Drama Kings :: Players and Publics in the Re-creation of Peking Opera, 1870-1937.
Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their s...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berkeley :
University of California Press,
2007.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society. |
Beschreibung: | 1 online resource (384 pages) |
Bibliographie: | Includes bibliographical references (pages 335-353) and index. |
ISBN: | 9780520932791 052093279X 9780520247529 0520247523 9786612359033 661235903X |
Internformat
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100 | 1 | |a Goldstein, Joshua, |d 1965- |1 https://id.oclc.org/worldcat/entity/E39PCjKQd9wwKRcYVV7cGkx4FX |0 http://id.loc.gov/authorities/names/n2006082998 | |
245 | 1 | 0 | |a Drama Kings : |b Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
260 | |a Berkeley : |b University of California Press, |c 2007. | ||
300 | |a 1 online resource (384 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Contents; List of Illustrations; Acknowledgments; Introduction; PART ONE. (RE)FRAMING THE GENRE, 18701919; 1. Late Qing Institutions of Peking Opera; 2. From Teahouse to Playhouse; 3. The Experimental Stage, 18951920; 4. May Fourth Realism and Qi Rushan's Theory of National Drama; PART TWO. PEKING OPERA TO NATIONAL DRAMA, 19201937; 5. Landscape and Figure, Nation and Character; 6. The Limits of Reform; 7. The Gendering of National Culture, Or, The Only Good Woman is a Man; 8. Nationalization through Iconification; Epilogue; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M. | |
505 | 8 | |a No; p; q; r; s; t; u; v; w; x; y; z. | |
520 | |a Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society. | ||
588 | 0 | |a Print version record. | |
504 | |a Includes bibliographical references (pages 335-353) and index. | ||
546 | |a English. | ||
600 | 1 | 0 | |a Mei, Lanfang, |d 1894-1961. |0 http://id.loc.gov/authorities/names/n81009469 |
600 | 1 | 7 | |a Mei, Lanfang, |d 1894-1961 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJqQwCFPMkRYW7KP6wdG73 |
650 | 0 | |a Theater |z China |z Beijing |x History. | |
650 | 0 | |a Operas, Chinese |z China |z Beijing |x History. | |
650 | 6 | |a Théâtre |z Chine |z Pékin |x Histoire. | |
650 | 6 | |a Opéras chinois |z Chine |z Pékin |x Histoire. | |
650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
650 | 7 | |a Operas, Chinese |2 fast | |
650 | 7 | |a Theater |2 fast | |
651 | 7 | |a China |z Beijing |2 fast | |
653 | |a career. | ||
653 | |a celebrities. | ||
653 | |a chinese history. | ||
653 | |a cross dressing. | ||
653 | |a cross-dressers. | ||
653 | |a cultural anthropology. | ||
653 | |a detailed history. | ||
653 | |a dramatic. | ||
653 | |a emotional rollercoaster. | ||
653 | |a four great female impersonators. | ||
653 | |a gender bending. | ||
653 | |a gender roles. | ||
653 | |a historical reenactments. | ||
653 | |a history of china. | ||
653 | |a history. | ||
653 | |a intense emotion. | ||
653 | |a intense. | ||
653 | |a lively. | ||
653 | |a melodrama. | ||
653 | |a peking opera. | ||
653 | |a performing arts. | ||
653 | |a politics. | ||
653 | |a qing dynasty. | ||
653 | |a theater and opera. | ||
653 | |a theater history. | ||
653 | |a theatrical. | ||
655 | 7 | |a History |2 fast | |
776 | 0 | 8 | |i Print version: |z 9780520247529 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=295084 |3 Volltext |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn609849930 |
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adam_text | |
any_adam_object | |
author | Goldstein, Joshua, 1965- |
author_GND | http://id.loc.gov/authorities/names/n2006082998 |
author_facet | Goldstein, Joshua, 1965- |
author_role | |
author_sort | Goldstein, Joshua, 1965- |
author_variant | j g jg |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN2876 |
callnumber-raw | PN2876.B37 G65 2007 |
callnumber-search | PN2876.B37 G65 2007 |
callnumber-sort | PN 42876 B37 G65 42007 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Contents; List of Illustrations; Acknowledgments; Introduction; PART ONE. (RE)FRAMING THE GENRE, 18701919; 1. Late Qing Institutions of Peking Opera; 2. From Teahouse to Playhouse; 3. The Experimental Stage, 18951920; 4. May Fourth Realism and Qi Rushan's Theory of National Drama; PART TWO. PEKING OPERA TO NATIONAL DRAMA, 19201937; 5. Landscape and Figure, Nation and Character; 6. The Limits of Reform; 7. The Gendering of National Culture, Or, The Only Good Woman is a Man; 8. Nationalization through Iconification; Epilogue; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M. No; p; q; r; s; t; u; v; w; x; y; z. |
ctrlnum | (OCoLC)609849930 |
dewey-full | 792.0951156 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0951156 |
dewey-search | 792.0951156 |
dewey-sort | 3792.0951156 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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genre | History fast |
genre_facet | History |
geographic | China Beijing fast |
geographic_facet | China Beijing |
id | ZDB-4-EBA-ocn609849930 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:17:10Z |
institution | BVB |
isbn | 9780520932791 052093279X 9780520247529 0520247523 9786612359033 661235903X |
language | English |
lccn | 2006036179 |
oclc_num | 609849930 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (384 pages) |
psigel | ZDB-4-EBA |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | University of California Press, |
record_format | marc |
spelling | Goldstein, Joshua, 1965- https://id.oclc.org/worldcat/entity/E39PCjKQd9wwKRcYVV7cGkx4FX http://id.loc.gov/authorities/names/n2006082998 Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. Berkeley : University of California Press, 2007. 1 online resource (384 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Contents; List of Illustrations; Acknowledgments; Introduction; PART ONE. (RE)FRAMING THE GENRE, 18701919; 1. Late Qing Institutions of Peking Opera; 2. From Teahouse to Playhouse; 3. The Experimental Stage, 18951920; 4. May Fourth Realism and Qi Rushan's Theory of National Drama; PART TWO. PEKING OPERA TO NATIONAL DRAMA, 19201937; 5. Landscape and Figure, Nation and Character; 6. The Limits of Reform; 7. The Gendering of National Culture, Or, The Only Good Woman is a Man; 8. Nationalization through Iconification; Epilogue; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M. No; p; q; r; s; t; u; v; w; x; y; z. Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society. Print version record. Includes bibliographical references (pages 335-353) and index. English. Mei, Lanfang, 1894-1961. http://id.loc.gov/authorities/names/n81009469 Mei, Lanfang, 1894-1961 fast https://id.oclc.org/worldcat/entity/E39PBJqQwCFPMkRYW7KP6wdG73 Theater China Beijing History. Operas, Chinese China Beijing History. Théâtre Chine Pékin Histoire. Opéras chinois Chine Pékin Histoire. PERFORMING ARTS Theater History & Criticism. bisacsh MUSIC Genres & Styles Opera. bisacsh Operas, Chinese fast Theater fast China Beijing fast career. celebrities. chinese history. cross dressing. cross-dressers. cultural anthropology. detailed history. dramatic. emotional rollercoaster. four great female impersonators. gender bending. gender roles. historical reenactments. history of china. history. intense emotion. intense. lively. melodrama. peking opera. performing arts. politics. qing dynasty. theater and opera. theater history. theatrical. History fast Print version: 9780520247529 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=295084 Volltext |
spellingShingle | Goldstein, Joshua, 1965- Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. Contents; List of Illustrations; Acknowledgments; Introduction; PART ONE. (RE)FRAMING THE GENRE, 18701919; 1. Late Qing Institutions of Peking Opera; 2. From Teahouse to Playhouse; 3. The Experimental Stage, 18951920; 4. May Fourth Realism and Qi Rushan's Theory of National Drama; PART TWO. PEKING OPERA TO NATIONAL DRAMA, 19201937; 5. Landscape and Figure, Nation and Character; 6. The Limits of Reform; 7. The Gendering of National Culture, Or, The Only Good Woman is a Man; 8. Nationalization through Iconification; Epilogue; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M. No; p; q; r; s; t; u; v; w; x; y; z. Mei, Lanfang, 1894-1961. http://id.loc.gov/authorities/names/n81009469 Mei, Lanfang, 1894-1961 fast https://id.oclc.org/worldcat/entity/E39PBJqQwCFPMkRYW7KP6wdG73 Theater China Beijing History. Operas, Chinese China Beijing History. Théâtre Chine Pékin Histoire. Opéras chinois Chine Pékin Histoire. PERFORMING ARTS Theater History & Criticism. bisacsh MUSIC Genres & Styles Opera. bisacsh Operas, Chinese fast Theater fast |
subject_GND | http://id.loc.gov/authorities/names/n81009469 |
title | Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
title_auth | Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
title_exact_search | Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
title_full | Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
title_fullStr | Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
title_full_unstemmed | Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
title_short | Drama Kings : |
title_sort | drama kings players and publics in the re creation of peking opera 1870 1937 |
title_sub | Players and Publics in the Re-creation of Peking Opera, 1870-1937. |
topic | Mei, Lanfang, 1894-1961. http://id.loc.gov/authorities/names/n81009469 Mei, Lanfang, 1894-1961 fast https://id.oclc.org/worldcat/entity/E39PBJqQwCFPMkRYW7KP6wdG73 Theater China Beijing History. Operas, Chinese China Beijing History. Théâtre Chine Pékin Histoire. Opéras chinois Chine Pékin Histoire. PERFORMING ARTS Theater History & Criticism. bisacsh MUSIC Genres & Styles Opera. bisacsh Operas, Chinese fast Theater fast |
topic_facet | Mei, Lanfang, 1894-1961. Mei, Lanfang, 1894-1961 Theater China Beijing History. Operas, Chinese China Beijing History. Théâtre Chine Pékin Histoire. Opéras chinois Chine Pékin Histoire. PERFORMING ARTS Theater History & Criticism. MUSIC Genres & Styles Opera. Operas, Chinese Theater China Beijing History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=295084 |
work_keys_str_mv | AT goldsteinjoshua dramakingsplayersandpublicsintherecreationofpekingopera18701937 |