Thug life :: race, gender, and the meaning of hip-hop /
"Hip-hop has come a long way from its origins in the Bronx in the 1970s, when rapping and DJing were just part of a lively, decidedly local scene that also venerated b-boying and graffiti. Now hip-hop is a global phenomenon and, in the United States, a massively successful corporate enterprise...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
The University of Chicago Press,
2011.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Hip-hop has come a long way from its origins in the Bronx in the 1970s, when rapping and DJing were just part of a lively, decidedly local scene that also venerated b-boying and graffiti. Now hip-hop is a global phenomenon and, in the United States, a massively successful corporate enterprise predominantly controlled and consumed by whites while the most prominent performers are black. How does this shift in racial dynamics affect our understanding of contemporary hip-hop, especially when the music perpetuates stereotypes of black men? Do black listeners interpret hip-hop differently from white fans? These questions have dogged hip-hop for decades, but unlike most pundits, Michael P. Jeffries finds answers by interviewing everyday people. Instead of turning to performers or media critics, Thug Life focuses on the music's fans - young men, both black and white - and the resulting account avoids romanticism, offering an unbiased examination of how hip-hop works in people's daily lives. As Jeffries weaves the fans' voices together with his own sophisticated analysis, we are able to understand hip-hop as a tool listeners use to make sense of themselves and society as well as a rich, self-contained world containing politics and pleasure, virtue and vice."--Publisher. |
| Beschreibung: | 1 online resource (x, 263 pages) |
| Bibliographie: | Includes bibliographical references (pages 235-246), discography (p. 247-248) , and index. |
| ISBN: | 9780226395869 0226395863 0226395847 9780226395845 9786613058287 6613058289 1283058286 9781283058285 |
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| 246 | 3 | 0 | |a Race, gender, and the meaning of hip-hop |
| 264 | 1 | |a Chicago : |b The University of Chicago Press, |c 2011. | |
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| 504 | |a Includes bibliographical references (pages 235-246), discography (p. 247-248) , and index. | ||
| 505 | 0 | |a State of the hip-hop union -- The meaning of hip-hop -- From a cool complex to complex cool -- Thug life and social death -- The bridge : summary of chapters two and three -- Hip-hop authenticity in black and white -- Parental advisory : explicit lyrics -- The last verse -- Obama as hip-hop icon. | |
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| 758 | |i has work: |a Thug life (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFCMhbwCYdPy3VtFC3YF8C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| _version_ | 1816881752202805248 |
| adam_text | |
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| author | Jeffries, Michael P. |
| author_GND | http://id.loc.gov/authorities/names/no2010022074 |
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| contents | State of the hip-hop union -- The meaning of hip-hop -- From a cool complex to complex cool -- Thug life and social death -- The bridge : summary of chapters two and three -- Hip-hop authenticity in black and white -- Parental advisory : explicit lyrics -- The last verse -- Obama as hip-hop icon. |
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| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4/842490973 |
| dewey-search | 306.4/842490973 |
| dewey-sort | 3306.4 9842490973 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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| genre_facet | dissertations. Academic theses Academic theses. Thèses et écrits académiques. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn704275119 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:42Z |
| institution | BVB |
| isbn | 9780226395869 0226395863 0226395847 9780226395845 9786613058287 6613058289 1283058286 9781283058285 |
| language | English |
| oclc_num | 704275119 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 263 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | The University of Chicago Press, |
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| spelling | Jeffries, Michael P., author. http://id.loc.gov/authorities/names/no2010022074 Thug life : race, gender, and the meaning of hip-hop / Michael P. Jeffries. Race, gender, and the meaning of hip-hop Chicago : The University of Chicago Press, 2011. ©2011 1 online resource (x, 263 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda "Hip-hop has come a long way from its origins in the Bronx in the 1970s, when rapping and DJing were just part of a lively, decidedly local scene that also venerated b-boying and graffiti. Now hip-hop is a global phenomenon and, in the United States, a massively successful corporate enterprise predominantly controlled and consumed by whites while the most prominent performers are black. How does this shift in racial dynamics affect our understanding of contemporary hip-hop, especially when the music perpetuates stereotypes of black men? Do black listeners interpret hip-hop differently from white fans? These questions have dogged hip-hop for decades, but unlike most pundits, Michael P. Jeffries finds answers by interviewing everyday people. Instead of turning to performers or media critics, Thug Life focuses on the music's fans - young men, both black and white - and the resulting account avoids romanticism, offering an unbiased examination of how hip-hop works in people's daily lives. As Jeffries weaves the fans' voices together with his own sophisticated analysis, we are able to understand hip-hop as a tool listeners use to make sense of themselves and society as well as a rich, self-contained world containing politics and pleasure, virtue and vice."--Publisher. Includes bibliographical references (pages 235-246), discography (p. 247-248) , and index. State of the hip-hop union -- The meaning of hip-hop -- From a cool complex to complex cool -- Thug life and social death -- The bridge : summary of chapters two and three -- Hip-hop authenticity in black and white -- Parental advisory : explicit lyrics -- The last verse -- Obama as hip-hop icon. Print version record. English. Rap (Music) Social aspects United States. Hip-hop Social aspects United States. Hip-hop Aspect social États-Unis. SOCIAL SCIENCE Anthropology Cultural. bisacsh POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Rap (Music) Social aspects fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Rap music United States Social aspects. sears Hip-hop culture United States Social aspects. sears dissertations. aat Academic theses fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf has work: Thug life (Text) https://id.oclc.org/worldcat/entity/E39PCFCMhbwCYdPy3VtFC3YF8C https://id.oclc.org/worldcat/ontology/hasWork Print version: Jeffries, Michael P. Thug life. Chicago : University of Chicago Press, 2011 9780226395845 (DLC) 2010005575 (OCoLC)550550734 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=357017 Volltext |
| spellingShingle | Jeffries, Michael P. Thug life : race, gender, and the meaning of hip-hop / State of the hip-hop union -- The meaning of hip-hop -- From a cool complex to complex cool -- Thug life and social death -- The bridge : summary of chapters two and three -- Hip-hop authenticity in black and white -- Parental advisory : explicit lyrics -- The last verse -- Obama as hip-hop icon. Rap (Music) Social aspects United States. Hip-hop Social aspects United States. Hip-hop Aspect social États-Unis. SOCIAL SCIENCE Anthropology Cultural. bisacsh POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Rap (Music) Social aspects fast Rap music United States Social aspects. sears Hip-hop culture United States Social aspects. sears |
| subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026039 |
| title | Thug life : race, gender, and the meaning of hip-hop / |
| title_alt | Race, gender, and the meaning of hip-hop |
| title_auth | Thug life : race, gender, and the meaning of hip-hop / |
| title_exact_search | Thug life : race, gender, and the meaning of hip-hop / |
| title_full | Thug life : race, gender, and the meaning of hip-hop / Michael P. Jeffries. |
| title_fullStr | Thug life : race, gender, and the meaning of hip-hop / Michael P. Jeffries. |
| title_full_unstemmed | Thug life : race, gender, and the meaning of hip-hop / Michael P. Jeffries. |
| title_short | Thug life : |
| title_sort | thug life race gender and the meaning of hip hop |
| title_sub | race, gender, and the meaning of hip-hop / |
| topic | Rap (Music) Social aspects United States. Hip-hop Social aspects United States. Hip-hop Aspect social États-Unis. SOCIAL SCIENCE Anthropology Cultural. bisacsh POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Rap (Music) Social aspects fast Rap music United States Social aspects. sears Hip-hop culture United States Social aspects. sears |
| topic_facet | Rap (Music) Social aspects United States. Hip-hop Social aspects United States. Hip-hop Aspect social États-Unis. SOCIAL SCIENCE Anthropology Cultural. POLITICAL SCIENCE Public Policy Cultural Policy. SOCIAL SCIENCE Popular Culture. Rap (Music) Social aspects United States Rap music United States Social aspects. Hip-hop culture United States Social aspects. dissertations. Academic theses Academic theses. Thèses et écrits académiques. |
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