American art to 1900 :: a documentary history /
From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words--painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
2009.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words--painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail |
| Beschreibung: | 1 online resource (1082 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520943827 0520943821 |
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| 245 | 1 | 0 | |a American art to 1900 : |b a documentary history / |c Sarah Burns and John Davis. |
| 260 | |a Berkeley : |b University of California Press, |c 2009. | ||
| 300 | |a 1 online resource (1082 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 1. The colonial era : Art in an age of Puritanism -- Dissenting opinions: alternatives to Puritan practice -- Advertisements -- Early responses to portraits -- Pioneering artists -- Taste and theory -- Poems on portraits -- Training and the lure of Europe -- 2. Revolution and early republic : Defining art -- Citizens: documents on portrait painting -- Artistic identity, artistic choices -- The establishment of artistic categories : Landscape ; Still life ; Genre -- Early institutions : Philadelphia ; New York ; Boston -- 3. Antebellum America: values and institutions : Art in a democratic nation -- Building institutions -- Collectors and patrons -- 4. Antebellum America: landscape, life, and spectacle : The American landscape : Literary landscapes ; Romantic nature ; American sites: tourist literature ; Transcendental nature ; Nature, wild and tame -- American life -- Artists of color and the representation of race -- Artists: advice and careers -- 5. Antebellum America: public art and popular art : The U.S. government as patron: decoration of the capitol -- Art in public -- Popular art, edification, and entertainment -- 6. Antebellum America: expanding horizons : International travel and exchange -- Manifest destiny -- Manufacturing history -- Art on and of the frontier : The noble savage/vanishing race ; Western life -- Frederic Church's sublime landscapes : Heart of the Andes -- 7. The 1860's : Taking stock -- Landscape at a crossroads: nature as seen through telescope and microscope -- Civil war -- Race -- Art after conflict -- 8. The gilded age: life and landscape at home : Nationalism and home subjects -- Modes of realism -- Race and representation -- Landscapes: east and west : The old northeast ; The new west -- 9. The gilded age: art worlds and art markets : Art on the market -- Studio life and art society -- 10. The gilded age: education, institutions, and exhibitions : Education : Boston ; Chicago ; New York ; Philadelphia ; San Francisco -- Art institutions -- The Philadelphia centennial and the colonial revival -- 11. Cosmopolitan dialogues : Internationalism -- Art education : Germany ; France -- The nude ; Arch-expatriates -- New women in art -- 12. New media, new tastemakers, new masses : Critical voices -- The little media : Watercolor ; Pastel ; Etching ; Wood engraving -- Popular art and its critique -- In the magazines: the new illustrators -- Amateur or artist?: Debates on photography -- 13. Beauty, vision and modernity : The aesthetic movement -- Impressionism: critical reception -- Impressionism: American practices -- Impressionism: eclectic practices -- Art colonies -- Beyond the threshold: visionaries and dreamers -- 14. Imperial America : The world's Columbian Exposition -- Mural painting -- Public sculpture -- Retrospectives and prospects. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
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| 520 | |a From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words--painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail | ||
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| adam_text | |
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| author | Burns, Sarah |
| author2 | Davis, John, 1961 September 24- |
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| callnumber-first | N - Fine Arts |
| callnumber-label | N6505 |
| callnumber-raw | N6505 .B87 2009 |
| callnumber-search | N6505 .B87 2009 |
| callnumber-sort | N 46505 B87 42009 |
| callnumber-subject | N - Visual Arts |
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| contents | 1. The colonial era : Art in an age of Puritanism -- Dissenting opinions: alternatives to Puritan practice -- Advertisements -- Early responses to portraits -- Pioneering artists -- Taste and theory -- Poems on portraits -- Training and the lure of Europe -- 2. Revolution and early republic : Defining art -- Citizens: documents on portrait painting -- Artistic identity, artistic choices -- The establishment of artistic categories : Landscape ; Still life ; Genre -- Early institutions : Philadelphia ; New York ; Boston -- 3. Antebellum America: values and institutions : Art in a democratic nation -- Building institutions -- Collectors and patrons -- 4. Antebellum America: landscape, life, and spectacle : The American landscape : Literary landscapes ; Romantic nature ; American sites: tourist literature ; Transcendental nature ; Nature, wild and tame -- American life -- Artists of color and the representation of race -- Artists: advice and careers -- 5. Antebellum America: public art and popular art : The U.S. government as patron: decoration of the capitol -- Art in public -- Popular art, edification, and entertainment -- 6. Antebellum America: expanding horizons : International travel and exchange -- Manifest destiny -- Manufacturing history -- Art on and of the frontier : The noble savage/vanishing race ; Western life -- Frederic Church's sublime landscapes : Heart of the Andes -- 7. The 1860's : Taking stock -- Landscape at a crossroads: nature as seen through telescope and microscope -- Civil war -- Race -- Art after conflict -- 8. The gilded age: life and landscape at home : Nationalism and home subjects -- Modes of realism -- Race and representation -- Landscapes: east and west : The old northeast ; The new west -- 9. The gilded age: art worlds and art markets : Art on the market -- Studio life and art society -- 10. The gilded age: education, institutions, and exhibitions : Education : Boston ; Chicago ; New York ; Philadelphia ; San Francisco -- Art institutions -- The Philadelphia centennial and the colonial revival -- 11. Cosmopolitan dialogues : Internationalism -- Art education : Germany ; France -- The nude ; Arch-expatriates -- New women in art -- 12. New media, new tastemakers, new masses : Critical voices -- The little media : Watercolor ; Pastel ; Etching ; Wood engraving -- Popular art and its critique -- In the magazines: the new illustrators -- Amateur or artist?: Debates on photography -- 13. Beauty, vision and modernity : The aesthetic movement -- Impressionism: critical reception -- Impressionism: American practices -- Impressionism: eclectic practices -- Art colonies -- Beyond the threshold: visionaries and dreamers -- 14. Imperial America : The world's Columbian Exposition -- Mural painting -- Public sculpture -- Retrospectives and prospects. |
| ctrlnum | (OCoLC)609897246 |
| dewey-full | 709.73 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.73 |
| dewey-search | 709.73 |
| dewey-sort | 3709.73 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">1. The colonial era : Art in an age of Puritanism -- Dissenting opinions: alternatives to Puritan practice -- Advertisements -- Early responses to portraits -- Pioneering artists -- Taste and theory -- Poems on portraits -- Training and the lure of Europe -- 2. Revolution and early republic : Defining art -- Citizens: documents on portrait painting -- Artistic identity, artistic choices -- The establishment of artistic categories : Landscape ; Still life ; Genre -- Early institutions : Philadelphia ; New York ; Boston -- 3. Antebellum America: values and institutions : Art in a democratic nation -- Building institutions -- Collectors and patrons -- 4. Antebellum America: landscape, life, and spectacle : The American landscape : Literary landscapes ; Romantic nature ; American sites: tourist literature ; Transcendental nature ; Nature, wild and tame -- American life -- Artists of color and the representation of race -- Artists: advice and careers -- 5. Antebellum America: public art and popular art : The U.S. government as patron: decoration of the capitol -- Art in public -- Popular art, edification, and entertainment -- 6. Antebellum America: expanding horizons : International travel and exchange -- Manifest destiny -- Manufacturing history -- Art on and of the frontier : The noble savage/vanishing race ; Western life -- Frederic Church's sublime landscapes : Heart of the Andes -- 7. The 1860's : Taking stock -- Landscape at a crossroads: nature as seen through telescope and microscope -- Civil war -- Race -- Art after conflict -- 8. The gilded age: life and landscape at home : Nationalism and home subjects -- Modes of realism -- Race and representation -- Landscapes: east and west : The old northeast ; The new west -- 9. The gilded age: art worlds and art markets : Art on the market -- Studio life and art society -- 10. The gilded age: education, institutions, and exhibitions : Education : Boston ; Chicago ; New York ; Philadelphia ; San Francisco -- Art institutions -- The Philadelphia centennial and the colonial revival -- 11. Cosmopolitan dialogues : Internationalism -- Art education : Germany ; France -- The nude ; Arch-expatriates -- New women in art -- 12. New media, new tastemakers, new masses : Critical voices -- The little media : Watercolor ; Pastel ; Etching ; Wood engraving -- Popular art and its critique -- In the magazines: the new illustrators -- Amateur or artist?: Debates on photography -- 13. Beauty, vision and modernity : The aesthetic movement -- Impressionism: critical reception -- Impressionism: American practices -- Impressionism: eclectic practices -- Art colonies -- Beyond the threshold: visionaries and dreamers -- 14. Imperial America : The world's Columbian Exposition -- Mural painting -- Public sculpture -- Retrospectives and prospects.</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2010.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words--painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. 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| genre | Quelle. Sources fast Quelle. (DE-588)4135952-5. gnd Sources. lcgft Quelle. swd |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:10Z |
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| isbn | 9780520943827 0520943821 |
| language | English |
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| publisher | University of California Press, |
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| spelling | Burns, Sarah. American art to 1900 : a documentary history / Sarah Burns and John Davis. Berkeley : University of California Press, 2009. 1 online resource (1082 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. 1. The colonial era : Art in an age of Puritanism -- Dissenting opinions: alternatives to Puritan practice -- Advertisements -- Early responses to portraits -- Pioneering artists -- Taste and theory -- Poems on portraits -- Training and the lure of Europe -- 2. Revolution and early republic : Defining art -- Citizens: documents on portrait painting -- Artistic identity, artistic choices -- The establishment of artistic categories : Landscape ; Still life ; Genre -- Early institutions : Philadelphia ; New York ; Boston -- 3. Antebellum America: values and institutions : Art in a democratic nation -- Building institutions -- Collectors and patrons -- 4. Antebellum America: landscape, life, and spectacle : The American landscape : Literary landscapes ; Romantic nature ; American sites: tourist literature ; Transcendental nature ; Nature, wild and tame -- American life -- Artists of color and the representation of race -- Artists: advice and careers -- 5. Antebellum America: public art and popular art : The U.S. government as patron: decoration of the capitol -- Art in public -- Popular art, edification, and entertainment -- 6. Antebellum America: expanding horizons : International travel and exchange -- Manifest destiny -- Manufacturing history -- Art on and of the frontier : The noble savage/vanishing race ; Western life -- Frederic Church's sublime landscapes : Heart of the Andes -- 7. The 1860's : Taking stock -- Landscape at a crossroads: nature as seen through telescope and microscope -- Civil war -- Race -- Art after conflict -- 8. The gilded age: life and landscape at home : Nationalism and home subjects -- Modes of realism -- Race and representation -- Landscapes: east and west : The old northeast ; The new west -- 9. The gilded age: art worlds and art markets : Art on the market -- Studio life and art society -- 10. The gilded age: education, institutions, and exhibitions : Education : Boston ; Chicago ; New York ; Philadelphia ; San Francisco -- Art institutions -- The Philadelphia centennial and the colonial revival -- 11. Cosmopolitan dialogues : Internationalism -- Art education : Germany ; France -- The nude ; Arch-expatriates -- New women in art -- 12. New media, new tastemakers, new masses : Critical voices -- The little media : Watercolor ; Pastel ; Etching ; Wood engraving -- Popular art and its critique -- In the magazines: the new illustrators -- Amateur or artist?: Debates on photography -- 13. Beauty, vision and modernity : The aesthetic movement -- Impressionism: critical reception -- Impressionism: American practices -- Impressionism: eclectic practices -- Art colonies -- Beyond the threshold: visionaries and dreamers -- 14. Imperial America : The world's Columbian Exposition -- Mural painting -- Public sculpture -- Retrospectives and prospects. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words--painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail Art, American Sources. Art américain Sources. ART American General. bisacsh Art, American fast Kunst gnd http://d-nb.info/gnd/4114333-4 USA gnd http://d-nb.info/gnd/4078704-7 Beeldende kunsten. gtt Verenigde Staten. gtt Amerikansk konst historia källor. sao Quelle. Sources fast Quelle. (DE-588)4135952-5. gnd Sources. lcgft Quelle. swd Davis, John, 1961 September 24- https://id.oclc.org/worldcat/entity/E39PCjDHGxbKTmRbgBDrtcjkCP http://id.loc.gov/authorities/names/n95013033 has work: American art to 1900 (Text) https://id.oclc.org/worldcat/entity/E39PCH6FCFRRtG9tfT6pjy4FDq https://id.oclc.org/worldcat/ontology/hasWork Print version: Burns, Sarah. American art to 1900. Berkeley : University of California Press, 2009 (DLC) 2008042392 (OCoLC)258767972 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2474284 Volltext |
| spellingShingle | Burns, Sarah American art to 1900 : a documentary history / 1. The colonial era : Art in an age of Puritanism -- Dissenting opinions: alternatives to Puritan practice -- Advertisements -- Early responses to portraits -- Pioneering artists -- Taste and theory -- Poems on portraits -- Training and the lure of Europe -- 2. Revolution and early republic : Defining art -- Citizens: documents on portrait painting -- Artistic identity, artistic choices -- The establishment of artistic categories : Landscape ; Still life ; Genre -- Early institutions : Philadelphia ; New York ; Boston -- 3. Antebellum America: values and institutions : Art in a democratic nation -- Building institutions -- Collectors and patrons -- 4. Antebellum America: landscape, life, and spectacle : The American landscape : Literary landscapes ; Romantic nature ; American sites: tourist literature ; Transcendental nature ; Nature, wild and tame -- American life -- Artists of color and the representation of race -- Artists: advice and careers -- 5. Antebellum America: public art and popular art : The U.S. government as patron: decoration of the capitol -- Art in public -- Popular art, edification, and entertainment -- 6. Antebellum America: expanding horizons : International travel and exchange -- Manifest destiny -- Manufacturing history -- Art on and of the frontier : The noble savage/vanishing race ; Western life -- Frederic Church's sublime landscapes : Heart of the Andes -- 7. The 1860's : Taking stock -- Landscape at a crossroads: nature as seen through telescope and microscope -- Civil war -- Race -- Art after conflict -- 8. The gilded age: life and landscape at home : Nationalism and home subjects -- Modes of realism -- Race and representation -- Landscapes: east and west : The old northeast ; The new west -- 9. The gilded age: art worlds and art markets : Art on the market -- Studio life and art society -- 10. The gilded age: education, institutions, and exhibitions : Education : Boston ; Chicago ; New York ; Philadelphia ; San Francisco -- Art institutions -- The Philadelphia centennial and the colonial revival -- 11. Cosmopolitan dialogues : Internationalism -- Art education : Germany ; France -- The nude ; Arch-expatriates -- New women in art -- 12. New media, new tastemakers, new masses : Critical voices -- The little media : Watercolor ; Pastel ; Etching ; Wood engraving -- Popular art and its critique -- In the magazines: the new illustrators -- Amateur or artist?: Debates on photography -- 13. Beauty, vision and modernity : The aesthetic movement -- Impressionism: critical reception -- Impressionism: American practices -- Impressionism: eclectic practices -- Art colonies -- Beyond the threshold: visionaries and dreamers -- 14. Imperial America : The world's Columbian Exposition -- Mural painting -- Public sculpture -- Retrospectives and prospects. Art, American Sources. Art américain Sources. ART American General. bisacsh Art, American fast Kunst gnd http://d-nb.info/gnd/4114333-4 Beeldende kunsten. gtt Amerikansk konst historia källor. sao |
| subject_GND | http://d-nb.info/gnd/4114333-4 http://d-nb.info/gnd/4078704-7 (DE-588)4135952-5. |
| title | American art to 1900 : a documentary history / |
| title_auth | American art to 1900 : a documentary history / |
| title_exact_search | American art to 1900 : a documentary history / |
| title_full | American art to 1900 : a documentary history / Sarah Burns and John Davis. |
| title_fullStr | American art to 1900 : a documentary history / Sarah Burns and John Davis. |
| title_full_unstemmed | American art to 1900 : a documentary history / Sarah Burns and John Davis. |
| title_short | American art to 1900 : |
| title_sort | american art to 1900 a documentary history |
| title_sub | a documentary history / |
| topic | Art, American Sources. Art américain Sources. ART American General. bisacsh Art, American fast Kunst gnd http://d-nb.info/gnd/4114333-4 Beeldende kunsten. gtt Amerikansk konst historia källor. sao |
| topic_facet | Art, American Sources. Art américain Sources. ART American General. Art, American Kunst USA Beeldende kunsten. Verenigde Staten. Amerikansk konst historia källor. Quelle. Sources Sources. |
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