World cinema and the ethics of realism /:
World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its allegiance to narrative mimesis, but Nagib challenges this, drawing instead on the filmmaker's commitment to truth and to the film med...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Continuum,
©2011.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its allegiance to narrative mimesis, but Nagib challenges this, drawing instead on the filmmaker's commitment to truth and to the film medium's material bond with the real. Starting from the premise that world cinema's creative peaks are governed by an ethics of realism, Nagib conducts comparative case studies picked from world new waves, such as the Japanese New Wave, the French nouvelle vague, the Cinema Novo, the New German Cinema, the Russo-Cuban Revolutionary Cinema, the Portuguese self-performing auteur and the Inuit Indigenous Cinema. Drawing upon Badiou and Rancière, World Cinema and the Ethics of Realism revisits and reformulates several fundamental concepts in film studies, such as illusionism, identification, apparatus, alienation effects, presentation and representation. Its groundbreaking scholarship takes film theory in a bold new direction. |
| Beschreibung: | 1 online resource (xiv, 293 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781441154651 1441154655 9781282977594 1282977598 9781628929188 1628929189 |
Internformat
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| 100 | 1 | |a Nagib, Lúcia, |d 1956- |1 https://id.oclc.org/worldcat/entity/E39PBJrWDmVgGwjBBfwXKgrwmd |0 http://id.loc.gov/authorities/names/n89197152 | |
| 245 | 1 | 0 | |a World cinema and the ethics of realism / |c Lucia Nagib. |
| 260 | |a New York, NY : |b Continuum, |c ©2011. | ||
| 300 | |a 1 online resource (xiv, 293 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Physical cinema. The end of the other -- The immaterial difference : Werner Herzog revisited -- The reality of the medium. Conceptual realism in Land in trance and I am Cuba -- The work of art in progress : an analysis of delicate crime -- The ethics of desire. The realm of the senses, the ethical imperative and the politics of pleasure -- The production of reality. Hara and Kobayashi's "private documentaries" -- The self-performing auteur : ethics in João César Monteiro. | |
| 520 | |a World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its allegiance to narrative mimesis, but Nagib challenges this, drawing instead on the filmmaker's commitment to truth and to the film medium's material bond with the real. Starting from the premise that world cinema's creative peaks are governed by an ethics of realism, Nagib conducts comparative case studies picked from world new waves, such as the Japanese New Wave, the French nouvelle vague, the Cinema Novo, the New German Cinema, the Russo-Cuban Revolutionary Cinema, the Portuguese self-performing auteur and the Inuit Indigenous Cinema. Drawing upon Badiou and Rancière, World Cinema and the Ethics of Realism revisits and reformulates several fundamental concepts in film studies, such as illusionism, identification, apparatus, alienation effects, presentation and representation. Its groundbreaking scholarship takes film theory in a bold new direction. | ||
| 588 | 0 | |a Print version record. | |
| 533 | |a Electronic reproduction. |b London : |c Bloomsbury Publishing, |d 2014. |n Available via World Wide Web. |n Access limited by licensing agreement. |5 OrPS | ||
| 650 | 0 | |a Realism in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85111771 | |
| 650 | 0 | |a Motion pictures |x Moral and ethical aspects. |0 http://id.loc.gov/authorities/subjects/sh85088101 | |
| 650 | 6 | |a Réalisme au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect moral. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Moral and ethical aspects |2 fast | |
| 650 | 7 | |a Realism in motion pictures |2 fast | |
| 650 | 7 | |a Wirklichkeit. |2 idszbz | |
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| 650 | 7 | |a Ethik. |2 idszbz | |
| 655 | 4 | |a Electronic book. | |
| 758 | |i has work: |a World cinema and the ethics of realism (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdFTh86GHmWBrMJDbfQMd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Nagib, Lúcia, 1956- |t World cinema and the ethics of realism. |d New York, NY : Continuum International Pub. Group Inc, ©2011 |z 9781441137838 |w (DLC) 2010033009 |w (OCoLC)648934554 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn701053933 |
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| adam_text | |
| any_adam_object | |
| author | Nagib, Lúcia, 1956- |
| author_GND | http://id.loc.gov/authorities/names/n89197152 |
| author_facet | Nagib, Lúcia, 1956- |
| author_role | |
| author_sort | Nagib, Lúcia, 1956- |
| author_variant | l n ln |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.R3 N35 2011eb |
| callnumber-search | PN1995.9.R3 N35 2011eb |
| callnumber-sort | PN 41995.9 R3 N35 42011EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction -- Physical cinema. The end of the other -- The immaterial difference : Werner Herzog revisited -- The reality of the medium. Conceptual realism in Land in trance and I am Cuba -- The work of art in progress : an analysis of delicate crime -- The ethics of desire. The realm of the senses, the ethical imperative and the politics of pleasure -- The production of reality. Hara and Kobayashi's "private documentaries" -- The self-performing auteur : ethics in João César Monteiro. |
| ctrlnum | (OCoLC)701053933 |
| dewey-full | 791.43/612 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/612 |
| dewey-search | 791.43/612 |
| dewey-sort | 3791.43 3612 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-ocn701053933 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:41Z |
| institution | BVB |
| isbn | 9781441154651 1441154655 9781282977594 1282977598 9781628929188 1628929189 |
| language | English |
| oclc_num | 701053933 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiv, 293 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Continuum, |
| record_format | marc |
| spelling | Nagib, Lúcia, 1956- https://id.oclc.org/worldcat/entity/E39PBJrWDmVgGwjBBfwXKgrwmd http://id.loc.gov/authorities/names/n89197152 World cinema and the ethics of realism / Lucia Nagib. New York, NY : Continuum, ©2011. 1 online resource (xiv, 293 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction -- Physical cinema. The end of the other -- The immaterial difference : Werner Herzog revisited -- The reality of the medium. Conceptual realism in Land in trance and I am Cuba -- The work of art in progress : an analysis of delicate crime -- The ethics of desire. The realm of the senses, the ethical imperative and the politics of pleasure -- The production of reality. Hara and Kobayashi's "private documentaries" -- The self-performing auteur : ethics in João César Monteiro. World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its allegiance to narrative mimesis, but Nagib challenges this, drawing instead on the filmmaker's commitment to truth and to the film medium's material bond with the real. Starting from the premise that world cinema's creative peaks are governed by an ethics of realism, Nagib conducts comparative case studies picked from world new waves, such as the Japanese New Wave, the French nouvelle vague, the Cinema Novo, the New German Cinema, the Russo-Cuban Revolutionary Cinema, the Portuguese self-performing auteur and the Inuit Indigenous Cinema. Drawing upon Badiou and Rancière, World Cinema and the Ethics of Realism revisits and reformulates several fundamental concepts in film studies, such as illusionism, identification, apparatus, alienation effects, presentation and representation. Its groundbreaking scholarship takes film theory in a bold new direction. Print version record. Electronic reproduction. London : Bloomsbury Publishing, 2014. Available via World Wide Web. Access limited by licensing agreement. OrPS Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Réalisme au cinéma. Cinéma Aspect moral. PERFORMING ARTS Film & Video General. bisacsh Motion pictures Moral and ethical aspects fast Realism in motion pictures fast Wirklichkeit. idszbz Dokumentarfilm. idszbz Film. idszbz Ethik. idszbz Electronic book. has work: World cinema and the ethics of realism (Text) https://id.oclc.org/worldcat/entity/E39PCGdFTh86GHmWBrMJDbfQMd https://id.oclc.org/worldcat/ontology/hasWork Print version: Nagib, Lúcia, 1956- World cinema and the ethics of realism. New York, NY : Continuum International Pub. Group Inc, ©2011 9781441137838 (DLC) 2010033009 (OCoLC)648934554 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=353682 Volltext |
| spellingShingle | Nagib, Lúcia, 1956- World cinema and the ethics of realism / Introduction -- Physical cinema. The end of the other -- The immaterial difference : Werner Herzog revisited -- The reality of the medium. Conceptual realism in Land in trance and I am Cuba -- The work of art in progress : an analysis of delicate crime -- The ethics of desire. The realm of the senses, the ethical imperative and the politics of pleasure -- The production of reality. Hara and Kobayashi's "private documentaries" -- The self-performing auteur : ethics in João César Monteiro. Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Réalisme au cinéma. Cinéma Aspect moral. PERFORMING ARTS Film & Video General. bisacsh Motion pictures Moral and ethical aspects fast Realism in motion pictures fast Wirklichkeit. idszbz Dokumentarfilm. idszbz Film. idszbz Ethik. idszbz |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85111771 http://id.loc.gov/authorities/subjects/sh85088101 |
| title | World cinema and the ethics of realism / |
| title_auth | World cinema and the ethics of realism / |
| title_exact_search | World cinema and the ethics of realism / |
| title_full | World cinema and the ethics of realism / Lucia Nagib. |
| title_fullStr | World cinema and the ethics of realism / Lucia Nagib. |
| title_full_unstemmed | World cinema and the ethics of realism / Lucia Nagib. |
| title_short | World cinema and the ethics of realism / |
| title_sort | world cinema and the ethics of realism |
| topic | Realism in motion pictures. http://id.loc.gov/authorities/subjects/sh85111771 Motion pictures Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85088101 Réalisme au cinéma. Cinéma Aspect moral. PERFORMING ARTS Film & Video General. bisacsh Motion pictures Moral and ethical aspects fast Realism in motion pictures fast Wirklichkeit. idszbz Dokumentarfilm. idszbz Film. idszbz Ethik. idszbz |
| topic_facet | Realism in motion pictures. Motion pictures Moral and ethical aspects. Réalisme au cinéma. Cinéma Aspect moral. PERFORMING ARTS Film & Video General. Motion pictures Moral and ethical aspects Realism in motion pictures Wirklichkeit. Dokumentarfilm. Film. Ethik. Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=353682 |
| work_keys_str_mv | AT nagiblucia worldcinemaandtheethicsofrealism |