Text & presentation, 2005 /:
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, N.C. :
McFarland,
©2006.
|
| Schriftenreihe: | Comparative drama conference series ;
2 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource (ix, 262 pages). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780786455409 0786455403 |
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| 300 | |a 1 online resource (ix, 262 pages). | ||
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| 490 | 1 | |a Comparative drama conference series ; |v 2 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Aristophanes and the theatre of burlesque / |r J. Michael Walton -- |t Dramatic force of questions in early modern drama / |r Joel Tansey -- |t Globalization of "riverbed beggars" / |r John D. Swain -- |t Constance Ledbelly's birthday: construction of the feminist archetype of the self in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet) / |r Laura Snyder -- |t Waking up with Kaffirs: the challenge of maintaining the social fabric in The iceman cometh / |r Michael Schwartz -- |t Prolegomenon to comparative drama in Canada: in defense of binary studies / |r Gregory J. Reid -- |t Olga Taxidou's Medea: a world apart in Tbilisi, Georgia, in 1997 / |r Vassiliki Rapti -- |t Politics of the heart: the use of alienation and Yeats's The dreaming of the bones / |r Patrick Query -- |t Tian Han, western theatre, and Japan: the problem with source-based and target-based intercultural models / |r Siyuan Liu -- |t "Improvisations of local character": representations of tragedy in the absence of theatre / |r Lillis Ó Laoire -- |t Kimchi and corn: Asian American liminality in Sung Rno's Cleveland raining / |r Kyounghye Kwon -- |t "Fair fierce women": from the rat-wife and Peg Inerny to Cathleen Ni Houlihan / |r Miglena Ivanova -- |t Crossover cross-dressing: vampire lesbians and the assimilation of ridiculous theatre / |r Kenneth Elliott -- |t Poets and ghosts before breakfast: O'Neill, Keats, and Le Fanu / |r Brian Desmond -- |t Playing with history in a private space in Taesok Oh's Gynewah Gyrungyee and Apsana Dangyugra Ogeuma Miryora / |r Youngjoo Choi -- |t "Metaphors made flesh": embodying allegory in Mary Zimmerman's Metamorphoses / |r Miriam Chirico -- |t Frank Castorf's vision of America: the pathology of cultural roles in a mediatized society / |r Klaus van den Berg -- |t Samuel Becket: a review essay / |r Anne Marie Drew -- |g Review of literature: selected books. |t W.B. Worthen, Shakespeare and the force of modern performance / |r David Bevington -- |t Terry Eagleton, Sweet violence: the idea of the tragic / |r Suzanne Gossett -- |t Stephen Greenblatt, Will in the world: how Shakespeare became Shakespeare / |r Kiki Gounaridou -- Erroll G. Hill and James V. Hatch, eds., A history of African American theatre / |r John Rogers Harris -- Penny Farfan, Women, modernism & performance / |r M. Beth Meszaros -- |t Harry J. Elam, Jr. The past as present in the drama of August Wilson / |r N. Graham Nesmith -- |t Edith Hall, Fiona Macintosh, and Amanda Wrigley, eds., Dionysus since 69: Greek tragedy at the dawn of the third millennium / |r John Thorburn -- |t John Conteh-Morgan and Tejumola Olaniyan, eds. African drama and performance / |r Kevin J. Wetmore, Jr. |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Drama |v Congresses. | |
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| 700 | 1 | |a Constantinidis, Stratos E. | |
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| author_additional | J. Michael Walton -- Joel Tansey -- John D. Swain -- Laura Snyder -- Michael Schwartz -- Gregory J. Reid -- Vassiliki Rapti -- Patrick Query -- Siyuan Liu -- Lillis Ó Laoire -- Kyounghye Kwon -- Miglena Ivanova -- Kenneth Elliott -- Brian Desmond -- Youngjoo Choi -- Miriam Chirico -- Klaus van den Berg -- Anne Marie Drew -- David Bevington -- Suzanne Gossett -- Kiki Gounaridou -- Erroll G. Hill and James V. Hatch, eds., A history of African American theatre / John Rogers Harris -- Penny Farfan, Women, modernism & performance / M. Beth Meszaros -- N. Graham Nesmith -- John Thorburn -- Kevin J. Wetmore, Jr. |
| author_corporate | Comparative Drama Conference California State University, Northridge |
| author_corporate_role | |
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| author_sort | Comparative Drama Conference California State University, Northridge |
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| contents | Aristophanes and the theatre of burlesque / Dramatic force of questions in early modern drama / Globalization of "riverbed beggars" / Constance Ledbelly's birthday: construction of the feminist archetype of the self in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet) / Waking up with Kaffirs: the challenge of maintaining the social fabric in The iceman cometh / Prolegomenon to comparative drama in Canada: in defense of binary studies / Olga Taxidou's Medea: a world apart in Tbilisi, Georgia, in 1997 / Politics of the heart: the use of alienation and Yeats's The dreaming of the bones / Tian Han, western theatre, and Japan: the problem with source-based and target-based intercultural models / "Improvisations of local character": representations of tragedy in the absence of theatre / Kimchi and corn: Asian American liminality in Sung Rno's Cleveland raining / "Fair fierce women": from the rat-wife and Peg Inerny to Cathleen Ni Houlihan / Crossover cross-dressing: vampire lesbians and the assimilation of ridiculous theatre / Poets and ghosts before breakfast: O'Neill, Keats, and Le Fanu / Playing with history in a private space in Taesok Oh's Gynewah Gyrungyee and Apsana Dangyugra Ogeuma Miryora / "Metaphors made flesh": embodying allegory in Mary Zimmerman's Metamorphoses / Frank Castorf's vision of America: the pathology of cultural roles in a mediatized society / Samuel Becket: a review essay / W.B. Worthen, Shakespeare and the force of modern performance / Terry Eagleton, Sweet violence: the idea of the tragic / Stephen Greenblatt, Will in the world: how Shakespeare became Shakespeare / Harry J. Elam, Jr. The past as present in the drama of August Wilson / Edith Hall, Fiona Macintosh, and Amanda Wrigley, eds., Dionysus since 69: Greek tragedy at the dawn of the third millennium / John Conteh-Morgan and Tejumola Olaniyan, eds. African drama and performance / |
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| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792 |
| dewey-search | 792 |
| dewey-sort | 3792 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic Conference Proceeding eBook |
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| genre | Conference papers and proceedings fast |
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| id | ZDB-4-EBA-ocn565841943 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:17:01Z |
| institution | BVB |
| isbn | 9780786455409 0786455403 |
| language | English |
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| record_format | marc |
| series2 | Comparative drama conference series ; |
| spelling | Comparative Drama Conference (29th : 2005 : California State University, Northridge) Text & presentation, 2005 / edited by Stratos E. Constantinidis. Jefferson, N.C. : McFarland, ©2006. 1 online resource (ix, 262 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Comparative drama conference series ; 2 Includes bibliographical references and index. Aristophanes and the theatre of burlesque / J. Michael Walton -- Dramatic force of questions in early modern drama / Joel Tansey -- Globalization of "riverbed beggars" / John D. Swain -- Constance Ledbelly's birthday: construction of the feminist archetype of the self in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet) / Laura Snyder -- Waking up with Kaffirs: the challenge of maintaining the social fabric in The iceman cometh / Michael Schwartz -- Prolegomenon to comparative drama in Canada: in defense of binary studies / Gregory J. Reid -- Olga Taxidou's Medea: a world apart in Tbilisi, Georgia, in 1997 / Vassiliki Rapti -- Politics of the heart: the use of alienation and Yeats's The dreaming of the bones / Patrick Query -- Tian Han, western theatre, and Japan: the problem with source-based and target-based intercultural models / Siyuan Liu -- "Improvisations of local character": representations of tragedy in the absence of theatre / Lillis Ó Laoire -- Kimchi and corn: Asian American liminality in Sung Rno's Cleveland raining / Kyounghye Kwon -- "Fair fierce women": from the rat-wife and Peg Inerny to Cathleen Ni Houlihan / Miglena Ivanova -- Crossover cross-dressing: vampire lesbians and the assimilation of ridiculous theatre / Kenneth Elliott -- Poets and ghosts before breakfast: O'Neill, Keats, and Le Fanu / Brian Desmond -- Playing with history in a private space in Taesok Oh's Gynewah Gyrungyee and Apsana Dangyugra Ogeuma Miryora / Youngjoo Choi -- "Metaphors made flesh": embodying allegory in Mary Zimmerman's Metamorphoses / Miriam Chirico -- Frank Castorf's vision of America: the pathology of cultural roles in a mediatized society / Klaus van den Berg -- Samuel Becket: a review essay / Anne Marie Drew -- Review of literature: selected books. W.B. Worthen, Shakespeare and the force of modern performance / David Bevington -- Terry Eagleton, Sweet violence: the idea of the tragic / Suzanne Gossett -- Stephen Greenblatt, Will in the world: how Shakespeare became Shakespeare / Kiki Gounaridou -- Erroll G. Hill and James V. Hatch, eds., A history of African American theatre / John Rogers Harris -- Penny Farfan, Women, modernism & performance / M. Beth Meszaros -- Harry J. Elam, Jr. The past as present in the drama of August Wilson / N. Graham Nesmith -- Edith Hall, Fiona Macintosh, and Amanda Wrigley, eds., Dionysus since 69: Greek tragedy at the dawn of the third millennium / John Thorburn -- John Conteh-Morgan and Tejumola Olaniyan, eds. African drama and performance / Kevin J. Wetmore, Jr. Print version record. Drama Congresses. Théâtre (Genre littéraire) Congrès. PERFORMING ARTS Theater General. bisacsh Drama fast Conference papers and proceedings fast Constantinidis, Stratos E. Print version: Comparative Drama Conference (29th : 2005 : California State University, Northridge). Text & presentation, 2005. Jefferson, N.C. : McFarland, ©2006 9780786425808 (OCoLC)67777057 Comparative Drama Conference. Comparative Drama Conference series. http://id.loc.gov/authorities/names/no2005052612 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=305415 Volltext |
| spellingShingle | Text & presentation, 2005 / Aristophanes and the theatre of burlesque / Dramatic force of questions in early modern drama / Globalization of "riverbed beggars" / Constance Ledbelly's birthday: construction of the feminist archetype of the self in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet) / Waking up with Kaffirs: the challenge of maintaining the social fabric in The iceman cometh / Prolegomenon to comparative drama in Canada: in defense of binary studies / Olga Taxidou's Medea: a world apart in Tbilisi, Georgia, in 1997 / Politics of the heart: the use of alienation and Yeats's The dreaming of the bones / Tian Han, western theatre, and Japan: the problem with source-based and target-based intercultural models / "Improvisations of local character": representations of tragedy in the absence of theatre / Kimchi and corn: Asian American liminality in Sung Rno's Cleveland raining / "Fair fierce women": from the rat-wife and Peg Inerny to Cathleen Ni Houlihan / Crossover cross-dressing: vampire lesbians and the assimilation of ridiculous theatre / Poets and ghosts before breakfast: O'Neill, Keats, and Le Fanu / Playing with history in a private space in Taesok Oh's Gynewah Gyrungyee and Apsana Dangyugra Ogeuma Miryora / "Metaphors made flesh": embodying allegory in Mary Zimmerman's Metamorphoses / Frank Castorf's vision of America: the pathology of cultural roles in a mediatized society / Samuel Becket: a review essay / W.B. Worthen, Shakespeare and the force of modern performance / Terry Eagleton, Sweet violence: the idea of the tragic / Stephen Greenblatt, Will in the world: how Shakespeare became Shakespeare / Harry J. Elam, Jr. The past as present in the drama of August Wilson / Edith Hall, Fiona Macintosh, and Amanda Wrigley, eds., Dionysus since 69: Greek tragedy at the dawn of the third millennium / John Conteh-Morgan and Tejumola Olaniyan, eds. African drama and performance / Drama Congresses. Théâtre (Genre littéraire) Congrès. PERFORMING ARTS Theater General. bisacsh Drama fast |
| title | Text & presentation, 2005 / |
| title_alt | Aristophanes and the theatre of burlesque / Dramatic force of questions in early modern drama / Globalization of "riverbed beggars" / Constance Ledbelly's birthday: construction of the feminist archetype of the self in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet) / Waking up with Kaffirs: the challenge of maintaining the social fabric in The iceman cometh / Prolegomenon to comparative drama in Canada: in defense of binary studies / Olga Taxidou's Medea: a world apart in Tbilisi, Georgia, in 1997 / Politics of the heart: the use of alienation and Yeats's The dreaming of the bones / Tian Han, western theatre, and Japan: the problem with source-based and target-based intercultural models / "Improvisations of local character": representations of tragedy in the absence of theatre / Kimchi and corn: Asian American liminality in Sung Rno's Cleveland raining / "Fair fierce women": from the rat-wife and Peg Inerny to Cathleen Ni Houlihan / Crossover cross-dressing: vampire lesbians and the assimilation of ridiculous theatre / Poets and ghosts before breakfast: O'Neill, Keats, and Le Fanu / Playing with history in a private space in Taesok Oh's Gynewah Gyrungyee and Apsana Dangyugra Ogeuma Miryora / "Metaphors made flesh": embodying allegory in Mary Zimmerman's Metamorphoses / Frank Castorf's vision of America: the pathology of cultural roles in a mediatized society / Samuel Becket: a review essay / W.B. Worthen, Shakespeare and the force of modern performance / Terry Eagleton, Sweet violence: the idea of the tragic / Stephen Greenblatt, Will in the world: how Shakespeare became Shakespeare / Harry J. Elam, Jr. The past as present in the drama of August Wilson / Edith Hall, Fiona Macintosh, and Amanda Wrigley, eds., Dionysus since 69: Greek tragedy at the dawn of the third millennium / John Conteh-Morgan and Tejumola Olaniyan, eds. African drama and performance / |
| title_auth | Text & presentation, 2005 / |
| title_exact_search | Text & presentation, 2005 / |
| title_full | Text & presentation, 2005 / edited by Stratos E. Constantinidis. |
| title_fullStr | Text & presentation, 2005 / edited by Stratos E. Constantinidis. |
| title_full_unstemmed | Text & presentation, 2005 / edited by Stratos E. Constantinidis. |
| title_short | Text & presentation, 2005 / |
| title_sort | text presentation 2005 |
| topic | Drama Congresses. Théâtre (Genre littéraire) Congrès. PERFORMING ARTS Theater General. bisacsh Drama fast |
| topic_facet | Drama Congresses. Théâtre (Genre littéraire) Congrès. PERFORMING ARTS Theater General. Drama Conference papers and proceedings |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=305415 |
| work_keys_str_mv | AT comparativedramaconferencecaliforniastateuniversitynorthridge textpresentation2005 AT constantinidisstratose textpresentation2005 |