Space, time, and presence in the icon :: seeing the world with the eyes of God /
This book contributes to the re-emerging field of "theology through the arts" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey, England ; Burlington, VT :
Ashgate,
©2010.
|
| Schriftenreihe: | Ashgate studies in theology, imagination, and the arts.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book contributes to the re-emerging field of "theology through the arts" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of "reverse perspective", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky. |
| Beschreibung: | 1 online resource (xii, 193 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references (pages 173-190) and index. |
| ISBN: | 0754667987 9780754667988 075469738X 9780754697381 1282385305 9781282385306 |
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| 245 | 1 | 0 | |a Space, time, and presence in the icon : |b seeing the world with the eyes of God / |c Clemena Antonova ; with a preface by Martin Kemp. |
| 260 | |a Farnham, Surrey, England ; |a Burlington, VT : |b Ashgate, |c ©2010. | ||
| 300 | |a 1 online resource (xii, 193 pages) : |b illustrations. | ||
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| 490 | 1 | |a Ashgate studies in theology, imagination and the arts | |
| 504 | |a Includes bibliographical references (pages 173-190) and index. | ||
| 505 | 0 | |a The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This book contributes to the re-emerging field of "theology through the arts" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of "reverse perspective", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky. | ||
| 650 | 0 | |a Space and time in art. |0 http://id.loc.gov/authorities/subjects/sh85125912 | |
| 650 | 0 | |a Perspective. |0 http://id.loc.gov/authorities/subjects/sh85100171 | |
| 650 | 0 | |a Icons. |0 http://id.loc.gov/authorities/subjects/sh85064083 | |
| 650 | 6 | |a Perspective. | |
| 650 | 6 | |a Icônes. | |
| 650 | 7 | |a perspective (technique) |2 aat | |
| 650 | 7 | |a linear perspective (technique) |2 aat | |
| 650 | 7 | |a icons (devotional images) |2 aat | |
| 650 | 7 | |a RELIGION |x Christianity |x General. |2 bisacsh | |
| 650 | 7 | |a Icons |2 fast | |
| 650 | 7 | |a Perspective |2 fast | |
| 650 | 7 | |a Space and time in art |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Antonova, Clemena, 1970- |t Space, time, and presence in the icon. |d Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2010 |w (DLC) 2009017751 |
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| DE-BY-FWS_katkey | ZDB-4-EBA-ocn639155552 |
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| author | Antonova, Clemena, 1970- |
| author_GND | http://id.loc.gov/authorities/names/nr2006022293 |
| author_facet | Antonova, Clemena, 1970- |
| author_role | |
| author_sort | Antonova, Clemena, 1970- |
| author_variant | c a ca |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7430 |
| callnumber-raw | N7430.7 .A58 2010eb |
| callnumber-search | N7430.7 .A58 2010eb |
| callnumber-sort | N 47430.7 A58 42010EB |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object. |
| ctrlnum | (OCoLC)639155552 |
| dewey-full | 246/.53 |
| dewey-hundreds | 200 - Religion |
| dewey-ones | 246 - Use of art in Christianity |
| dewey-raw | 246/.53 |
| dewey-search | 246/.53 |
| dewey-sort | 3246 253 |
| dewey-tens | 240 - Christian moral and devotional theology |
| discipline | Theologie / Religionswissenschaften |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn639155552 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:14Z |
| institution | BVB |
| isbn | 0754667987 9780754667988 075469738X 9780754697381 1282385305 9781282385306 |
| language | English |
| lccn | 2009017751 |
| oclc_num | 639155552 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 193 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Ashgate, |
| record_format | marc |
| series | Ashgate studies in theology, imagination, and the arts. |
| series2 | Ashgate studies in theology, imagination and the arts |
| spelling | Antonova, Clemena, 1970- https://id.oclc.org/worldcat/entity/E39PBJbWBbQDrTfd4pkbcDdRKd http://id.loc.gov/authorities/names/nr2006022293 Space, time, and presence in the icon : seeing the world with the eyes of God / Clemena Antonova ; with a preface by Martin Kemp. Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2010. 1 online resource (xii, 193 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Ashgate studies in theology, imagination and the arts Includes bibliographical references (pages 173-190) and index. The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object. Print version record. This book contributes to the re-emerging field of "theology through the arts" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of "reverse perspective", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky. Space and time in art. http://id.loc.gov/authorities/subjects/sh85125912 Perspective. http://id.loc.gov/authorities/subjects/sh85100171 Icons. http://id.loc.gov/authorities/subjects/sh85064083 Perspective. Icônes. perspective (technique) aat linear perspective (technique) aat icons (devotional images) aat RELIGION Christianity General. bisacsh Icons fast Perspective fast Space and time in art fast has work: Space, time, and presence in the icon (Work) https://id.oclc.org/worldcat/entity/E39PCGHVKgwy8wK8KYxyJW4P43 https://id.oclc.org/worldcat/ontology/hasWork Print version: Antonova, Clemena, 1970- Space, time, and presence in the icon. Farnham, Surrey, England ; Burlington, VT : Ashgate, ©2010 (DLC) 2009017751 Ashgate studies in theology, imagination, and the arts. http://id.loc.gov/authorities/names/n2003118085 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=369853 Volltext |
| spellingShingle | Antonova, Clemena, 1970- Space, time, and presence in the icon : seeing the world with the eyes of God / Ashgate studies in theology, imagination, and the arts. The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object. Space and time in art. http://id.loc.gov/authorities/subjects/sh85125912 Perspective. http://id.loc.gov/authorities/subjects/sh85100171 Icons. http://id.loc.gov/authorities/subjects/sh85064083 Perspective. Icônes. perspective (technique) aat linear perspective (technique) aat icons (devotional images) aat RELIGION Christianity General. bisacsh Icons fast Perspective fast Space and time in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85125912 http://id.loc.gov/authorities/subjects/sh85100171 http://id.loc.gov/authorities/subjects/sh85064083 |
| title | Space, time, and presence in the icon : seeing the world with the eyes of God / |
| title_auth | Space, time, and presence in the icon : seeing the world with the eyes of God / |
| title_exact_search | Space, time, and presence in the icon : seeing the world with the eyes of God / |
| title_full | Space, time, and presence in the icon : seeing the world with the eyes of God / Clemena Antonova ; with a preface by Martin Kemp. |
| title_fullStr | Space, time, and presence in the icon : seeing the world with the eyes of God / Clemena Antonova ; with a preface by Martin Kemp. |
| title_full_unstemmed | Space, time, and presence in the icon : seeing the world with the eyes of God / Clemena Antonova ; with a preface by Martin Kemp. |
| title_short | Space, time, and presence in the icon : |
| title_sort | space time and presence in the icon seeing the world with the eyes of god |
| title_sub | seeing the world with the eyes of God / |
| topic | Space and time in art. http://id.loc.gov/authorities/subjects/sh85125912 Perspective. http://id.loc.gov/authorities/subjects/sh85100171 Icons. http://id.loc.gov/authorities/subjects/sh85064083 Perspective. Icônes. perspective (technique) aat linear perspective (technique) aat icons (devotional images) aat RELIGION Christianity General. bisacsh Icons fast Perspective fast Space and time in art fast |
| topic_facet | Space and time in art. Perspective. Icons. Icônes. perspective (technique) linear perspective (technique) icons (devotional images) RELIGION Christianity General. Icons Perspective Space and time in art |
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| work_keys_str_mv | AT antonovaclemena spacetimeandpresenceintheiconseeingtheworldwiththeeyesofgod |