Word & image in colonial and postcolonial literatures and cultures /:
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and...
Gespeichert in:
| Körperschaft: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Rodopi,
2009.
|
| Schriftenreihe: | Cross/cultures ;
116. ASNEL papers ; 14. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro. |
| Beschreibung: | "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Preliminary page. |
| Beschreibung: | 1 online resource (xliii, 379 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9789042027442 9042027444 |
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| 245 | 0 | 0 | |a Word & image in colonial and postcolonial literatures and cultures / |c edited by Michael Meyer. |
| 246 | 3 | |a Word and image in colonial and postcolonial literatures and cultures | |
| 260 | |a Amsterdam : |b Rodopi, |c 2009. | ||
| 300 | |a 1 online resource (xliii, 379 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Cross/cultures : readings in the post/colonial literatures in English ; |v 116 | |
| 490 | 1 | |a ASNEL papers ; |v 14 | |
| 504 | |a Includes bibliographical references. | ||
| 500 | |a "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Preliminary page. | ||
| 505 | 0 | 0 | |t Introduction : word & image--gaze & spectacle / |r Michael Meyer -- |t Colonial representations. |t Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text / |r Daniel Jaczminski ; |t Hogarth and the other / |r Peter Wagner ; |t "The free treatment of topics usually taboo'd" : glimpses of the harem in eighteenth- and nineteenth-century literature and the fine arts / |r Patricia Plummer ; |t Tourist places, other gazes : Robert Louis Stevenson's Edinburgh / |r Cordula Lemke -- |t Postcolonial representations. |t "Picture is a silent talker" (Apagya) : African studio photography in the English classroom / |r Gisela Feurle ; |t A black and white nation? : the 'new' South Africa in Zapiro's cartoons / |r Sonja Altnöder ; |t Zakes Mda's representation of South African reality in Ways of dying, The Madonna of Excelsior, and The whale caller / |r Marita Wenzel ; |t Looking out and looking in : the dynamic use of words and images in the oeuvre of Breyten Breytenbach / |r Heilna du Plooy ; |t Whiteness as a category of literary analysis : racializing markers and race-evasiveness in J.M. Coetzee's Disgrace / |r Susan Arndt ; |t "Just for show" : visuality in Timothy Mo's The monkey king / |r Ann Spagenberg ; |t On pickles, pictures, and words : pick-torial preservation and verbal self-regeneration in Salman Rushdie's Midnight's children / |r Laurence Petit ; |t "Neither united nor separated" : negotiating difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey / |r Lucia Krämer ; |t Transcultural gender interrogations in Bride and prejudice : intertextual encounters of the South Asian diasporic kind / |r Christine Vogt-William ; |t Missing in act(i)on : Asian-British pop music between resistance and commercialization / |r Rainer Emig ; |t Vernacular landscape : narrative space in Peter Carey's True history of the Kelly Gang / |r Renate Brosch ; |t Regaining the past and shaping the present : indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA / |r Michaela Moura-Koçoğlu ; |t Between words and images : negotiating the meaning of home in Ken Lum's There is no place like home / |r Nicole Schröder ; |t The mass-slaughter of native Americans in Jim Jarmusch's Dead man : a complex interplay of word and image / |r Jens Martin Gurr. |
| 588 | 0 | |a Print version record. | |
| 520 | |a Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro. | ||
| 650 | 0 | |a Postcolonialism and the arts. |0 http://id.loc.gov/authorities/subjects/sh2001001629 | |
| 650 | 0 | |a Visual communication in art. |0 http://id.loc.gov/authorities/subjects/sh97002476 | |
| 650 | 0 | |a Intercultural communication in literature. |0 http://id.loc.gov/authorities/subjects/sh94005112 | |
| 650 | 0 | |a Intercultural communication in art. |0 http://id.loc.gov/authorities/subjects/sh97000894 | |
| 650 | 6 | |a Postcolonialisme et arts. | |
| 650 | 6 | |a Communication visuelle dans l'art. | |
| 650 | 6 | |a Communication interculturelle dans la littérature. | |
| 650 | 7 | |a TRAVEL |x Special Interest |x Literary. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
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| 650 | 7 | |a Intercultural communication in literature |2 fast | |
| 650 | 7 | |a Postcolonialism and the arts |2 fast | |
| 650 | 7 | |a Visual communication in art |2 fast | |
| 700 | 1 | |a Meyer, Michael, |d 1958- |1 https://id.oclc.org/worldcat/entity/E39PCjtjXQ9kVBBHGpbhRwQ3w3 |0 http://id.loc.gov/authorities/names/n2016064421 | |
| 710 | 2 | |a Gesellschaft für die Neuen Englischsprachigen Literaturen. |0 http://id.loc.gov/authorities/names/n92052720 | |
| 776 | 0 | 8 | |i Print version: |t Word & image in colonial and postcolonial literatures and cultures. |d Amsterdam : Rodopi, 2009 |z 9789042027435 |w (OCoLC)455845971 |
| 830 | 0 | |a Cross/cultures ; |v 116. | |
| 830 | 0 | |a ASNEL papers ; |v 14. |0 http://id.loc.gov/authorities/names/n96109610 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn555969337 |
|---|---|
| _version_ | 1816881705719431168 |
| adam_text | |
| any_adam_object | |
| author2 | Meyer, Michael, 1958- |
| author2_role | |
| author2_variant | m m mm |
| author_GND | http://id.loc.gov/authorities/names/n2016064421 |
| author_additional | Michael Meyer -- Daniel Jaczminski ; Peter Wagner ; Patricia Plummer ; Cordula Lemke -- Gisela Feurle ; Sonja Altnöder ; Marita Wenzel ; Heilna du Plooy ; Susan Arndt ; Ann Spagenberg ; Laurence Petit ; Lucia Krämer ; Christine Vogt-William ; Rainer Emig ; Renate Brosch ; Michaela Moura-Koçoğlu ; Nicole Schröder ; Jens Martin Gurr. |
| author_corporate | Gesellschaft für die Neuen Englischsprachigen Literaturen |
| author_corporate_role | |
| author_facet | Meyer, Michael, 1958- Gesellschaft für die Neuen Englischsprachigen Literaturen |
| author_sort | Meyer, Michael, 1958- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX180 |
| callnumber-raw | NX180.P67 W67 2009eb |
| callnumber-search | NX180.P67 W67 2009eb |
| callnumber-sort | NX 3180 P67 W67 42009EB |
| callnumber-subject | NX - Arts in General |
| collection | ZDB-4-EBA |
| contents | Introduction : word & image--gaze & spectacle / Colonial representations. Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text / Hogarth and the other / "The free treatment of topics usually taboo'd" : glimpses of the harem in eighteenth- and nineteenth-century literature and the fine arts / Tourist places, other gazes : Robert Louis Stevenson's Edinburgh / Postcolonial representations. "Picture is a silent talker" (Apagya) : African studio photography in the English classroom / A black and white nation? : the 'new' South Africa in Zapiro's cartoons / Zakes Mda's representation of South African reality in Ways of dying, The Madonna of Excelsior, and The whale caller / Looking out and looking in : the dynamic use of words and images in the oeuvre of Breyten Breytenbach / Whiteness as a category of literary analysis : racializing markers and race-evasiveness in J.M. Coetzee's Disgrace / "Just for show" : visuality in Timothy Mo's The monkey king / On pickles, pictures, and words : pick-torial preservation and verbal self-regeneration in Salman Rushdie's Midnight's children / "Neither united nor separated" : negotiating difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey / Transcultural gender interrogations in Bride and prejudice : intertextual encounters of the South Asian diasporic kind / Missing in act(i)on : Asian-British pop music between resistance and commercialization / Vernacular landscape : narrative space in Peter Carey's True history of the Kelly Gang / Regaining the past and shaping the present : indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA / Between words and images : negotiating the meaning of home in Ken Lum's There is no place like home / The mass-slaughter of native Americans in Jim Jarmusch's Dead man : a complex interplay of word and image / |
| ctrlnum | (OCoLC)555969337 |
| dewey-full | 809 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809 |
| dewey-search | 809 |
| dewey-sort | 3809 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. 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| id | ZDB-4-EBA-ocn555969337 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:58Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n92052720 |
| isbn | 9789042027442 9042027444 |
| language | English |
| oclc_num | 555969337 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xliii, 379 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Rodopi, |
| record_format | marc |
| series | Cross/cultures ; ASNEL papers ; |
| series2 | Cross/cultures : readings in the post/colonial literatures in English ; ASNEL papers ; |
| spelling | Word & image in colonial and postcolonial literatures and cultures / edited by Michael Meyer. Word and image in colonial and postcolonial literatures and cultures Amsterdam : Rodopi, 2009. 1 online resource (xliii, 379 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Cross/cultures : readings in the post/colonial literatures in English ; 116 ASNEL papers ; 14 Includes bibliographical references. "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Preliminary page. Introduction : word & image--gaze & spectacle / Michael Meyer -- Colonial representations. Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text / Daniel Jaczminski ; Hogarth and the other / Peter Wagner ; "The free treatment of topics usually taboo'd" : glimpses of the harem in eighteenth- and nineteenth-century literature and the fine arts / Patricia Plummer ; Tourist places, other gazes : Robert Louis Stevenson's Edinburgh / Cordula Lemke -- Postcolonial representations. "Picture is a silent talker" (Apagya) : African studio photography in the English classroom / Gisela Feurle ; A black and white nation? : the 'new' South Africa in Zapiro's cartoons / Sonja Altnöder ; Zakes Mda's representation of South African reality in Ways of dying, The Madonna of Excelsior, and The whale caller / Marita Wenzel ; Looking out and looking in : the dynamic use of words and images in the oeuvre of Breyten Breytenbach / Heilna du Plooy ; Whiteness as a category of literary analysis : racializing markers and race-evasiveness in J.M. Coetzee's Disgrace / Susan Arndt ; "Just for show" : visuality in Timothy Mo's The monkey king / Ann Spagenberg ; On pickles, pictures, and words : pick-torial preservation and verbal self-regeneration in Salman Rushdie's Midnight's children / Laurence Petit ; "Neither united nor separated" : negotiating difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey / Lucia Krämer ; Transcultural gender interrogations in Bride and prejudice : intertextual encounters of the South Asian diasporic kind / Christine Vogt-William ; Missing in act(i)on : Asian-British pop music between resistance and commercialization / Rainer Emig ; Vernacular landscape : narrative space in Peter Carey's True history of the Kelly Gang / Renate Brosch ; Regaining the past and shaping the present : indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA / Michaela Moura-Koçoğlu ; Between words and images : negotiating the meaning of home in Ken Lum's There is no place like home / Nicole Schröder ; The mass-slaughter of native Americans in Jim Jarmusch's Dead man : a complex interplay of word and image / Jens Martin Gurr. Print version record. Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro. Postcolonialism and the arts. http://id.loc.gov/authorities/subjects/sh2001001629 Visual communication in art. http://id.loc.gov/authorities/subjects/sh97002476 Intercultural communication in literature. http://id.loc.gov/authorities/subjects/sh94005112 Intercultural communication in art. http://id.loc.gov/authorities/subjects/sh97000894 Postcolonialisme et arts. Communication visuelle dans l'art. Communication interculturelle dans la littérature. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Intercultural communication in art fast Intercultural communication in literature fast Postcolonialism and the arts fast Visual communication in art fast Meyer, Michael, 1958- https://id.oclc.org/worldcat/entity/E39PCjtjXQ9kVBBHGpbhRwQ3w3 http://id.loc.gov/authorities/names/n2016064421 Gesellschaft für die Neuen Englischsprachigen Literaturen. http://id.loc.gov/authorities/names/n92052720 Print version: Word & image in colonial and postcolonial literatures and cultures. Amsterdam : Rodopi, 2009 9789042027435 (OCoLC)455845971 Cross/cultures ; 116. ASNEL papers ; 14. http://id.loc.gov/authorities/names/n96109610 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=301913 Volltext |
| spellingShingle | Word & image in colonial and postcolonial literatures and cultures / Cross/cultures ; ASNEL papers ; Introduction : word & image--gaze & spectacle / Colonial representations. Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text / Hogarth and the other / "The free treatment of topics usually taboo'd" : glimpses of the harem in eighteenth- and nineteenth-century literature and the fine arts / Tourist places, other gazes : Robert Louis Stevenson's Edinburgh / Postcolonial representations. "Picture is a silent talker" (Apagya) : African studio photography in the English classroom / A black and white nation? : the 'new' South Africa in Zapiro's cartoons / Zakes Mda's representation of South African reality in Ways of dying, The Madonna of Excelsior, and The whale caller / Looking out and looking in : the dynamic use of words and images in the oeuvre of Breyten Breytenbach / Whiteness as a category of literary analysis : racializing markers and race-evasiveness in J.M. Coetzee's Disgrace / "Just for show" : visuality in Timothy Mo's The monkey king / On pickles, pictures, and words : pick-torial preservation and verbal self-regeneration in Salman Rushdie's Midnight's children / "Neither united nor separated" : negotiating difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey / Transcultural gender interrogations in Bride and prejudice : intertextual encounters of the South Asian diasporic kind / Missing in act(i)on : Asian-British pop music between resistance and commercialization / Vernacular landscape : narrative space in Peter Carey's True history of the Kelly Gang / Regaining the past and shaping the present : indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA / Between words and images : negotiating the meaning of home in Ken Lum's There is no place like home / The mass-slaughter of native Americans in Jim Jarmusch's Dead man : a complex interplay of word and image / Postcolonialism and the arts. http://id.loc.gov/authorities/subjects/sh2001001629 Visual communication in art. http://id.loc.gov/authorities/subjects/sh97002476 Intercultural communication in literature. http://id.loc.gov/authorities/subjects/sh94005112 Intercultural communication in art. http://id.loc.gov/authorities/subjects/sh97000894 Postcolonialisme et arts. Communication visuelle dans l'art. Communication interculturelle dans la littérature. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Intercultural communication in art fast Intercultural communication in literature fast Postcolonialism and the arts fast Visual communication in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001001629 http://id.loc.gov/authorities/subjects/sh97002476 http://id.loc.gov/authorities/subjects/sh94005112 http://id.loc.gov/authorities/subjects/sh97000894 |
| title | Word & image in colonial and postcolonial literatures and cultures / |
| title_alt | Word and image in colonial and postcolonial literatures and cultures Introduction : word & image--gaze & spectacle / Colonial representations. Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text / Hogarth and the other / "The free treatment of topics usually taboo'd" : glimpses of the harem in eighteenth- and nineteenth-century literature and the fine arts / Tourist places, other gazes : Robert Louis Stevenson's Edinburgh / Postcolonial representations. "Picture is a silent talker" (Apagya) : African studio photography in the English classroom / A black and white nation? : the 'new' South Africa in Zapiro's cartoons / Zakes Mda's representation of South African reality in Ways of dying, The Madonna of Excelsior, and The whale caller / Looking out and looking in : the dynamic use of words and images in the oeuvre of Breyten Breytenbach / Whiteness as a category of literary analysis : racializing markers and race-evasiveness in J.M. Coetzee's Disgrace / "Just for show" : visuality in Timothy Mo's The monkey king / On pickles, pictures, and words : pick-torial preservation and verbal self-regeneration in Salman Rushdie's Midnight's children / "Neither united nor separated" : negotiating difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey / Transcultural gender interrogations in Bride and prejudice : intertextual encounters of the South Asian diasporic kind / Missing in act(i)on : Asian-British pop music between resistance and commercialization / Vernacular landscape : narrative space in Peter Carey's True history of the Kelly Gang / Regaining the past and shaping the present : indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA / Between words and images : negotiating the meaning of home in Ken Lum's There is no place like home / The mass-slaughter of native Americans in Jim Jarmusch's Dead man : a complex interplay of word and image / |
| title_auth | Word & image in colonial and postcolonial literatures and cultures / |
| title_exact_search | Word & image in colonial and postcolonial literatures and cultures / |
| title_full | Word & image in colonial and postcolonial literatures and cultures / edited by Michael Meyer. |
| title_fullStr | Word & image in colonial and postcolonial literatures and cultures / edited by Michael Meyer. |
| title_full_unstemmed | Word & image in colonial and postcolonial literatures and cultures / edited by Michael Meyer. |
| title_short | Word & image in colonial and postcolonial literatures and cultures / |
| title_sort | word image in colonial and postcolonial literatures and cultures |
| topic | Postcolonialism and the arts. http://id.loc.gov/authorities/subjects/sh2001001629 Visual communication in art. http://id.loc.gov/authorities/subjects/sh97002476 Intercultural communication in literature. http://id.loc.gov/authorities/subjects/sh94005112 Intercultural communication in art. http://id.loc.gov/authorities/subjects/sh97000894 Postcolonialisme et arts. Communication visuelle dans l'art. Communication interculturelle dans la littérature. TRAVEL Special Interest Literary. bisacsh LITERARY CRITICISM General. bisacsh Intercultural communication in art fast Intercultural communication in literature fast Postcolonialism and the arts fast Visual communication in art fast |
| topic_facet | Postcolonialism and the arts. Visual communication in art. Intercultural communication in literature. Intercultural communication in art. Postcolonialisme et arts. Communication visuelle dans l'art. Communication interculturelle dans la littérature. TRAVEL Special Interest Literary. LITERARY CRITICISM General. Intercultural communication in art Intercultural communication in literature Postcolonialism and the arts Visual communication in art |
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