Whose lives are they anyway? :: the biopic as contemporary film genre /
Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her imp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, N.J. :
Rutgers University Press,
©2010.
|
| Schriftenreihe: | ACLS Humanities E-Book.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. |
| Beschreibung: | 1 online resource (xi, 432 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 405-420) and index. |
| ISBN: | 9780813549309 0813549302 |
Internformat
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| 100 | 1 | |a Bingham, Dennis, |d 1954- |1 https://id.oclc.org/worldcat/entity/E39PCjDJ7KjfHYjvYYWcm4XJH3 |0 http://id.loc.gov/authorities/names/n93095482 | |
| 245 | 1 | 0 | |a Whose lives are they anyway? : |b the biopic as contemporary film genre / |c Dennis Bingham. |
| 260 | |a New Brunswick, N.J. : |b Rutgers University Press, |c ©2010. | ||
| 300 | |a 1 online resource (xi, 432 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 405-420) and index. | ||
| 505 | 0 | |a Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. | ||
| 650 | 0 | |a Biographical films |x History and criticism. | |
| 650 | 6 | |a Films biographiques |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a Biographical films |2 fast | |
| 650 | 7 | |a Film. |2 hilcc | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 655 | 4 | |a Electronic book. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Whose lives are they anyway? (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGJTwyTrYcHWWRWmtV7k8P |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Bingham, Dennis, 1954- |t Whose lives are they anyway? |d New Brunswick, N.J. : Rutgers University Press, ©2010 |z 9780813546575 |w (DLC) 2009016183 |w (OCoLC)318970570 |
| 830 | 0 | |a ACLS Humanities E-Book. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn638858491 |
|---|---|
| _version_ | 1816881722167394304 |
| adam_text | |
| any_adam_object | |
| author | Bingham, Dennis, 1954- |
| author_GND | http://id.loc.gov/authorities/names/n93095482 |
| author_facet | Bingham, Dennis, 1954- |
| author_role | |
| author_sort | Bingham, Dennis, 1954- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.B55 B56 2010eb |
| callnumber-search | PN1995.9.B55 B56 2010eb |
| callnumber-sort | PN 41995.9 B55 B56 42010EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics. |
| ctrlnum | (OCoLC)638858491 |
| dewey-full | 791.43/65 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/65 |
| dewey-search | 791.43/65 |
| dewey-sort | 3791.43 265 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic book. Criticism, interpretation, etc. fast |
| genre_facet | Electronic book. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn638858491 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:14Z |
| institution | BVB |
| isbn | 9780813549309 0813549302 |
| language | English |
| lccn | 2009016183 |
| oclc_num | 638858491 |
| open_access_boolean | |
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| physical | 1 online resource (xi, 432 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Rutgers University Press, |
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| series | ACLS Humanities E-Book. |
| spelling | Bingham, Dennis, 1954- https://id.oclc.org/worldcat/entity/E39PCjDJ7KjfHYjvYYWcm4XJH3 http://id.loc.gov/authorities/names/n93095482 Whose lives are they anyway? : the biopic as contemporary film genre / Dennis Bingham. New Brunswick, N.J. : Rutgers University Press, ©2010. 1 online resource (xi, 432 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 405-420) and index. Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics. Print version record. Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. Biographical films History and criticism. Films biographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh Biographical films fast Film. hilcc Music, Dance, Drama & Film. hilcc Electronic book. Criticism, interpretation, etc. fast has work: Whose lives are they anyway? (Text) https://id.oclc.org/worldcat/entity/E39PCGJTwyTrYcHWWRWmtV7k8P https://id.oclc.org/worldcat/ontology/hasWork Print version: Bingham, Dennis, 1954- Whose lives are they anyway? New Brunswick, N.J. : Rutgers University Press, ©2010 9780813546575 (DLC) 2009016183 (OCoLC)318970570 ACLS Humanities E-Book. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=321680 Volltext |
| spellingShingle | Bingham, Dennis, 1954- Whose lives are they anyway? : the biopic as contemporary film genre / ACLS Humanities E-Book. Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics. Biographical films History and criticism. Films biographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh Biographical films fast Film. hilcc Music, Dance, Drama & Film. hilcc |
| title | Whose lives are they anyway? : the biopic as contemporary film genre / |
| title_auth | Whose lives are they anyway? : the biopic as contemporary film genre / |
| title_exact_search | Whose lives are they anyway? : the biopic as contemporary film genre / |
| title_full | Whose lives are they anyway? : the biopic as contemporary film genre / Dennis Bingham. |
| title_fullStr | Whose lives are they anyway? : the biopic as contemporary film genre / Dennis Bingham. |
| title_full_unstemmed | Whose lives are they anyway? : the biopic as contemporary film genre / Dennis Bingham. |
| title_short | Whose lives are they anyway? : |
| title_sort | whose lives are they anyway the biopic as contemporary film genre |
| title_sub | the biopic as contemporary film genre / |
| topic | Biographical films History and criticism. Films biographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh Biographical films fast Film. hilcc Music, Dance, Drama & Film. hilcc |
| topic_facet | Biographical films History and criticism. Films biographiques Histoire et critique. PERFORMING ARTS Film & Video Reference. SOCIAL SCIENCE Anthropology Cultural. Biographical films Film. Music, Dance, Drama & Film. Electronic book. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT binghamdennis whoselivesaretheyanywaythebiopicascontemporaryfilmgenre |