Cultural codes :: makings of a Black music philosophy : an interpretive history from spirituals to hip hop /
"No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield e...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Lanham :
Scarecrow Press,
2010.
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Schriftenreihe: | African American cultural theory and heritage.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness." "By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R&B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music."--BOOK JACKET. |
Beschreibung: | 1 online resource (xi, 220 p., [22] p. of plates ). |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780810872875 0810872870 1282480472 9781282480476 9786612480478 6612480475 |
Internformat
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245 | 1 | 0 | |a Cultural codes : |b makings of a Black music philosophy : an interpretive history from spirituals to hip hop / |c William C. Banfield. |
260 | |a Lanham : |b Scarecrow Press, |c 2010. | ||
300 | |a 1 online resource (xi, 220 p., [22] p. of plates ). | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a African American cultural theory and heritage | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Black notes and cultural codes : makings of a Black music philosophy -- A new Black music arts aesthetic -- A history of aesthetic definitions -- Hip to the hop -- A cultural education -- Black music studies -- African roots to blues, New Orleans, and ragtime -- Jazz : the new modern mode of being -- Race records, gospel, R & B, and urban blues -- Urban contemporary : soul, funk, and global -- Hip hop : connecting the dots -- Core values and the Black aesthetic code. | |
520 | 1 | |a "No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness." "By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R&B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music."--BOOK JACKET. | |
588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
546 | |a English. | ||
650 | 0 | |a African Americans |x Music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2007100204 | |
650 | 0 | |a Popular music |z United States |x History and criticism. | |
650 | 6 | |a Musique populaire |z États-Unis |x Histoire et critique. | |
650 | 7 | |a MUSIC |x Ethnomusicology. |2 bisacsh | |
650 | 7 | |a African Americans |x Music |2 fast | |
650 | 7 | |a Popular music |2 fast | |
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655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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776 | 0 | 8 | |i Print version: |t Cultural codes |d Lanham : Scarecrow Press, 2010. |z 9780810872868 (pbk. : alk. paper) |w (DLC) 2009036698 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn663885690 |
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adam_text | |
any_adam_object | |
author | Banfield, William C., 1961- |
author_GND | http://id.loc.gov/authorities/names/no96003563 |
author_facet | Banfield, William C., 1961- |
author_role | |
author_sort | Banfield, William C., 1961- |
author_variant | w c b wc wcb |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3479 |
callnumber-raw | ML3479 |
callnumber-search | ML3479 |
callnumber-sort | ML 43479 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Black notes and cultural codes : makings of a Black music philosophy -- A new Black music arts aesthetic -- A history of aesthetic definitions -- Hip to the hop -- A cultural education -- Black music studies -- African roots to blues, New Orleans, and ragtime -- Jazz : the new modern mode of being -- Race records, gospel, R & B, and urban blues -- Urban contemporary : soul, funk, and global -- Hip hop : connecting the dots -- Core values and the Black aesthetic code. |
ctrlnum | (OCoLC)663885690 |
dewey-full | 780.89/96073 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.89/96073 |
dewey-search | 780.89/96073 |
dewey-sort | 3780.89 596073 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Schwärze gnd http://d-nb.info/gnd/1032831111 USA gnd http://d-nb.info/gnd/4078704-7 |
geographic_facet | United States Schwärze USA |
id | ZDB-4-EBA-ocn663885690 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:17:29Z |
institution | BVB |
isbn | 9780810872875 0810872870 1282480472 9781282480476 9786612480478 6612480475 |
language | English |
lccn | 2021679352 |
oclc_num | 663885690 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xi, 220 p., [22] p. of plates ). |
psigel | ZDB-4-EBA |
publishDate | 2010 |
publishDateSearch | 2010 |
publishDateSort | 2010 |
publisher | Scarecrow Press, |
record_format | marc |
series | African American cultural theory and heritage. |
series2 | African American cultural theory and heritage |
spelling | Banfield, William C., 1961- https://id.oclc.org/worldcat/entity/E39PBJhhv46gHPRbWGV6YCq84q http://id.loc.gov/authorities/names/no96003563 Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / William C. Banfield. Lanham : Scarecrow Press, 2010. 1 online resource (xi, 220 p., [22] p. of plates ). text txt rdacontent computer c rdamedia online resource cr rdacarrier African American cultural theory and heritage Includes bibliographical references and index. Black notes and cultural codes : makings of a Black music philosophy -- A new Black music arts aesthetic -- A history of aesthetic definitions -- Hip to the hop -- A cultural education -- Black music studies -- African roots to blues, New Orleans, and ragtime -- Jazz : the new modern mode of being -- Race records, gospel, R & B, and urban blues -- Urban contemporary : soul, funk, and global -- Hip hop : connecting the dots -- Core values and the Black aesthetic code. "No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness." "By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R&B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music."--BOOK JACKET. Description based on print version record and CIP data provided by publisher; resource not viewed. English. African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. MUSIC Ethnomusicology. bisacsh African Americans Music fast Popular music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Musik gnd Schwärze gnd http://d-nb.info/gnd/1032831111 USA gnd http://d-nb.info/gnd/4078704-7 Muziekfilosofie. gtt Muziek. gtt Zwarten. gtt Criticism, interpretation, etc. fast has work: Cultural codes (Text) https://id.oclc.org/worldcat/entity/E39PCFYpQkMDRt8yWGbGy4FTjK https://id.oclc.org/worldcat/ontology/hasWork Print version: Cultural codes Lanham : Scarecrow Press, 2010. 9780810872868 (pbk. : alk. paper) (DLC) 2009036698 African American cultural theory and heritage. http://id.loc.gov/authorities/names/no2009204715 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=332735 Volltext |
spellingShingle | Banfield, William C., 1961- Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / African American cultural theory and heritage. Black notes and cultural codes : makings of a Black music philosophy -- A new Black music arts aesthetic -- A history of aesthetic definitions -- Hip to the hop -- A cultural education -- Black music studies -- African roots to blues, New Orleans, and ragtime -- Jazz : the new modern mode of being -- Race records, gospel, R & B, and urban blues -- Urban contemporary : soul, funk, and global -- Hip hop : connecting the dots -- Core values and the Black aesthetic code. African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. MUSIC Ethnomusicology. bisacsh African Americans Music fast Popular music fast Musik gnd Muziekfilosofie. gtt Muziek. gtt Zwarten. gtt |
subject_GND | http://id.loc.gov/authorities/subjects/sh2007100204 http://d-nb.info/gnd/1032831111 http://d-nb.info/gnd/4078704-7 |
title | Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / |
title_auth | Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / |
title_exact_search | Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / |
title_full | Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / William C. Banfield. |
title_fullStr | Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / William C. Banfield. |
title_full_unstemmed | Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / William C. Banfield. |
title_short | Cultural codes : |
title_sort | cultural codes makings of a black music philosophy an interpretive history from spirituals to hip hop |
title_sub | makings of a Black music philosophy : an interpretive history from spirituals to hip hop / |
topic | African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. MUSIC Ethnomusicology. bisacsh African Americans Music fast Popular music fast Musik gnd Muziekfilosofie. gtt Muziek. gtt Zwarten. gtt |
topic_facet | African Americans Music History and criticism. Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. MUSIC Ethnomusicology. African Americans Music Popular music United States Musik Schwärze USA Muziekfilosofie. Muziek. Zwarten. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=332735 |
work_keys_str_mv | AT banfieldwilliamc culturalcodesmakingsofablackmusicphilosophyaninterpretivehistoryfromspiritualstohiphop |