Desire and dramatic form in early modern England /:
This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, S...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2009.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, Shakespeare, Webster, Middleton, Ford and Cavendish, Haber counters the long-standing New Historicist association of the aesthetic with the status quo, and argues for its subversive potential. Many of the chosen texts unsettle conventional notions of sexual and textual consummation. Others take a more conventional stance; yet by calling our attention to the intersection between traditional dramatic structure and the dominant ideologies of gender and sexuality, they make us question those ideologies even while submitting to them. The book will be of interest to those working in the fields of early modern literature and culture, drama, gender and sexuality studies, and literary theory. |
| Beschreibung: | 1 online resource (xi, 212 pages) |
| Bibliographie: | Includes bibliographical references (pages 208-190) and index. |
| ISBN: | 9780511518010 0511518013 9780511517525 0511517521 9780511576645 0511576641 9781107404311 1107404312 1107191785 9781107191785 1282103962 9781282103962 9786612103964 6612103965 0511515596 9780511515590 0511514476 9780511514470 0511516878 9780511516870 |
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| 100 | 1 | |a Haber, Judith Deborah. |0 http://id.loc.gov/authorities/names/n95005585 | |
| 245 | 1 | 0 | |a Desire and dramatic form in early modern England / |c Judith Haber. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2009. | ||
| 300 | |a 1 online resource (xi, 212 pages) | ||
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| 504 | |a Includes bibliographical references (pages 208-190) and index. | ||
| 505 | 0 | |a Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Textual note -- Introduction: consummate play -- Part I "Come ... and play": Christopher Marlowe, beside the point -- Chapter 1 Genre, gender, and sexuality in "The Passionate Shepherd" and Tamburlaine -- Delights of the mind -- 8220;Vaunts substantial8221; -- Chapter 2 Submitting to history: Edward II -- Chapter 3 "True-loves blood": narrative and desire in Hero and Leander -- Chapter 4 "Thus with a kiss": a Shakespearean interlude -- Part II Desiring women in the seventeenth century -- Chapter 5 "How strangely does himself work to undo him": (male) sexuality in The Revenger's Tragedy -- Chapter 6 "My body bestow upon my women": the space of the feminine in The Duchess of Malfi -- Chapter 7 "I(t) could not choose but follow": erotic logic in The Changeling -- Chapter 8 "Old men's tales": legacies of the father in 'Tis Pity She's a Whore -- Chapter 9 The passionate shepherdess: the case of Margaret Cavendish -- 8220;No plots, nor designs, nor subtil contrivances8221; -- Young virgins tales -- Afterword: for(e)play -- Notes -- INTRODUCTION: CONSUMMATE PLAY -- GENRE, GENDER, AND SEXUALITY IN 8220;THE PASSIONATE SHEPHERD8221; AND TAMBURLAINE -- SUBMITTING TO HISTORY: EDWARD II -- 8220;TRUE-LOVES BLOOD8221;: NARRATIVE AND DESIRE IN HERO AND LEANDER -- 8220;THUS WITH A KISS8221;: A SHAKESPEAREAN INTERLUDE -- 8220;HOW STRANGELY DOES HIMSELF WORK TO UNDO HIM8221;: (MALE) SEXUALITY IN THE REVENGERS TRAGEDY -- 8220;MY BODY BESTOW UPON MY WOMEN8221;: THE SPACE OF THE FEMININE IN THE DUCHESS OF MALFI -- 8220;I(T) COULD NOT CHOOSE BUT FOLLOW8221;: EROTIC LOGIC IN THE CHANGELING -- 8220;OLD MENS TALES8221;: LEGACIES OF THE FATHER IN TIS PITY SHES A WHORE -- THE PASSIONATE SHEPHERDESS: THE CASE OF MARGARET CAVENDISH -- AFTERWORD: FOR(E)PLAY -- Works cited -- Index. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, Shakespeare, Webster, Middleton, Ford and Cavendish, Haber counters the long-standing New Historicist association of the aesthetic with the status quo, and argues for its subversive potential. Many of the chosen texts unsettle conventional notions of sexual and textual consummation. Others take a more conventional stance; yet by calling our attention to the intersection between traditional dramatic structure and the dominant ideologies of gender and sexuality, they make us question those ideologies even while submitting to them. The book will be of interest to those working in the fields of early modern literature and culture, drama, gender and sexuality studies, and literary theory. | ||
| 546 | |a English. | ||
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a Sex in literature. |0 http://id.loc.gov/authorities/subjects/sh85120618 | |
| 650 | 0 | |a Desire in literature. |0 http://id.loc.gov/authorities/subjects/sh95007416 | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Sexualité dans la littérature. | |
| 650 | 6 | |a Désir dans la littérature. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Desire in literature |2 fast | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan |2 fast | |
| 650 | 7 | |a Sex in literature |2 fast | |
| 648 | 7 | |a 1500-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Haber, Judith Deborah. |t Desire and dramatic form in early modern England. |d Cambridge ; New York : Cambridge University Press, 2009 |w (DLC) 2009002061 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn647766615 |
|---|---|
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| adam_text | |
| any_adam_object | |
| author | Haber, Judith Deborah |
| author_GND | http://id.loc.gov/authorities/names/n95005585 |
| author_facet | Haber, Judith Deborah |
| author_role | |
| author_sort | Haber, Judith Deborah |
| author_variant | j d h jd jdh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR658 |
| callnumber-raw | PR658.S39 H33 2009eb |
| callnumber-search | PR658.S39 H33 2009eb |
| callnumber-sort | PR 3658 S39 H33 42009EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Textual note -- Introduction: consummate play -- Part I "Come ... and play": Christopher Marlowe, beside the point -- Chapter 1 Genre, gender, and sexuality in "The Passionate Shepherd" and Tamburlaine -- Delights of the mind -- 8220;Vaunts substantial8221; -- Chapter 2 Submitting to history: Edward II -- Chapter 3 "True-loves blood": narrative and desire in Hero and Leander -- Chapter 4 "Thus with a kiss": a Shakespearean interlude -- Part II Desiring women in the seventeenth century -- Chapter 5 "How strangely does himself work to undo him": (male) sexuality in The Revenger's Tragedy -- Chapter 6 "My body bestow upon my women": the space of the feminine in The Duchess of Malfi -- Chapter 7 "I(t) could not choose but follow": erotic logic in The Changeling -- Chapter 8 "Old men's tales": legacies of the father in 'Tis Pity She's a Whore -- Chapter 9 The passionate shepherdess: the case of Margaret Cavendish -- 8220;No plots, nor designs, nor subtil contrivances8221; -- Young virgins tales -- Afterword: for(e)play -- Notes -- INTRODUCTION: CONSUMMATE PLAY -- GENRE, GENDER, AND SEXUALITY IN 8220;THE PASSIONATE SHEPHERD8221; AND TAMBURLAINE -- SUBMITTING TO HISTORY: EDWARD II -- 8220;TRUE-LOVES BLOOD8221;: NARRATIVE AND DESIRE IN HERO AND LEANDER -- 8220;THUS WITH A KISS8221;: A SHAKESPEAREAN INTERLUDE -- 8220;HOW STRANGELY DOES HIMSELF WORK TO UNDO HIM8221;: (MALE) SEXUALITY IN THE REVENGERS TRAGEDY -- 8220;MY BODY BESTOW UPON MY WOMEN8221;: THE SPACE OF THE FEMININE IN THE DUCHESS OF MALFI -- 8220;I(T) COULD NOT CHOOSE BUT FOLLOW8221;: EROTIC LOGIC IN THE CHANGELING -- 8220;OLD MENS TALES8221;: LEGACIES OF THE FATHER IN TIS PITY SHES A WHORE -- THE PASSIONATE SHEPHERDESS: THE CASE OF MARGARET CAVENDISH -- AFTERWORD: FOR(E)PLAY -- Works cited -- Index. |
| ctrlnum | (OCoLC)647766615 |
| dewey-full | 822/.3093538 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.3093538 |
| dewey-search | 822/.3093538 |
| dewey-sort | 3822 73093538 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1500-1600 fast |
| era_facet | 1500-1600 |
| format | Electronic eBook |
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" ind2=" "><subfield code="a">1 online resource (xi, 212 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 208-190) and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Textual note -- Introduction: consummate play -- Part I "Come ... and play": Christopher Marlowe, beside the point -- Chapter 1 Genre, gender, and sexuality in "The Passionate Shepherd" and Tamburlaine -- Delights of the mind -- 8220;Vaunts substantial8221; -- Chapter 2 Submitting to history: Edward II -- Chapter 3 "True-loves blood": narrative and desire in Hero and Leander -- Chapter 4 "Thus with a kiss": a Shakespearean interlude -- Part II Desiring women in the seventeenth century -- Chapter 5 "How strangely does himself work to undo him": (male) sexuality in The Revenger's Tragedy -- Chapter 6 "My body bestow upon my women": the space of the feminine in The Duchess of Malfi -- Chapter 7 "I(t) could not choose but follow": erotic logic in The Changeling -- Chapter 8 "Old men's tales": legacies of the father in 'Tis Pity She's a Whore -- Chapter 9 The passionate shepherdess: the case of Margaret Cavendish -- 8220;No plots, nor designs, nor subtil contrivances8221; -- Young virgins tales -- Afterword: for(e)play -- Notes -- INTRODUCTION: CONSUMMATE PLAY -- GENRE, GENDER, AND SEXUALITY IN 8220;THE PASSIONATE SHEPHERD8221; AND TAMBURLAINE -- SUBMITTING TO HISTORY: EDWARD II -- 8220;TRUE-LOVES BLOOD8221;: NARRATIVE AND DESIRE IN HERO AND LEANDER -- 8220;THUS WITH A KISS8221;: A SHAKESPEAREAN INTERLUDE -- 8220;HOW STRANGELY DOES HIMSELF WORK TO UNDO HIM8221;: (MALE) SEXUALITY IN THE REVENGERS TRAGEDY -- 8220;MY BODY BESTOW UPON MY WOMEN8221;: THE SPACE OF THE FEMININE IN THE DUCHESS OF MALFI -- 8220;I(T) COULD NOT CHOOSE BUT FOLLOW8221;: EROTIC LOGIC IN THE CHANGELING -- 8220;OLD MENS TALES8221;: LEGACIES OF THE FATHER IN TIS PITY SHES A WHORE -- THE PASSIONATE SHEPHERDESS: THE CASE OF MARGARET CAVENDISH -- AFTERWORD: FOR(E)PLAY -- Works cited -- Index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, Shakespeare, Webster, Middleton, Ford and Cavendish, Haber counters the long-standing New Historicist association of the aesthetic with the status quo, and argues for its subversive potential. Many of the chosen texts unsettle conventional notions of sexual and textual consummation. Others take a more conventional stance; yet by calling our attention to the intersection between traditional dramatic structure and the dominant ideologies of gender and sexuality, they make us question those ideologies even while submitting to them. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn647766615 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:19Z |
| institution | BVB |
| isbn | 9780511518010 0511518013 9780511517525 0511517521 9780511576645 0511576641 9781107404311 1107404312 1107191785 9781107191785 1282103962 9781282103962 9786612103964 6612103965 0511515596 9780511515590 0511514476 9780511514470 0511516878 9780511516870 |
| language | English |
| oclc_num | 647766615 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 212 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Haber, Judith Deborah. http://id.loc.gov/authorities/names/n95005585 Desire and dramatic form in early modern England / Judith Haber. Cambridge ; New York : Cambridge University Press, 2009. 1 online resource (xi, 212 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 208-190) and index. Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Textual note -- Introduction: consummate play -- Part I "Come ... and play": Christopher Marlowe, beside the point -- Chapter 1 Genre, gender, and sexuality in "The Passionate Shepherd" and Tamburlaine -- Delights of the mind -- 8220;Vaunts substantial8221; -- Chapter 2 Submitting to history: Edward II -- Chapter 3 "True-loves blood": narrative and desire in Hero and Leander -- Chapter 4 "Thus with a kiss": a Shakespearean interlude -- Part II Desiring women in the seventeenth century -- Chapter 5 "How strangely does himself work to undo him": (male) sexuality in The Revenger's Tragedy -- Chapter 6 "My body bestow upon my women": the space of the feminine in The Duchess of Malfi -- Chapter 7 "I(t) could not choose but follow": erotic logic in The Changeling -- Chapter 8 "Old men's tales": legacies of the father in 'Tis Pity She's a Whore -- Chapter 9 The passionate shepherdess: the case of Margaret Cavendish -- 8220;No plots, nor designs, nor subtil contrivances8221; -- Young virgins tales -- Afterword: for(e)play -- Notes -- INTRODUCTION: CONSUMMATE PLAY -- GENRE, GENDER, AND SEXUALITY IN 8220;THE PASSIONATE SHEPHERD8221; AND TAMBURLAINE -- SUBMITTING TO HISTORY: EDWARD II -- 8220;TRUE-LOVES BLOOD8221;: NARRATIVE AND DESIRE IN HERO AND LEANDER -- 8220;THUS WITH A KISS8221;: A SHAKESPEAREAN INTERLUDE -- 8220;HOW STRANGELY DOES HIMSELF WORK TO UNDO HIM8221;: (MALE) SEXUALITY IN THE REVENGERS TRAGEDY -- 8220;MY BODY BESTOW UPON MY WOMEN8221;: THE SPACE OF THE FEMININE IN THE DUCHESS OF MALFI -- 8220;I(T) COULD NOT CHOOSE BUT FOLLOW8221;: EROTIC LOGIC IN THE CHANGELING -- 8220;OLD MENS TALES8221;: LEGACIES OF THE FATHER IN TIS PITY SHES A WHORE -- THE PASSIONATE SHEPHERDESS: THE CASE OF MARGARET CAVENDISH -- AFTERWORD: FOR(E)PLAY -- Works cited -- Index. Print version record. This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, Shakespeare, Webster, Middleton, Ford and Cavendish, Haber counters the long-standing New Historicist association of the aesthetic with the status quo, and argues for its subversive potential. Many of the chosen texts unsettle conventional notions of sexual and textual consummation. Others take a more conventional stance; yet by calling our attention to the intersection between traditional dramatic structure and the dominant ideologies of gender and sexuality, they make us question those ideologies even while submitting to them. The book will be of interest to those working in the fields of early modern literature and culture, drama, gender and sexuality studies, and literary theory. English. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Sex in literature. http://id.loc.gov/authorities/subjects/sh85120618 Desire in literature. http://id.loc.gov/authorities/subjects/sh95007416 Théâtre anglais 16e siècle Histoire et critique. Sexualité dans la littérature. Désir dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Desire in literature fast English drama Early modern and Elizabethan fast Sex in literature fast 1500-1600 fast Criticism, interpretation, etc. fast Print version: Haber, Judith Deborah. Desire and dramatic form in early modern England. Cambridge ; New York : Cambridge University Press, 2009 (DLC) 2009002061 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=273803 Volltext |
| spellingShingle | Haber, Judith Deborah Desire and dramatic form in early modern England / Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Textual note -- Introduction: consummate play -- Part I "Come ... and play": Christopher Marlowe, beside the point -- Chapter 1 Genre, gender, and sexuality in "The Passionate Shepherd" and Tamburlaine -- Delights of the mind -- 8220;Vaunts substantial8221; -- Chapter 2 Submitting to history: Edward II -- Chapter 3 "True-loves blood": narrative and desire in Hero and Leander -- Chapter 4 "Thus with a kiss": a Shakespearean interlude -- Part II Desiring women in the seventeenth century -- Chapter 5 "How strangely does himself work to undo him": (male) sexuality in The Revenger's Tragedy -- Chapter 6 "My body bestow upon my women": the space of the feminine in The Duchess of Malfi -- Chapter 7 "I(t) could not choose but follow": erotic logic in The Changeling -- Chapter 8 "Old men's tales": legacies of the father in 'Tis Pity She's a Whore -- Chapter 9 The passionate shepherdess: the case of Margaret Cavendish -- 8220;No plots, nor designs, nor subtil contrivances8221; -- Young virgins tales -- Afterword: for(e)play -- Notes -- INTRODUCTION: CONSUMMATE PLAY -- GENRE, GENDER, AND SEXUALITY IN 8220;THE PASSIONATE SHEPHERD8221; AND TAMBURLAINE -- SUBMITTING TO HISTORY: EDWARD II -- 8220;TRUE-LOVES BLOOD8221;: NARRATIVE AND DESIRE IN HERO AND LEANDER -- 8220;THUS WITH A KISS8221;: A SHAKESPEAREAN INTERLUDE -- 8220;HOW STRANGELY DOES HIMSELF WORK TO UNDO HIM8221;: (MALE) SEXUALITY IN THE REVENGERS TRAGEDY -- 8220;MY BODY BESTOW UPON MY WOMEN8221;: THE SPACE OF THE FEMININE IN THE DUCHESS OF MALFI -- 8220;I(T) COULD NOT CHOOSE BUT FOLLOW8221;: EROTIC LOGIC IN THE CHANGELING -- 8220;OLD MENS TALES8221;: LEGACIES OF THE FATHER IN TIS PITY SHES A WHORE -- THE PASSIONATE SHEPHERDESS: THE CASE OF MARGARET CAVENDISH -- AFTERWORD: FOR(E)PLAY -- Works cited -- Index. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Sex in literature. http://id.loc.gov/authorities/subjects/sh85120618 Desire in literature. http://id.loc.gov/authorities/subjects/sh95007416 Théâtre anglais 16e siècle Histoire et critique. Sexualité dans la littérature. Désir dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Desire in literature fast English drama Early modern and Elizabethan fast Sex in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120618 http://id.loc.gov/authorities/subjects/sh95007416 |
| title | Desire and dramatic form in early modern England / |
| title_auth | Desire and dramatic form in early modern England / |
| title_exact_search | Desire and dramatic form in early modern England / |
| title_full | Desire and dramatic form in early modern England / Judith Haber. |
| title_fullStr | Desire and dramatic form in early modern England / Judith Haber. |
| title_full_unstemmed | Desire and dramatic form in early modern England / Judith Haber. |
| title_short | Desire and dramatic form in early modern England / |
| title_sort | desire and dramatic form in early modern england |
| topic | English drama Early modern and Elizabethan, 1500-1600 History and criticism. Sex in literature. http://id.loc.gov/authorities/subjects/sh85120618 Desire in literature. http://id.loc.gov/authorities/subjects/sh95007416 Théâtre anglais 16e siècle Histoire et critique. Sexualité dans la littérature. Désir dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Desire in literature fast English drama Early modern and Elizabethan fast Sex in literature fast |
| topic_facet | English drama Early modern and Elizabethan, 1500-1600 History and criticism. Sex in literature. Desire in literature. Théâtre anglais 16e siècle Histoire et critique. Sexualité dans la littérature. Désir dans la littérature. DRAMA English, Irish, Scottish, Welsh. Desire in literature English drama Early modern and Elizabethan Sex in literature Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=273803 |
| work_keys_str_mv | AT haberjudithdeborah desireanddramaticforminearlymodernengland |