The deceivers :: art forgery and identity in the nineteenth century /
The nineteenth century witnessed an unprecedented increase in art forgery, caused both by the advent of national museums and by a rapidly growing bourgeois interest in collecting objects from the past. This rise had profound repercussions on notions of selfhood and national identity within and outsi...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, N.Y. :
Cornell University Press,
©2006.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The nineteenth century witnessed an unprecedented increase in art forgery, caused both by the advent of national museums and by a rapidly growing bourgeois interest in collecting objects from the past. This rise had profound repercussions on notions of selfhood and national identity within and outside the realm of art. Although art critics denounced forgery for its affront to artistic traditions, they were fascinated by its power to shape the human and object worlds and adopted a language of art forgery to articulate a link between the making of fakes and the making of selves. The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Literary texts joined more specialized artistic discourses in describing the various identities associated with art forgery: the forger, the copyist, the art expert, the dealer, the restorer. Built into new characters were assumptions about gender, sexuality, race, and nationality that themselves would come to be presented in a language of artistic authenticity. Aviva Briefel places special emphasis on the gendered distinction between male forgers and female copyists. "Copying," a benign occupation when undertaken by a woman, became "forgery," laden with criminal intent, when performed by men. Those who could successfully produce, handle, or detect spurious things and selves were distinguished from others who were incapable of distinguishing the authentic from the artistic and human forgeries. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities-both authentic and fake-that emerged from the Victorian culture of forgery |
| Beschreibung: | 1 online resource (xi, 243 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 217-231) and index. |
| ISBN: | 9781501726873 1501726870 |
Internformat
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| 245 | 1 | 4 | |a The deceivers : |b art forgery and identity in the nineteenth century / |c Aviva Briefel. |
| 260 | |a Ithaca, N.Y. : |b Cornell University Press, |c ©2006. | ||
| 300 | |a 1 online resource (xi, 243 pages) : |b illustrations | ||
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| 505 | 0 | |a Introduction : the golden age of forgery -- Imperfect doubles : the forger and the copyist -- Intimate detections : connoisseurs, forgers, and the thing between them -- Restorations : cultural authority and the life of objects -- Real sons of Abraham : Jewish art dealers and the traffic in fakes -- Paste and pearls : drawing the boundaries of female identity -- Conclusion : magic tricks. | |
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| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a The nineteenth century witnessed an unprecedented increase in art forgery, caused both by the advent of national museums and by a rapidly growing bourgeois interest in collecting objects from the past. This rise had profound repercussions on notions of selfhood and national identity within and outside the realm of art. Although art critics denounced forgery for its affront to artistic traditions, they were fascinated by its power to shape the human and object worlds and adopted a language of art forgery to articulate a link between the making of fakes and the making of selves. The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Literary texts joined more specialized artistic discourses in describing the various identities associated with art forgery: the forger, the copyist, the art expert, the dealer, the restorer. Built into new characters were assumptions about gender, sexuality, race, and nationality that themselves would come to be presented in a language of artistic authenticity. Aviva Briefel places special emphasis on the gendered distinction between male forgers and female copyists. "Copying," a benign occupation when undertaken by a woman, became "forgery," laden with criminal intent, when performed by men. Those who could successfully produce, handle, or detect spurious things and selves were distinguished from others who were incapable of distinguishing the authentic from the artistic and human forgeries. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities-both authentic and fake-that emerged from the Victorian culture of forgery | ||
| 650 | 0 | |a Forgery in literature. |0 http://id.loc.gov/authorities/subjects/sh2006001502 | |
| 650 | 0 | |a Identity (Philosophical concept) in literature. |0 http://id.loc.gov/authorities/subjects/sh94004953 | |
| 650 | 0 | |a Authenticity (Philosophy) in literature. |0 http://id.loc.gov/authorities/subjects/sh93008611 | |
| 650 | 0 | |a Fiction |y 19th century |x History and criticism. | |
| 650 | 0 | |a Art |x Forgeries |x History |y 19th century. | |
| 650 | 0 | |a Art and society |x History |y 19th century. | |
| 650 | 6 | |a Faux dans la littérature. | |
| 650 | 6 | |a Identité dans la littérature. | |
| 650 | 6 | |a Authenticité (Philosophie) dans la littérature. | |
| 650 | 6 | |a Roman |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Art |x Faux |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Art et société |x Histoire |y 19e siècle. | |
| 650 | 7 | |a ART |x History |x Romanticism. |2 bisacsh | |
| 650 | 7 | |a Art and society |2 fast | |
| 650 | 7 | |a Art |x Forgeries |2 fast | |
| 650 | 7 | |a Authenticity (Philosophy) in literature |2 fast | |
| 650 | 7 | |a Fiction |2 fast | |
| 650 | 7 | |a Forgery in literature |2 fast | |
| 650 | 7 | |a Identity (Philosophical concept) in literature |2 fast | |
| 650 | 1 | 7 | |a Vervalsing. |2 gtt |
| 650 | 1 | 7 | |a Identiteit. |2 gtt |
| 650 | 1 | 7 | |a Literatuur (fictie en non-fictie) |2 gtt |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Briefel, Aviva. |t Deceivers. |d Ithaca, N.Y. : Cornell University Press, ©2006 |w (DLC) 2006006530 |w (OCoLC)68132798 |
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Datensatz im Suchindex
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| contents | Introduction : the golden age of forgery -- Imperfect doubles : the forger and the copyist -- Intimate detections : connoisseurs, forgers, and the thing between them -- Restorations : cultural authority and the life of objects -- Real sons of Abraham : Jewish art dealers and the traffic in fakes -- Paste and pearls : drawing the boundaries of female identity -- Conclusion : magic tricks. |
| ctrlnum | (OCoLC)607760801 |
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| dewey-raw | 702/.874 |
| dewey-search | 702/.874 |
| dewey-sort | 3702 3874 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn607760801 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:08Z |
| institution | BVB |
| isbn | 9781501726873 1501726870 |
| language | English |
| oclc_num | 607760801 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 243 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2006 |
| publishDateSearch | 2006 |
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| publisher | Cornell University Press, |
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| spelling | Briefel, Aviva. The deceivers : art forgery and identity in the nineteenth century / Aviva Briefel. Ithaca, N.Y. : Cornell University Press, ©2006. 1 online resource (xi, 243 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 217-231) and index. Introduction : the golden age of forgery -- Imperfect doubles : the forger and the copyist -- Intimate detections : connoisseurs, forgers, and the thing between them -- Restorations : cultural authority and the life of objects -- Real sons of Abraham : Jewish art dealers and the traffic in fakes -- Paste and pearls : drawing the boundaries of female identity -- Conclusion : magic tricks. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. The nineteenth century witnessed an unprecedented increase in art forgery, caused both by the advent of national museums and by a rapidly growing bourgeois interest in collecting objects from the past. This rise had profound repercussions on notions of selfhood and national identity within and outside the realm of art. Although art critics denounced forgery for its affront to artistic traditions, they were fascinated by its power to shape the human and object worlds and adopted a language of art forgery to articulate a link between the making of fakes and the making of selves. The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Literary texts joined more specialized artistic discourses in describing the various identities associated with art forgery: the forger, the copyist, the art expert, the dealer, the restorer. Built into new characters were assumptions about gender, sexuality, race, and nationality that themselves would come to be presented in a language of artistic authenticity. Aviva Briefel places special emphasis on the gendered distinction between male forgers and female copyists. "Copying," a benign occupation when undertaken by a woman, became "forgery," laden with criminal intent, when performed by men. Those who could successfully produce, handle, or detect spurious things and selves were distinguished from others who were incapable of distinguishing the authentic from the artistic and human forgeries. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities-both authentic and fake-that emerged from the Victorian culture of forgery Forgery in literature. http://id.loc.gov/authorities/subjects/sh2006001502 Identity (Philosophical concept) in literature. http://id.loc.gov/authorities/subjects/sh94004953 Authenticity (Philosophy) in literature. http://id.loc.gov/authorities/subjects/sh93008611 Fiction 19th century History and criticism. Art Forgeries History 19th century. Art and society History 19th century. Faux dans la littérature. Identité dans la littérature. Authenticité (Philosophie) dans la littérature. Roman 19e siècle Histoire et critique. Art Faux Histoire 19e siècle. Art et société Histoire 19e siècle. ART History Romanticism. bisacsh Art and society fast Art Forgeries fast Authenticity (Philosophy) in literature fast Fiction fast Forgery in literature fast Identity (Philosophical concept) in literature fast Vervalsing. gtt Identiteit. gtt Literatuur (fictie en non-fictie) gtt 1800-1899 fast Criticism, interpretation, etc. fast History fast Print version: Briefel, Aviva. Deceivers. Ithaca, N.Y. : Cornell University Press, ©2006 (DLC) 2006006530 (OCoLC)68132798 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1837493 Volltext |
| spellingShingle | Briefel, Aviva The deceivers : art forgery and identity in the nineteenth century / Introduction : the golden age of forgery -- Imperfect doubles : the forger and the copyist -- Intimate detections : connoisseurs, forgers, and the thing between them -- Restorations : cultural authority and the life of objects -- Real sons of Abraham : Jewish art dealers and the traffic in fakes -- Paste and pearls : drawing the boundaries of female identity -- Conclusion : magic tricks. Forgery in literature. http://id.loc.gov/authorities/subjects/sh2006001502 Identity (Philosophical concept) in literature. http://id.loc.gov/authorities/subjects/sh94004953 Authenticity (Philosophy) in literature. http://id.loc.gov/authorities/subjects/sh93008611 Fiction 19th century History and criticism. Art Forgeries History 19th century. Art and society History 19th century. Faux dans la littérature. Identité dans la littérature. Authenticité (Philosophie) dans la littérature. Roman 19e siècle Histoire et critique. Art Faux Histoire 19e siècle. Art et société Histoire 19e siècle. ART History Romanticism. bisacsh Art and society fast Art Forgeries fast Authenticity (Philosophy) in literature fast Fiction fast Forgery in literature fast Identity (Philosophical concept) in literature fast Vervalsing. gtt Identiteit. gtt Literatuur (fictie en non-fictie) gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2006001502 http://id.loc.gov/authorities/subjects/sh94004953 http://id.loc.gov/authorities/subjects/sh93008611 |
| title | The deceivers : art forgery and identity in the nineteenth century / |
| title_auth | The deceivers : art forgery and identity in the nineteenth century / |
| title_exact_search | The deceivers : art forgery and identity in the nineteenth century / |
| title_full | The deceivers : art forgery and identity in the nineteenth century / Aviva Briefel. |
| title_fullStr | The deceivers : art forgery and identity in the nineteenth century / Aviva Briefel. |
| title_full_unstemmed | The deceivers : art forgery and identity in the nineteenth century / Aviva Briefel. |
| title_short | The deceivers : |
| title_sort | deceivers art forgery and identity in the nineteenth century |
| title_sub | art forgery and identity in the nineteenth century / |
| topic | Forgery in literature. http://id.loc.gov/authorities/subjects/sh2006001502 Identity (Philosophical concept) in literature. http://id.loc.gov/authorities/subjects/sh94004953 Authenticity (Philosophy) in literature. http://id.loc.gov/authorities/subjects/sh93008611 Fiction 19th century History and criticism. Art Forgeries History 19th century. Art and society History 19th century. Faux dans la littérature. Identité dans la littérature. Authenticité (Philosophie) dans la littérature. Roman 19e siècle Histoire et critique. Art Faux Histoire 19e siècle. Art et société Histoire 19e siècle. ART History Romanticism. bisacsh Art and society fast Art Forgeries fast Authenticity (Philosophy) in literature fast Fiction fast Forgery in literature fast Identity (Philosophical concept) in literature fast Vervalsing. gtt Identiteit. gtt Literatuur (fictie en non-fictie) gtt |
| topic_facet | Forgery in literature. Identity (Philosophical concept) in literature. Authenticity (Philosophy) in literature. Fiction 19th century History and criticism. Art Forgeries History 19th century. Art and society History 19th century. Faux dans la littérature. Identité dans la littérature. Authenticité (Philosophie) dans la littérature. Roman 19e siècle Histoire et critique. Art Faux Histoire 19e siècle. Art et société Histoire 19e siècle. ART History Romanticism. Art and society Art Forgeries Authenticity (Philosophy) in literature Fiction Forgery in literature Identity (Philosophical concept) in literature Vervalsing. Identiteit. Literatuur (fictie en non-fictie) Criticism, interpretation, etc. History |
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