Nationalists, cosmopolitans, and popular music in Zimbabwe /:
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early R...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
University of Chicago Press,
©2000.
|
| Schriftenreihe: | Chicago studies in ethnomusicology.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music. |
| Beschreibung: | 1 online resource (x, 401 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 377-389), discography (p. 391-392) , and index. |
| ISBN: | 9780226816968 0226816966 9780226817019 0226817016 9786612538872 6612538872 |
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| 049 | |a MAIN | ||
| 100 | 1 | |a Turino, Thomas. | |
| 245 | 1 | 0 | |a Nationalists, cosmopolitans, and popular music in Zimbabwe / |c Thomas Turino. |
| 260 | |a Chicago : |b University of Chicago Press, |c ©2000. | ||
| 300 | |a 1 online resource (x, 401 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 380 | |a Discography | ||
| 490 | 1 | |a Chicago studies in ethnomusicology | |
| 504 | |a Includes bibliographical references (pages 377-389), discography (p. 391-392) , and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgments -- Part One: Critical Foundations -- Introduction -- 1. Social Identities and Indigenous Musical Practices -- Part Two: Colonialism and the Rise of Urban Popular Music -- 2. Indigenous Music and Dance in Mbare Township, 1930-1960 -- 3. The Settler-State and Indigenous Music during the Federation Years -- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz -- Part Three: Musical Nationalism -- 5. Music, Emotion, and Cultural Nationalism, 1958-1963 -- 6. Musical Nationalism and Chimurenga Songs of the 1970s. | |
| 505 | 8 | |a Part Four: Guitar Bands and Cosmopolitan Youth Culture -- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s -- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands -- Part Five: Globalization Begins at Home -- 9. Nationalism, Cosmopolitanism, and Popular Music after 1980 -- Notes -- References and Bibliography -- Discography -- Index -- A gallery of photographs. | |
| 546 | |a English. | ||
| 520 | |a Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music. | ||
| 650 | 0 | |a Popular music |z Zimbabwe |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects |z Zimbabwe. | |
| 650 | 6 | |a Musique populaire |z Zimbabwe |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social |z Zimbabwe. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x International. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x New Age. |2 bisacsh | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Zimbabwe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJth4YHpQrQxydQ3CyvPwC | |
| 650 | 7 | |a Musik |2 gnd | |
| 651 | 7 | |a Simbabwe |2 gnd |0 http://d-nb.info/gnd/4049850-5 | |
| 650 | 1 | 7 | |a Populaire muziek. |2 gtt |
| 650 | 1 | 7 | |a Nationalisme. |2 gtt |
| 653 | |a zimbabwe, zimbabwean, musicology, music, musical, anthropology, popular, nationalism, nationalist, thomas mapfumo, lion, mukanya, popularity, government, political criticism, politics, chimurenga, shona, cultural studies, social responses, african, africa, art, performance, performer, youth, globalization, cosmopolitanism, guitar bands, indigenous artists, colonialism, colonial, dance. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Turino, Thomas. |t Nationalists, cosmopolitans, and popular music in Zimbabwe. |d Chicago : University of Chicago Press, ©2000 |z 9780226817026 |w (DLC) 00008067 |w (OCoLC)43323614 |
| 830 | 0 | |a Chicago studies in ethnomusicology. |0 http://id.loc.gov/authorities/names/n88539613 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn659562853 |
|---|---|
| _version_ | 1816881737444098048 |
| adam_text | |
| any_adam_object | |
| author | Turino, Thomas |
| author_facet | Turino, Thomas |
| author_role | |
| author_sort | Turino, Thomas |
| author_variant | t t tt |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3503 |
| callnumber-raw | ML3503.Z55 T87 2000eb |
| callnumber-search | ML3503.Z55 T87 2000eb |
| callnumber-sort | ML 43503 Z55 T87 42000EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Acknowledgments -- Part One: Critical Foundations -- Introduction -- 1. Social Identities and Indigenous Musical Practices -- Part Two: Colonialism and the Rise of Urban Popular Music -- 2. Indigenous Music and Dance in Mbare Township, 1930-1960 -- 3. The Settler-State and Indigenous Music during the Federation Years -- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz -- Part Three: Musical Nationalism -- 5. Music, Emotion, and Cultural Nationalism, 1958-1963 -- 6. Musical Nationalism and Chimurenga Songs of the 1970s. Part Four: Guitar Bands and Cosmopolitan Youth Culture -- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s -- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands -- Part Five: Globalization Begins at Home -- 9. Nationalism, Cosmopolitanism, and Popular Music after 1980 -- Notes -- References and Bibliography -- Discography -- Index -- A gallery of photographs. |
| ctrlnum | (OCoLC)659562853 |
| dewey-full | 781.63/096891 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.63/096891 |
| dewey-search | 781.63/096891 |
| dewey-sort | 3781.63 596891 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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Social Identities and Indigenous Musical Practices -- Part Two: Colonialism and the Rise of Urban Popular Music -- 2. Indigenous Music and Dance in Mbare Township, 1930-1960 -- 3. The Settler-State and Indigenous Music during the Federation Years -- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz -- Part Three: Musical Nationalism -- 5. Music, Emotion, and Cultural Nationalism, 1958-1963 -- 6. Musical Nationalism and Chimurenga Songs of the 1970s.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part Four: Guitar Bands and Cosmopolitan Youth Culture -- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s -- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands -- Part Five: Globalization Begins at Home -- 9. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Zimbabwe fast https://id.oclc.org/worldcat/entity/E39PBJth4YHpQrQxydQ3CyvPwC Simbabwe gnd http://d-nb.info/gnd/4049850-5 |
| geographic_facet | Zimbabwe Simbabwe |
| id | ZDB-4-EBA-ocn659562853 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:28Z |
| institution | BVB |
| isbn | 9780226816968 0226816966 9780226817019 0226817016 9786612538872 6612538872 |
| language | English |
| oclc_num | 659562853 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 401 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | University of Chicago Press, |
| record_format | marc |
| series | Chicago studies in ethnomusicology. |
| series2 | Chicago studies in ethnomusicology |
| spelling | Turino, Thomas. Nationalists, cosmopolitans, and popular music in Zimbabwe / Thomas Turino. Chicago : University of Chicago Press, ©2000. 1 online resource (x, 401 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Discography Chicago studies in ethnomusicology Includes bibliographical references (pages 377-389), discography (p. 391-392) , and index. Print version record. Acknowledgments -- Part One: Critical Foundations -- Introduction -- 1. Social Identities and Indigenous Musical Practices -- Part Two: Colonialism and the Rise of Urban Popular Music -- 2. Indigenous Music and Dance in Mbare Township, 1930-1960 -- 3. The Settler-State and Indigenous Music during the Federation Years -- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz -- Part Three: Musical Nationalism -- 5. Music, Emotion, and Cultural Nationalism, 1958-1963 -- 6. Musical Nationalism and Chimurenga Songs of the 1970s. Part Four: Guitar Bands and Cosmopolitan Youth Culture -- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s -- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands -- Part Five: Globalization Begins at Home -- 9. Nationalism, Cosmopolitanism, and Popular Music after 1980 -- Notes -- References and Bibliography -- Discography -- Index -- A gallery of photographs. English. Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music. Popular music Zimbabwe History and criticism. Music Social aspects Zimbabwe. Musique populaire Zimbabwe Histoire et critique. Musique Aspect social Zimbabwe. MUSIC Genres & Styles International. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh MUSIC Genres & Styles New Age. bisacsh Music Social aspects fast Popular music fast Zimbabwe fast https://id.oclc.org/worldcat/entity/E39PBJth4YHpQrQxydQ3CyvPwC Musik gnd Simbabwe gnd http://d-nb.info/gnd/4049850-5 Populaire muziek. gtt Nationalisme. gtt zimbabwe, zimbabwean, musicology, music, musical, anthropology, popular, nationalism, nationalist, thomas mapfumo, lion, mukanya, popularity, government, political criticism, politics, chimurenga, shona, cultural studies, social responses, african, africa, art, performance, performer, youth, globalization, cosmopolitanism, guitar bands, indigenous artists, colonialism, colonial, dance. Criticism, interpretation, etc. fast Print version: Turino, Thomas. Nationalists, cosmopolitans, and popular music in Zimbabwe. Chicago : University of Chicago Press, ©2000 9780226817026 (DLC) 00008067 (OCoLC)43323614 Chicago studies in ethnomusicology. http://id.loc.gov/authorities/names/n88539613 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=333856 Volltext |
| spellingShingle | Turino, Thomas Nationalists, cosmopolitans, and popular music in Zimbabwe / Chicago studies in ethnomusicology. Acknowledgments -- Part One: Critical Foundations -- Introduction -- 1. Social Identities and Indigenous Musical Practices -- Part Two: Colonialism and the Rise of Urban Popular Music -- 2. Indigenous Music and Dance in Mbare Township, 1930-1960 -- 3. The Settler-State and Indigenous Music during the Federation Years -- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz -- Part Three: Musical Nationalism -- 5. Music, Emotion, and Cultural Nationalism, 1958-1963 -- 6. Musical Nationalism and Chimurenga Songs of the 1970s. Part Four: Guitar Bands and Cosmopolitan Youth Culture -- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s -- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands -- Part Five: Globalization Begins at Home -- 9. Nationalism, Cosmopolitanism, and Popular Music after 1980 -- Notes -- References and Bibliography -- Discography -- Index -- A gallery of photographs. Popular music Zimbabwe History and criticism. Music Social aspects Zimbabwe. Musique populaire Zimbabwe Histoire et critique. Musique Aspect social Zimbabwe. MUSIC Genres & Styles International. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh MUSIC Genres & Styles New Age. bisacsh Music Social aspects fast Popular music fast Musik gnd Populaire muziek. gtt Nationalisme. gtt |
| subject_GND | http://d-nb.info/gnd/4049850-5 |
| title | Nationalists, cosmopolitans, and popular music in Zimbabwe / |
| title_auth | Nationalists, cosmopolitans, and popular music in Zimbabwe / |
| title_exact_search | Nationalists, cosmopolitans, and popular music in Zimbabwe / |
| title_full | Nationalists, cosmopolitans, and popular music in Zimbabwe / Thomas Turino. |
| title_fullStr | Nationalists, cosmopolitans, and popular music in Zimbabwe / Thomas Turino. |
| title_full_unstemmed | Nationalists, cosmopolitans, and popular music in Zimbabwe / Thomas Turino. |
| title_short | Nationalists, cosmopolitans, and popular music in Zimbabwe / |
| title_sort | nationalists cosmopolitans and popular music in zimbabwe |
| topic | Popular music Zimbabwe History and criticism. Music Social aspects Zimbabwe. Musique populaire Zimbabwe Histoire et critique. Musique Aspect social Zimbabwe. MUSIC Genres & Styles International. bisacsh MUSIC Genres & Styles Pop Vocal. bisacsh MUSIC Genres & Styles New Age. bisacsh Music Social aspects fast Popular music fast Musik gnd Populaire muziek. gtt Nationalisme. gtt |
| topic_facet | Popular music Zimbabwe History and criticism. Music Social aspects Zimbabwe. Musique populaire Zimbabwe Histoire et critique. Musique Aspect social Zimbabwe. MUSIC Genres & Styles International. MUSIC Genres & Styles Pop Vocal. MUSIC Genres & Styles New Age. Music Social aspects Popular music Zimbabwe Musik Simbabwe Populaire muziek. Nationalisme. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=333856 |
| work_keys_str_mv | AT turinothomas nationalistscosmopolitansandpopularmusicinzimbabwe |