Reframing Bollywood :: theories of popular Hindi cinema /
This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Delhi, India ; Thousand Oaks, California :
SAGE Publications,
2010.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies. This fusion of approaches is also representative of the larger objective of this work, namely, to destabilize Bollywood's position within any one sphere of reference and, instead, to illuminate how several realms of meaning are at play in its construction. The aim in doing so is to demonstrate how a variety of critical methodologies can enable a more comprehensive reading of the films making up this corpus. |
| Beschreibung: | 1 online resource (xxiv, 165 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 147-155), filmography (pages 156-158) and index. |
| ISBN: | 9788132105947 813210594X 9781446270233 1446270238 9788132104728 8132104722 9385985809 9789385985805 1282839853 9781282839854 9786612839856 6612839856 |
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| 245 | 1 | 0 | |a Reframing Bollywood : |b theories of popular Hindi cinema / |c Ajay Gehlawat. |
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| 504 | |a Includes bibliographical references (pages 147-155), filmography (pages 156-158) and index. | ||
| 505 | 0 | |a Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood. | |
| 520 | |a This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies. This fusion of approaches is also representative of the larger objective of this work, namely, to destabilize Bollywood's position within any one sphere of reference and, instead, to illuminate how several realms of meaning are at play in its construction. The aim in doing so is to demonstrate how a variety of critical methodologies can enable a more comprehensive reading of the films making up this corpus. | ||
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| author | Gehlawat, Ajay |
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| contents | Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood. |
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| dewey-raw | 791.430954 |
| dewey-search | 791.430954 |
| dewey-sort | 3791.430954 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| publisher | SAGE Publications, |
| record_format | marc |
| spelling | Gehlawat, Ajay. http://id.loc.gov/authorities/names/n2010021116 Reframing Bollywood : theories of popular Hindi cinema / Ajay Gehlawat. New Delhi, India ; Thousand Oaks, California : SAGE Publications, 2010. 1 online resource (xxiv, 165 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 147-155), filmography (pages 156-158) and index. Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood. This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood and challenges the homogenizing tendencies in much of the ongoing scholarship in the field. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero)sexual frame and the 'crossover' frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies. This fusion of approaches is also representative of the larger objective of this work, namely, to destabilize Bollywood's position within any one sphere of reference and, instead, to illuminate how several realms of meaning are at play in its construction. The aim in doing so is to demonstrate how a variety of critical methodologies can enable a more comprehensive reading of the films making up this corpus. Online resource; title from digital title page (viewed on May 8, 2018). English. Motion pictures India. http://id.loc.gov/authorities/subjects/sh2005000984 Motion pictures Social aspects India. Cinéma Inde. Cinéma Aspect social Inde. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Motion pictures Social aspects fast India fast https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC has work: Reframing Bollywood (Text) https://id.oclc.org/worldcat/entity/E39PCGPRqbccfr6CfqCh8FrgJC https://id.oclc.org/worldcat/ontology/hasWork Print version: Gehlawat, Ajay. Reframing Bollywood. New Delhi, India ; Thousand Oaks, Calif. : SAGE Publications, 2010 9788132104728 (DLC) 2010014828 (OCoLC)606054883 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=340336 Volltext |
| spellingShingle | Gehlawat, Ajay Reframing Bollywood : theories of popular Hindi cinema / Introduction : reframing Bollywood -- Bollywood and its implied viewers -- the Bollywood song and dance, or making a culinary theatre from dung-cakes and dust : can the Bollywood film speak to the subaltern? -- Ho naa ho : the emergence of a homosexual subtext in Bollywood -- Usage problem : simulation and hyper-assimilation in the (crossover) Bollywood film -- Conclusion : travelling Bollywood. Motion pictures India. http://id.loc.gov/authorities/subjects/sh2005000984 Motion pictures Social aspects India. Cinéma Inde. Cinéma Aspect social Inde. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Motion pictures Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2005000984 |
| title | Reframing Bollywood : theories of popular Hindi cinema / |
| title_auth | Reframing Bollywood : theories of popular Hindi cinema / |
| title_exact_search | Reframing Bollywood : theories of popular Hindi cinema / |
| title_full | Reframing Bollywood : theories of popular Hindi cinema / Ajay Gehlawat. |
| title_fullStr | Reframing Bollywood : theories of popular Hindi cinema / Ajay Gehlawat. |
| title_full_unstemmed | Reframing Bollywood : theories of popular Hindi cinema / Ajay Gehlawat. |
| title_short | Reframing Bollywood : |
| title_sort | reframing bollywood theories of popular hindi cinema |
| title_sub | theories of popular Hindi cinema / |
| topic | Motion pictures India. http://id.loc.gov/authorities/subjects/sh2005000984 Motion pictures Social aspects India. Cinéma Inde. Cinéma Aspect social Inde. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Motion pictures Social aspects fast |
| topic_facet | Motion pictures India. Motion pictures Social aspects India. Cinéma Inde. Cinéma Aspect social Inde. PERFORMING ARTS Film & Video Reference. Motion pictures Motion pictures Social aspects India |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=340336 |
| work_keys_str_mv | AT gehlawatajay reframingbollywoodtheoriesofpopularhindicinema |