Strains of Utopia :: Gender, Nostalgia, and Hollywood Film Music.
When Dmitri Tiomkin thanked Johannes Brahms, Johann Strauss, Richard Strauss, and Richard Wagner upon accepting the Academy Award for his score of The High and the Mighty in 1954, he was honoring a romantic style that had characterized Hollywood's golden age of film composition from the mid-193...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton :
Princeton University Press,
2001.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | When Dmitri Tiomkin thanked Johannes Brahms, Johann Strauss, Richard Strauss, and Richard Wagner upon accepting the Academy Award for his score of The High and the Mighty in 1954, he was honoring a romantic style that had characterized Hollywood's golden age of film composition from the mid-1930s to the 1950s. Exploring elements of romanticism in film scores of composers ranging from Erich Korngold to Bernard Herrmann, Caryl Flinn argues that films tended to link music to the sense of an idealized, lost past. Just as the score of Gone with the Wind captured the grandeur of the antebellum South. |
| Beschreibung: | 1 online resource (206 pages) |
| ISBN: | 9781400820658 1400820650 |
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| spelling | Flinn, Caryl. Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. Princeton : Princeton University Press, 2001. 1 online resource (206 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda When Dmitri Tiomkin thanked Johannes Brahms, Johann Strauss, Richard Strauss, and Richard Wagner upon accepting the Academy Award for his score of The High and the Mighty in 1954, he was honoring a romantic style that had characterized Hollywood's golden age of film composition from the mid-1930s to the 1950s. Exploring elements of romanticism in film scores of composers ranging from Erich Korngold to Bernard Herrmann, Caryl Flinn argues that films tended to link music to the sense of an idealized, lost past. Just as the score of Gone with the Wind captured the grandeur of the antebellum South. Book Cover; Title; Copyright; CONTENTS. Print version record. Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Print version: Flinn, Caryl. Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. Princeton : Princeton University Press, ©2001 9780691006192 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=79067 Volltext |
| spellingShingle | Flinn, Caryl Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. Book Cover; Title; Copyright; CONTENTS. Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture music fast |
| title | Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. |
| title_auth | Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. |
| title_exact_search | Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. |
| title_full | Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. |
| title_fullStr | Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. |
| title_full_unstemmed | Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music. |
| title_short | Strains of Utopia : |
| title_sort | strains of utopia gender nostalgia and hollywood film music |
| title_sub | Gender, Nostalgia, and Hollywood Film Music. |
| topic | Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Motion picture music fast |
| topic_facet | Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. PERFORMING ARTS Film & Video History & Criticism. Motion picture music United States Criticism, interpretation, etc. |
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