Hermes' lyre :: Italian poetic self-commentary from Dante to Tommaso Campanella /
From the mysterious glosses by 'EK' in the poetry of Edmund Spenser, to the self-commentary in Vladimir Nabokov's Pale Fire, readers of literature have been fascinated by the comments, addenda, and footnotes added by authors to their own work. In this insightful and original work, She...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo :
University of Toronto Press,
©2002.
|
| Schriftenreihe: | Toronto Italian studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | From the mysterious glosses by 'EK' in the poetry of Edmund Spenser, to the self-commentary in Vladimir Nabokov's Pale Fire, readers of literature have been fascinated by the comments, addenda, and footnotes added by authors to their own work. In this insightful and original work, Sherry Roush investigates poets' motivations for writing glosses. She argues that self-commentary differs fundamentally from standard commentary, and that it does not necessarily impose an authoritative reading, determine the poem's significance, or furnish factual autobiographical information. Rather, self-commentary presents an intriguing ulterior poetic dimension and adds to the inherent tension of the text. Roush focuses her study on three pairs of authors, each representing a distinct historical-contextual period: Dante and Boccaccio in the early Italian self-commentative tradition, Lorenzo de' Medici and Girolamo Benivieni in high Renaissance Florence, and Giordano Bruno and Tommaso Campanella at the turn of the seventeenth century. Through numerous examples, Roush highlights the non-linear development of this mixed genre, and shows how poetic self-commentaries respond to unique literary, historical, and political exigencies, and offer keys to understanding the underlying poetic message. This seminal study will be of particular value to scholars interested in poetry, hermeneutics, autobiography, and Renaissance studies. |
| Beschreibung: | 1 online resource (ix, 249 pages) |
| Bibliographie: | Includes bibliographical references (pages 217-238) and index. |
| ISBN: | 9781442675711 1442675713 1282023179 9781282023178 |
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| 100 | 1 | |a Roush, Sherry. | |
| 245 | 1 | 0 | |a Hermes' lyre : |b Italian poetic self-commentary from Dante to Tommaso Campanella / |c Sherry Roush. |
| 260 | |a Toronto ; |a Buffalo : |b University of Toronto Press, |c ©2002. | ||
| 300 | |a 1 online resource (ix, 249 pages) | ||
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| 504 | |a Includes bibliographical references (pages 217-238) and index. | ||
| 520 | |a From the mysterious glosses by 'EK' in the poetry of Edmund Spenser, to the self-commentary in Vladimir Nabokov's Pale Fire, readers of literature have been fascinated by the comments, addenda, and footnotes added by authors to their own work. In this insightful and original work, Sherry Roush investigates poets' motivations for writing glosses. She argues that self-commentary differs fundamentally from standard commentary, and that it does not necessarily impose an authoritative reading, determine the poem's significance, or furnish factual autobiographical information. Rather, self-commentary presents an intriguing ulterior poetic dimension and adds to the inherent tension of the text. Roush focuses her study on three pairs of authors, each representing a distinct historical-contextual period: Dante and Boccaccio in the early Italian self-commentative tradition, Lorenzo de' Medici and Girolamo Benivieni in high Renaissance Florence, and Giordano Bruno and Tommaso Campanella at the turn of the seventeenth century. Through numerous examples, Roush highlights the non-linear development of this mixed genre, and shows how poetic self-commentaries respond to unique literary, historical, and political exigencies, and offer keys to understanding the underlying poetic message. This seminal study will be of particular value to scholars interested in poetry, hermeneutics, autobiography, and Renaissance studies. | ||
| 505 | 0 | |a CONTENTS -- PREFACE: THE LYRE OF HERMES -- INTRODUCTION. Beyond Explication: Poets and Their Own Commentaries -- Part One. Dante and Boccaccio: The Emergence of Italian Poetic Self-Commentary -- 1 'You might call it something of a commentary': Defining Terms in Dante's Vita Nuova and Convivio -- 2 'Only the ploughshare aided by many clever talents cleaves the soil of poetry': Boccaccio's Earthly Vision of the Text and the Requisites for its Interpretation -- Part Two. Poetic Self-Commentary Reborn in Quattrocento Florence | |
| 505 | 8 | |a 3 'Know thyself': Self-knowledge and New Life in Lorenzo de' Medici's Commentary on My Sonnets4 'Distorted in contrary senses': Girolamo Benivieni's Self-Commentative Reformation -- Part Three. Poetic Self-Commentary at the End of the Renaissance -- 5 'It is neither formed nor form': Reading Beyond the Lines of Bruno's Dialogic Self-Commentary, the Heroic Frenzies -- 6 'Did we not prophesy in Your name?': Settimontano Squilla as the Apocalyptic Seventh Trumpet in Tommaso Campanella's Vatic Project -- 7 Invocation, Interpretation, Inspiration -- NOTES -- BIBLIOGRAPHY | |
| 505 | 8 | |a Indexa -- b -- c -- d -- e -- f -- g -- h -- i -- j -- k -- l -- m -- n -- o -- p -- q -- r -- s -- t -- u -- v -- w -- y -- z | |
| 650 | 0 | |a Italian poetry |x History and criticism. | |
| 650 | 0 | |a Hermeneutics. |0 http://id.loc.gov/authorities/subjects/sh85060402 | |
| 650 | 6 | |a Poésie italienne |x Histoire et critique. | |
| 650 | 6 | |a Herméneutique. | |
| 650 | 7 | |a hermeneutics. |2 aat | |
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| 650 | 7 | |a LITERARY CRITICISM |x European |x Italian. |2 bisacsh | |
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| 650 | 7 | |a Italian poetry |2 fast | |
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| _version_ | 1816881739587387392 |
| adam_text | |
| any_adam_object | |
| author | Roush, Sherry |
| author_facet | Roush, Sherry |
| author_role | |
| author_sort | Roush, Sherry |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PQ4066 |
| callnumber-raw | PQ4066 .R68 2002 |
| callnumber-search | PQ4066 .R68 2002 |
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| callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
| classification_rvk | IT 2278 |
| collection | ZDB-4-EBA |
| contents | CONTENTS -- PREFACE: THE LYRE OF HERMES -- INTRODUCTION. Beyond Explication: Poets and Their Own Commentaries -- Part One. Dante and Boccaccio: The Emergence of Italian Poetic Self-Commentary -- 1 'You might call it something of a commentary': Defining Terms in Dante's Vita Nuova and Convivio -- 2 'Only the ploughshare aided by many clever talents cleaves the soil of poetry': Boccaccio's Earthly Vision of the Text and the Requisites for its Interpretation -- Part Two. Poetic Self-Commentary Reborn in Quattrocento Florence 3 'Know thyself': Self-knowledge and New Life in Lorenzo de' Medici's Commentary on My Sonnets4 'Distorted in contrary senses': Girolamo Benivieni's Self-Commentative Reformation -- Part Three. Poetic Self-Commentary at the End of the Renaissance -- 5 'It is neither formed nor form': Reading Beyond the Lines of Bruno's Dialogic Self-Commentary, the Heroic Frenzies -- 6 'Did we not prophesy in Your name?': Settimontano Squilla as the Apocalyptic Seventh Trumpet in Tommaso Campanella's Vatic Project -- 7 Invocation, Interpretation, Inspiration -- NOTES -- BIBLIOGRAPHY Indexa -- b -- c -- d -- e -- f -- g -- h -- i -- j -- k -- l -- m -- n -- o -- p -- q -- r -- s -- t -- u -- v -- w -- y -- z |
| ctrlnum | (OCoLC)666910790 |
| dewey-full | 851.009 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 851 - Italian poetry |
| dewey-raw | 851.009 |
| dewey-search | 851.009 |
| dewey-sort | 3851.009 |
| dewey-tens | 850 - Italian, Romanian & related literatures |
| discipline | Romanistik |
| format | Electronic eBook |
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Toronto Press,</subfield><subfield code="c">©2002.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (ix, 249 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Toronto Italian studies</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 217-238) and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">From the mysterious glosses by 'EK' in the poetry of Edmund Spenser, to the self-commentary in Vladimir Nabokov's Pale Fire, readers of literature have been fascinated by the comments, addenda, and footnotes added by authors to their own work. In this insightful and original work, Sherry Roush investigates poets' motivations for writing glosses. She argues that self-commentary differs fundamentally from standard commentary, and that it does not necessarily impose an authoritative reading, determine the poem's significance, or furnish factual autobiographical information. Rather, self-commentary presents an intriguing ulterior poetic dimension and adds to the inherent tension of the text. Roush focuses her study on three pairs of authors, each representing a distinct historical-contextual period: Dante and Boccaccio in the early Italian self-commentative tradition, Lorenzo de' Medici and Girolamo Benivieni in high Renaissance Florence, and Giordano Bruno and Tommaso Campanella at the turn of the seventeenth century. Through numerous examples, Roush highlights the non-linear development of this mixed genre, and shows how poetic self-commentaries respond to unique literary, historical, and political exigencies, and offer keys to understanding the underlying poetic message. This seminal study will be of particular value to scholars interested in poetry, hermeneutics, autobiography, and Renaissance studies.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">CONTENTS -- PREFACE: THE LYRE OF HERMES -- INTRODUCTION. Beyond Explication: Poets and Their Own Commentaries -- Part One. Dante and Boccaccio: The Emergence of Italian Poetic Self-Commentary -- 1 'You might call it something of a commentary': Defining Terms in Dante's Vita Nuova and Convivio -- 2 'Only the ploughshare aided by many clever talents cleaves the soil of poetry': Boccaccio's Earthly Vision of the Text and the Requisites for its Interpretation -- Part Two. Poetic Self-Commentary Reborn in Quattrocento Florence</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3 'Know thyself': Self-knowledge and New Life in Lorenzo de' Medici's Commentary on My Sonnets4 'Distorted in contrary senses': Girolamo Benivieni's Self-Commentative Reformation -- Part Three. Poetic Self-Commentary at the End of the Renaissance -- 5 'It is neither formed nor form': Reading Beyond the Lines of Bruno's Dialogic Self-Commentary, the Heroic Frenzies -- 6 'Did we not prophesy in Your name?': Settimontano Squilla as the Apocalyptic Seventh Trumpet in Tommaso Campanella's Vatic Project -- 7 Invocation, Interpretation, Inspiration -- NOTES -- BIBLIOGRAPHY</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Indexa -- b -- c -- d -- e -- f -- g -- h -- i -- j -- k -- l -- m -- n -- o -- p -- q -- r -- s -- t -- u -- v -- w -- y -- z</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Italian poetry</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Hermeneutics.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85060402</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Poésie italienne</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Herméneutique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">hermeneutics.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POETRY</subfield><subfield code="x">Continental European.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM</subfield><subfield code="x">European</subfield><subfield code="x">Italian.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Hermeneutics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Italian poetry</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Gedichten.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Italiaans.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Hermeneutiek.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="655" ind1=" " ind2="0"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Hermes' lyre (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCXTbMkBC8jJFKwt6gxB96q</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Roush, Sherry.</subfield><subfield code="t">Hermes' lyre.</subfield><subfield code="d">Toronto ; 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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn666910790 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:30Z |
| institution | BVB |
| isbn | 9781442675711 1442675713 1282023179 9781282023178 |
| language | English |
| lccn | 2003430901 |
| oclc_num | 666910790 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 249 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Toronto Italian studies. |
| series2 | Toronto Italian studies |
| spelling | Roush, Sherry. Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / Sherry Roush. Toronto ; Buffalo : University of Toronto Press, ©2002. 1 online resource (ix, 249 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Toronto Italian studies Includes bibliographical references (pages 217-238) and index. From the mysterious glosses by 'EK' in the poetry of Edmund Spenser, to the self-commentary in Vladimir Nabokov's Pale Fire, readers of literature have been fascinated by the comments, addenda, and footnotes added by authors to their own work. In this insightful and original work, Sherry Roush investigates poets' motivations for writing glosses. She argues that self-commentary differs fundamentally from standard commentary, and that it does not necessarily impose an authoritative reading, determine the poem's significance, or furnish factual autobiographical information. Rather, self-commentary presents an intriguing ulterior poetic dimension and adds to the inherent tension of the text. Roush focuses her study on three pairs of authors, each representing a distinct historical-contextual period: Dante and Boccaccio in the early Italian self-commentative tradition, Lorenzo de' Medici and Girolamo Benivieni in high Renaissance Florence, and Giordano Bruno and Tommaso Campanella at the turn of the seventeenth century. Through numerous examples, Roush highlights the non-linear development of this mixed genre, and shows how poetic self-commentaries respond to unique literary, historical, and political exigencies, and offer keys to understanding the underlying poetic message. This seminal study will be of particular value to scholars interested in poetry, hermeneutics, autobiography, and Renaissance studies. CONTENTS -- PREFACE: THE LYRE OF HERMES -- INTRODUCTION. Beyond Explication: Poets and Their Own Commentaries -- Part One. Dante and Boccaccio: The Emergence of Italian Poetic Self-Commentary -- 1 'You might call it something of a commentary': Defining Terms in Dante's Vita Nuova and Convivio -- 2 'Only the ploughshare aided by many clever talents cleaves the soil of poetry': Boccaccio's Earthly Vision of the Text and the Requisites for its Interpretation -- Part Two. Poetic Self-Commentary Reborn in Quattrocento Florence 3 'Know thyself': Self-knowledge and New Life in Lorenzo de' Medici's Commentary on My Sonnets4 'Distorted in contrary senses': Girolamo Benivieni's Self-Commentative Reformation -- Part Three. Poetic Self-Commentary at the End of the Renaissance -- 5 'It is neither formed nor form': Reading Beyond the Lines of Bruno's Dialogic Self-Commentary, the Heroic Frenzies -- 6 'Did we not prophesy in Your name?': Settimontano Squilla as the Apocalyptic Seventh Trumpet in Tommaso Campanella's Vatic Project -- 7 Invocation, Interpretation, Inspiration -- NOTES -- BIBLIOGRAPHY Indexa -- b -- c -- d -- e -- f -- g -- h -- i -- j -- k -- l -- m -- n -- o -- p -- q -- r -- s -- t -- u -- v -- w -- y -- z Italian poetry History and criticism. Hermeneutics. http://id.loc.gov/authorities/subjects/sh85060402 Poésie italienne Histoire et critique. Herméneutique. hermeneutics. aat POETRY Continental European. bisacsh LITERARY CRITICISM European Italian. bisacsh Hermeneutics fast Italian poetry fast Gedichten. gtt Italiaans. gtt Hermeneutiek. gtt Electronic books. Criticism, interpretation, etc. fast has work: Hermes' lyre (Text) https://id.oclc.org/worldcat/entity/E39PCXTbMkBC8jJFKwt6gxB96q https://id.oclc.org/worldcat/ontology/hasWork Print version: Roush, Sherry. Hermes' lyre. Toronto ; Buffalo : University of Toronto Press, ©2002 9780802037121 (DLC) 2003430901 (OCoLC)49741104 Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=468184 Volltext |
| spellingShingle | Roush, Sherry Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / Toronto Italian studies. CONTENTS -- PREFACE: THE LYRE OF HERMES -- INTRODUCTION. Beyond Explication: Poets and Their Own Commentaries -- Part One. Dante and Boccaccio: The Emergence of Italian Poetic Self-Commentary -- 1 'You might call it something of a commentary': Defining Terms in Dante's Vita Nuova and Convivio -- 2 'Only the ploughshare aided by many clever talents cleaves the soil of poetry': Boccaccio's Earthly Vision of the Text and the Requisites for its Interpretation -- Part Two. Poetic Self-Commentary Reborn in Quattrocento Florence 3 'Know thyself': Self-knowledge and New Life in Lorenzo de' Medici's Commentary on My Sonnets4 'Distorted in contrary senses': Girolamo Benivieni's Self-Commentative Reformation -- Part Three. Poetic Self-Commentary at the End of the Renaissance -- 5 'It is neither formed nor form': Reading Beyond the Lines of Bruno's Dialogic Self-Commentary, the Heroic Frenzies -- 6 'Did we not prophesy in Your name?': Settimontano Squilla as the Apocalyptic Seventh Trumpet in Tommaso Campanella's Vatic Project -- 7 Invocation, Interpretation, Inspiration -- NOTES -- BIBLIOGRAPHY Indexa -- b -- c -- d -- e -- f -- g -- h -- i -- j -- k -- l -- m -- n -- o -- p -- q -- r -- s -- t -- u -- v -- w -- y -- z Italian poetry History and criticism. Hermeneutics. http://id.loc.gov/authorities/subjects/sh85060402 Poésie italienne Histoire et critique. Herméneutique. hermeneutics. aat POETRY Continental European. bisacsh LITERARY CRITICISM European Italian. bisacsh Hermeneutics fast Italian poetry fast Gedichten. gtt Italiaans. gtt Hermeneutiek. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85060402 |
| title | Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / |
| title_auth | Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / |
| title_exact_search | Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / |
| title_full | Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / Sherry Roush. |
| title_fullStr | Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / Sherry Roush. |
| title_full_unstemmed | Hermes' lyre : Italian poetic self-commentary from Dante to Tommaso Campanella / Sherry Roush. |
| title_short | Hermes' lyre : |
| title_sort | hermes lyre italian poetic self commentary from dante to tommaso campanella |
| title_sub | Italian poetic self-commentary from Dante to Tommaso Campanella / |
| topic | Italian poetry History and criticism. Hermeneutics. http://id.loc.gov/authorities/subjects/sh85060402 Poésie italienne Histoire et critique. Herméneutique. hermeneutics. aat POETRY Continental European. bisacsh LITERARY CRITICISM European Italian. bisacsh Hermeneutics fast Italian poetry fast Gedichten. gtt Italiaans. gtt Hermeneutiek. gtt |
| topic_facet | Italian poetry History and criticism. Hermeneutics. Poésie italienne Histoire et critique. Herméneutique. hermeneutics. POETRY Continental European. LITERARY CRITICISM European Italian. Hermeneutics Italian poetry Gedichten. Italiaans. Hermeneutiek. Electronic books. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT roushsherry hermeslyreitalianpoeticselfcommentaryfromdantetotommasocampanella |