Ritual imports :: performing medieval drama in America /
Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him &qu...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ithaca :
Cornell University Press,
2004.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead-by no means smoothly-to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater |
Beschreibung: | 1 online resource (viii, 235 pages) : illustrations |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Bibliographie: | Includes bibliographical references (pages 213-231) and index. |
ISBN: | 9781501729928 1501729926 |
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245 | 1 | 0 | |a Ritual imports : |b performing medieval drama in America / |c Claire Sponsler. |
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505 | 0 | |a Performing conquest : the Jémez Matachines dances -- Selective histories : Albany's Pinkster -- Festival -- Philadelphia's Mummers and the Anglo-Saxon revival -- Reinventing tradition: Brooklyn's Saint play -- America's passion plays -- Medieval plays and medievalist players. | |
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520 | |a Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead-by no means smoothly-to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater | ||
650 | 0 | |a Drama, Medieval |x History and criticism. | |
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adam_text | |
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author | Sponsler, Claire |
author_GND | http://id.loc.gov/authorities/names/no89019382 |
author_facet | Sponsler, Claire |
author_role | |
author_sort | Sponsler, Claire |
author_variant | c s cs |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1751 |
callnumber-raw | PN1751 .S66 2004 |
callnumber-search | PN1751 .S66 2004 |
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callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Performing conquest : the Jémez Matachines dances -- Selective histories : Albany's Pinkster -- Festival -- Philadelphia's Mummers and the Anglo-Saxon revival -- Reinventing tradition: Brooklyn's Saint play -- America's passion plays -- Medieval plays and medievalist players. |
ctrlnum | (OCoLC)607544519 |
dewey-full | 792.1/6/0973 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.1/6/0973 |
dewey-search | 792.1/6/0973 |
dewey-sort | 3792.1 16 3973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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geographic_facet | United States |
id | ZDB-4-EBA-ocn607544519 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:17:07Z |
institution | BVB |
isbn | 9781501729928 1501729926 |
language | English |
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psigel | ZDB-4-EBA |
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publisher | Cornell University Press, |
record_format | marc |
spelling | Sponsler, Claire. http://id.loc.gov/authorities/names/no89019382 Ritual imports : performing medieval drama in America / Claire Sponsler. Ithaca : Cornell University Press, 2004. 1 online resource (viii, 235 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 213-231) and index. Performing conquest : the Jémez Matachines dances -- Selective histories : Albany's Pinkster -- Festival -- Philadelphia's Mummers and the Anglo-Saxon revival -- Reinventing tradition: Brooklyn's Saint play -- America's passion plays -- Medieval plays and medievalist players. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead-by no means smoothly-to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater Drama, Medieval History and criticism. Performing arts United States. http://id.loc.gov/authorities/subjects/sh85099831 Théâtre médiéval Histoire et critique. Arts du spectacle États-Unis. LITERARY CRITICISM Medieval. bisacsh Drama, Medieval fast Performing arts fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Print version: Sponsler, Claire. Ritual imports. Ithaca : Cornell University Press, 2004 (DLC) 2004017453 (OCoLC)56051050 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1837465 Volltext |
spellingShingle | Sponsler, Claire Ritual imports : performing medieval drama in America / Performing conquest : the Jémez Matachines dances -- Selective histories : Albany's Pinkster -- Festival -- Philadelphia's Mummers and the Anglo-Saxon revival -- Reinventing tradition: Brooklyn's Saint play -- America's passion plays -- Medieval plays and medievalist players. Drama, Medieval History and criticism. Performing arts United States. http://id.loc.gov/authorities/subjects/sh85099831 Théâtre médiéval Histoire et critique. Arts du spectacle États-Unis. LITERARY CRITICISM Medieval. bisacsh Drama, Medieval fast Performing arts fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85099831 |
title | Ritual imports : performing medieval drama in America / |
title_auth | Ritual imports : performing medieval drama in America / |
title_exact_search | Ritual imports : performing medieval drama in America / |
title_full | Ritual imports : performing medieval drama in America / Claire Sponsler. |
title_fullStr | Ritual imports : performing medieval drama in America / Claire Sponsler. |
title_full_unstemmed | Ritual imports : performing medieval drama in America / Claire Sponsler. |
title_short | Ritual imports : |
title_sort | ritual imports performing medieval drama in america |
title_sub | performing medieval drama in America / |
topic | Drama, Medieval History and criticism. Performing arts United States. http://id.loc.gov/authorities/subjects/sh85099831 Théâtre médiéval Histoire et critique. Arts du spectacle États-Unis. LITERARY CRITICISM Medieval. bisacsh Drama, Medieval fast Performing arts fast |
topic_facet | Drama, Medieval History and criticism. Performing arts United States. Théâtre médiéval Histoire et critique. Arts du spectacle États-Unis. LITERARY CRITICISM Medieval. Drama, Medieval Performing arts United States Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1837465 |
work_keys_str_mv | AT sponslerclaire ritualimportsperformingmedievaldramainamerica |