Reservation reelism :: redfacing, visual sovereignty, and representations of Native Americans in film /
In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lincoln :
University of Nebraska Press,
©2010.
|
| Schriftenreihe: | Book collections on Project MUSE.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities. |
| Beschreibung: | 1 online resource (xviii, 338 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages [241]-317) and index. |
| ISBN: | 9780803234451 0803234457 0803268270 9780803268272 |
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| 049 | |a MAIN | ||
| 100 | 1 | |a Raheja, Michelle H. |0 http://id.loc.gov/authorities/names/n2010041579 | |
| 245 | 1 | 0 | |a Reservation reelism : |b redfacing, visual sovereignty, and representations of Native Americans in film / |c Michelle H. Raheja. |
| 260 | |a Lincoln : |b University of Nebraska Press, |c ©2010. | ||
| 300 | |a 1 online resource (xviii, 338 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages [241]-317) and index. | ||
| 505 | 0 | |a Toward a genealogy of Indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, Indigenous revisions of ethnography, and Atanarjuat (The fast runner) -- Epilogue. | |
| 520 | |a In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities. | ||
| 588 | 0 | |a Description based on print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Indians in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85065084 | |
| 650 | 0 | |a Indigenous peoples in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh96003875 | |
| 650 | 0 | |a Indians in the motion picture industry |z United States. | |
| 650 | 0 | |a Stereotypes (Social psychology) in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2001005835 | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 6 | |a Peuples autochtones au cinéma. | |
| 650 | 6 | |a Autochtones au cinéma. | |
| 650 | 6 | |a Stéréotypes au cinéma. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Indians in motion pictures |2 fast | |
| 650 | 7 | |a Indians in the motion picture industry |2 fast | |
| 650 | 7 | |a Indigenous peoples in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Stereotypes (Social psychology) in motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Multi-User | ||
| 655 | 7 | |a dissertations. |2 aat | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Academic theses. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026039 | |
| 655 | 7 | |a Thèses et écrits académiques. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Raheja, Michelle H. |t Reservation reelism. |d Lincoln : University of Nebraska Press, ©2010 |z 9780803211261 |w (DLC) 2010026528 |w (OCoLC)555650123 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn704517538 |
|---|---|
| _version_ | 1816881752668372992 |
| adam_text | |
| any_adam_object | |
| author | Raheja, Michelle H. |
| author_GND | http://id.loc.gov/authorities/names/n2010041579 |
| author_facet | Raheja, Michelle H. |
| author_role | |
| author_sort | Raheja, Michelle H. |
| author_variant | m h r mh mhr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.I48 R34 2010eb |
| callnumber-search | PN1995.9.I48 R34 2010eb |
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| contents | Toward a genealogy of Indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, Indigenous revisions of ethnography, and Atanarjuat (The fast runner) -- Epilogue. |
| ctrlnum | (OCoLC)704517538 |
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| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23089 |
| dewey-search | 302.23089 |
| dewey-sort | 3302.23089 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | dissertations. aat History fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf |
| genre_facet | dissertations. History Academic theses. Thèses et écrits académiques. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn704517538 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:43Z |
| institution | BVB |
| isbn | 9780803234451 0803234457 0803268270 9780803268272 |
| language | English |
| oclc_num | 704517538 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xviii, 338 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | University of Nebraska Press, |
| record_format | marc |
| series | Book collections on Project MUSE. |
| spelling | Raheja, Michelle H. http://id.loc.gov/authorities/names/n2010041579 Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / Michelle H. Raheja. Lincoln : University of Nebraska Press, ©2010. 1 online resource (xviii, 338 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages [241]-317) and index. Toward a genealogy of Indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, Indigenous revisions of ethnography, and Atanarjuat (The fast runner) -- Epilogue. In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities. Description based on print version record. English. Indians in motion pictures. http://id.loc.gov/authorities/subjects/sh85065084 Indigenous peoples in motion pictures. http://id.loc.gov/authorities/subjects/sh96003875 Indians in the motion picture industry United States. Stereotypes (Social psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005835 Motion pictures United States History 20th century. Peuples autochtones au cinéma. Autochtones au cinéma. Stéréotypes au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh Indians in motion pictures fast Indians in the motion picture industry fast Indigenous peoples in motion pictures fast Motion pictures fast Stereotypes (Social psychology) in motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Multi-User dissertations. aat History fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf Print version: Raheja, Michelle H. Reservation reelism. Lincoln : University of Nebraska Press, ©2010 9780803211261 (DLC) 2010026528 (OCoLC)555650123 Book collections on Project MUSE. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=354605 Volltext |
| spellingShingle | Raheja, Michelle H. Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / Book collections on Project MUSE. Toward a genealogy of Indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, Indigenous revisions of ethnography, and Atanarjuat (The fast runner) -- Epilogue. Indians in motion pictures. http://id.loc.gov/authorities/subjects/sh85065084 Indigenous peoples in motion pictures. http://id.loc.gov/authorities/subjects/sh96003875 Indians in the motion picture industry United States. Stereotypes (Social psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005835 Motion pictures United States History 20th century. Peuples autochtones au cinéma. Autochtones au cinéma. Stéréotypes au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh Indians in motion pictures fast Indians in the motion picture industry fast Indigenous peoples in motion pictures fast Motion pictures fast Stereotypes (Social psychology) in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85065084 http://id.loc.gov/authorities/subjects/sh96003875 http://id.loc.gov/authorities/subjects/sh2001005835 http://id.loc.gov/authorities/genreForms/gf2014026039 |
| title | Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / |
| title_auth | Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / |
| title_exact_search | Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / |
| title_full | Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / Michelle H. Raheja. |
| title_fullStr | Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / Michelle H. Raheja. |
| title_full_unstemmed | Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film / Michelle H. Raheja. |
| title_short | Reservation reelism : |
| title_sort | reservation reelism redfacing visual sovereignty and representations of native americans in film |
| title_sub | redfacing, visual sovereignty, and representations of Native Americans in film / |
| topic | Indians in motion pictures. http://id.loc.gov/authorities/subjects/sh85065084 Indigenous peoples in motion pictures. http://id.loc.gov/authorities/subjects/sh96003875 Indians in the motion picture industry United States. Stereotypes (Social psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005835 Motion pictures United States History 20th century. Peuples autochtones au cinéma. Autochtones au cinéma. Stéréotypes au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. bisacsh Indians in motion pictures fast Indians in the motion picture industry fast Indigenous peoples in motion pictures fast Motion pictures fast Stereotypes (Social psychology) in motion pictures fast |
| topic_facet | Indians in motion pictures. Indigenous peoples in motion pictures. Indians in the motion picture industry United States. Stereotypes (Social psychology) in motion pictures. Motion pictures United States History 20th century. Peuples autochtones au cinéma. Autochtones au cinéma. Stéréotypes au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video History & Criticism. Indians in motion pictures Indians in the motion picture industry Indigenous peoples in motion pictures Motion pictures Stereotypes (Social psychology) in motion pictures United States dissertations. History Academic theses. Thèses et écrits académiques. |
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| work_keys_str_mv | AT rahejamichelleh reservationreelismredfacingvisualsovereigntyandrepresentationsofnativeamericansinfilm |