jingju tradition and communist ideology -- Ma Yongan -- a painted-face role type and a non-painted-face character -- Yan Qinggu -- staging the ugly and the beautiful in the millennium -- Kuo Hsiao-chuang -- a theatre that "belongs to tradition, modernity and to you and me" -- Wu Hsing-kuo -- subversion or innovation? -- Epilogue : new beginnings or the beginning of the end? Theater China Beijing History and criticism. Operas, Chinese History and criticism. http://id.loc.gov/authorities/subjects/sh85094968 Théâtre Chine Pékin Histoire et critique. ARCHITECTURE Interior Design General. bisacsh PERFORMING ARTS Theater General. bisacsh Operas, Chinese Production and direction. cct Operas, Chinese Performances. cct Operas, Chinese History and criticism. cct Operas, Chinese fast Theater fast Peking-Oper gnd http://d-nb.info/gnd/4173610-2 Peking-Oper. idszbz Theater. idszbz |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85094968 http://d-nb.info/gnd/4173610-2 |
| title | The soul of Beijing opera : theatrical creativity and continuity in the changing world / |
| title_auth | The soul of Beijing opera : theatrical creativity and continuity in the changing world / |
| title_exact_search | The soul of Beijing opera : theatrical creativity and continuity in the changing world / |
| title_full | The soul of Beijing opera : theatrical creativity and continuity in the changing world / Li Ruru ; with a foreword by Eugenio Barba. |
| title_fullStr | The soul of Beijing opera : theatrical creativity and continuity in the changing world / Li Ruru ; with a foreword by Eugenio Barba. |
| title_full_unstemmed | The soul of Beijing opera : theatrical creativity and continuity in the changing world / Li Ruru ; with a foreword by Eugenio Barba. |
| title_short | The soul of Beijing opera : |
| title_sort | soul of beijing opera theatrical creativity and continuity in the changing world |
| title_sub | theatrical creativity and continuity in the changing world / |
| topic | Theater China Beijing History and criticism. Operas, Chinese History and criticism. http://id.loc.gov/authorities/subjects/sh85094968 Théâtre Chine Pékin Histoire et critique. ARCHITECTURE Interior Design General. bisacsh PERFORMING ARTS Theater General. bisacsh Operas, Chinese Production and direction. cct Operas, Chinese Performances. cct Operas, Chinese History and criticism. cct Operas, Chinese fast Theater fast Peking-Oper gnd http://d-nb.info/gnd/4173610-2 Peking-Oper. idszbz Theater. idszbz |
| topic_facet | Theater China Beijing History and criticism. Operas, Chinese History and criticism. Théâtre Chine Pékin Histoire et critique. ARCHITECTURE Interior Design General. PERFORMING ARTS Theater General. Operas, Chinese Production and direction. Operas, Chinese Performances. Operas, Chinese Theater China Beijing Peking-Oper Peking-Oper. Theater. China. Criticism, interpretation, etc. |
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