Arcimboldo :: visual jokes, natural history, and still-life painting /
In Giuseppe Arcimboldo's most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man's chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the stra...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London :
University of Chicago Press,
2009.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In Giuseppe Arcimboldo's most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man's chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art's most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation.℗¡ ℗¡Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufman. |
| Beschreibung: | 1 online resource (xv, 313 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references (pages 291-305) and index. |
| ISBN: | 9780226426884 0226426882 9780226426860 0226426866 |
Internformat
MARC
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| 100 | 1 | |a Kaufmann, Thomas DaCosta. | |
| 245 | 1 | 0 | |a Arcimboldo : |b visual jokes, natural history, and still-life painting / |c Thomas DaCosta Kaufmann. |
| 260 | |a Chicago ; |a London : |b University of Chicago Press, |c 2009. | ||
| 300 | |a 1 online resource (xv, 313 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references (pages 291-305) and index. | ||
| 505 | 0 | |a Introduction -- Arcimboldo's Lombard origins -- Arcimboldo from 1562: the creation of composite heads -- Learning, poetry, and art -- Serious jokes -- Natural philosophy, natural history, and nature painting -- Nature studies -- Arcimboldo and the origins of still life -- Arcimboldo's paradoxical paintings and the origins of still life -- Conclusion: Arcimboldo in the history of art -- Appendix 1. Arcimboldo, the Facchini, and popular culture -- Appendix 2. Arcimboldo and Meda at Monza -- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi letter, Bologna -- Dresden Kupferstich-kabinett ca 213, Vienna (cod. min. 42) and the 'museum' of Rudolf II (cod min. 129 and 130). | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Giuseppe Arcimboldo's most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man's chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art's most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation.℗¡ ℗¡Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufman. | ||
| 600 | 1 | 0 | |a Arcimboldi, Giuseppe, |d 1527-1593. |0 http://id.loc.gov/authorities/names/n80038259 |
| 600 | 1 | 7 | |a Arcimboldi, Giuseppe, |d 1527-1593 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJv8KR98jkgvC9FfTTqqQq |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 653 | |a natural history, historical, painting, art, artistic, artists, visual, visualization, jokes, comedy, comedic, archaeology, paintings, 16th century, biography, biographical, life story, witty, allegory, composite heads, still-life, italian, italy, imaginative portraits, fruits, vegetables, fish, grotesque symbolical compositions, human forms, whimsical, representation. | ||
| 758 | |i has work: |a Arcimboldo (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4X94x4wWR3PT7T3Gwh6q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Kaufmann, Thomas DaCosta. |t Arcimboldo. |d Chicago ; London : The University of Chicago Press, 2009 |z 9780226426860 |w (DLC) 2009020600 |w (OCoLC)317922854 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=336464 |3 Volltext |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn664571991 |
|---|---|
| _version_ | 1816881738714972160 |
| adam_text | |
| any_adam_object | |
| author | Kaufmann, Thomas DaCosta |
| author_facet | Kaufmann, Thomas DaCosta |
| author_role | |
| author_sort | Kaufmann, Thomas DaCosta |
| author_variant | t d k td tdk |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND623 |
| callnumber-raw | ND623.A7 K38 2009eb |
| callnumber-search | ND623.A7 K38 2009eb |
| callnumber-sort | ND 3623 A7 K38 42009EB |
| callnumber-subject | ND - Painting |
| collection | ZDB-4-EBA |
| contents | Introduction -- Arcimboldo's Lombard origins -- Arcimboldo from 1562: the creation of composite heads -- Learning, poetry, and art -- Serious jokes -- Natural philosophy, natural history, and nature painting -- Nature studies -- Arcimboldo and the origins of still life -- Arcimboldo's paradoxical paintings and the origins of still life -- Conclusion: Arcimboldo in the history of art -- Appendix 1. Arcimboldo, the Facchini, and popular culture -- Appendix 2. Arcimboldo and Meda at Monza -- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi letter, Bologna -- Dresden Kupferstich-kabinett ca 213, Vienna (cod. min. 42) and the 'museum' of Rudolf II (cod min. 129 and 130). |
| ctrlnum | (OCoLC)664571991 |
| dewey-full | 759.5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.5 |
| dewey-search | 759.5 |
| dewey-sort | 3759.5 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn664571991 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:30Z |
| institution | BVB |
| isbn | 9780226426884 0226426882 9780226426860 0226426866 |
| language | English |
| lccn | 2009020600 |
| oclc_num | 664571991 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xv, 313 pages) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | University of Chicago Press, |
| record_format | marc |
| spelling | Kaufmann, Thomas DaCosta. Arcimboldo : visual jokes, natural history, and still-life painting / Thomas DaCosta Kaufmann. Chicago ; London : University of Chicago Press, 2009. 1 online resource (xv, 313 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages 291-305) and index. Introduction -- Arcimboldo's Lombard origins -- Arcimboldo from 1562: the creation of composite heads -- Learning, poetry, and art -- Serious jokes -- Natural philosophy, natural history, and nature painting -- Nature studies -- Arcimboldo and the origins of still life -- Arcimboldo's paradoxical paintings and the origins of still life -- Conclusion: Arcimboldo in the history of art -- Appendix 1. Arcimboldo, the Facchini, and popular culture -- Appendix 2. Arcimboldo and Meda at Monza -- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi letter, Bologna -- Dresden Kupferstich-kabinett ca 213, Vienna (cod. min. 42) and the 'museum' of Rudolf II (cod min. 129 and 130). Print version record. In Giuseppe Arcimboldo's most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man's chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art's most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation.℗¡ ℗¡Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufman. Arcimboldi, Giuseppe, 1527-1593. http://id.loc.gov/authorities/names/n80038259 Arcimboldi, Giuseppe, 1527-1593 fast https://id.oclc.org/worldcat/entity/E39PBJv8KR98jkgvC9FfTTqqQq ART History General. bisacsh natural history, historical, painting, art, artistic, artists, visual, visualization, jokes, comedy, comedic, archaeology, paintings, 16th century, biography, biographical, life story, witty, allegory, composite heads, still-life, italian, italy, imaginative portraits, fruits, vegetables, fish, grotesque symbolical compositions, human forms, whimsical, representation. has work: Arcimboldo (Text) https://id.oclc.org/worldcat/entity/E39PCG4X94x4wWR3PT7T3Gwh6q https://id.oclc.org/worldcat/ontology/hasWork Print version: Kaufmann, Thomas DaCosta. Arcimboldo. Chicago ; London : The University of Chicago Press, 2009 9780226426860 (DLC) 2009020600 (OCoLC)317922854 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=336464 Volltext |
| spellingShingle | Kaufmann, Thomas DaCosta Arcimboldo : visual jokes, natural history, and still-life painting / Introduction -- Arcimboldo's Lombard origins -- Arcimboldo from 1562: the creation of composite heads -- Learning, poetry, and art -- Serious jokes -- Natural philosophy, natural history, and nature painting -- Nature studies -- Arcimboldo and the origins of still life -- Arcimboldo's paradoxical paintings and the origins of still life -- Conclusion: Arcimboldo in the history of art -- Appendix 1. Arcimboldo, the Facchini, and popular culture -- Appendix 2. Arcimboldo and Meda at Monza -- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi letter, Bologna -- Dresden Kupferstich-kabinett ca 213, Vienna (cod. min. 42) and the 'museum' of Rudolf II (cod min. 129 and 130). Arcimboldi, Giuseppe, 1527-1593. http://id.loc.gov/authorities/names/n80038259 Arcimboldi, Giuseppe, 1527-1593 fast https://id.oclc.org/worldcat/entity/E39PBJv8KR98jkgvC9FfTTqqQq ART History General. bisacsh |
| subject_GND | http://id.loc.gov/authorities/names/n80038259 |
| title | Arcimboldo : visual jokes, natural history, and still-life painting / |
| title_auth | Arcimboldo : visual jokes, natural history, and still-life painting / |
| title_exact_search | Arcimboldo : visual jokes, natural history, and still-life painting / |
| title_full | Arcimboldo : visual jokes, natural history, and still-life painting / Thomas DaCosta Kaufmann. |
| title_fullStr | Arcimboldo : visual jokes, natural history, and still-life painting / Thomas DaCosta Kaufmann. |
| title_full_unstemmed | Arcimboldo : visual jokes, natural history, and still-life painting / Thomas DaCosta Kaufmann. |
| title_short | Arcimboldo : |
| title_sort | arcimboldo visual jokes natural history and still life painting |
| title_sub | visual jokes, natural history, and still-life painting / |
| topic | Arcimboldi, Giuseppe, 1527-1593. http://id.loc.gov/authorities/names/n80038259 Arcimboldi, Giuseppe, 1527-1593 fast https://id.oclc.org/worldcat/entity/E39PBJv8KR98jkgvC9FfTTqqQq ART History General. bisacsh |
| topic_facet | Arcimboldi, Giuseppe, 1527-1593. Arcimboldi, Giuseppe, 1527-1593 ART History General. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=336464 |
| work_keys_str_mv | AT kaufmannthomasdacosta arcimboldovisualjokesnaturalhistoryandstilllifepainting |