Cinema of flames :: Balkan film, culture and the media /
"First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
British Film Institute,
2001.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh)"--Bloomsbury publishing |
| Beschreibung: | 1 online resource (322 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Filmography (pages 300-317). Includes bibliographical references (pages 283-299) and indexes. |
| ISBN: | 9781838710019 1838710019 1838715045 9781838715045 |
Internformat
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| 100 | 1 | |a Iordanova, Dina. | |
| 245 | 1 | 0 | |a Cinema of flames : |b Balkan film, culture and the media / |c Dina Iordanova. |
| 260 | |a London : |b British Film Institute, |c 2001. | ||
| 300 | |a 1 online resource (322 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Filmography (pages 300-317). | ||
| 504 | |a Includes bibliographical references (pages 283-299) and indexes. | ||
| 505 | 8 | |a Machine generated contents note: Chapter 1: War in the Balkans -- Moving Images -- Part 1 -- Europe: Location or Destination? Narrative and History -- Chapter 2: Are the Balkans Admissible? The Discourse on Europe -- Chapter 3: Narrating the Balkans -- Chapter 4: Narrative and Putative History -- Part 2 -- Commitments Amid Strife -- Chapter 5: Balkan Film and History: The Politics of Historical Collage -- Chapter 6: Kusturica's Underground: Historical Allegory or Propaganda? -- Chapter 7: Taking Sides -- Chapter 8: Violence: 'Violated Trust, Indoctrination, Self-Destruction -- Part 3 -- People -- Chapter 9: Villains and Victims -- Chapter 10: Representing Women's Concerns -- Chapter 11: Gypsies: Looking at 'Them', Defining Oneself -- Part 4 -- Spaces -- Chapter 12: Visions of Sarajevo: The World Comes to the Balkans -- Chapter 13: Migrating Mind and Expanding Universe: The Balkans Come to the World. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a "First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh)"--Bloomsbury publishing | ||
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| 651 | 6 | |a Balkans |x Au cinéma. | |
| 650 | 6 | |a Culture au cinéma. | |
| 650 | 7 | |a Culture in motion pictures. |2 fast |0 (OCoLC)fst01902963 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
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| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
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| 776 | 0 | 8 | |i Print version: |a Iordanova, Dina. |t Cinema of flames. |d London : British Film Institute, 2001 |w (DLC) 2002318027 |w (OCoLC)45853036 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn606556575 |
|---|---|
| _version_ | 1829094660593680386 |
| adam_text | |
| any_adam_object | |
| author | Iordanova, Dina |
| author_facet | Iordanova, Dina |
| author_role | |
| author_sort | Iordanova, Dina |
| author_variant | d i di |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.B27 I59 2001 |
| callnumber-search | PN1993.5.B27 I59 2001 |
| callnumber-sort | PN 41993.5 B27 I59 42001 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Machine generated contents note: Chapter 1: War in the Balkans -- Moving Images -- Part 1 -- Europe: Location or Destination? Narrative and History -- Chapter 2: Are the Balkans Admissible? The Discourse on Europe -- Chapter 3: Narrating the Balkans -- Chapter 4: Narrative and Putative History -- Part 2 -- Commitments Amid Strife -- Chapter 5: Balkan Film and History: The Politics of Historical Collage -- Chapter 6: Kusturica's Underground: Historical Allegory or Propaganda? -- Chapter 7: Taking Sides -- Chapter 8: Violence: 'Violated Trust, Indoctrination, Self-Destruction -- Part 3 -- People -- Chapter 9: Villains and Victims -- Chapter 10: Representing Women's Concerns -- Chapter 11: Gypsies: Looking at 'Them', Defining Oneself -- Part 4 -- Spaces -- Chapter 12: Visions of Sarajevo: The World Comes to the Balkans -- Chapter 13: Migrating Mind and Expanding Universe: The Balkans Come to the World. |
| ctrlnum | (OCoLC)606556575 |
| dewey-full | 791.43/658 791.430949609049 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/658 791.430949609049 |
| dewey-search | 791.43/658 791.430949609049 |
| dewey-sort | 3791.43 3658 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| geographic | Balkan Peninsula In motion pictures. Balkans Au cinéma. Balkan Peninsula. fast (OCoLC)fst01241484 https://id.oclc.org/worldcat/entity/E39PBJhRJcwDhTXyG8xgjt9JjC |
| geographic_facet | Balkan Peninsula In motion pictures. Balkans Au cinéma. Balkan Peninsula. |
| id | ZDB-4-EBA-ocn606556575 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:36:39Z |
| institution | BVB |
| isbn | 9781838710019 1838710019 1838715045 9781838715045 |
| language | English |
| oclc_num | 606556575 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (322 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | British Film Institute, |
| record_format | marc |
| spelling | Iordanova, Dina. Cinema of flames : Balkan film, culture and the media / Dina Iordanova. London : British Film Institute, 2001. 1 online resource (322 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Filmography (pages 300-317). Includes bibliographical references (pages 283-299) and indexes. Machine generated contents note: Chapter 1: War in the Balkans -- Moving Images -- Part 1 -- Europe: Location or Destination? Narrative and History -- Chapter 2: Are the Balkans Admissible? The Discourse on Europe -- Chapter 3: Narrating the Balkans -- Chapter 4: Narrative and Putative History -- Part 2 -- Commitments Amid Strife -- Chapter 5: Balkan Film and History: The Politics of Historical Collage -- Chapter 6: Kusturica's Underground: Historical Allegory or Propaganda? -- Chapter 7: Taking Sides -- Chapter 8: Violence: 'Violated Trust, Indoctrination, Self-Destruction -- Part 3 -- People -- Chapter 9: Villains and Victims -- Chapter 10: Representing Women's Concerns -- Chapter 11: Gypsies: Looking at 'Them', Defining Oneself -- Part 4 -- Spaces -- Chapter 12: Visions of Sarajevo: The World Comes to the Balkans -- Chapter 13: Migrating Mind and Expanding Universe: The Balkans Come to the World. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. "First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh)"--Bloomsbury publishing Motion pictures Balkan Peninsula. Balkan Peninsula In motion pictures. Culture in motion pictures. http://id.loc.gov/authorities/subjects/sh2006008250 Balkans Au cinéma. Culture au cinéma. Culture in motion pictures. fast (OCoLC)fst01902963 Motion pictures. fast (OCoLC)fst01027285 Balkan Peninsula. fast (OCoLC)fst01241484 https://id.oclc.org/worldcat/entity/E39PBJhRJcwDhTXyG8xgjt9JjC Filmkunst. gtt Politieke aspecten. gtt has work: Cinema of Flames (Text) https://id.oclc.org/worldcat/entity/E39PCXVrWdkbyvqV4xfGW7Y96q https://id.oclc.org/worldcat/ontology/hasWork Print version: Iordanova, Dina. Cinema of flames. London : British Film Institute, 2001 (DLC) 2002318027 (OCoLC)45853036 |
| spellingShingle | Iordanova, Dina Cinema of flames : Balkan film, culture and the media / Machine generated contents note: Chapter 1: War in the Balkans -- Moving Images -- Part 1 -- Europe: Location or Destination? Narrative and History -- Chapter 2: Are the Balkans Admissible? The Discourse on Europe -- Chapter 3: Narrating the Balkans -- Chapter 4: Narrative and Putative History -- Part 2 -- Commitments Amid Strife -- Chapter 5: Balkan Film and History: The Politics of Historical Collage -- Chapter 6: Kusturica's Underground: Historical Allegory or Propaganda? -- Chapter 7: Taking Sides -- Chapter 8: Violence: 'Violated Trust, Indoctrination, Self-Destruction -- Part 3 -- People -- Chapter 9: Villains and Victims -- Chapter 10: Representing Women's Concerns -- Chapter 11: Gypsies: Looking at 'Them', Defining Oneself -- Part 4 -- Spaces -- Chapter 12: Visions of Sarajevo: The World Comes to the Balkans -- Chapter 13: Migrating Mind and Expanding Universe: The Balkans Come to the World. Motion pictures Balkan Peninsula. Culture in motion pictures. http://id.loc.gov/authorities/subjects/sh2006008250 Culture au cinéma. Culture in motion pictures. fast (OCoLC)fst01902963 Motion pictures. fast (OCoLC)fst01027285 Filmkunst. gtt Politieke aspecten. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2006008250 (OCoLC)fst01902963 (OCoLC)fst01027285 (OCoLC)fst01241484 |
| title | Cinema of flames : Balkan film, culture and the media / |
| title_auth | Cinema of flames : Balkan film, culture and the media / |
| title_exact_search | Cinema of flames : Balkan film, culture and the media / |
| title_full | Cinema of flames : Balkan film, culture and the media / Dina Iordanova. |
| title_fullStr | Cinema of flames : Balkan film, culture and the media / Dina Iordanova. |
| title_full_unstemmed | Cinema of flames : Balkan film, culture and the media / Dina Iordanova. |
| title_short | Cinema of flames : |
| title_sort | cinema of flames balkan film culture and the media |
| title_sub | Balkan film, culture and the media / |
| topic | Motion pictures Balkan Peninsula. Culture in motion pictures. http://id.loc.gov/authorities/subjects/sh2006008250 Culture au cinéma. Culture in motion pictures. fast (OCoLC)fst01902963 Motion pictures. fast (OCoLC)fst01027285 Filmkunst. gtt Politieke aspecten. gtt |
| topic_facet | Motion pictures Balkan Peninsula. Balkan Peninsula In motion pictures. Culture in motion pictures. Balkans Au cinéma. Culture au cinéma. Motion pictures. Balkan Peninsula. Filmkunst. Politieke aspecten. |
| work_keys_str_mv | AT iordanovadina cinemaofflamesbalkanfilmcultureandthemedia |