China with a cut :: globalisation, urban youth and popular music /
In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergenc...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
©2010.
|
| Schriftenreihe: | IIAS publications series. Monographs ;
3. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China. China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet's impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power. |
| Beschreibung: | 1 online resource (255 pages) : illustrations, map. |
| Bibliographie: | Includes bibliographical references (pages 231-243) and index. |
| ISBN: | 9789048511143 9048511143 9786612634123 661263412X |
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| 245 | 1 | 0 | |a China with a cut : |b globalisation, urban youth and popular music / |c Jeroen de Kloet. |
| 246 | 3 | 0 | |a Globalisation, urban youth and popular music |
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| 504 | |a Includes bibliographical references (pages 231-243) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China. China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet's impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power. | ||
| 505 | 0 | 0 | |g Machine generated contents note: |t Cosmopolitan Poses and Haunting Questions -- |t From Liumang to Dakou and Balinghou -- |t Geography of Chinese Rock -- |t This Book -- |g 1. |t Hard Scenes -- |t Scenic Move -- |t Underground -- |t Heavy Metal -- |t Hardcore Punk -- |t Hip-hop -- |t Interim -- |g 2. |t Hyphenated Scenes -- |t Multiplicity -- |t Folk-rock -- |t Pop-rock -- |t Pop-punk -- |t Fashionable Bands -- |t Ending a Scenic Journey -- |g 3. |t Subaltern Sounds -- |t Marginal Voices -- |t Gendering Music -- |t Southern Vices -- |t Seductive Sounds -- |t Femininity, Locality and Opacity -- |g 4. |t Musical Taste and Technologies of the Self -- |t Music and Society -- |t Youth in Fin-de-siecle Beijing -- |t Music Preferences and Involvement -- |t Gendered Self -- |t Generational Differences -- |t Place and Belonging -- |t Building Subjectivity -- |t Political Self -- |t Technology and Control -- |g 5. |t Producing, Localising and Silencing Sounds -- |t Seductive Narratives -- |t Market Fantasies -- |t Cultural Be/Longings -- |t Silencing Sounds -- |t Commercial Complexities -- |t Conclusion: Paradoxical Performances -- |t Mirrors -- |t Deparadoxicalisation -- |t Sonic Hierarchies -- |t Binary Socialism. |
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| 650 | 0 | |a Music trade |z China |x History |y 20th century. | |
| 650 | 0 | |a Music audiences |z China |x History |y 20th century. | |
| 650 | 6 | |a Musique |x Industrie |z Chine |x Histoire |y 20e siècle. | |
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| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x General. |2 bisacsh | |
| 650 | 7 | |a Music audiences |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music trade |2 fast | |
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| adam_text | |
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| author | Kloet, Jeroen de |
| author_GND | http://id.loc.gov/authorities/names/no2008080626 |
| author_facet | Kloet, Jeroen de |
| author_role | |
| author_sort | Kloet, Jeroen de |
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| callnumber-first | M - Music |
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| callnumber-raw | ML336.5 .K56 2010eb |
| callnumber-search | ML336.5 .K56 2010eb |
| callnumber-sort | ML 3336.5 K56 42010EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cosmopolitan Poses and Haunting Questions -- From Liumang to Dakou and Balinghou -- Geography of Chinese Rock -- This Book -- Hard Scenes -- Scenic Move -- Underground -- Heavy Metal -- Hardcore Punk -- Hip-hop -- Interim -- Hyphenated Scenes -- Multiplicity -- Folk-rock -- Pop-rock -- Pop-punk -- Fashionable Bands -- Ending a Scenic Journey -- Subaltern Sounds -- Marginal Voices -- Gendering Music -- Southern Vices -- Seductive Sounds -- Femininity, Locality and Opacity -- Musical Taste and Technologies of the Self -- Music and Society -- Youth in Fin-de-siecle Beijing -- Music Preferences and Involvement -- Gendered Self -- Generational Differences -- Place and Belonging -- Building Subjectivity -- Political Self -- Technology and Control -- Producing, Localising and Silencing Sounds -- Seductive Narratives -- Market Fantasies -- Cultural Be/Longings -- Silencing Sounds -- Commercial Complexities -- Conclusion: Paradoxical Performances -- Mirrors -- Deparadoxicalisation -- Sonic Hierarchies -- Binary Socialism. |
| ctrlnum | (OCoLC)650493206 |
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| dewey-search | 780.95109049 |
| dewey-sort | 3780.95109049 |
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| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | Electronic books. History fast Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. History Criticism, interpretation, etc. |
| geographic | China fast https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd |
| geographic_facet | China |
| id | ZDB-4-EBA-ocn650493206 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:23Z |
| institution | BVB |
| isbn | 9789048511143 9048511143 9786612634123 661263412X |
| language | English |
| lccn | 2010379695 |
| oclc_num | 650493206 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (255 pages) : illustrations, map. |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | IIAS publications series. Monographs ; |
| series2 | IIAS publications series. Monographs ; |
| spelling | Kloet, Jeroen de. http://id.loc.gov/authorities/names/no2008080626 China with a cut : globalisation, urban youth and popular music / Jeroen de Kloet. Globalisation, urban youth and popular music Amsterdam : Amsterdam University Press, ©2010. 1 online resource (255 pages) : illustrations, map. text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda IIAS publications series. Monographs ; 3 Includes bibliographical references (pages 231-243) and index. Print version record. In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China. China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet's impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power. Machine generated contents note: Cosmopolitan Poses and Haunting Questions -- From Liumang to Dakou and Balinghou -- Geography of Chinese Rock -- This Book -- 1. Hard Scenes -- Scenic Move -- Underground -- Heavy Metal -- Hardcore Punk -- Hip-hop -- Interim -- 2. Hyphenated Scenes -- Multiplicity -- Folk-rock -- Pop-rock -- Pop-punk -- Fashionable Bands -- Ending a Scenic Journey -- 3. Subaltern Sounds -- Marginal Voices -- Gendering Music -- Southern Vices -- Seductive Sounds -- Femininity, Locality and Opacity -- 4. Musical Taste and Technologies of the Self -- Music and Society -- Youth in Fin-de-siecle Beijing -- Music Preferences and Involvement -- Gendered Self -- Generational Differences -- Place and Belonging -- Building Subjectivity -- Political Self -- Technology and Control -- 5. Producing, Localising and Silencing Sounds -- Seductive Narratives -- Market Fantasies -- Cultural Be/Longings -- Silencing Sounds -- Commercial Complexities -- Conclusion: Paradoxical Performances -- Mirrors -- Deparadoxicalisation -- Sonic Hierarchies -- Binary Socialism. English. Music China 20th century History and criticism. Music trade China History 20th century. Music audiences China History 20th century. Musique Industrie Chine Histoire 20e siècle. Musique Publics Chine Histoire 20e siècle. MUSIC History & Criticism. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh Music audiences fast Music fast Music trade fast China fast https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd 1900-1999 fast Electronic books. History fast Criticism, interpretation, etc. fast has work: China with a cut (Text) https://id.oclc.org/worldcat/entity/E39PCG36H6vdwQrV88Fh8W3BWC https://id.oclc.org/worldcat/ontology/hasWork Print version: Kloet, Jeroen de. China with a cut. Amsterdam : Amsterdam University Press, ©2010 9789089641625 (OCoLC)457149217 IIAS publications series. Monographs ; 3. http://id.loc.gov/authorities/names/n2008182512 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=324555 Volltext |
| spellingShingle | Kloet, Jeroen de China with a cut : globalisation, urban youth and popular music / IIAS publications series. Monographs ; Cosmopolitan Poses and Haunting Questions -- From Liumang to Dakou and Balinghou -- Geography of Chinese Rock -- This Book -- Hard Scenes -- Scenic Move -- Underground -- Heavy Metal -- Hardcore Punk -- Hip-hop -- Interim -- Hyphenated Scenes -- Multiplicity -- Folk-rock -- Pop-rock -- Pop-punk -- Fashionable Bands -- Ending a Scenic Journey -- Subaltern Sounds -- Marginal Voices -- Gendering Music -- Southern Vices -- Seductive Sounds -- Femininity, Locality and Opacity -- Musical Taste and Technologies of the Self -- Music and Society -- Youth in Fin-de-siecle Beijing -- Music Preferences and Involvement -- Gendered Self -- Generational Differences -- Place and Belonging -- Building Subjectivity -- Political Self -- Technology and Control -- Producing, Localising and Silencing Sounds -- Seductive Narratives -- Market Fantasies -- Cultural Be/Longings -- Silencing Sounds -- Commercial Complexities -- Conclusion: Paradoxical Performances -- Mirrors -- Deparadoxicalisation -- Sonic Hierarchies -- Binary Socialism. Music China 20th century History and criticism. Music trade China History 20th century. Music audiences China History 20th century. Musique Industrie Chine Histoire 20e siècle. Musique Publics Chine Histoire 20e siècle. MUSIC History & Criticism. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh Music audiences fast Music fast Music trade fast |
| title | China with a cut : globalisation, urban youth and popular music / |
| title_alt | Globalisation, urban youth and popular music Cosmopolitan Poses and Haunting Questions -- From Liumang to Dakou and Balinghou -- Geography of Chinese Rock -- This Book -- Hard Scenes -- Scenic Move -- Underground -- Heavy Metal -- Hardcore Punk -- Hip-hop -- Interim -- Hyphenated Scenes -- Multiplicity -- Folk-rock -- Pop-rock -- Pop-punk -- Fashionable Bands -- Ending a Scenic Journey -- Subaltern Sounds -- Marginal Voices -- Gendering Music -- Southern Vices -- Seductive Sounds -- Femininity, Locality and Opacity -- Musical Taste and Technologies of the Self -- Music and Society -- Youth in Fin-de-siecle Beijing -- Music Preferences and Involvement -- Gendered Self -- Generational Differences -- Place and Belonging -- Building Subjectivity -- Political Self -- Technology and Control -- Producing, Localising and Silencing Sounds -- Seductive Narratives -- Market Fantasies -- Cultural Be/Longings -- Silencing Sounds -- Commercial Complexities -- Conclusion: Paradoxical Performances -- Mirrors -- Deparadoxicalisation -- Sonic Hierarchies -- Binary Socialism. |
| title_auth | China with a cut : globalisation, urban youth and popular music / |
| title_exact_search | China with a cut : globalisation, urban youth and popular music / |
| title_full | China with a cut : globalisation, urban youth and popular music / Jeroen de Kloet. |
| title_fullStr | China with a cut : globalisation, urban youth and popular music / Jeroen de Kloet. |
| title_full_unstemmed | China with a cut : globalisation, urban youth and popular music / Jeroen de Kloet. |
| title_short | China with a cut : |
| title_sort | china with a cut globalisation urban youth and popular music |
| title_sub | globalisation, urban youth and popular music / |
| topic | Music China 20th century History and criticism. Music trade China History 20th century. Music audiences China History 20th century. Musique Industrie Chine Histoire 20e siècle. Musique Publics Chine Histoire 20e siècle. MUSIC History & Criticism. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh Music audiences fast Music fast Music trade fast |
| topic_facet | Music China 20th century History and criticism. Music trade China History 20th century. Music audiences China History 20th century. Musique Industrie Chine Histoire 20e siècle. Musique Publics Chine Histoire 20e siècle. MUSIC History & Criticism. SOCIAL SCIENCE Ethnic Studies General. Music audiences Music Music trade China Electronic books. History Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=324555 |
| work_keys_str_mv | AT kloetjeroende chinawithacutglobalisationurbanyouthandpopularmusic AT kloetjeroende globalisationurbanyouthandpopularmusic |