Painting outside the lines :: patterns of creativity in modern art /
Why have some great modern artists--including Picasso--produced their most important work early in their careers while others--like Cezanne--have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of mor...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. :
Harvard University Press,
©2001.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Why have some great modern artists--including Picasso--produced their most important work early in their careers while others--like Cezanne--have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity. Galenson's analysis of the careers of figures such as Monet, Seurat, Matisse, Pollock, and Jasper Johns reveals two very different methods by which artists have made innovations, each associated with a very different pattern of discovery over the life cycle. Experimental innovators, like Cezanne, work by trial and error, and arrive at their most important contributions gradually. In contrast, Picasso and other conceptual innovators make sudden breakthroughs by formulating new ideas. Consequently, experimental innovators usually make their discoveries late in their lives, whereas conceptual innovators typically peak at an early age. A novel contribution to the history of modern art, both in method and in substance, Painting outside the Lines offers an enlightening glimpse into the relationship between the working methods and the life cycles of modern artists. The book's explicit use of simple but powerful quantitative techniques allows for systematic generalization about large numbers of artists--and illuminates significant but little understood features of the history of modern art. Pointing to a new and richer understanding of that history, from Impressionism to Abstract Expressionism and beyond, Galenson's work also has broad implications for future attempts to understand the nature of human creativity in general. |
| Beschreibung: | 1 online resource (xvi, 251 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 225-240) and index. |
| ISBN: | 9780674037472 0674037472 0674006127 9780674006126 |
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| 245 | 1 | 0 | |a Painting outside the lines : |b patterns of creativity in modern art / |c David W. Galenson. |
| 260 | |a Cambridge, Mass. : |b Harvard University Press, |c ©2001. | ||
| 300 | |a 1 online resource (xvi, 251 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 225-240) and index. | ||
| 505 | 0 | |a The problem -- Artists, ages, and prices -- Market values and critical evaluation -- Importance in modern art -- Experimental and conceptual innovators -- Paris from Manet to Miró -- New York from Marin to minimalism -- Intergenerational conflict in modern art -- The changing careers of modern artists. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | 8 | |a Why have some great modern artists--including Picasso--produced their most important work early in their careers while others--like Cezanne--have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity. Galenson's analysis of the careers of figures such as Monet, Seurat, Matisse, Pollock, and Jasper Johns reveals two very different methods by which artists have made innovations, each associated with a very different pattern of discovery over the life cycle. Experimental innovators, like Cezanne, work by trial and error, and arrive at their most important contributions gradually. In contrast, Picasso and other conceptual innovators make sudden breakthroughs by formulating new ideas. Consequently, experimental innovators usually make their discoveries late in their lives, whereas conceptual innovators typically peak at an early age. A novel contribution to the history of modern art, both in method and in substance, Painting outside the Lines offers an enlightening glimpse into the relationship between the working methods and the life cycles of modern artists. The book's explicit use of simple but powerful quantitative techniques allows for systematic generalization about large numbers of artists--and illuminates significant but little understood features of the history of modern art. Pointing to a new and richer understanding of that history, from Impressionism to Abstract Expressionism and beyond, Galenson's work also has broad implications for future attempts to understand the nature of human creativity in general. | |
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
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| 650 | 6 | |a Peinture française |y 20e siècle. | |
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| 648 | 7 | |a 1800-1999 |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Galenson, David W. |t Painting outside the lines. |d Cambridge, Mass. : Harvard University Press, ©2001 |z 9780674006126 |w (DLC) 2001024755 |w (OCoLC)46807584 |
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| contents | The problem -- Artists, ages, and prices -- Market values and critical evaluation -- Importance in modern art -- Experimental and conceptual innovators -- Paris from Manet to Miró -- New York from Marin to minimalism -- Intergenerational conflict in modern art -- The changing careers of modern artists. |
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| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-ocn651662965 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:24Z |
| institution | BVB |
| isbn | 9780674037472 0674037472 0674006127 9780674006126 |
| language | English |
| oclc_num | 651662965 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 251 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2001 |
| publishDateSearch | 2001 |
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| publisher | Harvard University Press, |
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| spelling | Galenson, David W. Painting outside the lines : patterns of creativity in modern art / David W. Galenson. Cambridge, Mass. : Harvard University Press, ©2001. 1 online resource (xvi, 251 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages 225-240) and index. The problem -- Artists, ages, and prices -- Market values and critical evaluation -- Importance in modern art -- Experimental and conceptual innovators -- Paris from Manet to Miró -- New York from Marin to minimalism -- Intergenerational conflict in modern art -- The changing careers of modern artists. Print version record. Use copy Restrictions unspecified star MiAaHDL Why have some great modern artists--including Picasso--produced their most important work early in their careers while others--like Cezanne--have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity. Galenson's analysis of the careers of figures such as Monet, Seurat, Matisse, Pollock, and Jasper Johns reveals two very different methods by which artists have made innovations, each associated with a very different pattern of discovery over the life cycle. Experimental innovators, like Cezanne, work by trial and error, and arrive at their most important contributions gradually. In contrast, Picasso and other conceptual innovators make sudden breakthroughs by formulating new ideas. Consequently, experimental innovators usually make their discoveries late in their lives, whereas conceptual innovators typically peak at an early age. A novel contribution to the history of modern art, both in method and in substance, Painting outside the Lines offers an enlightening glimpse into the relationship between the working methods and the life cycles of modern artists. The book's explicit use of simple but powerful quantitative techniques allows for systematic generalization about large numbers of artists--and illuminates significant but little understood features of the history of modern art. Pointing to a new and richer understanding of that history, from Impressionism to Abstract Expressionism and beyond, Galenson's work also has broad implications for future attempts to understand the nature of human creativity in general. Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL English. Painting, American 20th century. http://id.loc.gov/authorities/subjects/sh85096806 Painting, French 19th century. http://id.loc.gov/authorities/subjects/sh85096795 Painting, French 20th century. http://id.loc.gov/authorities/subjects/sh2002010094 Creation (Literary, artistic, etc.) History. Painters Psychology. Peinture américaine 20e siècle. Peinture française 19e siècle. Peinture française 20e siècle. Création (Arts) Histoire. Peintres Psychologie. ART Techniques Painting. bisacsh ART / Criticism & Theory bisacsh Creation (Literary, artistic, etc.) fast Painters Psychology fast Painting, American fast Painting, French fast Schilderkunst. gtt Vernieuwing. gtt Leeftijd. gtt Creativiteit. gtt Psychologische aspecten. gtt Painting, American 20th century. nli Painting, French 19th century. nli Painting, French 20th century. nli Creation (Literary, artistic, etc.) History. nli Painters Psychology. nli 1800-1999 fast History fast Print version: Galenson, David W. Painting outside the lines. Cambridge, Mass. : Harvard University Press, ©2001 9780674006126 (DLC) 2001024755 (OCoLC)46807584 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=281913 Volltext |
| spellingShingle | Galenson, David W. Painting outside the lines : patterns of creativity in modern art / The problem -- Artists, ages, and prices -- Market values and critical evaluation -- Importance in modern art -- Experimental and conceptual innovators -- Paris from Manet to Miró -- New York from Marin to minimalism -- Intergenerational conflict in modern art -- The changing careers of modern artists. Painting, American 20th century. http://id.loc.gov/authorities/subjects/sh85096806 Painting, French 19th century. http://id.loc.gov/authorities/subjects/sh85096795 Painting, French 20th century. http://id.loc.gov/authorities/subjects/sh2002010094 Creation (Literary, artistic, etc.) History. Painters Psychology. Peinture américaine 20e siècle. Peinture française 19e siècle. Peinture française 20e siècle. Création (Arts) Histoire. Peintres Psychologie. ART Techniques Painting. bisacsh ART / Criticism & Theory bisacsh Creation (Literary, artistic, etc.) fast Painters Psychology fast Painting, American fast Painting, French fast Schilderkunst. gtt Vernieuwing. gtt Leeftijd. gtt Creativiteit. gtt Psychologische aspecten. gtt Painting, American 20th century. nli Painting, French 19th century. nli Painting, French 20th century. nli Creation (Literary, artistic, etc.) History. nli Painters Psychology. nli |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85096806 http://id.loc.gov/authorities/subjects/sh85096795 http://id.loc.gov/authorities/subjects/sh2002010094 |
| title | Painting outside the lines : patterns of creativity in modern art / |
| title_auth | Painting outside the lines : patterns of creativity in modern art / |
| title_exact_search | Painting outside the lines : patterns of creativity in modern art / |
| title_full | Painting outside the lines : patterns of creativity in modern art / David W. Galenson. |
| title_fullStr | Painting outside the lines : patterns of creativity in modern art / David W. Galenson. |
| title_full_unstemmed | Painting outside the lines : patterns of creativity in modern art / David W. Galenson. |
| title_short | Painting outside the lines : |
| title_sort | painting outside the lines patterns of creativity in modern art |
| title_sub | patterns of creativity in modern art / |
| topic | Painting, American 20th century. http://id.loc.gov/authorities/subjects/sh85096806 Painting, French 19th century. http://id.loc.gov/authorities/subjects/sh85096795 Painting, French 20th century. http://id.loc.gov/authorities/subjects/sh2002010094 Creation (Literary, artistic, etc.) History. Painters Psychology. Peinture américaine 20e siècle. Peinture française 19e siècle. Peinture française 20e siècle. Création (Arts) Histoire. Peintres Psychologie. ART Techniques Painting. bisacsh ART / Criticism & Theory bisacsh Creation (Literary, artistic, etc.) fast Painters Psychology fast Painting, American fast Painting, French fast Schilderkunst. gtt Vernieuwing. gtt Leeftijd. gtt Creativiteit. gtt Psychologische aspecten. gtt Painting, American 20th century. nli Painting, French 19th century. nli Painting, French 20th century. nli Creation (Literary, artistic, etc.) History. nli Painters Psychology. nli |
| topic_facet | Painting, American 20th century. Painting, French 19th century. Painting, French 20th century. Creation (Literary, artistic, etc.) History. Painters Psychology. Peinture américaine 20e siècle. Peinture française 19e siècle. Peinture française 20e siècle. Création (Arts) Histoire. Peintres Psychologie. ART Techniques Painting. ART / Criticism & Theory Creation (Literary, artistic, etc.) Painters Psychology Painting, American Painting, French Schilderkunst. Vernieuwing. Leeftijd. Creativiteit. Psychologische aspecten. History |
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