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Early American cinema in transition :: story, style, and filmmaking, 1907-1913 /

The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production...

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1. Verfasser:	Keil, Charlie
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Madison, Wis. : University of Wisconsin Press, ©2001.
Schriftenreihe:	Wisconsin studies in film.
Schlagworte:	1900-1999 Motion pictures > United States > History > 20th century. Motion picture industry > United States > History > 20th century. Cinéma > États-Unis > Histoire > 20e siècle. Cinéma > Industrie > États-Unis > Histoire > 20e siècle. ART > Film & Video. PERFORMING ARTS > Film & Video > Reference. Motion picture industry Motion pictures United States History
Online-Zugang:	Volltext
Zusammenfassung:	The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, a Confederate Spy; and Suspense. Book jacket.
Beschreibung:	1 online resource (xiii, 306 pages :)
Format:	Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Bibliographie:	Filmography: pages 270-286. Includes bibliographical references (pages 287-295) and indexes.
ISBN:	9780299173630 0299173631 1283486008 9781283486002 029917364X 9780299173647 9786613486004 6613486000

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100	1		\|a Keil, Charlie.
245	1	0	\|a Early American cinema in transition : \|b story, style, and filmmaking, 1907-1913 / \|c Charlie Keil.
260			\|a Madison, Wis. : \|b University of Wisconsin Press, \|c ©2001.
300			\|a 1 online resource (xiii, 306 pages :)
336			\|a text \|b txt \|2 rdacontent
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338			\|a online resource \|b cr \|2 rdacarrier
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490	1		\|a Wisconsin studies in film
504			\|a Filmography: pages 270-286.
504			\|a Includes bibliographical references (pages 287-295) and indexes.
505	0		\|a Introduction -- "Boom time in the moving-picture business": Inndustrial structure, production practices, and the trade press -- "A story vital and unified in its action": The demands of narrative -- "An immeasurably greater freedom": Time and space in transitional cinema -- "The modern technique of art": The style of transitional cinema -- Anaylzing transition: Six sample films -- Conclusion.
588	0		\|a Print version record.
506			\|3 Use copy \|f Restrictions unspecified \|2 star \|5 MiAaHDL
533			\|a Electronic reproduction. \|b [Place of publication not identified] : \|c HathiTrust Digital Library, \|d 2010. \|5 MiAaHDL
538			\|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. \|u http://purl.oclc.org/DLF/benchrepro0212 \|5 MiAaHDL
583	1		\|a digitized \|c 2010 \|h HathiTrust Digital Library \|l committed to preserve \|2 pda \|5 MiAaHDL
520	8		\|a The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, a Confederate Spy; and Suspense. Book jacket.
546			\|a English.
650		0	\|a Motion pictures \|z United States \|x History \|y 20th century.
650		0	\|a Motion picture industry \|z United States \|x History \|y 20th century.
650		6	\|a Cinéma \|z États-Unis \|x Histoire \|y 20e siècle.
650		6	\|a Cinéma \|x Industrie \|z États-Unis \|x Histoire \|y 20e siècle.
650		7	\|a ART \|x Film & Video. \|2 bisacsh
650		7	\|a PERFORMING ARTS \|x Film & Video \|x Reference. \|2 bisacsh
650		7	\|a Motion picture industry \|2 fast
650		7	\|a Motion pictures \|2 fast
651		7	\|a United States \|2 fast \|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
648		7	\|a 1900-1999 \|2 fast
655		7	\|a History \|2 fast
758			\|i has work: \|a Early American cinema in transition (Text) \|1 https://id.oclc.org/worldcat/entity/E39PD3h7jM39mpyvv3kbQGfKBP \|4 https://id.oclc.org/worldcat/ontology/hasWork
776	0	8	\|i Print version: \|a Keil, Charlie. \|t Early American cinema in transition. \|d Madison, Wis. : University of Wisconsin Press, ©2001 \|w (DLC) 2001003112 \|w (OCoLC)47002138
830		0	\|a Wisconsin studies in film. \|0 http://id.loc.gov/authorities/names/n90713725
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author	Keil, Charlie
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contents	Introduction -- "Boom time in the moving-picture business": Inndustrial structure, production practices, and the trade press -- "A story vital and unified in its action": The demands of narrative -- "An immeasurably greater freedom": Time and space in transitional cinema -- "The modern technique of art": The style of transitional cinema -- Anaylzing transition: Six sample films -- Conclusion.
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Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. 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spelling	Keil, Charlie. Early American cinema in transition : story, style, and filmmaking, 1907-1913 / Charlie Keil. Madison, Wis. : University of Wisconsin Press, ©2001. 1 online resource (xiii, 306 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Wisconsin studies in film Filmography: pages 270-286. Includes bibliographical references (pages 287-295) and indexes. Introduction -- "Boom time in the moving-picture business": Inndustrial structure, production practices, and the trade press -- "A story vital and unified in its action": The demands of narrative -- "An immeasurably greater freedom": Time and space in transitional cinema -- "The modern technique of art": The style of transitional cinema -- Anaylzing transition: Six sample films -- Conclusion. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, a Confederate Spy; and Suspense. Book jacket. English. Motion pictures United States History 20th century. Motion picture industry United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie États-Unis Histoire 20e siècle. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion picture industry fast Motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast History fast has work: Early American cinema in transition (Text) https://id.oclc.org/worldcat/entity/E39PD3h7jM39mpyvv3kbQGfKBP https://id.oclc.org/worldcat/ontology/hasWork Print version: Keil, Charlie. Early American cinema in transition. Madison, Wis. : University of Wisconsin Press, ©2001 (DLC) 2001003112 (OCoLC)47002138 Wisconsin studies in film. http://id.loc.gov/authorities/names/n90713725 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=490273 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=490273 Volltext
spellingShingle	Keil, Charlie Early American cinema in transition : story, style, and filmmaking, 1907-1913 / Wisconsin studies in film. Introduction -- "Boom time in the moving-picture business": Inndustrial structure, production practices, and the trade press -- "A story vital and unified in its action": The demands of narrative -- "An immeasurably greater freedom": Time and space in transitional cinema -- "The modern technique of art": The style of transitional cinema -- Anaylzing transition: Six sample films -- Conclusion. Motion pictures United States History 20th century. Motion picture industry United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie États-Unis Histoire 20e siècle. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion picture industry fast Motion pictures fast
title	Early American cinema in transition : story, style, and filmmaking, 1907-1913 /
title_auth	Early American cinema in transition : story, style, and filmmaking, 1907-1913 /
title_exact_search	Early American cinema in transition : story, style, and filmmaking, 1907-1913 /
title_full	Early American cinema in transition : story, style, and filmmaking, 1907-1913 / Charlie Keil.
title_fullStr	Early American cinema in transition : story, style, and filmmaking, 1907-1913 / Charlie Keil.
title_full_unstemmed	Early American cinema in transition : story, style, and filmmaking, 1907-1913 / Charlie Keil.
title_short	Early American cinema in transition :
title_sort	early american cinema in transition story style and filmmaking 1907 1913
title_sub	story, style, and filmmaking, 1907-1913 /
topic	Motion pictures United States History 20th century. Motion picture industry United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie États-Unis Histoire 20e siècle. ART Film & Video. bisacsh PERFORMING ARTS Film & Video Reference. bisacsh Motion picture industry fast Motion pictures fast
topic_facet	Motion pictures United States History 20th century. Motion picture industry United States History 20th century. Cinéma États-Unis Histoire 20e siècle. Cinéma Industrie États-Unis Histoire 20e siècle. ART Film & Video. PERFORMING ARTS Film & Video Reference. Motion picture industry Motion pictures United States History
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=490273
work_keys_str_mv	AT keilcharlie earlyamericancinemaintransitionstorystyleandfilmmaking19071913

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