Bartók, Hungary, and the renewal of tradition :: case studies in the intersection of modernity and nationality /
"It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influ...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
[2006]
|
| Schriftenreihe: | California studies in 20th-century music ;
5. |
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material, including contemporary reviews and little known Hungarian documents, the author presents a new approach to Bartók that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók's graduation from the Music Academy in 1903 until his departure for the United States in 1940 under a critical lens, the author reads the composer's artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, the book dispels myths about Bartók's relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music." -- |
| Beschreibung: | 1 online resource : illustrations, music. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520932050 0520932056 1282759361 9781282759367 9786612759369 6612759364 0520245032 9780520245037 |
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| 245 | 1 | 0 | |a Bartók, Hungary, and the renewal of tradition : |b case studies in the intersection of modernity and nationality / |c David E. Schneider. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c [2006] | |
| 264 | 4 | |c ©2006 | |
| 300 | |a 1 online resource : |b illustrations, music. | ||
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| 490 | 1 | |a California studies in 20th-century music ; |v 5 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Tradition rejected : Bartók's polemics and the nineteenth-century Hungarian musical inheritance -- Tradition maintained : nationalism, verbunkos, Kossuth and the Rhapsody, op. 1 -- Tradition transformed : "The night's music" and the pastoral roots of a modern style -- Tradition challenged : confronting Stravinsky -- Tradition transcribed : the Rhapsody for violin no. 1, the politics of folk-music research, and the artifice of authenticity -- Tradition restored : the Violin concerto, verbunkos, and Hungary on the eve of World War II. | |
| 520 | |a "It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material, including contemporary reviews and little known Hungarian documents, the author presents a new approach to Bartók that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók's graduation from the Music Academy in 1903 until his departure for the United States in 1940 under a critical lens, the author reads the composer's artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, the book dispels myths about Bartók's relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music." -- |c Publisher's abstract. | ||
| 588 | 0 | |a Description based on online resource; title from digital title page (viewed on December 19, 2024). | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Bartók, Béla, |d 1881-1945 |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Bartók, Béla, |d 1881-1945 |x Critique et interprétation. |
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| 650 | 6 | |a Musique |z Hongrie |y 20e siècle |x Histoire et critique. | |
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| 655 | 0 | |a Electronic books. | |
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| 776 | 0 | 8 | |i Print version: |a Schneider, David E., 1963- |t Bartók, Hungary, and the renewal of tradition. |d Berkeley : University of California Press, ©2006 |z 9780520245037 |w (DLC) 2006040262 |w (OCoLC)65187359 |
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Datensatz im Suchindex
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| author | Schneider, David E., 1963- |
| author_GND | http://id.loc.gov/authorities/names/no91024418 |
| author_facet | Schneider, David E., 1963- |
| author_role | |
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| collection | ZDB-4-EBA |
| contents | Introduction -- Tradition rejected : Bartók's polemics and the nineteenth-century Hungarian musical inheritance -- Tradition maintained : nationalism, verbunkos, Kossuth and the Rhapsody, op. 1 -- Tradition transformed : "The night's music" and the pastoral roots of a modern style -- Tradition challenged : confronting Stravinsky -- Tradition transcribed : the Rhapsody for violin no. 1, the politics of folk-music research, and the artifice of authenticity -- Tradition restored : the Violin concerto, verbunkos, and Hungary on the eve of World War II. |
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| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| geographic_facet | Hungary |
| id | ZDB-4-EBA-ocn574296949 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:36:36Z |
| institution | BVB |
| isbn | 9780520932050 0520932056 1282759361 9781282759367 9786612759369 6612759364 0520245032 9780520245037 |
| language | English |
| oclc_num | 574296949 |
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| physical | 1 online resource : illustrations, music. |
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| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | University of California Press, |
| record_format | marc |
| series | California studies in 20th-century music ; |
| series2 | California studies in 20th-century music ; |
| spelling | Schneider, David E., 1963- https://id.oclc.org/worldcat/entity/E39PCjtrWh6CwpxypYBBKHC9fy http://id.loc.gov/authorities/names/no91024418 Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / David E. Schneider. Berkeley : University of California Press, [2006] ©2006 1 online resource : illustrations, music. text txt rdacontent computer c rdamedia online resource cr rdacarrier California studies in 20th-century music ; 5 Includes bibliographical references and index. Introduction -- Tradition rejected : Bartók's polemics and the nineteenth-century Hungarian musical inheritance -- Tradition maintained : nationalism, verbunkos, Kossuth and the Rhapsody, op. 1 -- Tradition transformed : "The night's music" and the pastoral roots of a modern style -- Tradition challenged : confronting Stravinsky -- Tradition transcribed : the Rhapsody for violin no. 1, the politics of folk-music research, and the artifice of authenticity -- Tradition restored : the Violin concerto, verbunkos, and Hungary on the eve of World War II. "It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material, including contemporary reviews and little known Hungarian documents, the author presents a new approach to Bartók that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók's graduation from the Music Academy in 1903 until his departure for the United States in 1940 under a critical lens, the author reads the composer's artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, the book dispels myths about Bartók's relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music." -- Publisher's abstract. Description based on online resource; title from digital title page (viewed on December 19, 2024). English. Bartók, Béla, 1881-1945 Criticism and interpretation. Bartók, Béla, 1881-1945 Critique et interprétation. Bartók, Béla, 1881-1945 fast https://id.oclc.org/worldcat/entity/E39PBJjxrJRhGY6mPGjjK4Dg8C Bartók, Béla 1881-1945 Choräle Sz 103 Leánykérő gnd http://d-nb.info/gnd/1170918921 Composers Hungary Biography. Music Hungary 20th century History and criticism. Compositeurs Hongrie Biographies. Musique Hongrie 20e siècle Histoire et critique. MUSIC Individual Composer & Musician. bisacsh MUSIC General. bisacsh Composers fast Music fast Hungary fast https://id.oclc.org/worldcat/entity/E39PBJqBtb4QKCYGrVyyWtMQMP 1900-1999 fast Electronic books. collective biographies. aat Biographies fast Criticism, interpretation, etc. fast Biographies. lcgft http://id.loc.gov/authorities/genreForms/gf2014026049 Biographies. rvmgf has work: Bartók, Hungary, and the renewal of tradition (Text) https://id.oclc.org/worldcat/entity/E39PCH89FXh3bwfGqKT94Gp6w3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Schneider, David E., 1963- Bartók, Hungary, and the renewal of tradition. Berkeley : University of California Press, ©2006 9780520245037 (DLC) 2006040262 (OCoLC)65187359 California studies in 20th-century music ; 5. http://id.loc.gov/authorities/names/n00067476 |
| spellingShingle | Schneider, David E., 1963- Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / California studies in 20th-century music ; Introduction -- Tradition rejected : Bartók's polemics and the nineteenth-century Hungarian musical inheritance -- Tradition maintained : nationalism, verbunkos, Kossuth and the Rhapsody, op. 1 -- Tradition transformed : "The night's music" and the pastoral roots of a modern style -- Tradition challenged : confronting Stravinsky -- Tradition transcribed : the Rhapsody for violin no. 1, the politics of folk-music research, and the artifice of authenticity -- Tradition restored : the Violin concerto, verbunkos, and Hungary on the eve of World War II. Bartók, Béla, 1881-1945 Criticism and interpretation. Bartók, Béla, 1881-1945 Critique et interprétation. Bartók, Béla, 1881-1945 fast https://id.oclc.org/worldcat/entity/E39PBJjxrJRhGY6mPGjjK4Dg8C Bartók, Béla 1881-1945 Choräle Sz 103 Leánykérő gnd http://d-nb.info/gnd/1170918921 Composers Hungary Biography. Music Hungary 20th century History and criticism. Compositeurs Hongrie Biographies. Musique Hongrie 20e siècle Histoire et critique. MUSIC Individual Composer & Musician. bisacsh MUSIC General. bisacsh Composers fast Music fast |
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| title | Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / |
| title_auth | Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / |
| title_exact_search | Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / |
| title_full | Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / David E. Schneider. |
| title_fullStr | Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / David E. Schneider. |
| title_full_unstemmed | Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / David E. Schneider. |
| title_short | Bartók, Hungary, and the renewal of tradition : |
| title_sort | bartok hungary and the renewal of tradition case studies in the intersection of modernity and nationality |
| title_sub | case studies in the intersection of modernity and nationality / |
| topic | Bartók, Béla, 1881-1945 Criticism and interpretation. Bartók, Béla, 1881-1945 Critique et interprétation. Bartók, Béla, 1881-1945 fast https://id.oclc.org/worldcat/entity/E39PBJjxrJRhGY6mPGjjK4Dg8C Bartók, Béla 1881-1945 Choräle Sz 103 Leánykérő gnd http://d-nb.info/gnd/1170918921 Composers Hungary Biography. Music Hungary 20th century History and criticism. Compositeurs Hongrie Biographies. Musique Hongrie 20e siècle Histoire et critique. MUSIC Individual Composer & Musician. bisacsh MUSIC General. bisacsh Composers fast Music fast |
| topic_facet | Bartók, Béla, 1881-1945 Criticism and interpretation. Bartók, Béla, 1881-1945 Critique et interprétation. Bartók, Béla, 1881-1945 Bartók, Béla 1881-1945 Choräle Sz 103 Leánykérő Composers Hungary Biography. Music Hungary 20th century History and criticism. Compositeurs Hongrie Biographies. Musique Hongrie 20e siècle Histoire et critique. MUSIC Individual Composer & Musician. MUSIC General. Composers Music Hungary Electronic books. collective biographies. Biographies Criticism, interpretation, etc. Biographies. |
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