Not the other avant-garde :: the transnational foundations of avant-garde performance /
"Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for No...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor :
The University of Michigan Press,
[2006]
|
| Schriftenreihe: | Theater--theory/text/performance.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first--and second--wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics--including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versenyi--suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history."--Publisher's website. |
| Beschreibung: | 1 online resource (viii, 304 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780472025091 0472025090 |
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| 245 | 0 | 0 | |a Not the other avant-garde : |b the transnational foundations of avant-garde performance / |c edited by James M. Harding and John Rouse. |
| 264 | 1 | |a Ann Arbor : |b The University of Michigan Press, |c [2006] | |
| 264 | 4 | |c ©2006 | |
| 300 | |a 1 online resource (viii, 304 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Theater--theory/text/performance | |
| 588 | |a Description based on print version record. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t From cutting edge to rough edges : on the transnational foundations of avant-garde performance / |r James M. Harding -- |t The TDR Black theatre issue : refiguring the avant-garde / |r Harry J. Elam, Jr. -- |t Avant-garde and performance cultures in Africa / |r Joachim Fiebach -- |t The other avant-garde : the theater of radical aesthetics and the poetics and politics of performance in contemporary Africa / |r John Conteh-Morgan -- |t Avant-garde drama in the Middle East / |r Marvin Carlson -- |t Made in Mexico : the theatrical avant-garde and the formation of a nation / |r Adam Versényi -- |t Aesthetics, politics, and vanguardias in twentieth-century Argentinean theater / |r Jean Graham-Jones -- |t From "vanguard" to "avant-garde"? Questioning the progressive Bengali theater of Kolkata / |r Sudipto Chatterjee -- |t From liminality to ideology : the politics of embodiment in pre-war avant-garde theater in Japan / |r Peter Eckersall -- |t Angura : Japan's nostalgic avant-garde / |r David G. Goodman -- |t Border crossings : three transnationalisms of fluxus / |r Hannah Higgins. |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | |a "Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first--and second--wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics--including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versenyi--suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history."--Publisher's website. | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 650 | 0 | |a Experimental theater |x History |y 20th century. | |
| 650 | 0 | |a Experimental drama |y 20th century |x History and criticism. | |
| 650 | 0 | |a Arts and transnationalism |x History |y 20th century. | |
| 650 | 6 | |a Théâtre expérimental |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Arts et transnationalisme |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x Stagecraft. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Arts and transnationalism |2 fast | |
| 650 | 7 | |a Experimental drama |2 fast | |
| 650 | 7 | |a Experimental theater |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Theater and transnationalism |a Performance and transnationalism |a History |a 20th century | ||
| 655 | 2 | |a Essay |0 https://id.nlm.nih.gov/mesh/D020474 | |
| 655 | 7 | |a essays. |2 aat | |
| 655 | 7 | |a Essays |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Essays. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026094 | |
| 655 | 7 | |a Essais. |2 rvmgf | |
| 700 | 1 | |a Harding, James Martin, |d 1958- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjxvkqDtKwJ8WqJ9hJtCXq |0 http://id.loc.gov/authorities/names/n96033849 | |
| 700 | 1 | |a Rouse, John, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjvQvjYfQF3f4R8PdwJWCP |0 http://id.loc.gov/authorities/names/n79083138 | |
| 758 | |i has work: |a Not the other avant-garde (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGgdqcrhjBgdQ8cBY67tjC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Not the other avant-garde |d Ann Arbor : The University of Michigan Press, [2006] |z 9780472099313 (cloth : alk. paper) |w (DLC) 2005033818 |
| 830 | 0 | |a Theater--theory/text/performance. |0 http://id.loc.gov/authorities/names/n90667163 | |
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| author2 | Harding, James Martin, 1958- Rouse, John |
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| author_GND | http://id.loc.gov/authorities/names/n96033849 http://id.loc.gov/authorities/names/n79083138 |
| author_additional | James M. Harding -- Harry J. Elam, Jr. -- Joachim Fiebach -- John Conteh-Morgan -- Marvin Carlson -- Adam Versényi -- Jean Graham-Jones -- Sudipto Chatterjee -- Peter Eckersall -- David G. Goodman -- Hannah Higgins. |
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| contents | From cutting edge to rough edges : on the transnational foundations of avant-garde performance / The TDR Black theatre issue : refiguring the avant-garde / Avant-garde and performance cultures in Africa / The other avant-garde : the theater of radical aesthetics and the poetics and politics of performance in contemporary Africa / Avant-garde drama in the Middle East / Made in Mexico : the theatrical avant-garde and the formation of a nation / Aesthetics, politics, and vanguardias in twentieth-century Argentinean theater / From "vanguard" to "avant-garde"? Questioning the progressive Bengali theater of Kolkata / From liminality to ideology : the politics of embodiment in pre-war avant-garde theater in Japan / Angura : Japan's nostalgic avant-garde / Border crossings : three transnationalisms of fluxus / |
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| dewey-search | 792.02/23 |
| dewey-sort | 3792.02 223 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
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| indexdate | 2024-11-27T13:17:11Z |
| institution | BVB |
| isbn | 9780472025091 0472025090 |
| language | English |
| lccn | 2020707011 |
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| series2 | Theater--theory/text/performance |
| spelling | Not the other avant-garde : the transnational foundations of avant-garde performance / edited by James M. Harding and John Rouse. Ann Arbor : The University of Michigan Press, [2006] ©2006 1 online resource (viii, 304 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Theater--theory/text/performance Description based on print version record. Includes bibliographical references and index. From cutting edge to rough edges : on the transnational foundations of avant-garde performance / James M. Harding -- The TDR Black theatre issue : refiguring the avant-garde / Harry J. Elam, Jr. -- Avant-garde and performance cultures in Africa / Joachim Fiebach -- The other avant-garde : the theater of radical aesthetics and the poetics and politics of performance in contemporary Africa / John Conteh-Morgan -- Avant-garde drama in the Middle East / Marvin Carlson -- Made in Mexico : the theatrical avant-garde and the formation of a nation / Adam Versényi -- Aesthetics, politics, and vanguardias in twentieth-century Argentinean theater / Jean Graham-Jones -- From "vanguard" to "avant-garde"? Questioning the progressive Bengali theater of Kolkata / Sudipto Chatterjee -- From liminality to ideology : the politics of embodiment in pre-war avant-garde theater in Japan / Peter Eckersall -- Angura : Japan's nostalgic avant-garde / David G. Goodman -- Border crossings : three transnationalisms of fluxus / Hannah Higgins. Use copy Restrictions unspecified star MiAaHDL "Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first--and second--wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics--including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versenyi--suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history."--Publisher's website. Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Experimental theater History 20th century. Experimental drama 20th century History and criticism. Arts and transnationalism History 20th century. Théâtre expérimental 20e siècle Histoire et critique. Arts et transnationalisme Histoire 20e siècle. PERFORMING ARTS Theater Stagecraft. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Arts and transnationalism fast Experimental drama fast Experimental theater fast 1900-1999 fast Theater and transnationalism Performance and transnationalism History 20th century Essay https://id.nlm.nih.gov/mesh/D020474 essays. aat Essays fast Criticism, interpretation, etc. fast History fast Essays. lcgft http://id.loc.gov/authorities/genreForms/gf2014026094 Essais. rvmgf Harding, James Martin, 1958- editor. https://id.oclc.org/worldcat/entity/E39PCjxvkqDtKwJ8WqJ9hJtCXq http://id.loc.gov/authorities/names/n96033849 Rouse, John, editor. https://id.oclc.org/worldcat/entity/E39PCjvQvjYfQF3f4R8PdwJWCP http://id.loc.gov/authorities/names/n79083138 has work: Not the other avant-garde (Text) https://id.oclc.org/worldcat/entity/E39PCGgdqcrhjBgdQ8cBY67tjC https://id.oclc.org/worldcat/ontology/hasWork Print version: Not the other avant-garde Ann Arbor : The University of Michigan Press, [2006] 9780472099313 (cloth : alk. paper) (DLC) 2005033818 Theater--theory/text/performance. http://id.loc.gov/authorities/names/n90667163 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=318481 Volltext |
| spellingShingle | Not the other avant-garde : the transnational foundations of avant-garde performance / Theater--theory/text/performance. From cutting edge to rough edges : on the transnational foundations of avant-garde performance / The TDR Black theatre issue : refiguring the avant-garde / Avant-garde and performance cultures in Africa / The other avant-garde : the theater of radical aesthetics and the poetics and politics of performance in contemporary Africa / Avant-garde drama in the Middle East / Made in Mexico : the theatrical avant-garde and the formation of a nation / Aesthetics, politics, and vanguardias in twentieth-century Argentinean theater / From "vanguard" to "avant-garde"? Questioning the progressive Bengali theater of Kolkata / From liminality to ideology : the politics of embodiment in pre-war avant-garde theater in Japan / Angura : Japan's nostalgic avant-garde / Border crossings : three transnationalisms of fluxus / Experimental theater History 20th century. Experimental drama 20th century History and criticism. Arts and transnationalism History 20th century. Théâtre expérimental 20e siècle Histoire et critique. Arts et transnationalisme Histoire 20e siècle. PERFORMING ARTS Theater Stagecraft. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Arts and transnationalism fast Experimental drama fast Experimental theater fast |
| subject_GND | https://id.nlm.nih.gov/mesh/D020474 http://id.loc.gov/authorities/genreForms/gf2014026094 |
| title | Not the other avant-garde : the transnational foundations of avant-garde performance / |
| title_alt | From cutting edge to rough edges : on the transnational foundations of avant-garde performance / The TDR Black theatre issue : refiguring the avant-garde / Avant-garde and performance cultures in Africa / The other avant-garde : the theater of radical aesthetics and the poetics and politics of performance in contemporary Africa / Avant-garde drama in the Middle East / Made in Mexico : the theatrical avant-garde and the formation of a nation / Aesthetics, politics, and vanguardias in twentieth-century Argentinean theater / From "vanguard" to "avant-garde"? Questioning the progressive Bengali theater of Kolkata / From liminality to ideology : the politics of embodiment in pre-war avant-garde theater in Japan / Angura : Japan's nostalgic avant-garde / Border crossings : three transnationalisms of fluxus / |
| title_auth | Not the other avant-garde : the transnational foundations of avant-garde performance / |
| title_exact_search | Not the other avant-garde : the transnational foundations of avant-garde performance / |
| title_full | Not the other avant-garde : the transnational foundations of avant-garde performance / edited by James M. Harding and John Rouse. |
| title_fullStr | Not the other avant-garde : the transnational foundations of avant-garde performance / edited by James M. Harding and John Rouse. |
| title_full_unstemmed | Not the other avant-garde : the transnational foundations of avant-garde performance / edited by James M. Harding and John Rouse. |
| title_short | Not the other avant-garde : |
| title_sort | not the other avant garde the transnational foundations of avant garde performance |
| title_sub | the transnational foundations of avant-garde performance / |
| topic | Experimental theater History 20th century. Experimental drama 20th century History and criticism. Arts and transnationalism History 20th century. Théâtre expérimental 20e siècle Histoire et critique. Arts et transnationalisme Histoire 20e siècle. PERFORMING ARTS Theater Stagecraft. bisacsh PERFORMING ARTS Theater History & Criticism. bisacsh Arts and transnationalism fast Experimental drama fast Experimental theater fast |
| topic_facet | Experimental theater History 20th century. Experimental drama 20th century History and criticism. Arts and transnationalism History 20th century. Théâtre expérimental 20e siècle Histoire et critique. Arts et transnationalisme Histoire 20e siècle. PERFORMING ARTS Theater Stagecraft. PERFORMING ARTS Theater History & Criticism. Arts and transnationalism Experimental drama Experimental theater Essay essays. Essays Criticism, interpretation, etc. History Essays. Essais. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=318481 |
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