Shashibiya :: staging Shakespeare in China /
Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hong Kong :
Hong Kong University Press,
©2003.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century. |
| Beschreibung: | 1 online resource (xi, 305 pages, 12 unnumbered pages of plates) : illustrations, chiefly color |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 285-295) and index. |
| ISBN: | 9789882202757 9882202756 |
Internformat
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| 100 | 1 | |a Li, Ruru, |e author. | |
| 245 | 1 | 0 | |a Shashibiya : |b staging Shakespeare in China / |c Li Ruru. |
| 260 | |a Hong Kong : |b Hong Kong University Press, |c ©2003. | ||
| 300 | |a 1 online resource (xi, 305 pages, 12 unnumbered pages of plates) : |b illustrations, chiefly color | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 285-295) and index. | ||
| 505 | 0 | |a Shakespeare in China: between his first 'arrival' and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping? | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |z China. |
| 600 | 1 | 1 | |a Shakespeare, William, |d 1564-1616 |x Stage history |z China. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 650 | 4 | |a Literature. | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 651 | 7 | |a China |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd | |
| 758 | |i has work: |a Shashibiya (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH8KygxTcFGKMCr4JGGXgq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 773 | 0 | |t HKU Press digital editions. | |
| 776 | 0 | 8 | |i Print version: |a Li, Ruru. |t Shashibiya. |d Hong Kong : Hong Kong University Press, ©2003 |z 9789622096288 |w (OCoLC)52879548 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn642685752 |
|---|---|
| _version_ | 1816881722712653824 |
| adam_text | |
| any_adam_object | |
| author | Li, Ruru |
| author_facet | Li, Ruru |
| author_role | aut |
| author_sort | Li, Ruru |
| author_variant | r l rl |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3109 |
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| collection | ZDB-4-EBA |
| contents | Shakespeare in China: between his first 'arrival' and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping? |
| ctrlnum | (OCoLC)642685752 |
| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| geographic | China fast https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd |
| geographic_facet | China |
| id | ZDB-4-EBA-ocn642685752 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:14Z |
| institution | BVB |
| isbn | 9789882202757 9882202756 |
| language | English |
| oclc_num | 642685752 |
| open_access_boolean | |
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| publishDate | 2003 |
| publishDateSearch | 2003 |
| publishDateSort | 2003 |
| publisher | Hong Kong University Press, |
| record_format | marc |
| spelling | Li, Ruru, author. Shashibiya : staging Shakespeare in China / Li Ruru. Hong Kong : Hong Kong University Press, ©2003. 1 online resource (xi, 305 pages, 12 unnumbered pages of plates) : illustrations, chiefly color text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 285-295) and index. Shakespeare in China: between his first 'arrival' and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping? Print version record. Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Shakespeare, William, 1564-1616 Stage history China. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Literature. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh PERFORMING ARTS Theater General. bisacsh China fast https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd has work: Shashibiya (Text) https://id.oclc.org/worldcat/entity/E39PCH8KygxTcFGKMCr4JGGXgq https://id.oclc.org/worldcat/ontology/hasWork HKU Press digital editions. Print version: Li, Ruru. Shashibiya. Hong Kong : Hong Kong University Press, ©2003 9789622096288 (OCoLC)52879548 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=321959 Volltext 246-00/$1 Chinese title also on cover: 莎士比亞 |
| spellingShingle | Li, Ruru Shashibiya : staging Shakespeare in China / Shakespeare in China: between his first 'arrival' and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping? Shakespeare, William, 1564-1616 Stage history China. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Literature. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh PERFORMING ARTS Theater General. bisacsh |
| title | Shashibiya : staging Shakespeare in China / |
| title_auth | Shashibiya : staging Shakespeare in China / |
| title_exact_search | Shashibiya : staging Shakespeare in China / |
| title_full | Shashibiya : staging Shakespeare in China / Li Ruru. |
| title_fullStr | Shashibiya : staging Shakespeare in China / Li Ruru. |
| title_full_unstemmed | Shashibiya : staging Shakespeare in China / Li Ruru. |
| title_short | Shashibiya : |
| title_sort | shashibiya staging shakespeare in china |
| title_sub | staging Shakespeare in China / |
| topic | Shakespeare, William, 1564-1616 Stage history China. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Literature. LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh PERFORMING ARTS Theater General. bisacsh |
| topic_facet | Shakespeare, William, 1564-1616 Stage history China. Shakespeare, William, 1564-1616 Literature. LITERARY CRITICISM Shakespeare. DRAMA Shakespeare. PERFORMING ARTS Theater General. China |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=321959 |
| work_keys_str_mv | AT liruru shashibiyastagingshakespeareinchina |