Border crossings :: Thomas King's cultural inversions /
Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such a...
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Weitere Verfasser: | , |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto ; Buffalo :
University of Toronto Press,
©2003.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies. |
Beschreibung: | 1 online resource (223 pages) : illustrations, portraits |
Bibliographie: | Includes bibliographical references (pages 211-220) and index. |
ISBN: | 9781442671539 144267153X 1282029460 9781282029460 9786612029462 6612029463 |
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245 | 1 | 0 | |a Border crossings : |b Thomas King's cultural inversions / |c Arnold E. Davidson, Priscilla L. Walton, and Jennifer Andrews. |
260 | |a Toronto ; |a Buffalo : |b University of Toronto Press, |c ©2003. | ||
300 | |a 1 online resource (223 pages) : |b illustrations, portraits | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 211-220) and index. | ||
505 | 0 | |a Introduction: Whose borders? -- 1 comic contexts -- 2 comic inversions -- 3 genre crossings -- 4 comedy, politics, and audio and visual media -- 5 humouring race and nationality -- the comic dimensions of gender, race, and nation: King's contestatory narratives -- comic intertextualities 197. | |
520 | |a Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies. | ||
546 | |a English. | ||
600 | 1 | 0 | |a King, Thomas, |d 1943- |x Criticism and interpretation. |
600 | 1 | 6 | |a King, Thomas, |d 1943- |x Critique et interprétation. |
600 | 1 | 7 | |a King, Thomas, |d 1943- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJbtpyXqMYbW3jrHby3mh3 |
600 | 1 | 7 | |a King, Thomas. |2 idsbb |
600 | 1 | 7 | |a King, Thomas. |2 swd |
650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM |x Native American. |2 bisacsh | |
650 | 7 | |a Humor |2 gnd | |
650 | 7 | |a Intertextualität |2 gnd | |
655 | 0 | |a Electronic books. | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
700 | 1 | |a Walton, Priscilla L. | |
700 | 1 | |a Andrews, Jennifer Courtney Elizabeth, |d 1971- |1 https://id.oclc.org/worldcat/entity/E39PCjBFhpdTKB7P7R4d47YJKq |0 http://id.loc.gov/authorities/names/no2003044408 | |
758 | |i has work: |a Border crossings (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGkQ3C8yhCgdcB38F86p6C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Davidson, Arnold E., 1936- |t Border crossings. |d Toronto ; Buffalo : University of Toronto Press, ©2003 |w (DLC) 2003501350 |w (OCoLC)50403126 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=469075 |3 Volltext |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn666915838 |
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adam_text | |
any_adam_object | |
author | Davidson, Arnold E., 1936- |
author2 | Walton, Priscilla L. Andrews, Jennifer Courtney Elizabeth, 1971- |
author2_role | |
author2_variant | p l w pl plw j c e a jce jcea |
author_GND | http://id.loc.gov/authorities/names/n81123110 http://id.loc.gov/authorities/names/no2003044408 |
author_facet | Davidson, Arnold E., 1936- Walton, Priscilla L. Andrews, Jennifer Courtney Elizabeth, 1971- |
author_role | |
author_sort | Davidson, Arnold E., 1936- |
author_variant | a e d ae aed |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR9199 |
callnumber-raw | PR9199.3.K4422 Z62 2003 PS8561 .I45 Z63 2003 |
callnumber-search | PR9199.3.K4422 Z62 2003 PS8561 .I45 Z63 2003 |
callnumber-sort | PR 49199.3 K4422 Z62 42003 |
callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Introduction: Whose borders? -- 1 comic contexts -- 2 comic inversions -- 3 genre crossings -- 4 comedy, politics, and audio and visual media -- 5 humouring race and nationality -- the comic dimensions of gender, race, and nation: King's contestatory narratives -- comic intertextualities 197. |
ctrlnum | (OCoLC)666915838 |
dewey-full | 813/.54 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 813 - American fiction in English |
dewey-raw | 813/.54 |
dewey-search | 813/.54 |
dewey-sort | 3813 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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Walton, and Jennifer Andrews.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Toronto ;</subfield><subfield code="a">Buffalo :</subfield><subfield code="b">University of Toronto Press,</subfield><subfield code="c">©2003.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (223 pages) :</subfield><subfield code="b">illustrations, portraits</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 211-220) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Whose borders? -- 1 comic contexts -- 2 comic inversions -- 3 genre crossings -- 4 comedy, politics, and audio and visual media -- 5 humouring race and nationality -- the comic dimensions of gender, race, and nation: King's contestatory narratives -- comic intertextualities 197.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. 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genre | Electronic books. Criticism, interpretation, etc. fast |
genre_facet | Electronic books. Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn666915838 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:17:31Z |
institution | BVB |
isbn | 9781442671539 144267153X 1282029460 9781282029460 9786612029462 6612029463 |
language | English |
lccn | 2003501350 |
oclc_num | 666915838 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (223 pages) : illustrations, portraits |
psigel | ZDB-4-EBA |
publishDate | 2003 |
publishDateSearch | 2003 |
publishDateSort | 2003 |
publisher | University of Toronto Press, |
record_format | marc |
spelling | Davidson, Arnold E., 1936- https://id.oclc.org/worldcat/entity/E39PCjJqV68PjC9Pqw899xgrmd http://id.loc.gov/authorities/names/n81123110 Border crossings : Thomas King's cultural inversions / Arnold E. Davidson, Priscilla L. Walton, and Jennifer Andrews. Toronto ; Buffalo : University of Toronto Press, ©2003. 1 online resource (223 pages) : illustrations, portraits text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 211-220) and index. Introduction: Whose borders? -- 1 comic contexts -- 2 comic inversions -- 3 genre crossings -- 4 comedy, politics, and audio and visual media -- 5 humouring race and nationality -- the comic dimensions of gender, race, and nation: King's contestatory narratives -- comic intertextualities 197. Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies. English. King, Thomas, 1943- Criticism and interpretation. King, Thomas, 1943- Critique et interprétation. King, Thomas, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJbtpyXqMYbW3jrHby3mh3 King, Thomas. idsbb King, Thomas. swd LITERARY CRITICISM American General. bisacsh LITERARY CRITICISM Native American. bisacsh Humor gnd Intertextualität gnd Electronic books. Criticism, interpretation, etc. fast Walton, Priscilla L. Andrews, Jennifer Courtney Elizabeth, 1971- https://id.oclc.org/worldcat/entity/E39PCjBFhpdTKB7P7R4d47YJKq http://id.loc.gov/authorities/names/no2003044408 has work: Border crossings (Text) https://id.oclc.org/worldcat/entity/E39PCGkQ3C8yhCgdcB38F86p6C https://id.oclc.org/worldcat/ontology/hasWork Print version: Davidson, Arnold E., 1936- Border crossings. Toronto ; Buffalo : University of Toronto Press, ©2003 (DLC) 2003501350 (OCoLC)50403126 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=469075 Volltext |
spellingShingle | Davidson, Arnold E., 1936- Border crossings : Thomas King's cultural inversions / Introduction: Whose borders? -- 1 comic contexts -- 2 comic inversions -- 3 genre crossings -- 4 comedy, politics, and audio and visual media -- 5 humouring race and nationality -- the comic dimensions of gender, race, and nation: King's contestatory narratives -- comic intertextualities 197. King, Thomas, 1943- Criticism and interpretation. King, Thomas, 1943- Critique et interprétation. King, Thomas, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJbtpyXqMYbW3jrHby3mh3 King, Thomas. idsbb King, Thomas. swd LITERARY CRITICISM American General. bisacsh LITERARY CRITICISM Native American. bisacsh Humor gnd Intertextualität gnd |
title | Border crossings : Thomas King's cultural inversions / |
title_auth | Border crossings : Thomas King's cultural inversions / |
title_exact_search | Border crossings : Thomas King's cultural inversions / |
title_full | Border crossings : Thomas King's cultural inversions / Arnold E. Davidson, Priscilla L. Walton, and Jennifer Andrews. |
title_fullStr | Border crossings : Thomas King's cultural inversions / Arnold E. Davidson, Priscilla L. Walton, and Jennifer Andrews. |
title_full_unstemmed | Border crossings : Thomas King's cultural inversions / Arnold E. Davidson, Priscilla L. Walton, and Jennifer Andrews. |
title_short | Border crossings : |
title_sort | border crossings thomas king s cultural inversions |
title_sub | Thomas King's cultural inversions / |
topic | King, Thomas, 1943- Criticism and interpretation. King, Thomas, 1943- Critique et interprétation. King, Thomas, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJbtpyXqMYbW3jrHby3mh3 King, Thomas. idsbb King, Thomas. swd LITERARY CRITICISM American General. bisacsh LITERARY CRITICISM Native American. bisacsh Humor gnd Intertextualität gnd |
topic_facet | King, Thomas, 1943- Criticism and interpretation. King, Thomas, 1943- Critique et interprétation. King, Thomas, 1943- King, Thomas. LITERARY CRITICISM American General. LITERARY CRITICISM Native American. Humor Intertextualität Electronic books. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=469075 |
work_keys_str_mv | AT davidsonarnolde bordercrossingsthomaskingsculturalinversions AT waltonpriscillal bordercrossingsthomaskingsculturalinversions AT andrewsjennifercourtneyelizabeth bordercrossingsthomaskingsculturalinversions |