Troubling vision :: performance, visuality, and blackness /
Troubling Vision addresses American culture's fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Chicago :
University of Chicago Press,
2011.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Troubling Vision addresses American culture's fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness? Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles "Teenie" Harris to the "excess flesh" performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture. "Troubling Vision is a path-breaking book that examines the problem of seeing blackness--the simultaneous hyper-visibility and invisibility of African Americans--in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois's idea of double vision into a broad questioning of whether 'representation itself will resolve the problem of the black body in the field of vision.' With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of 'non-iconicity' in the photographs of Charles (Teenie) Harris, the 'visible seams' in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies."--Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize |
Beschreibung: | 1 online resource (xx, 276 pages) : illustrations |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Auszeichnungen: | Lora Romero First Book Prize, 2012. |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780226253053 0226253058 9781283058193 1283058197 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn701057071 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 110208s2011 ilua ob 001 0 eng d | ||
040 | |a N$T |b eng |e pn |c N$T |d E7B |d YDXCP |d OCLCQ |d CDX |d EBLCP |d MHW |d OCLCQ |d REDDC |d OCLCQ |d OCLCE |d OCLCQ |d OCLCF |d OCLCQ |d OCL |d DEBSZ |d OCLCQ |d YDX |d STBDS |d LOA |d OCLCQ |d MOR |d PIFAG |d FVL |d ZCU |d AGLDB |d MERUC |d OCLCQ |d U3G |d OCLCO |d U3W |d D6H |d STF |d WRM |d VTS |d ICG |d VT2 |d AU@ |d OCLCQ |d WYU |d OCLCA |d DKC |d OCLCQ |d LEAUB |d HS0 |d OCLCA |d OCLCQ |d SFB |d U9X |d OCLCA |d EYM |d OCLCQ |d OCLCO |d S2H |d OCLCQ |d OCLCO |d OCL |d OCLCO |d OCLCQ |d OCLCO |d DEGRU |d DXU |d OCLCL |d EZC |d UWO |d OCLCQ |d AMH | ||
019 | |a 781443485 |a 802299063 |a 805938927 |a 957636525 |a 967257055 |a 972505923 |a 978570431 |a 988409199 |a 991974490 |a 1000457344 |a 1017997229 |a 1034969701 |a 1037716848 |a 1038659087 |a 1042320605 |a 1045401325 |a 1049667377 |a 1055398699 |a 1058000170 |a 1066447522 |a 1081189687 |a 1086519246 |a 1104512511 |a 1117462405 |a 1119001613 |a 1121017908 |a 1125371525 |a 1131945114 |a 1139726150 |a 1148115605 |a 1154289480 |a 1160102674 |a 1228561638 |a 1280256773 |a 1344168178 |a 1422303334 | ||
020 | |a 9780226253053 |q (electronic bk.) | ||
020 | |a 0226253058 |q (electronic bk.) | ||
020 | |a 9781283058193 |q (MyiLibrary) | ||
020 | |a 1283058197 | ||
020 | |z 9780226253022 | ||
020 | |z 9780226253039 | ||
020 | |z 0226253023 | ||
020 | |z 0226253031 | ||
024 | 8 | |a 40018873709 | |
035 | |a (OCoLC)701057071 |z (OCoLC)781443485 |z (OCoLC)802299063 |z (OCoLC)805938927 |z (OCoLC)957636525 |z (OCoLC)967257055 |z (OCoLC)972505923 |z (OCoLC)978570431 |z (OCoLC)988409199 |z (OCoLC)991974490 |z (OCoLC)1000457344 |z (OCoLC)1017997229 |z (OCoLC)1034969701 |z (OCoLC)1037716848 |z (OCoLC)1038659087 |z (OCoLC)1042320605 |z (OCoLC)1045401325 |z (OCoLC)1049667377 |z (OCoLC)1055398699 |z (OCoLC)1058000170 |z (OCoLC)1066447522 |z (OCoLC)1081189687 |z (OCoLC)1086519246 |z (OCoLC)1104512511 |z (OCoLC)1117462405 |z (OCoLC)1119001613 |z (OCoLC)1121017908 |z (OCoLC)1125371525 |z (OCoLC)1131945114 |z (OCoLC)1139726150 |z (OCoLC)1148115605 |z (OCoLC)1154289480 |z (OCoLC)1160102674 |z (OCoLC)1228561638 |z (OCoLC)1280256773 |z (OCoLC)1344168178 |z (OCoLC)1422303334 | ||
037 | |a 305819 |b MIL | ||
042 | |a dlr | ||
043 | |a n-us--- | ||
050 | 4 | |a E185.625 |b .F544 2011eb | |
072 | 7 | |a BIO |x 002000 |2 bisacsh | |
082 | 7 | |a 305.896/073 |2 22 | |
049 | |a MAIN | ||
100 | 1 | |a Fleetwood, Nicole R. |0 http://id.loc.gov/authorities/names/no2010025099 | |
245 | 1 | 0 | |a Troubling vision : |b performance, visuality, and blackness / |c Nicole R. Fleetwood. |
260 | |a Chicago : |b University of Chicago Press, |c 2011. | ||
300 | |a 1 online resource (xx, 276 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file | ||
347 | |b PDF | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a "One shot" : Harris and the photographic practice of black non-iconicity -- Her own spook : colorism, vision, and the dark female body -- Excess flesh : black women performing hypervisibility -- "I am king" : Hip hop culture, fashion advertising, and the black male body -- Visible seams : the media art of Fatimah Tuggar -- Coda : The icon is dead : mourning Michael Jackson. | |
520 | |a Troubling Vision addresses American culture's fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness? Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles "Teenie" Harris to the "excess flesh" performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture. "Troubling Vision is a path-breaking book that examines the problem of seeing blackness--the simultaneous hyper-visibility and invisibility of African Americans--in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois's idea of double vision into a broad questioning of whether 'representation itself will resolve the problem of the black body in the field of vision.' With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of 'non-iconicity' in the photographs of Charles (Teenie) Harris, the 'visible seams' in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies."--Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize | ||
588 | 0 | |a Print version record. | |
506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
583 | 1 | |a digitized |c 2011 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
546 | |a In English. | ||
586 | |a Lora Romero First Book Prize, 2012. | ||
610 | 2 | 7 | |a Hip Hop |2 gnd |0 http://d-nb.info/gnd/10291880-6 |
610 | 2 | 7 | |a Universidad Sergio Arboleda |2 gnd |0 http://d-nb.info/gnd/5325141-6 |
650 | 0 | |a African Americans in popular culture. |0 http://id.loc.gov/authorities/subjects/sh95003035 | |
650 | 0 | |a African Americans |x Race identity. |0 http://id.loc.gov/authorities/subjects/sh85001973 | |
650 | 0 | |a Black people |x Race identity. |0 http://id.loc.gov/authorities/subjects/sh85014685 | |
650 | 0 | |a Hip-hop. |0 http://id.loc.gov/authorities/subjects/sh95009601 | |
650 | 0 | |a Masculinity in popular culture. |0 http://id.loc.gov/authorities/subjects/sh97000885 | |
650 | 0 | |a Femininity in popular culture. |0 http://id.loc.gov/authorities/subjects/sh2003006408 | |
650 | 6 | |a Noirs américains dans la culture populaire. | |
650 | 6 | |a Noirs américains |x Identité ethnique. | |
650 | 6 | |a Hip-hop. | |
650 | 6 | |a Masculinité dans la culture populaire. | |
650 | 6 | |a Féminité dans la culture populaire. | |
650 | 6 | |a Personnes noires |x Identité ethnique. | |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Cultural Heritage. |2 bisacsh | |
650 | 7 | |a African Americans in popular culture |2 fast | |
650 | 7 | |a African Americans |x Race identity |2 fast | |
650 | 7 | |a Black people |x Race identity |2 fast | |
650 | 7 | |a Femininity in popular culture |2 fast | |
650 | 7 | |a Hip-hop |2 fast | |
650 | 7 | |a Masculinity in popular culture |2 fast | |
650 | 7 | |a Schwarze |2 gnd | |
650 | 7 | |a Massenkultur |2 gnd | |
650 | 7 | |a Ethnische Identität |2 gnd |0 http://d-nb.info/gnd/4153096-2 | |
650 | 7 | |a Geschlechterrolle |2 gnd |0 http://d-nb.info/gnd/4071776-8 | |
653 | |a visibility, blackness, race, racism, bias, performance, visuality, visual culture, black body, value, michael jackson, icon, fame, celebrity, fatimah tuggar, art, media, pop stars, female artists, excess flesh, charles teenie harris, photography, nonfiction, gender, representation, invisibility, hyper-visibility, spectacle, spectatorship, hip hop, music, masculinity, femininity, double vision, colorism, advertising, fashion. | ||
655 | 7 | |a dissertations. |2 aat | |
655 | 7 | |a Academic theses |2 fast | |
655 | 7 | |a Academic theses. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026039 | |
655 | 7 | |a Thèses et écrits académiques. |2 rvmgf | |
758 | |i has work: |a Troubling vision (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGH7C6mtkJmwcBqj6Gr47b |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Fleetwood, Nicole R. |t Troubling vision. |d Chicago : University of Chicago Press, 2011 |z 9780226253022 |w (DLC) 2010006147 |w (OCoLC)537308775 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=355219 |3 Volltext |
938 | |a Coutts Information Services |b COUT |n 17698723 | ||
938 | |a De Gruyter |b DEGR |n 9780226253053 | ||
938 | |a ebrary |b EBRY |n ebr10447300 | ||
938 | |a EBSCOhost |b EBSC |n 355219 | ||
938 | |a Oxford University Press USA |b OUPR |n EDZ0000122981 | ||
938 | |a YBP Library Services |b YANK |n 3625822 | ||
938 | |a ProQuest Ebook Central |b EBLB |n EBL713793 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn701057071 |
---|---|
_version_ | 1816881750960242688 |
adam_text | |
any_adam_object | |
author | Fleetwood, Nicole R. |
author_GND | http://id.loc.gov/authorities/names/no2010025099 |
author_facet | Fleetwood, Nicole R. |
author_role | |
author_sort | Fleetwood, Nicole R. |
author_variant | n r f nr nrf |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | E - United States History |
callnumber-label | E185 |
callnumber-raw | E185.625 .F544 2011eb |
callnumber-search | E185.625 .F544 2011eb |
callnumber-sort | E 3185.625 F544 42011EB |
callnumber-subject | E - United States History |
collection | ZDB-4-EBA |
contents | "One shot" : Harris and the photographic practice of black non-iconicity -- Her own spook : colorism, vision, and the dark female body -- Excess flesh : black women performing hypervisibility -- "I am king" : Hip hop culture, fashion advertising, and the black male body -- Visible seams : the media art of Fatimah Tuggar -- Coda : The icon is dead : mourning Michael Jackson. |
ctrlnum | (OCoLC)701057071 |
dewey-full | 305.896/073 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 305 - Groups of people |
dewey-raw | 305.896/073 |
dewey-search | 305.896/073 |
dewey-sort | 3305.896 273 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09541cam a2201045 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn701057071</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">110208s2011 ilua ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">E7B</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CDX</subfield><subfield code="d">EBLCP</subfield><subfield code="d">MHW</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">REDDC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCE</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">DEBSZ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">STBDS</subfield><subfield code="d">LOA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MOR</subfield><subfield code="d">PIFAG</subfield><subfield code="d">FVL</subfield><subfield code="d">ZCU</subfield><subfield code="d">AGLDB</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">U3G</subfield><subfield code="d">OCLCO</subfield><subfield code="d">U3W</subfield><subfield code="d">D6H</subfield><subfield code="d">STF</subfield><subfield code="d">WRM</subfield><subfield code="d">VTS</subfield><subfield code="d">ICG</subfield><subfield code="d">VT2</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">OCLCA</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LEAUB</subfield><subfield code="d">HS0</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">U9X</subfield><subfield code="d">OCLCA</subfield><subfield code="d">EYM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">S2H</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DEGRU</subfield><subfield code="d">DXU</subfield><subfield code="d">OCLCL</subfield><subfield code="d">EZC</subfield><subfield code="d">UWO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AMH</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">781443485</subfield><subfield code="a">802299063</subfield><subfield code="a">805938927</subfield><subfield code="a">957636525</subfield><subfield code="a">967257055</subfield><subfield code="a">972505923</subfield><subfield code="a">978570431</subfield><subfield code="a">988409199</subfield><subfield code="a">991974490</subfield><subfield code="a">1000457344</subfield><subfield code="a">1017997229</subfield><subfield code="a">1034969701</subfield><subfield code="a">1037716848</subfield><subfield code="a">1038659087</subfield><subfield code="a">1042320605</subfield><subfield code="a">1045401325</subfield><subfield code="a">1049667377</subfield><subfield code="a">1055398699</subfield><subfield code="a">1058000170</subfield><subfield code="a">1066447522</subfield><subfield code="a">1081189687</subfield><subfield code="a">1086519246</subfield><subfield code="a">1104512511</subfield><subfield code="a">1117462405</subfield><subfield code="a">1119001613</subfield><subfield code="a">1121017908</subfield><subfield code="a">1125371525</subfield><subfield code="a">1131945114</subfield><subfield code="a">1139726150</subfield><subfield code="a">1148115605</subfield><subfield code="a">1154289480</subfield><subfield code="a">1160102674</subfield><subfield code="a">1228561638</subfield><subfield code="a">1280256773</subfield><subfield code="a">1344168178</subfield><subfield code="a">1422303334</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226253053</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0226253058</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781283058193</subfield><subfield code="q">(MyiLibrary)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1283058197</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780226253022</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780226253039</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0226253023</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0226253031</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">40018873709</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)701057071</subfield><subfield code="z">(OCoLC)781443485</subfield><subfield code="z">(OCoLC)802299063</subfield><subfield code="z">(OCoLC)805938927</subfield><subfield code="z">(OCoLC)957636525</subfield><subfield code="z">(OCoLC)967257055</subfield><subfield code="z">(OCoLC)972505923</subfield><subfield code="z">(OCoLC)978570431</subfield><subfield code="z">(OCoLC)988409199</subfield><subfield code="z">(OCoLC)991974490</subfield><subfield code="z">(OCoLC)1000457344</subfield><subfield code="z">(OCoLC)1017997229</subfield><subfield code="z">(OCoLC)1034969701</subfield><subfield code="z">(OCoLC)1037716848</subfield><subfield code="z">(OCoLC)1038659087</subfield><subfield code="z">(OCoLC)1042320605</subfield><subfield code="z">(OCoLC)1045401325</subfield><subfield code="z">(OCoLC)1049667377</subfield><subfield code="z">(OCoLC)1055398699</subfield><subfield code="z">(OCoLC)1058000170</subfield><subfield code="z">(OCoLC)1066447522</subfield><subfield code="z">(OCoLC)1081189687</subfield><subfield code="z">(OCoLC)1086519246</subfield><subfield code="z">(OCoLC)1104512511</subfield><subfield code="z">(OCoLC)1117462405</subfield><subfield code="z">(OCoLC)1119001613</subfield><subfield code="z">(OCoLC)1121017908</subfield><subfield code="z">(OCoLC)1125371525</subfield><subfield code="z">(OCoLC)1131945114</subfield><subfield code="z">(OCoLC)1139726150</subfield><subfield code="z">(OCoLC)1148115605</subfield><subfield code="z">(OCoLC)1154289480</subfield><subfield code="z">(OCoLC)1160102674</subfield><subfield code="z">(OCoLC)1228561638</subfield><subfield code="z">(OCoLC)1280256773</subfield><subfield code="z">(OCoLC)1344168178</subfield><subfield code="z">(OCoLC)1422303334</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">305819</subfield><subfield code="b">MIL</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">dlr</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">E185.625</subfield><subfield code="b">.F544 2011eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">BIO</subfield><subfield code="x">002000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">305.896/073</subfield><subfield code="2">22</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fleetwood, Nicole R.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2010025099</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Troubling vision :</subfield><subfield code="b">performance, visuality, and blackness /</subfield><subfield code="c">Nicole R. Fleetwood.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Chicago :</subfield><subfield code="b">University of Chicago Press,</subfield><subfield code="c">2011.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xx, 276 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">"One shot" : Harris and the photographic practice of black non-iconicity -- Her own spook : colorism, vision, and the dark female body -- Excess flesh : black women performing hypervisibility -- "I am king" : Hip hop culture, fashion advertising, and the black male body -- Visible seams : the media art of Fatimah Tuggar -- Coda : The icon is dead : mourning Michael Jackson.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Troubling Vision addresses American culture's fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness? Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles "Teenie" Harris to the "excess flesh" performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture. "Troubling Vision is a path-breaking book that examines the problem of seeing blackness--the simultaneous hyper-visibility and invisibility of African Americans--in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois's idea of double vision into a broad questioning of whether 'representation itself will resolve the problem of the black body in the field of vision.' With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of 'non-iconicity' in the photographs of Charles (Teenie) Harris, the 'visible seams' in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies."--Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2011.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2011</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="586" ind1=" " ind2=" "><subfield code="a">Lora Romero First Book Prize, 2012.</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Hip Hop</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/10291880-6</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Universidad Sergio Arboleda</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/5325141-6</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African Americans in popular culture.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh95003035</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">African Americans</subfield><subfield code="x">Race identity.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85001973</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Black people</subfield><subfield code="x">Race identity.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85014685</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Hip-hop.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh95009601</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Masculinity in popular culture.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh97000885</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Femininity in popular culture.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2003006408</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Noirs américains dans la culture populaire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Noirs américains</subfield><subfield code="x">Identité ethnique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Hip-hop.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Masculinité dans la culture populaire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Féminité dans la culture populaire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Personnes noires</subfield><subfield code="x">Identité ethnique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY</subfield><subfield code="x">Cultural Heritage.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">African Americans in popular culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">African Americans</subfield><subfield code="x">Race identity</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Black people</subfield><subfield code="x">Race identity</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Femininity in popular culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Hip-hop</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Masculinity in popular culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Schwarze</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Massenkultur</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Ethnische Identität</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4153096-2</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Geschlechterrolle</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4071776-8</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">visibility, blackness, race, racism, bias, performance, visuality, visual culture, black body, value, michael jackson, icon, fame, celebrity, fatimah tuggar, art, media, pop stars, female artists, excess flesh, charles teenie harris, photography, nonfiction, gender, representation, invisibility, hyper-visibility, spectacle, spectatorship, hip hop, music, masculinity, femininity, double vision, colorism, advertising, fashion.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">dissertations.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Academic theses</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Academic theses.</subfield><subfield code="2">lcgft</subfield><subfield code="0">http://id.loc.gov/authorities/genreForms/gf2014026039</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Thèses et écrits académiques.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Troubling vision (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGH7C6mtkJmwcBqj6Gr47b</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Fleetwood, Nicole R.</subfield><subfield code="t">Troubling vision.</subfield><subfield code="d">Chicago : University of Chicago Press, 2011</subfield><subfield code="z">9780226253022</subfield><subfield code="w">(DLC) 2010006147</subfield><subfield code="w">(OCoLC)537308775</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=355219</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">17698723</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780226253053</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10447300</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">355219</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Oxford University Press USA</subfield><subfield code="b">OUPR</subfield><subfield code="n">EDZ0000122981</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">3625822</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL713793</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | dissertations. aat Academic theses fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf |
genre_facet | dissertations. Academic theses Academic theses. Thèses et écrits académiques. |
id | ZDB-4-EBA-ocn701057071 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:17:41Z |
institution | BVB |
isbn | 9780226253053 0226253058 9781283058193 1283058197 |
language | English |
oclc_num | 701057071 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xx, 276 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | University of Chicago Press, |
record_format | marc |
spelling | Fleetwood, Nicole R. http://id.loc.gov/authorities/names/no2010025099 Troubling vision : performance, visuality, and blackness / Nicole R. Fleetwood. Chicago : University of Chicago Press, 2011. 1 online resource (xx, 276 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Includes bibliographical references and index. "One shot" : Harris and the photographic practice of black non-iconicity -- Her own spook : colorism, vision, and the dark female body -- Excess flesh : black women performing hypervisibility -- "I am king" : Hip hop culture, fashion advertising, and the black male body -- Visible seams : the media art of Fatimah Tuggar -- Coda : The icon is dead : mourning Michael Jackson. Troubling Vision addresses American culture's fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness? Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles "Teenie" Harris to the "excess flesh" performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture. "Troubling Vision is a path-breaking book that examines the problem of seeing blackness--the simultaneous hyper-visibility and invisibility of African Americans--in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois's idea of double vision into a broad questioning of whether 'representation itself will resolve the problem of the black body in the field of vision.' With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of 'non-iconicity' in the photographs of Charles (Teenie) Harris, the 'visible seams' in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies."--Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL In English. Lora Romero First Book Prize, 2012. Hip Hop gnd http://d-nb.info/gnd/10291880-6 Universidad Sergio Arboleda gnd http://d-nb.info/gnd/5325141-6 African Americans in popular culture. http://id.loc.gov/authorities/subjects/sh95003035 African Americans Race identity. http://id.loc.gov/authorities/subjects/sh85001973 Black people Race identity. http://id.loc.gov/authorities/subjects/sh85014685 Hip-hop. http://id.loc.gov/authorities/subjects/sh95009601 Masculinity in popular culture. http://id.loc.gov/authorities/subjects/sh97000885 Femininity in popular culture. http://id.loc.gov/authorities/subjects/sh2003006408 Noirs américains dans la culture populaire. Noirs américains Identité ethnique. Hip-hop. Masculinité dans la culture populaire. Féminité dans la culture populaire. Personnes noires Identité ethnique. BIOGRAPHY & AUTOBIOGRAPHY Cultural Heritage. bisacsh African Americans in popular culture fast African Americans Race identity fast Black people Race identity fast Femininity in popular culture fast Hip-hop fast Masculinity in popular culture fast Schwarze gnd Massenkultur gnd Ethnische Identität gnd http://d-nb.info/gnd/4153096-2 Geschlechterrolle gnd http://d-nb.info/gnd/4071776-8 visibility, blackness, race, racism, bias, performance, visuality, visual culture, black body, value, michael jackson, icon, fame, celebrity, fatimah tuggar, art, media, pop stars, female artists, excess flesh, charles teenie harris, photography, nonfiction, gender, representation, invisibility, hyper-visibility, spectacle, spectatorship, hip hop, music, masculinity, femininity, double vision, colorism, advertising, fashion. dissertations. aat Academic theses fast Academic theses. lcgft http://id.loc.gov/authorities/genreForms/gf2014026039 Thèses et écrits académiques. rvmgf has work: Troubling vision (Text) https://id.oclc.org/worldcat/entity/E39PCGH7C6mtkJmwcBqj6Gr47b https://id.oclc.org/worldcat/ontology/hasWork Print version: Fleetwood, Nicole R. Troubling vision. Chicago : University of Chicago Press, 2011 9780226253022 (DLC) 2010006147 (OCoLC)537308775 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=355219 Volltext |
spellingShingle | Fleetwood, Nicole R. Troubling vision : performance, visuality, and blackness / "One shot" : Harris and the photographic practice of black non-iconicity -- Her own spook : colorism, vision, and the dark female body -- Excess flesh : black women performing hypervisibility -- "I am king" : Hip hop culture, fashion advertising, and the black male body -- Visible seams : the media art of Fatimah Tuggar -- Coda : The icon is dead : mourning Michael Jackson. Hip Hop gnd http://d-nb.info/gnd/10291880-6 Universidad Sergio Arboleda gnd http://d-nb.info/gnd/5325141-6 African Americans in popular culture. http://id.loc.gov/authorities/subjects/sh95003035 African Americans Race identity. http://id.loc.gov/authorities/subjects/sh85001973 Black people Race identity. http://id.loc.gov/authorities/subjects/sh85014685 Hip-hop. http://id.loc.gov/authorities/subjects/sh95009601 Masculinity in popular culture. http://id.loc.gov/authorities/subjects/sh97000885 Femininity in popular culture. http://id.loc.gov/authorities/subjects/sh2003006408 Noirs américains dans la culture populaire. Noirs américains Identité ethnique. Hip-hop. Masculinité dans la culture populaire. Féminité dans la culture populaire. Personnes noires Identité ethnique. BIOGRAPHY & AUTOBIOGRAPHY Cultural Heritage. bisacsh African Americans in popular culture fast African Americans Race identity fast Black people Race identity fast Femininity in popular culture fast Hip-hop fast Masculinity in popular culture fast Schwarze gnd Massenkultur gnd Ethnische Identität gnd http://d-nb.info/gnd/4153096-2 Geschlechterrolle gnd http://d-nb.info/gnd/4071776-8 |
subject_GND | http://d-nb.info/gnd/10291880-6 http://d-nb.info/gnd/5325141-6 http://id.loc.gov/authorities/subjects/sh95003035 http://id.loc.gov/authorities/subjects/sh85001973 http://id.loc.gov/authorities/subjects/sh85014685 http://id.loc.gov/authorities/subjects/sh95009601 http://id.loc.gov/authorities/subjects/sh97000885 http://id.loc.gov/authorities/subjects/sh2003006408 http://d-nb.info/gnd/4153096-2 http://d-nb.info/gnd/4071776-8 http://id.loc.gov/authorities/genreForms/gf2014026039 |
title | Troubling vision : performance, visuality, and blackness / |
title_auth | Troubling vision : performance, visuality, and blackness / |
title_exact_search | Troubling vision : performance, visuality, and blackness / |
title_full | Troubling vision : performance, visuality, and blackness / Nicole R. Fleetwood. |
title_fullStr | Troubling vision : performance, visuality, and blackness / Nicole R. Fleetwood. |
title_full_unstemmed | Troubling vision : performance, visuality, and blackness / Nicole R. Fleetwood. |
title_short | Troubling vision : |
title_sort | troubling vision performance visuality and blackness |
title_sub | performance, visuality, and blackness / |
topic | Hip Hop gnd http://d-nb.info/gnd/10291880-6 Universidad Sergio Arboleda gnd http://d-nb.info/gnd/5325141-6 African Americans in popular culture. http://id.loc.gov/authorities/subjects/sh95003035 African Americans Race identity. http://id.loc.gov/authorities/subjects/sh85001973 Black people Race identity. http://id.loc.gov/authorities/subjects/sh85014685 Hip-hop. http://id.loc.gov/authorities/subjects/sh95009601 Masculinity in popular culture. http://id.loc.gov/authorities/subjects/sh97000885 Femininity in popular culture. http://id.loc.gov/authorities/subjects/sh2003006408 Noirs américains dans la culture populaire. Noirs américains Identité ethnique. Hip-hop. Masculinité dans la culture populaire. Féminité dans la culture populaire. Personnes noires Identité ethnique. BIOGRAPHY & AUTOBIOGRAPHY Cultural Heritage. bisacsh African Americans in popular culture fast African Americans Race identity fast Black people Race identity fast Femininity in popular culture fast Hip-hop fast Masculinity in popular culture fast Schwarze gnd Massenkultur gnd Ethnische Identität gnd http://d-nb.info/gnd/4153096-2 Geschlechterrolle gnd http://d-nb.info/gnd/4071776-8 |
topic_facet | Hip Hop Universidad Sergio Arboleda African Americans in popular culture. African Americans Race identity. Black people Race identity. Hip-hop. Masculinity in popular culture. Femininity in popular culture. Noirs américains dans la culture populaire. Noirs américains Identité ethnique. Masculinité dans la culture populaire. Féminité dans la culture populaire. Personnes noires Identité ethnique. BIOGRAPHY & AUTOBIOGRAPHY Cultural Heritage. African Americans in popular culture African Americans Race identity Black people Race identity Femininity in popular culture Hip-hop Masculinity in popular culture Schwarze Massenkultur Ethnische Identität Geschlechterrolle dissertations. Academic theses Academic theses. Thèses et écrits académiques. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=355219 |
work_keys_str_mv | AT fleetwoodnicoler troublingvisionperformancevisualityandblackness |