Freedom is, freedom ain't :: jazz and the making of the sixties /
"In the long decade between the mid-1950s and the late 1960s, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA :
Harvard University Press,
2003.
|
| Schriftenreihe: | African American music reference.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In the long decade between the mid-1950s and the late 1960s, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the civil rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz - and American - history."--Jacket. |
| Beschreibung: | 1 online resource (xiv, 394 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 339-375) and index. |
| ISBN: | 9780674043107 0674043103 0674018532 9780674018532 9780674011489 0674011481 |
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| 100 | 1 | |a Saul, Scott. |0 http://id.loc.gov/authorities/names/n95091263 | |
| 245 | 1 | 0 | |a Freedom is, freedom ain't : |b jazz and the making of the sixties / |c Scott Saul. |
| 260 | |a Cambridge, MA : |b Harvard University Press, |c 2003. | ||
| 300 | |a 1 online resource (xiv, 394 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 339-375) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Hard bop and the impulse to freedom -- I: A new intellectual vernacular -- 1. Birth of the cool: the early career of the hipster -- 2. Radicalism by another name: the white Negro meets the black Negro -- II: Redefining youth culture -- 3. Riot on a summer's day: white youth and the rise of the jazz festival -- 4. The riot in reverse: the Newport rebels, Langston Hughes, and the mockery of freedom -- III: The sound of struggle -- 5. Outrageous freedom: Charles Mingus and the invention of the jazz workshop -- 6. "This freedom's slave cries": listening to the jazz workshop -- IV: Freedom's saint -- 7. The serious side of hard bop: John Coltrane's early dramas of deliverance -- 8. Loving A love supreme: Coltrane, Malcolm, and the revolution of the psyche -- V: In and out of the whirlwind -- 9. "Love, like jazz, is a four letter word": jazz and the counterculture -- 10. The road to "soul power": the many ends of hard bop. | |
| 520 | 1 | |a "In the long decade between the mid-1950s and the late 1960s, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the civil rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz - and American - history."--Jacket. | |
| 546 | |a English. | ||
| 650 | 0 | |a Jazz |y 1951-1960 |x History and criticism. | |
| 650 | 0 | |a Jazz |y 1961-1970 |x History and criticism. | |
| 650 | 0 | |a Bop (Music) |x Influence. | |
| 650 | 0 | |a Arts, American |y 20th century. |0 http://id.loc.gov/authorities/subjects/sh85008423 | |
| 650 | 0 | |a African Americans |x Music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2007100204 | |
| 650 | 0 | |a African Americans |v Music |x History and criticism. | |
| 650 | 6 | |a Jazz |y 1951-1960 |x Histoire et critique. | |
| 650 | 6 | |a Jazz |y 1961-1970 |x Histoire et critique. | |
| 650 | 6 | |a Bop (Musique) |z États-Unis |x Influence. | |
| 650 | 6 | |a Arts américains |y 20e siècle. | |
| 650 | 6 | |a Noirs américains |v Musique |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Jazz. |2 bisacsh | |
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| 758 | |i has work: |a Freedom is, freedom ain't (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGm6xDcQDd4t64ghXmDJcP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Saul, Scott. |t Freedom is, freedom ain't. |d Cambridge, MA : Harvard University Press, 2003 |w (DLC) 2003051076 |
| 830 | 0 | |a African American music reference. | |
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| author | Saul, Scott |
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| collection | ZDB-4-EBA |
| contents | Hard bop and the impulse to freedom -- I: A new intellectual vernacular -- 1. Birth of the cool: the early career of the hipster -- 2. Radicalism by another name: the white Negro meets the black Negro -- II: Redefining youth culture -- 3. Riot on a summer's day: white youth and the rise of the jazz festival -- 4. The riot in reverse: the Newport rebels, Langston Hughes, and the mockery of freedom -- III: The sound of struggle -- 5. Outrageous freedom: Charles Mingus and the invention of the jazz workshop -- 6. "This freedom's slave cries": listening to the jazz workshop -- IV: Freedom's saint -- 7. The serious side of hard bop: John Coltrane's early dramas of deliverance -- 8. Loving A love supreme: Coltrane, Malcolm, and the revolution of the psyche -- V: In and out of the whirlwind -- 9. "Love, like jazz, is a four letter word": jazz and the counterculture -- 10. The road to "soul power": the many ends of hard bop. |
| ctrlnum | (OCoLC)646814732 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
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| dewey-search | 781.65097309046 |
| dewey-sort | 3781.65097309046 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Hard bop and the impulse to freedom -- I: A new intellectual vernacular -- 1. Birth of the cool: the early career of the hipster -- 2. Radicalism by another name: the white Negro meets the black Negro -- II: Redefining youth culture -- 3. Riot on a summer's day: white youth and the rise of the jazz festival -- 4. The riot in reverse: the Newport rebels, Langston Hughes, and the mockery of freedom -- III: The sound of struggle -- 5. Outrageous freedom: Charles Mingus and the invention of the jazz workshop -- 6. "This freedom's slave cries": listening to the jazz workshop -- IV: Freedom's saint -- 7. The serious side of hard bop: John Coltrane's early dramas of deliverance -- 8. Loving A love supreme: Coltrane, Malcolm, and the revolution of the psyche -- V: In and out of the whirlwind -- 9. "Love, like jazz, is a four letter word": jazz and the counterculture -- 10. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn646814732 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:18Z |
| institution | BVB |
| isbn | 9780674043107 0674043103 0674018532 9780674018532 9780674011489 0674011481 |
| language | English |
| lccn | 2003051076 |
| oclc_num | 646814732 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiv, 394 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | Harvard University Press, |
| record_format | marc |
| series | African American music reference. |
| spelling | Saul, Scott. http://id.loc.gov/authorities/names/n95091263 Freedom is, freedom ain't : jazz and the making of the sixties / Scott Saul. Cambridge, MA : Harvard University Press, 2003. 1 online resource (xiv, 394 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Includes bibliographical references (pages 339-375) and index. Print version record. Hard bop and the impulse to freedom -- I: A new intellectual vernacular -- 1. Birth of the cool: the early career of the hipster -- 2. Radicalism by another name: the white Negro meets the black Negro -- II: Redefining youth culture -- 3. Riot on a summer's day: white youth and the rise of the jazz festival -- 4. The riot in reverse: the Newport rebels, Langston Hughes, and the mockery of freedom -- III: The sound of struggle -- 5. Outrageous freedom: Charles Mingus and the invention of the jazz workshop -- 6. "This freedom's slave cries": listening to the jazz workshop -- IV: Freedom's saint -- 7. The serious side of hard bop: John Coltrane's early dramas of deliverance -- 8. Loving A love supreme: Coltrane, Malcolm, and the revolution of the psyche -- V: In and out of the whirlwind -- 9. "Love, like jazz, is a four letter word": jazz and the counterculture -- 10. The road to "soul power": the many ends of hard bop. "In the long decade between the mid-1950s and the late 1960s, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the civil rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz - and American - history."--Jacket. English. Jazz 1951-1960 History and criticism. Jazz 1961-1970 History and criticism. Bop (Music) Influence. Arts, American 20th century. http://id.loc.gov/authorities/subjects/sh85008423 African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 African Americans Music History and criticism. Jazz 1951-1960 Histoire et critique. Jazz 1961-1970 Histoire et critique. Bop (Musique) États-Unis Influence. Arts américains 20e siècle. Noirs américains Musique Histoire et critique. MUSIC Genres & Styles Jazz. bisacsh MUSIC / Genres & Styles / Jazz bisacsh Music. eflch African Americans Music fast Arts, American fast Jazz fast Music. hilcc Music, Dance, Drama & Film. hilcc Music History & Criticism, Popular - Jazz, Rock, etc. hilcc Music. ukslc 1900-1999 fast Criticism, interpretation, etc. fast has work: Freedom is, freedom ain't (Text) https://id.oclc.org/worldcat/entity/E39PCGm6xDcQDd4t64ghXmDJcP https://id.oclc.org/worldcat/ontology/hasWork Print version: Saul, Scott. Freedom is, freedom ain't. Cambridge, MA : Harvard University Press, 2003 (DLC) 2003051076 African American music reference. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=282248 Volltext |
| spellingShingle | Saul, Scott Freedom is, freedom ain't : jazz and the making of the sixties / African American music reference. Hard bop and the impulse to freedom -- I: A new intellectual vernacular -- 1. Birth of the cool: the early career of the hipster -- 2. Radicalism by another name: the white Negro meets the black Negro -- II: Redefining youth culture -- 3. Riot on a summer's day: white youth and the rise of the jazz festival -- 4. The riot in reverse: the Newport rebels, Langston Hughes, and the mockery of freedom -- III: The sound of struggle -- 5. Outrageous freedom: Charles Mingus and the invention of the jazz workshop -- 6. "This freedom's slave cries": listening to the jazz workshop -- IV: Freedom's saint -- 7. The serious side of hard bop: John Coltrane's early dramas of deliverance -- 8. Loving A love supreme: Coltrane, Malcolm, and the revolution of the psyche -- V: In and out of the whirlwind -- 9. "Love, like jazz, is a four letter word": jazz and the counterculture -- 10. The road to "soul power": the many ends of hard bop. Jazz 1951-1960 History and criticism. Jazz 1961-1970 History and criticism. Bop (Music) Influence. Arts, American 20th century. http://id.loc.gov/authorities/subjects/sh85008423 African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 African Americans Music History and criticism. Jazz 1951-1960 Histoire et critique. Jazz 1961-1970 Histoire et critique. Bop (Musique) États-Unis Influence. Arts américains 20e siècle. Noirs américains Musique Histoire et critique. MUSIC Genres & Styles Jazz. bisacsh MUSIC / Genres & Styles / Jazz bisacsh Music. eflch African Americans Music fast Arts, American fast Jazz fast Music. hilcc Music, Dance, Drama & Film. hilcc Music History & Criticism, Popular - Jazz, Rock, etc. hilcc Music. ukslc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85008423 http://id.loc.gov/authorities/subjects/sh2007100204 |
| title | Freedom is, freedom ain't : jazz and the making of the sixties / |
| title_auth | Freedom is, freedom ain't : jazz and the making of the sixties / |
| title_exact_search | Freedom is, freedom ain't : jazz and the making of the sixties / |
| title_full | Freedom is, freedom ain't : jazz and the making of the sixties / Scott Saul. |
| title_fullStr | Freedom is, freedom ain't : jazz and the making of the sixties / Scott Saul. |
| title_full_unstemmed | Freedom is, freedom ain't : jazz and the making of the sixties / Scott Saul. |
| title_short | Freedom is, freedom ain't : |
| title_sort | freedom is freedom ain t jazz and the making of the sixties |
| title_sub | jazz and the making of the sixties / |
| topic | Jazz 1951-1960 History and criticism. Jazz 1961-1970 History and criticism. Bop (Music) Influence. Arts, American 20th century. http://id.loc.gov/authorities/subjects/sh85008423 African Americans Music History and criticism. http://id.loc.gov/authorities/subjects/sh2007100204 African Americans Music History and criticism. Jazz 1951-1960 Histoire et critique. Jazz 1961-1970 Histoire et critique. Bop (Musique) États-Unis Influence. Arts américains 20e siècle. Noirs américains Musique Histoire et critique. MUSIC Genres & Styles Jazz. bisacsh MUSIC / Genres & Styles / Jazz bisacsh Music. eflch African Americans Music fast Arts, American fast Jazz fast Music. hilcc Music, Dance, Drama & Film. hilcc Music History & Criticism, Popular - Jazz, Rock, etc. hilcc Music. ukslc |
| topic_facet | Jazz 1951-1960 History and criticism. Jazz 1961-1970 History and criticism. Bop (Music) Influence. Arts, American 20th century. African Americans Music History and criticism. Jazz 1951-1960 Histoire et critique. Jazz 1961-1970 Histoire et critique. Bop (Musique) États-Unis Influence. Arts américains 20e siècle. Noirs américains Musique Histoire et critique. MUSIC Genres & Styles Jazz. MUSIC / Genres & Styles / Jazz Music. African Americans Music Arts, American Jazz Music, Dance, Drama & Film. Music History & Criticism, Popular - Jazz, Rock, etc. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=282248 |
| work_keys_str_mv | AT saulscott freedomisfreedomaintjazzandthemakingofthesixties |