Classical form :: a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven /
Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, M...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Oxford University Press,
1998.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven. |
| Beschreibung: | 1 online resource (xii, 307 pages) : music |
| Bibliographie: | Includes bibliographical references (pages 289-292) and index. |
| ISBN: | 1602561214 9781602561212 9780195104806 0195104803 9780195355758 019535575X 1423759214 9781423759218 1280452641 9781280452642 9786610452644 6610452644 0199881758 9780199881758 |
Internformat
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| 100 | 1 | |a Caplin, William Earl, |d 1948- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJdCrWhgPR9qFH7B8vMgKd |0 http://id.loc.gov/authorities/names/n90628011 | |
| 245 | 1 | 0 | |a Classical form : |b a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / |c William E. Caplin. |
| 264 | 1 | |a New York : |b Oxford University Press, |c 1998. | |
| 300 | |a 1 online resource (xii, 307 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Bibliography | ||
| 505 | 0 | |a 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. | |
| 504 | |a Includes bibliographical references (pages 289-292) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |6 880-01 |a Haydn, Joseph, |d 1732-1809 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Beethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretation. |
| 600 | 1 | 4 | |a Haydn, Joseph, |d 1732-1809. |
| 600 | 1 | 4 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |
| 600 | 1 | 4 | |a Beethoven, Ludwig van, |d 1770-1827. |
| 600 | 1 | 6 | |6 880-02 |a Haydn, Joseph, |d 1732-1809 |x Critique et interprétation. |
| 600 | 1 | 6 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Critique et interprétation. |
| 600 | 1 | 6 | |a Beethoven, Ludwig van, |d 1770-1827 |x Critique et interprétation. |
| 600 | 1 | 7 | |a Beethoven, Ludwig van, |d 1770-1827 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq |
| 600 | 1 | 7 | |a Haydn, Joseph, |d 1732-1809 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJktvk8KrVPwQ9qDrdj3cP |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP |
| 650 | 0 | |a Musical form. |0 http://id.loc.gov/authorities/subjects/sh85088959 | |
| 650 | 0 | |a Instrumental music |y 18th century |x Analysis, appreciation. | |
| 650 | 0 | |a Instrumental music |y 19th century |x Analysis, appreciation. | |
| 650 | 0 | |a Musical analysis. |0 http://id.loc.gov/authorities/subjects/sh85088952 | |
| 650 | 0 | |a Classicism in music. |0 http://id.loc.gov/authorities/subjects/sh85026717 | |
| 650 | 0 | |a Music theory |x History |y 20th century. |0 http://id.loc.gov/authorities/subjects/sh85088834 | |
| 650 | 6 | |a Formes musicales. | |
| 650 | 6 | |a Musique instrumentale |y 18e siècle |x Analyse et appréciation. | |
| 650 | 6 | |a Musique instrumentale |y 19e siècle |x Analyse et appréciation. | |
| 650 | 6 | |a Analyse musicale. | |
| 650 | 6 | |a Classicisme dans la musique. | |
| 650 | 6 | |a Théorie musicale |x Histoire |y 20e siècle. | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x General. |2 bisacsh | |
| 650 | 7 | |a Classicism in music |2 fast | |
| 650 | 7 | |a Instrumental music |x Analysis, appreciation |2 fast | |
| 650 | 7 | |a Music theory |2 fast | |
| 650 | 7 | |a Musical analysis |2 fast | |
| 650 | 7 | |a Musical form |2 fast | |
| 650 | 1 | 7 | |a Muziektheorie. |2 gtt |
| 650 | 1 | 7 | |a Instrumentale muziek. |2 gtt |
| 650 | 1 | 7 | |a Classicisme. |2 gtt |
| 648 | 7 | |a 1700-1999 |2 fast | |
| 655 | 4 | |a Computer network resources. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Classical form (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGVwTqdhB4vPckdgYgHRGb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Caplin, William Earl, 1948- |t Classical form. |d New York : Oxford University Press, 1998 |w (DLC) 97025561 |
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Datensatz im Suchindex
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| adam_text | |
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| author | Caplin, William Earl, 1948- |
| author_GND | http://id.loc.gov/authorities/names/n90628011 |
| author_facet | Caplin, William Earl, 1948- |
| author_role | aut |
| author_sort | Caplin, William Earl, 1948- |
| author_variant | w e c we wec |
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| callnumber-first | M - Music |
| callnumber-label | MT58 |
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| callnumber-search | MT58 .C37 1998eb |
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| callnumber-subject | MT - Instruction and Study |
| collection | ZDB-4-EBA |
| contents | 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. |
| ctrlnum | (OCoLC)567929606 |
| dewey-full | 784.18 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.18 |
| dewey-search | 784.18 |
| dewey-sort | 3784.18 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1700-1999 fast |
| era_facet | 1700-1999 |
| format | Electronic eBook |
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| genre_facet | Computer network resources. Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn567929606 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:17:02Z |
| institution | BVB |
| isbn | 1602561214 9781602561212 9780195104806 0195104803 9780195355758 019535575X 1423759214 9781423759218 1280452641 9781280452642 9786610452644 6610452644 0199881758 9780199881758 |
| language | English |
| oclc_num | 567929606 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 307 pages) : music |
| psigel | ZDB-4-EBA |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Caplin, William Earl, 1948- author. https://id.oclc.org/worldcat/entity/E39PBJdCrWhgPR9qFH7B8vMgKd http://id.loc.gov/authorities/names/n90628011 Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin. New York : Oxford University Press, 1998. 1 online resource (xii, 307 pages) : music text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Bibliography 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. Includes bibliographical references (pages 289-292) and index. Print version record. Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven. English. 880-01 Haydn, Joseph, 1732-1809 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Haydn, Joseph, 1732-1809. Mozart, Wolfgang Amadeus, 1756-1791. Beethoven, Ludwig van, 1770-1827. 880-02 Haydn, Joseph, 1732-1809 Critique et interprétation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 fast https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq Haydn, Joseph, 1732-1809 fast https://id.oclc.org/worldcat/entity/E39PBJktvk8KrVPwQ9qDrdj3cP Mozart, Wolfgang Amadeus, 1756-1791 fast https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP Musical form. http://id.loc.gov/authorities/subjects/sh85088959 Instrumental music 18th century Analysis, appreciation. Instrumental music 19th century Analysis, appreciation. Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Classicism in music. http://id.loc.gov/authorities/subjects/sh85026717 Music theory History 20th century. http://id.loc.gov/authorities/subjects/sh85088834 Formes musicales. Musique instrumentale 18e siècle Analyse et appréciation. Musique instrumentale 19e siècle Analyse et appréciation. Analyse musicale. Classicisme dans la musique. Théorie musicale Histoire 20e siècle. MUSIC Musical Instruments General. bisacsh Classicism in music fast Instrumental music Analysis, appreciation fast Music theory fast Musical analysis fast Musical form fast Muziektheorie. gtt Instrumentale muziek. gtt Classicisme. gtt 1700-1999 fast Computer network resources. Criticism, interpretation, etc. fast History fast has work: Classical form (Text) https://id.oclc.org/worldcat/entity/E39PCGVwTqdhB4vPckdgYgHRGb https://id.oclc.org/worldcat/ontology/hasWork Print version: Caplin, William Earl, 1948- Classical form. New York : Oxford University Press, 1998 (DLC) 97025561 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=151257 Volltext 600-00/(2/r מוצרט, וולפגנג אמדאוס. 600-01/(2/r הידן, יוזף. 600-02/(2/r בטהובן, לודביג ון. |
| spellingShingle | Caplin, William Earl, 1948- Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. 880-01 Haydn, Joseph, 1732-1809 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Haydn, Joseph, 1732-1809. Mozart, Wolfgang Amadeus, 1756-1791. Beethoven, Ludwig van, 1770-1827. 880-02 Haydn, Joseph, 1732-1809 Critique et interprétation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 fast https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq Haydn, Joseph, 1732-1809 fast https://id.oclc.org/worldcat/entity/E39PBJktvk8KrVPwQ9qDrdj3cP Mozart, Wolfgang Amadeus, 1756-1791 fast https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP Musical form. http://id.loc.gov/authorities/subjects/sh85088959 Instrumental music 18th century Analysis, appreciation. Instrumental music 19th century Analysis, appreciation. Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Classicism in music. http://id.loc.gov/authorities/subjects/sh85026717 Music theory History 20th century. http://id.loc.gov/authorities/subjects/sh85088834 Formes musicales. Musique instrumentale 18e siècle Analyse et appréciation. Musique instrumentale 19e siècle Analyse et appréciation. Analyse musicale. Classicisme dans la musique. Théorie musicale Histoire 20e siècle. MUSIC Musical Instruments General. bisacsh Classicism in music fast Instrumental music Analysis, appreciation fast Music theory fast Musical analysis fast Musical form fast Muziektheorie. gtt Instrumentale muziek. gtt Classicisme. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088959 http://id.loc.gov/authorities/subjects/sh85088952 http://id.loc.gov/authorities/subjects/sh85026717 http://id.loc.gov/authorities/subjects/sh85088834 |
| title | Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / |
| title_auth | Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / |
| title_exact_search | Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / |
| title_full | Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin. |
| title_fullStr | Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin. |
| title_full_unstemmed | Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin. |
| title_short | Classical form : |
| title_sort | classical form a theory of formal functions for the instrumental music of haydn mozart and beethoven |
| title_sub | a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / |
| topic | 880-01 Haydn, Joseph, 1732-1809 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Haydn, Joseph, 1732-1809. Mozart, Wolfgang Amadeus, 1756-1791. Beethoven, Ludwig van, 1770-1827. 880-02 Haydn, Joseph, 1732-1809 Critique et interprétation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 fast https://id.oclc.org/worldcat/entity/E39PBJcGqDQFTYGptdQPd7RkDq Haydn, Joseph, 1732-1809 fast https://id.oclc.org/worldcat/entity/E39PBJktvk8KrVPwQ9qDrdj3cP Mozart, Wolfgang Amadeus, 1756-1791 fast https://id.oclc.org/worldcat/entity/E39PBJcC43DvJHQgr4ddkc3PcP Musical form. http://id.loc.gov/authorities/subjects/sh85088959 Instrumental music 18th century Analysis, appreciation. Instrumental music 19th century Analysis, appreciation. Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Classicism in music. http://id.loc.gov/authorities/subjects/sh85026717 Music theory History 20th century. http://id.loc.gov/authorities/subjects/sh85088834 Formes musicales. Musique instrumentale 18e siècle Analyse et appréciation. Musique instrumentale 19e siècle Analyse et appréciation. Analyse musicale. Classicisme dans la musique. Théorie musicale Histoire 20e siècle. MUSIC Musical Instruments General. bisacsh Classicism in music fast Instrumental music Analysis, appreciation fast Music theory fast Musical analysis fast Musical form fast Muziektheorie. gtt Instrumentale muziek. gtt Classicisme. gtt |
| topic_facet | Haydn, Joseph, 1732-1809 Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. Beethoven, Ludwig van, 1770-1827 Criticism and interpretation. Haydn, Joseph, 1732-1809. Mozart, Wolfgang Amadeus, 1756-1791. Beethoven, Ludwig van, 1770-1827. Haydn, Joseph, 1732-1809 Critique et interprétation. Mozart, Wolfgang Amadeus, 1756-1791 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Critique et interprétation. Beethoven, Ludwig van, 1770-1827 Haydn, Joseph, 1732-1809 Mozart, Wolfgang Amadeus, 1756-1791 Musical form. Instrumental music 18th century Analysis, appreciation. Instrumental music 19th century Analysis, appreciation. Musical analysis. Classicism in music. Music theory History 20th century. Formes musicales. Musique instrumentale 18e siècle Analyse et appréciation. Musique instrumentale 19e siècle Analyse et appréciation. Analyse musicale. Classicisme dans la musique. Théorie musicale Histoire 20e siècle. MUSIC Musical Instruments General. Classicism in music Instrumental music Analysis, appreciation Music theory Musical analysis Musical form Muziektheorie. Instrumentale muziek. Classicisme. Computer network resources. Criticism, interpretation, etc. History |
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| work_keys_str_mv | AT caplinwilliamearl classicalformatheoryofformalfunctionsfortheinstrumentalmusicofhaydnmozartandbeethoven |