German film after Germany :: toward a transnational aesthetic /
"What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme tra...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana :
University of Illinois Press,
[2008]
|
| Schriftenreihe: | Book collections on Project MUSE.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies."--Pub. desc. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages [219]-228) and indexes. |
| ISBN: | 9780252091445 0252091442 1283431955 9781283431958 9786613431950 6613431958 |
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| 100 | 1 | |a Halle, Randall. | |
| 245 | 1 | 0 | |a German film after Germany : |b toward a transnational aesthetic / |c Randall Halle. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2008] | |
| 264 | 4 | |c ©2008 | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references (pages [219]-228) and indexes. | ||
| 588 | |a Description based on print version record. | ||
| 505 | 0 | |a The work of film in the age of transnational production -- Apprehending transnationalism -- German film, Aufgehoben : ensembles of transnational cinema -- The transnational aesthetic : Volker Schlöndorff, Studio Babelsberg, and Vivendi Universal -- The historical genre and the transnational aesthetic -- Inhabitant, exhabitant, cohabitant : filming migrants and the borders of Europe -- Transfrontier, broadcasting, transnational civil society. | |
| 520 | |a "What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies."--Pub. desc. | ||
| 546 | |a English. | ||
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |0 http://d-nb.info/gnd/4075950-7 |
| 650 | 0 | |a Motion picture industry |z Germany. | |
| 650 | 0 | |a Motion picture industry |x Finance. |0 http://id.loc.gov/authorities/subjects/sh85088050 | |
| 650 | 0 | |a Coproduction (Motion pictures, television, etc.) |z Europe. | |
| 650 | 0 | |a Noncitizens in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh97002436 | |
| 650 | 0 | |a Motion pictures |z Germany. |0 http://id.loc.gov/authorities/subjects/sh91004140 | |
| 650 | 0 | |a Strangers in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2008007324 | |
| 650 | 6 | |a Cinéma |x Industrie |z Allemagne. | |
| 650 | 6 | |a Cinéma |x Industrie |x Finances. | |
| 650 | 6 | |a Coproduction |z Europe. | |
| 650 | 6 | |a Étrangers au cinéma. | |
| 650 | 6 | |a Cinéma |z Allemagne. | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Industries |x Media & Communications. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Telecommunications. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Strangers in motion pictures |2 fast | |
| 650 | 7 | |a Noncitizens in motion pictures |2 fast | |
| 650 | 7 | |a Coproduction (Motion pictures, television, etc.) |2 fast | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion picture industry |x Finance |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
| 651 | 7 | |a Germany |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd | |
| 650 | 7 | |a Filmwirtschaft |2 gnd |0 http://d-nb.info/gnd/4154384-1 | |
| 650 | 7 | |a Internationalisierung |2 gnd |0 http://d-nb.info/gnd/4162106-2 | |
| 650 | 7 | |a Filmproduktion |2 gnd | |
| 650 | 7 | |a Koproduktion |2 gnd | |
| 650 | 7 | |a Film |2 gnd |0 http://d-nb.info/gnd/4017102-4 | |
| 651 | 7 | |a Europa |2 gnd |0 http://d-nb.info/gnd/4015701-5 | |
| 651 | 7 | |a Deutschland |2 gnd |0 http://d-nb.info/gnd/4011882-4 | |
| 650 | 7 | |a Filmbranschen |z Tyskland |y 1990-talet |y sekelskiftet 2000. |2 sao | |
| 650 | 7 | |a Film |x historia |z Tyskland |y 1990-talet |y sekelskiftet 2000. |2 sao | |
| 650 | 7 | |a Noncitizens. |2 sears | |
| 650 | 7 | |a Filmindustrin, Tyskland. |2 sfit | |
| 650 | 7 | |a Finansiering, Tyskland. |2 sfit | |
| 758 | |i has work: |a German film after Germany (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGbv9jvdmHQWkDbcMPdBWC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t German film after Germany |z 9780252033292 (cloth : alk. paper) |w (DLC) 2007048111 |
| 830 | 0 | |a Book collections on Project MUSE. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn654670515 |
|---|---|
| _version_ | 1816881735163445250 |
| adam_text | |
| any_adam_object | |
| author | Halle, Randall |
| author_facet | Halle, Randall |
| author_role | |
| author_sort | Halle, Randall |
| author_variant | r h rh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.G3 |
| callnumber-search | PN1993.5.G3 |
| callnumber-sort | PN 41993.5 G3 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 59710 GO 20800 |
| collection | ZDB-4-EBA |
| contents | The work of film in the age of transnational production -- Apprehending transnationalism -- German film, Aufgehoben : ensembles of transnational cinema -- The transnational aesthetic : Volker Schlöndorff, Studio Babelsberg, and Vivendi Universal -- The historical genre and the transnational aesthetic -- Inhabitant, exhabitant, cohabitant : filming migrants and the borders of Europe -- Transfrontier, broadcasting, transnational civil society. |
| ctrlnum | (OCoLC)654670515 |
| dewey-full | 384/.8094309049 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 384 - Communications |
| dewey-raw | 384/.8094309049 |
| dewey-search | 384/.8094309049 |
| dewey-sort | 3384 108094309049 |
| dewey-tens | 380 - Commerce, communications, transportation |
| discipline | Allgemeines Germanistik / Niederlandistik / Skandinavistik Wirtschaftswissenschaften |
| format | Electronic eBook |
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| geographic | Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Europa gnd http://d-nb.info/gnd/4015701-5 Deutschland gnd http://d-nb.info/gnd/4011882-4 |
| geographic_facet | Europe Germany Europa Deutschland |
| id | ZDB-4-EBA-ocn654670515 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:26Z |
| institution | BVB |
| isbn | 9780252091445 0252091442 1283431955 9781283431958 9786613431950 6613431958 |
| language | English |
| lccn | 2019718453 |
| oclc_num | 654670515 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | University of Illinois Press, |
| record_format | marc |
| series | Book collections on Project MUSE. |
| spelling | Halle, Randall. German film after Germany : toward a transnational aesthetic / Randall Halle. Urbana : University of Illinois Press, [2008] ©2008 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages [219]-228) and indexes. Description based on print version record. The work of film in the age of transnational production -- Apprehending transnationalism -- German film, Aufgehoben : ensembles of transnational cinema -- The transnational aesthetic : Volker Schlöndorff, Studio Babelsberg, and Vivendi Universal -- The historical genre and the transnational aesthetic -- Inhabitant, exhabitant, cohabitant : filming migrants and the borders of Europe -- Transfrontier, broadcasting, transnational civil society. "What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies."--Pub. desc. English. Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture industry Germany. Motion picture industry Finance. http://id.loc.gov/authorities/subjects/sh85088050 Coproduction (Motion pictures, television, etc.) Europe. Noncitizens in motion pictures. http://id.loc.gov/authorities/subjects/sh97002436 Motion pictures Germany. http://id.loc.gov/authorities/subjects/sh91004140 Strangers in motion pictures. http://id.loc.gov/authorities/subjects/sh2008007324 Cinéma Industrie Allemagne. Cinéma Industrie Finances. Coproduction Europe. Étrangers au cinéma. Cinéma Allemagne. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Strangers in motion pictures fast Noncitizens in motion pictures fast Coproduction (Motion pictures, television, etc.) fast Motion picture industry fast Motion picture industry Finance fast Motion pictures fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Filmwirtschaft gnd http://d-nb.info/gnd/4154384-1 Internationalisierung gnd http://d-nb.info/gnd/4162106-2 Filmproduktion gnd Koproduktion gnd Film gnd http://d-nb.info/gnd/4017102-4 Europa gnd http://d-nb.info/gnd/4015701-5 Deutschland gnd http://d-nb.info/gnd/4011882-4 Filmbranschen Tyskland 1990-talet sekelskiftet 2000. sao Film historia Tyskland 1990-talet sekelskiftet 2000. sao Noncitizens. sears Filmindustrin, Tyskland. sfit Finansiering, Tyskland. sfit has work: German film after Germany (Text) https://id.oclc.org/worldcat/entity/E39PCGbv9jvdmHQWkDbcMPdBWC https://id.oclc.org/worldcat/ontology/hasWork Print version: German film after Germany 9780252033292 (cloth : alk. paper) (DLC) 2007048111 Book collections on Project MUSE. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569937 Volltext |
| spellingShingle | Halle, Randall German film after Germany : toward a transnational aesthetic / Book collections on Project MUSE. The work of film in the age of transnational production -- Apprehending transnationalism -- German film, Aufgehoben : ensembles of transnational cinema -- The transnational aesthetic : Volker Schlöndorff, Studio Babelsberg, and Vivendi Universal -- The historical genre and the transnational aesthetic -- Inhabitant, exhabitant, cohabitant : filming migrants and the borders of Europe -- Transfrontier, broadcasting, transnational civil society. Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture industry Germany. Motion picture industry Finance. http://id.loc.gov/authorities/subjects/sh85088050 Coproduction (Motion pictures, television, etc.) Europe. Noncitizens in motion pictures. http://id.loc.gov/authorities/subjects/sh97002436 Motion pictures Germany. http://id.loc.gov/authorities/subjects/sh91004140 Strangers in motion pictures. http://id.loc.gov/authorities/subjects/sh2008007324 Cinéma Industrie Allemagne. Cinéma Industrie Finances. Coproduction Europe. Étrangers au cinéma. Cinéma Allemagne. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Strangers in motion pictures fast Noncitizens in motion pictures fast Coproduction (Motion pictures, television, etc.) fast Motion picture industry fast Motion picture industry Finance fast Motion pictures fast Filmwirtschaft gnd http://d-nb.info/gnd/4154384-1 Internationalisierung gnd http://d-nb.info/gnd/4162106-2 Filmproduktion gnd Koproduktion gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmbranschen Tyskland 1990-talet sekelskiftet 2000. sao Film historia Tyskland 1990-talet sekelskiftet 2000. sao Noncitizens. sears Filmindustrin, Tyskland. sfit Finansiering, Tyskland. sfit |
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| title | German film after Germany : toward a transnational aesthetic / |
| title_auth | German film after Germany : toward a transnational aesthetic / |
| title_exact_search | German film after Germany : toward a transnational aesthetic / |
| title_full | German film after Germany : toward a transnational aesthetic / Randall Halle. |
| title_fullStr | German film after Germany : toward a transnational aesthetic / Randall Halle. |
| title_full_unstemmed | German film after Germany : toward a transnational aesthetic / Randall Halle. |
| title_short | German film after Germany : |
| title_sort | german film after germany toward a transnational aesthetic |
| title_sub | toward a transnational aesthetic / |
| topic | Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture industry Germany. Motion picture industry Finance. http://id.loc.gov/authorities/subjects/sh85088050 Coproduction (Motion pictures, television, etc.) Europe. Noncitizens in motion pictures. http://id.loc.gov/authorities/subjects/sh97002436 Motion pictures Germany. http://id.loc.gov/authorities/subjects/sh91004140 Strangers in motion pictures. http://id.loc.gov/authorities/subjects/sh2008007324 Cinéma Industrie Allemagne. Cinéma Industrie Finances. Coproduction Europe. Étrangers au cinéma. Cinéma Allemagne. BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Strangers in motion pictures fast Noncitizens in motion pictures fast Coproduction (Motion pictures, television, etc.) fast Motion picture industry fast Motion picture industry Finance fast Motion pictures fast Filmwirtschaft gnd http://d-nb.info/gnd/4154384-1 Internationalisierung gnd http://d-nb.info/gnd/4162106-2 Filmproduktion gnd Koproduktion gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmbranschen Tyskland 1990-talet sekelskiftet 2000. sao Film historia Tyskland 1990-talet sekelskiftet 2000. sao Noncitizens. sears Filmindustrin, Tyskland. sfit Finansiering, Tyskland. sfit |
| topic_facet | Bibel Philemonbrief Motion picture industry Germany. Motion picture industry Finance. Coproduction (Motion pictures, television, etc.) Europe. Noncitizens in motion pictures. Motion pictures Germany. Strangers in motion pictures. Cinéma Industrie Allemagne. Cinéma Industrie Finances. Coproduction Europe. Étrangers au cinéma. Cinéma Allemagne. BUSINESS & ECONOMICS Industries Media & Communications. TECHNOLOGY & ENGINEERING Telecommunications. PERFORMING ARTS Film & Video History & Criticism. Strangers in motion pictures Noncitizens in motion pictures Coproduction (Motion pictures, television, etc.) Motion picture industry Motion picture industry Finance Motion pictures Europe Germany Filmwirtschaft Internationalisierung Filmproduktion Koproduktion Film Europa Deutschland Filmbranschen Tyskland 1990-talet sekelskiftet 2000. Film historia Tyskland 1990-talet sekelskiftet 2000. Noncitizens. Filmindustrin, Tyskland. Finansiering, Tyskland. |
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| work_keys_str_mv | AT hallerandall germanfilmaftergermanytowardatransnationalaesthetic |