The convert :: a two-act play /
"This play tackles the theatrically attractive but ethically complex issue of Christian fundamentalism. Nyamnjoh, as a sociologist is well qualified to explore the social problems and psychological pressures which give rise to the born-again phenomenon, and the strong appeal of fundamentalist r...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bamenda, North West Province, Cameroon :
Langaa,
2007.
|
Ausgabe: | Second edition |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "This play tackles the theatrically attractive but ethically complex issue of Christian fundamentalism. Nyamnjoh, as a sociologist is well qualified to explore the social problems and psychological pressures which give rise to the born-again phenomenon, and the strong appeal of fundamentalist religion. The Convert, however is no schematic sociological tract. It deals with the conflicting imperatives in 21st century West Africa, which push ordinary people into extraordinary situations, and provides no easy solutions to the issues raised. Although the play revolves around the Ultimate Church of Christ and the four main characters affected by it, the audience is given a deftly sketched picture of a corrupt world beyond it, lacking in spiritual or community values. [.] The characterization. is remarkable for its avoidance of any obvious protagonist; the audience is allowed no clear character with whom to identify. The four main characters . have both virtues and flaws, each providing insights into ways the consumer-oriented materialism of modern life impacts upon African spirituality and community values. - David Kerr, Professor in Literature and Drama, University of Botswana ""At the core of the implicit philosophy in Nyamnjoh's The Convert . is the theatrical manifesto that contemporary society has not only to liberate itself, and its productive powers from 'Pentecostal', freak religions and distortion, it also has to liberate these same productive capacities from their present prostration. There is a deep, engaging humanism that pervades The Convert, but it is a humanism emblematic, to speak analogously, of the Aeschylean variety.""--Bate Besong, Africa Review of Books." |
Beschreibung: | 1 online resource (ix, 64 pages) |
ISBN: | 9789956716586 9956716588 9956558036 9789956558032 1283198339 9781283198332 9786613198334 6613198331 9956716464 9789956716463 |
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505 | 0 | |a Cover; Title Page; Copyright Page; Author's Biographical Note; Contents; Introduction; Characters; ACT ONE SCENE I; ACT ONE SCENE II; ACT ONE SCENE III; ACT ONE SCENE IV; ACT TWO SCENE I; ACT TWO SCENE II; ACT TWO SCENE III; ACT TWO SCENE IV; ACT TWO SCENE V; Back Cover | |
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author | Nyamnjoh, Francis B., 1961- |
author_GND | http://id.loc.gov/authorities/names/n97032660 |
author_facet | Nyamnjoh, Francis B., 1961- |
author_role | |
author_sort | Nyamnjoh, Francis B., 1961- |
author_variant | f b n fb fbn |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR9372 |
callnumber-raw | PR9372.9.N9 C66 2007eb |
callnumber-search | PR9372.9.N9 C66 2007eb |
callnumber-sort | PR 49372.9 N9 C66 42007EB |
callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Cover; Title Page; Copyright Page; Author's Biographical Note; Contents; Introduction; Characters; ACT ONE SCENE I; ACT ONE SCENE II; ACT ONE SCENE III; ACT ONE SCENE IV; ACT TWO SCENE I; ACT TWO SCENE II; ACT TWO SCENE III; ACT TWO SCENE IV; ACT TWO SCENE V; Back Cover |
ctrlnum | (OCoLC)646835949 |
dewey-full | 822/.92 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822/.92 |
dewey-search | 822/.92 |
dewey-sort | 3822 292 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
edition | Second edition |
format | Electronic eBook |
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spelling | Nyamnjoh, Francis B., 1961- http://id.loc.gov/authorities/names/n97032660 The convert : a two-act play / by Francis B. Nyamnjoh. Second edition Bamenda, North West Province, Cameroon : Langaa, 2007. 1 online resource (ix, 64 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Drama Print version record. "This play tackles the theatrically attractive but ethically complex issue of Christian fundamentalism. Nyamnjoh, as a sociologist is well qualified to explore the social problems and psychological pressures which give rise to the born-again phenomenon, and the strong appeal of fundamentalist religion. The Convert, however is no schematic sociological tract. It deals with the conflicting imperatives in 21st century West Africa, which push ordinary people into extraordinary situations, and provides no easy solutions to the issues raised. Although the play revolves around the Ultimate Church of Christ and the four main characters affected by it, the audience is given a deftly sketched picture of a corrupt world beyond it, lacking in spiritual or community values. [.] The characterization. is remarkable for its avoidance of any obvious protagonist; the audience is allowed no clear character with whom to identify. The four main characters . have both virtues and flaws, each providing insights into ways the consumer-oriented materialism of modern life impacts upon African spirituality and community values. - David Kerr, Professor in Literature and Drama, University of Botswana ""At the core of the implicit philosophy in Nyamnjoh's The Convert . is the theatrical manifesto that contemporary society has not only to liberate itself, and its productive powers from 'Pentecostal', freak religions and distortion, it also has to liberate these same productive capacities from their present prostration. There is a deep, engaging humanism that pervades The Convert, but it is a humanism emblematic, to speak analogously, of the Aeschylean variety.""--Bate Besong, Africa Review of Books." Cover; Title Page; Copyright Page; Author's Biographical Note; Contents; Introduction; Characters; ACT ONE SCENE I; ACT ONE SCENE II; ACT ONE SCENE III; ACT ONE SCENE IV; ACT TWO SCENE I; ACT TWO SCENE II; ACT TWO SCENE III; ACT TWO SCENE IV; ACT TWO SCENE V; Back Cover English. Fundamentalism Africa, West Drama. FICTION General. bisacsh Fundamentalism fast West Africa fast Drama fast Drama. lcgft http://id.loc.gov/authorities/genreForms/gf2014026297 Théâtre. rvmgf has work: The convert (Text) https://id.oclc.org/worldcat/entity/E39PCG8GYmMRYCPkDgrCh9CfMd https://id.oclc.org/worldcat/ontology/hasWork 9956558036 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=410766 Volltext |
spellingShingle | Nyamnjoh, Francis B., 1961- The convert : a two-act play / Cover; Title Page; Copyright Page; Author's Biographical Note; Contents; Introduction; Characters; ACT ONE SCENE I; ACT ONE SCENE II; ACT ONE SCENE III; ACT ONE SCENE IV; ACT TWO SCENE I; ACT TWO SCENE II; ACT TWO SCENE III; ACT TWO SCENE IV; ACT TWO SCENE V; Back Cover Fundamentalism Africa, West Drama. FICTION General. bisacsh Fundamentalism fast |
subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026297 |
title | The convert : a two-act play / |
title_auth | The convert : a two-act play / |
title_exact_search | The convert : a two-act play / |
title_full | The convert : a two-act play / by Francis B. Nyamnjoh. |
title_fullStr | The convert : a two-act play / by Francis B. Nyamnjoh. |
title_full_unstemmed | The convert : a two-act play / by Francis B. Nyamnjoh. |
title_short | The convert : |
title_sort | convert a two act play |
title_sub | a two-act play / |
topic | Fundamentalism Africa, West Drama. FICTION General. bisacsh Fundamentalism fast |
topic_facet | Fundamentalism Africa, West Drama. FICTION General. Fundamentalism West Africa Drama Drama. Théâtre. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=410766 |
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