Political performances :: theory and practice /
Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boun...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; New York, NY :
Rodopi,
2009.
|
| Schriftenreihe: | Themes in theatre ;
4. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boundaries of political performance. |
| Beschreibung: | 1 online resource (379 pages) : illustrations |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9789042026070 9042026073 9781441625465 1441625461 9042026065 9789042026063 1282505289 9781282505285 9786612505287 6612505281 |
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| 245 | 0 | 0 | |a Political performances : |b theory and practice / |c edited by Susan C. Haedicke [and others]. |
| 260 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2009. | ||
| 300 | |a 1 online resource (379 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Themes in theatre ; |v 4 | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boundaries of political performance. | |
| 505 | 0 | |a TABLE OF CONTENTS; MAPPING POLITICAL PERFORMANCES: A NOTE ON THE STRUCTURE OF THE ANTHOLOGY; INTRODUCTION; PART ONE: QUERIES; WITNESSES IN THE PUBLIC SPHERE: BLOODY SUNDAY AND THE REDEFINITION OF POLITICAL THEATRE; ORALITY AND THE ETHICS OF OWNERSHIP IN COMMUNITY-BASED DRAMA; THE THÉÂTRE DU SOLEIL'S TRAJECTORY FROM "PEOPLE'S THEATRE" TO "CITIZEN THEATRE:" INVOLVEMENT OR RENUNCIATION?; WAYS OF UNSEEING: GLASS WALL ON THE MAIN STAGE; TO ABSENT FRIENDS: ETHICS IN THE FIELD OF AUTO/BIOGRAPHY; PART TWO: TEXTS; READING THE BLACKS THROUGH THE 1956 PREFACE: POLITICS AND BETRAYAL | |
| 505 | 8 | |a BARBARIANS AND BABES: A FEMINIST CRITIQUE OF A POSTCOLONIAL PERSIANSPERFORMING STEREOTYPES AT HOME AND ABROAD; THE COMEBACK OF POLITICAL DRAMA IN CROATIA: OR HOW TO KILL A PRESIDENT BY MIRO GAVRAN; LOCAL KNOWLEDGES, MEMORIES, AND COMMUNITY: FROM ORAL HISTORY TO PERFORMANCE; PART THREE: CONTEXTS; MODALITIES OF ISRAELI POLITICAL THEATRE: PLONTER, ARNA'S CHILDREN, AND THE RUTH KANNER GROUP; DOCUMENTING THE INVISIBLE: DRAMATIZING THE ALGERIAN CIVIL WAR OF THE 1990S; THE EROTIC POLITICS OF CRITICAL TITS: EXHIBITIONISM OR FEMINIST STATEMENT? | |
| 505 | 8 | |a THE GÜEGÜENCE EFFECT: THE NATIONAL CHARACTER AND THE NICARAGUAN POLITICAL PROCESSPART FOUR: PRACTICE; DO THE ENDS JUSTIFY THE MEANS? CONSIDERING HOMELESS LIVES AS PROPAGANDA AND PRODUCT; THE BIRABAHN/THRELKELD PROJECT: PLACE, HISTORY, MEMORY, PERFORMANCE, AND COEXISTENCE; NON-NATURALISTIC PERFORMANCE IN POLITICAL NARRATIVE DRAMA: METHODOLOGIES AND LANGUAGES FOR POLITICAL PERFORMANCE WITH REFERENCE TO THE REHEARSAL AND PRODUCTION OF E TO THE POWER 3-EDUCATION, EDUCATION; GAY MUSLIMS AND SALTY MEAT PIES: THE LIMITS OF PERFORMING COMMUNITY; ABOUT THE CONTRIBUTORS | |
| 546 | |a English. | ||
| 650 | 0 | |a Theater |x Political aspects. | |
| 650 | 0 | |a Theater and society. |0 http://id.loc.gov/authorities/subjects/sh85134565 | |
| 650 | 6 | |a Théâtre |x Aspect politique. | |
| 650 | 6 | |a Théâtre et société. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Theater and society |2 fast | |
| 650 | 7 | |a Theater |x Political aspects |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Haedicke, Susan C. |0 http://id.loc.gov/authorities/names/n00043264 | |
| 758 | |i has work: |a Political performances (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4yF6wmqH6tFTGYgTVfjd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Political performances. |d Amsterdam ; New York, NY : Rodopi, 2009 |z 9789042026063 |w (OCoLC)426959589 |
| 830 | 0 | |a Themes in theatre ; |v 4. |0 http://id.loc.gov/authorities/names/no2006069234 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn650092590 |
|---|---|
| _version_ | 1816881731838410752 |
| adam_text | |
| any_adam_object | |
| author2 | Haedicke, Susan C. |
| author2_role | |
| author2_variant | s c h sc sch |
| author_GND | http://id.loc.gov/authorities/names/n00043264 |
| author_facet | Haedicke, Susan C. |
| author_sort | Haedicke, Susan C. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2051 |
| callnumber-raw | PN2051 .P65 2009eb |
| callnumber-search | PN2051 .P65 2009eb |
| callnumber-sort | PN 42051 P65 42009EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | TABLE OF CONTENTS; MAPPING POLITICAL PERFORMANCES: A NOTE ON THE STRUCTURE OF THE ANTHOLOGY; INTRODUCTION; PART ONE: QUERIES; WITNESSES IN THE PUBLIC SPHERE: BLOODY SUNDAY AND THE REDEFINITION OF POLITICAL THEATRE; ORALITY AND THE ETHICS OF OWNERSHIP IN COMMUNITY-BASED DRAMA; THE THÉÂTRE DU SOLEIL'S TRAJECTORY FROM "PEOPLE'S THEATRE" TO "CITIZEN THEATRE:" INVOLVEMENT OR RENUNCIATION?; WAYS OF UNSEEING: GLASS WALL ON THE MAIN STAGE; TO ABSENT FRIENDS: ETHICS IN THE FIELD OF AUTO/BIOGRAPHY; PART TWO: TEXTS; READING THE BLACKS THROUGH THE 1956 PREFACE: POLITICS AND BETRAYAL BARBARIANS AND BABES: A FEMINIST CRITIQUE OF A POSTCOLONIAL PERSIANSPERFORMING STEREOTYPES AT HOME AND ABROAD; THE COMEBACK OF POLITICAL DRAMA IN CROATIA: OR HOW TO KILL A PRESIDENT BY MIRO GAVRAN; LOCAL KNOWLEDGES, MEMORIES, AND COMMUNITY: FROM ORAL HISTORY TO PERFORMANCE; PART THREE: CONTEXTS; MODALITIES OF ISRAELI POLITICAL THEATRE: PLONTER, ARNA'S CHILDREN, AND THE RUTH KANNER GROUP; DOCUMENTING THE INVISIBLE: DRAMATIZING THE ALGERIAN CIVIL WAR OF THE 1990S; THE EROTIC POLITICS OF CRITICAL TITS: EXHIBITIONISM OR FEMINIST STATEMENT? THE GÜEGÜENCE EFFECT: THE NATIONAL CHARACTER AND THE NICARAGUAN POLITICAL PROCESSPART FOUR: PRACTICE; DO THE ENDS JUSTIFY THE MEANS? CONSIDERING HOMELESS LIVES AS PROPAGANDA AND PRODUCT; THE BIRABAHN/THRELKELD PROJECT: PLACE, HISTORY, MEMORY, PERFORMANCE, AND COEXISTENCE; NON-NATURALISTIC PERFORMANCE IN POLITICAL NARRATIVE DRAMA: METHODOLOGIES AND LANGUAGES FOR POLITICAL PERFORMANCE WITH REFERENCE TO THE REHEARSAL AND PRODUCTION OF E TO THE POWER 3-EDUCATION, EDUCATION; GAY MUSLIMS AND SALTY MEAT PIES: THE LIMITS OF PERFORMING COMMUNITY; ABOUT THE CONTRIBUTORS |
| ctrlnum | (OCoLC)650092590 |
| dewey-full | 792 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792 |
| dewey-search | 792 |
| dewey-sort | 3792 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-ocn650092590 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:23Z |
| institution | BVB |
| isbn | 9789042026070 9042026073 9781441625465 1441625461 9042026065 9789042026063 1282505289 9781282505285 9786612505287 6612505281 |
| language | English |
| oclc_num | 650092590 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (379 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Rodopi, |
| record_format | marc |
| series | Themes in theatre ; |
| series2 | Themes in theatre ; |
| spelling | Political performances : theory and practice / edited by Susan C. Haedicke [and others]. Amsterdam ; New York, NY : Rodopi, 2009. 1 online resource (379 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Themes in theatre ; 4 Includes bibliographical references. Print version record. Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boundaries of political performance. TABLE OF CONTENTS; MAPPING POLITICAL PERFORMANCES: A NOTE ON THE STRUCTURE OF THE ANTHOLOGY; INTRODUCTION; PART ONE: QUERIES; WITNESSES IN THE PUBLIC SPHERE: BLOODY SUNDAY AND THE REDEFINITION OF POLITICAL THEATRE; ORALITY AND THE ETHICS OF OWNERSHIP IN COMMUNITY-BASED DRAMA; THE THÉÂTRE DU SOLEIL'S TRAJECTORY FROM "PEOPLE'S THEATRE" TO "CITIZEN THEATRE:" INVOLVEMENT OR RENUNCIATION?; WAYS OF UNSEEING: GLASS WALL ON THE MAIN STAGE; TO ABSENT FRIENDS: ETHICS IN THE FIELD OF AUTO/BIOGRAPHY; PART TWO: TEXTS; READING THE BLACKS THROUGH THE 1956 PREFACE: POLITICS AND BETRAYAL BARBARIANS AND BABES: A FEMINIST CRITIQUE OF A POSTCOLONIAL PERSIANSPERFORMING STEREOTYPES AT HOME AND ABROAD; THE COMEBACK OF POLITICAL DRAMA IN CROATIA: OR HOW TO KILL A PRESIDENT BY MIRO GAVRAN; LOCAL KNOWLEDGES, MEMORIES, AND COMMUNITY: FROM ORAL HISTORY TO PERFORMANCE; PART THREE: CONTEXTS; MODALITIES OF ISRAELI POLITICAL THEATRE: PLONTER, ARNA'S CHILDREN, AND THE RUTH KANNER GROUP; DOCUMENTING THE INVISIBLE: DRAMATIZING THE ALGERIAN CIVIL WAR OF THE 1990S; THE EROTIC POLITICS OF CRITICAL TITS: EXHIBITIONISM OR FEMINIST STATEMENT? THE GÜEGÜENCE EFFECT: THE NATIONAL CHARACTER AND THE NICARAGUAN POLITICAL PROCESSPART FOUR: PRACTICE; DO THE ENDS JUSTIFY THE MEANS? CONSIDERING HOMELESS LIVES AS PROPAGANDA AND PRODUCT; THE BIRABAHN/THRELKELD PROJECT: PLACE, HISTORY, MEMORY, PERFORMANCE, AND COEXISTENCE; NON-NATURALISTIC PERFORMANCE IN POLITICAL NARRATIVE DRAMA: METHODOLOGIES AND LANGUAGES FOR POLITICAL PERFORMANCE WITH REFERENCE TO THE REHEARSAL AND PRODUCTION OF E TO THE POWER 3-EDUCATION, EDUCATION; GAY MUSLIMS AND SALTY MEAT PIES: THE LIMITS OF PERFORMING COMMUNITY; ABOUT THE CONTRIBUTORS English. Theater Political aspects. Theater and society. http://id.loc.gov/authorities/subjects/sh85134565 Théâtre Aspect politique. Théâtre et société. PERFORMING ARTS Theater History & Criticism. bisacsh Theater and society fast Theater Political aspects fast Electronic book. Haedicke, Susan C. http://id.loc.gov/authorities/names/n00043264 has work: Political performances (Text) https://id.oclc.org/worldcat/entity/E39PCG4yF6wmqH6tFTGYgTVfjd https://id.oclc.org/worldcat/ontology/hasWork Print version: Political performances. Amsterdam ; New York, NY : Rodopi, 2009 9789042026063 (OCoLC)426959589 Themes in theatre ; 4. http://id.loc.gov/authorities/names/no2006069234 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=281486 Volltext |
| spellingShingle | Political performances : theory and practice / Themes in theatre ; TABLE OF CONTENTS; MAPPING POLITICAL PERFORMANCES: A NOTE ON THE STRUCTURE OF THE ANTHOLOGY; INTRODUCTION; PART ONE: QUERIES; WITNESSES IN THE PUBLIC SPHERE: BLOODY SUNDAY AND THE REDEFINITION OF POLITICAL THEATRE; ORALITY AND THE ETHICS OF OWNERSHIP IN COMMUNITY-BASED DRAMA; THE THÉÂTRE DU SOLEIL'S TRAJECTORY FROM "PEOPLE'S THEATRE" TO "CITIZEN THEATRE:" INVOLVEMENT OR RENUNCIATION?; WAYS OF UNSEEING: GLASS WALL ON THE MAIN STAGE; TO ABSENT FRIENDS: ETHICS IN THE FIELD OF AUTO/BIOGRAPHY; PART TWO: TEXTS; READING THE BLACKS THROUGH THE 1956 PREFACE: POLITICS AND BETRAYAL BARBARIANS AND BABES: A FEMINIST CRITIQUE OF A POSTCOLONIAL PERSIANSPERFORMING STEREOTYPES AT HOME AND ABROAD; THE COMEBACK OF POLITICAL DRAMA IN CROATIA: OR HOW TO KILL A PRESIDENT BY MIRO GAVRAN; LOCAL KNOWLEDGES, MEMORIES, AND COMMUNITY: FROM ORAL HISTORY TO PERFORMANCE; PART THREE: CONTEXTS; MODALITIES OF ISRAELI POLITICAL THEATRE: PLONTER, ARNA'S CHILDREN, AND THE RUTH KANNER GROUP; DOCUMENTING THE INVISIBLE: DRAMATIZING THE ALGERIAN CIVIL WAR OF THE 1990S; THE EROTIC POLITICS OF CRITICAL TITS: EXHIBITIONISM OR FEMINIST STATEMENT? THE GÜEGÜENCE EFFECT: THE NATIONAL CHARACTER AND THE NICARAGUAN POLITICAL PROCESSPART FOUR: PRACTICE; DO THE ENDS JUSTIFY THE MEANS? CONSIDERING HOMELESS LIVES AS PROPAGANDA AND PRODUCT; THE BIRABAHN/THRELKELD PROJECT: PLACE, HISTORY, MEMORY, PERFORMANCE, AND COEXISTENCE; NON-NATURALISTIC PERFORMANCE IN POLITICAL NARRATIVE DRAMA: METHODOLOGIES AND LANGUAGES FOR POLITICAL PERFORMANCE WITH REFERENCE TO THE REHEARSAL AND PRODUCTION OF E TO THE POWER 3-EDUCATION, EDUCATION; GAY MUSLIMS AND SALTY MEAT PIES: THE LIMITS OF PERFORMING COMMUNITY; ABOUT THE CONTRIBUTORS Theater Political aspects. Theater and society. http://id.loc.gov/authorities/subjects/sh85134565 Théâtre Aspect politique. Théâtre et société. PERFORMING ARTS Theater History & Criticism. bisacsh Theater and society fast Theater Political aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85134565 |
| title | Political performances : theory and practice / |
| title_auth | Political performances : theory and practice / |
| title_exact_search | Political performances : theory and practice / |
| title_full | Political performances : theory and practice / edited by Susan C. Haedicke [and others]. |
| title_fullStr | Political performances : theory and practice / edited by Susan C. Haedicke [and others]. |
| title_full_unstemmed | Political performances : theory and practice / edited by Susan C. Haedicke [and others]. |
| title_short | Political performances : |
| title_sort | political performances theory and practice |
| title_sub | theory and practice / |
| topic | Theater Political aspects. Theater and society. http://id.loc.gov/authorities/subjects/sh85134565 Théâtre Aspect politique. Théâtre et société. PERFORMING ARTS Theater History & Criticism. bisacsh Theater and society fast Theater Political aspects fast |
| topic_facet | Theater Political aspects. Theater and society. Théâtre Aspect politique. Théâtre et société. PERFORMING ARTS Theater History & Criticism. Theater and society Theater Political aspects Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=281486 |
| work_keys_str_mv | AT haedickesusanc politicalperformancestheoryandpractice |