Bollyworld :: popular Indian cinema through a transnational lens /
Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema's intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the tra...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Delhi ; Thousand Oaks, Calif. :
Sage Publications,
2005.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema's intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India's popular cinema in terms of its production, narratives and reception. The first section of the book, Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India's commercial cinema developed. Essays here focus on the iconic roles of actors like Devika Rani and Fearless Nadia, film-makers such as D G Phalke and Baburao Painter, the film Sant Tukaram, and aspects of early cinematography. The second section, Trans-Actions, argues that the 'national fantasy' of Indian commercial cinema is an unstable construction. Essays here concentrate on the conversations between Indian action movies of the 1970s and other genres of action and martial arts films; the features of post-liberalisation Indian films designed to meet the needs of an 'imagined' global audience in the 1990s; and the changing metaphor of 'the vamp' as portrayed through desirous women in films with examples of the Anglo-Asian, the westernized Indian woman of 'low character', and the contemporary figure of the 'heroine'. The final section, Travels, focuses on the overseas reception of Indian cinema with ethnographic case studies from Germany, Guyana, the USA, South Africa, Nigeria and Britain. The contributors highlight various issues concerning modernity, racial/ethnic identity, the gaze of the 'mainstream Other', gender, hybridity, moral universes, and the articulation of desire and disdain. |
| Beschreibung: | 1 online resource (343 pages) : illustrations (some color) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9788132103448 8132103440 |
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| 245 | 0 | 0 | |a Bollyworld : |b popular Indian cinema through a transnational lens / |c editors, Raminder Kaur, Ajay J. Sinha. |
| 260 | |a New Delhi ; |a Thousand Oaks, Calif. : |b Sage Publications, |c 2005. | ||
| 300 | |a 1 online resource (343 pages) : |b illustrations (some color) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Bollyworld: An Introduction to Popular Indian Cinema through a Transnational Lens / Raminder Kaur and Ajay J. Sinha -- Topographies -- Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts / Rosie Thomas -- Figures of Locality and Tradition: Commercial Cinema and the Networks of Visual Print Capitalism in Maharashtra / Kajri Jain -- Icons and Events: Reinventing Visual Construction in Cinema in India / Gayatri Chatterjee -- Reflected Readings in Available Light: Cameramen in the Shadows of Hindi Cinema Shuddhabrata Sengupta -- Trans-Actions -- Sexuality, Sensuality and Belonging: Representations of the 'Anglo-Indian' and the 'Western' Woman in Hindi Cinema / Geetanjali Gangoli -- 'Fight Club': Aesthetics, Hybridisation and the Construction of Rogue Masculinities in Sholay and Deewar / Koushik Banerjea -- The Consumable Hero of Globalised India / Sudhanva Deshpande -- Travels -- The Scattered Homelands of the Migrant: Bollyworld through the Diasporic Lens / Christiane Brosius -- In Search of the Diasporic Self: Bollywood in South Africa / Thomas Blom Hansen -- Belonging and Respect Notions vis-à-vis Modern East Indians: Hindi Movies in the Guyanese East Indian Diaspora / Narmala Halstead -- Bandiri Music, Globalisation and Urban Experience in Nigeria / Brian Larkin -- Cruising on the Vilayeti Bandwagon: Diasporic Representations and Reception of Popular Indian Movies / Raminder Kaur. | |
| 520 | |a Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema's intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India's popular cinema in terms of its production, narratives and reception. The first section of the book, Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India's commercial cinema developed. Essays here focus on the iconic roles of actors like Devika Rani and Fearless Nadia, film-makers such as D G Phalke and Baburao Painter, the film Sant Tukaram, and aspects of early cinematography. The second section, Trans-Actions, argues that the 'national fantasy' of Indian commercial cinema is an unstable construction. Essays here concentrate on the conversations between Indian action movies of the 1970s and other genres of action and martial arts films; the features of post-liberalisation Indian films designed to meet the needs of an 'imagined' global audience in the 1990s; and the changing metaphor of 'the vamp' as portrayed through desirous women in films with examples of the Anglo-Asian, the westernized Indian woman of 'low character', and the contemporary figure of the 'heroine'. The final section, Travels, focuses on the overseas reception of Indian cinema with ethnographic case studies from Germany, Guyana, the USA, South Africa, Nigeria and Britain. The contributors highlight various issues concerning modernity, racial/ethnic identity, the gaze of the 'mainstream Other', gender, hybridity, moral universes, and the articulation of desire and disdain. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on March 30, 2018). | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 650 | 0 | |a Motion pictures |x Social aspects |z India. | |
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| author2 | Kaur, Raminder Sinha, Ajay J., 1956- |
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| contents | Bollyworld: An Introduction to Popular Indian Cinema through a Transnational Lens / Raminder Kaur and Ajay J. Sinha -- Topographies -- Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts / Rosie Thomas -- Figures of Locality and Tradition: Commercial Cinema and the Networks of Visual Print Capitalism in Maharashtra / Kajri Jain -- Icons and Events: Reinventing Visual Construction in Cinema in India / Gayatri Chatterjee -- Reflected Readings in Available Light: Cameramen in the Shadows of Hindi Cinema Shuddhabrata Sengupta -- Trans-Actions -- Sexuality, Sensuality and Belonging: Representations of the 'Anglo-Indian' and the 'Western' Woman in Hindi Cinema / Geetanjali Gangoli -- 'Fight Club': Aesthetics, Hybridisation and the Construction of Rogue Masculinities in Sholay and Deewar / Koushik Banerjea -- The Consumable Hero of Globalised India / Sudhanva Deshpande -- Travels -- The Scattered Homelands of the Migrant: Bollyworld through the Diasporic Lens / Christiane Brosius -- In Search of the Diasporic Self: Bollywood in South Africa / Thomas Blom Hansen -- Belonging and Respect Notions vis-à-vis Modern East Indians: Hindi Movies in the Guyanese East Indian Diaspora / Narmala Halstead -- Bandiri Music, Globalisation and Urban Experience in Nigeria / Brian Larkin -- Cruising on the Vilayeti Bandwagon: Diasporic Representations and Reception of Popular Indian Movies / Raminder Kaur. |
| ctrlnum | (OCoLC)551204435 |
| dewey-full | 791.43/0954 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/0954 |
| dewey-search | 791.43/0954 |
| dewey-sort | 3791.43 3954 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Sinha -- Topographies -- Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts / Rosie Thomas -- Figures of Locality and Tradition: Commercial Cinema and the Networks of Visual Print Capitalism in Maharashtra / Kajri Jain -- Icons and Events: Reinventing Visual Construction in Cinema in India / Gayatri Chatterjee -- Reflected Readings in Available Light: Cameramen in the Shadows of Hindi Cinema Shuddhabrata Sengupta -- Trans-Actions -- Sexuality, Sensuality and Belonging: Representations of the 'Anglo-Indian' and the 'Western' Woman in Hindi Cinema / Geetanjali Gangoli -- 'Fight Club': Aesthetics, Hybridisation and the Construction of Rogue Masculinities in Sholay and Deewar / Koushik Banerjea -- The Consumable Hero of Globalised India / Sudhanva Deshpande -- Travels -- The Scattered Homelands of the Migrant: Bollyworld through the Diasporic Lens / Christiane Brosius -- In Search of the Diasporic Self: Bollywood in South Africa / Thomas Blom Hansen -- Belonging and Respect Notions vis-à-vis Modern East Indians: Hindi Movies in the Guyanese East Indian Diaspora / Narmala Halstead -- Bandiri Music, Globalisation and Urban Experience in Nigeria / Brian Larkin -- Cruising on the Vilayeti Bandwagon: Diasporic Representations and Reception of Popular Indian Movies / Raminder Kaur.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema's intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India's popular cinema in terms of its production, narratives and reception. The first section of the book, Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India's commercial cinema developed. Essays here focus on the iconic roles of actors like Devika Rani and Fearless Nadia, film-makers such as D G Phalke and Baburao Painter, the film Sant Tukaram, and aspects of early cinematography. The second section, Trans-Actions, argues that the 'national fantasy' of Indian commercial cinema is an unstable construction. Essays here concentrate on the conversations between Indian action movies of the 1970s and other genres of action and martial arts films; the features of post-liberalisation Indian films designed to meet the needs of an 'imagined' global audience in the 1990s; and the changing metaphor of 'the vamp' as portrayed through desirous women in films with examples of the Anglo-Asian, the westernized Indian woman of 'low character', and the contemporary figure of the 'heroine'. The final section, Travels, focuses on the overseas reception of Indian cinema with ethnographic case studies from Germany, Guyana, the USA, South Africa, Nigeria and Britain. 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| genre | Motion pictures, Indic. |
| genre_facet | Motion pictures, Indic. |
| geographic | India In motion pictures. http://id.loc.gov/authorities/subjects/sh85064958 India fast https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC Indien gnd http://d-nb.info/gnd/4026722-2 Chicago <Ill., 2001> swd |
| geographic_facet | India In motion pictures. India Indien Chicago <Ill., 2001> |
| id | ZDB-4-EBA-ocn551204435 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:58Z |
| institution | BVB |
| isbn | 9788132103448 8132103440 |
| language | English |
| lccn | 2005004208 |
| oclc_num | 551204435 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (343 pages) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Sage Publications, |
| record_format | marc |
| spelling | Bollyworld : popular Indian cinema through a transnational lens / editors, Raminder Kaur, Ajay J. Sinha. New Delhi ; Thousand Oaks, Calif. : Sage Publications, 2005. 1 online resource (343 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Bollyworld: An Introduction to Popular Indian Cinema through a Transnational Lens / Raminder Kaur and Ajay J. Sinha -- Topographies -- Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts / Rosie Thomas -- Figures of Locality and Tradition: Commercial Cinema and the Networks of Visual Print Capitalism in Maharashtra / Kajri Jain -- Icons and Events: Reinventing Visual Construction in Cinema in India / Gayatri Chatterjee -- Reflected Readings in Available Light: Cameramen in the Shadows of Hindi Cinema Shuddhabrata Sengupta -- Trans-Actions -- Sexuality, Sensuality and Belonging: Representations of the 'Anglo-Indian' and the 'Western' Woman in Hindi Cinema / Geetanjali Gangoli -- 'Fight Club': Aesthetics, Hybridisation and the Construction of Rogue Masculinities in Sholay and Deewar / Koushik Banerjea -- The Consumable Hero of Globalised India / Sudhanva Deshpande -- Travels -- The Scattered Homelands of the Migrant: Bollyworld through the Diasporic Lens / Christiane Brosius -- In Search of the Diasporic Self: Bollywood in South Africa / Thomas Blom Hansen -- Belonging and Respect Notions vis-à-vis Modern East Indians: Hindi Movies in the Guyanese East Indian Diaspora / Narmala Halstead -- Bandiri Music, Globalisation and Urban Experience in Nigeria / Brian Larkin -- Cruising on the Vilayeti Bandwagon: Diasporic Representations and Reception of Popular Indian Movies / Raminder Kaur. Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema's intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India's popular cinema in terms of its production, narratives and reception. The first section of the book, Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India's commercial cinema developed. Essays here focus on the iconic roles of actors like Devika Rani and Fearless Nadia, film-makers such as D G Phalke and Baburao Painter, the film Sant Tukaram, and aspects of early cinematography. The second section, Trans-Actions, argues that the 'national fantasy' of Indian commercial cinema is an unstable construction. Essays here concentrate on the conversations between Indian action movies of the 1970s and other genres of action and martial arts films; the features of post-liberalisation Indian films designed to meet the needs of an 'imagined' global audience in the 1990s; and the changing metaphor of 'the vamp' as portrayed through desirous women in films with examples of the Anglo-Asian, the westernized Indian woman of 'low character', and the contemporary figure of the 'heroine'. The final section, Travels, focuses on the overseas reception of Indian cinema with ethnographic case studies from Germany, Guyana, the USA, South Africa, Nigeria and Britain. The contributors highlight various issues concerning modernity, racial/ethnic identity, the gaze of the 'mainstream Other', gender, hybridity, moral universes, and the articulation of desire and disdain. Online resource; title from digital title page (viewed on March 30, 2018). Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Motion pictures Social aspects India. Motion pictures India Foreign influences. Motion pictures, Indic. http://id.loc.gov/authorities/subjects/sh2005000983 India In motion pictures. http://id.loc.gov/authorities/subjects/sh85064958 Cinéma Aspect social Inde. Cinéma Inde Influence étrangère. Cinéma de l'Inde. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Motion pictures Foreign influences fast Motion pictures, Indic fast Motion pictures Social aspects fast India fast https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC Indien gnd http://d-nb.info/gnd/4026722-2 Film gnd http://d-nb.info/gnd/4017102-4 Films. gtt Sociale aspecten. gtt Internationale aspecten. gtt Chicago <Ill., 2001> swd 05.37 film, video. (NL-LeOCL)077592735 bcl 24.32 history of film art. (NL-LeOCL)077601394 bcl Motion pictures, Indic. Kaur, Raminder. http://id.loc.gov/authorities/names/n98087761 Sinha, Ajay J., 1956- http://id.loc.gov/authorities/names/n99023915 has work: Bollyworld (Text) https://id.oclc.org/worldcat/entity/E39PCFvfrYyVRdcYkpxmc3gDRq https://id.oclc.org/worldcat/ontology/hasWork Print version: Bollyworld. New Delhi ; Thousand Oaks, Calif. : Sage Publications, 2005 9780761933205 (DLC) 2005004208 (OCoLC)57694880 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=305614 Volltext |
| spellingShingle | Bollyworld : popular Indian cinema through a transnational lens / Bollyworld: An Introduction to Popular Indian Cinema through a Transnational Lens / Raminder Kaur and Ajay J. Sinha -- Topographies -- Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts / Rosie Thomas -- Figures of Locality and Tradition: Commercial Cinema and the Networks of Visual Print Capitalism in Maharashtra / Kajri Jain -- Icons and Events: Reinventing Visual Construction in Cinema in India / Gayatri Chatterjee -- Reflected Readings in Available Light: Cameramen in the Shadows of Hindi Cinema Shuddhabrata Sengupta -- Trans-Actions -- Sexuality, Sensuality and Belonging: Representations of the 'Anglo-Indian' and the 'Western' Woman in Hindi Cinema / Geetanjali Gangoli -- 'Fight Club': Aesthetics, Hybridisation and the Construction of Rogue Masculinities in Sholay and Deewar / Koushik Banerjea -- The Consumable Hero of Globalised India / Sudhanva Deshpande -- Travels -- The Scattered Homelands of the Migrant: Bollyworld through the Diasporic Lens / Christiane Brosius -- In Search of the Diasporic Self: Bollywood in South Africa / Thomas Blom Hansen -- Belonging and Respect Notions vis-à-vis Modern East Indians: Hindi Movies in the Guyanese East Indian Diaspora / Narmala Halstead -- Bandiri Music, Globalisation and Urban Experience in Nigeria / Brian Larkin -- Cruising on the Vilayeti Bandwagon: Diasporic Representations and Reception of Popular Indian Movies / Raminder Kaur. Motion pictures Social aspects India. Motion pictures India Foreign influences. Motion pictures, Indic. http://id.loc.gov/authorities/subjects/sh2005000983 Cinéma Aspect social Inde. Cinéma Inde Influence étrangère. Cinéma de l'Inde. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Motion pictures Foreign influences fast Motion pictures, Indic fast Motion pictures Social aspects fast Film gnd http://d-nb.info/gnd/4017102-4 Films. gtt Sociale aspecten. gtt Internationale aspecten. gtt 05.37 film, video. (NL-LeOCL)077592735 bcl 24.32 history of film art. (NL-LeOCL)077601394 bcl |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2005000983 http://id.loc.gov/authorities/subjects/sh85064958 http://d-nb.info/gnd/4026722-2 http://d-nb.info/gnd/4017102-4 (NL-LeOCL)077592735 (NL-LeOCL)077601394 |
| title | Bollyworld : popular Indian cinema through a transnational lens / |
| title_auth | Bollyworld : popular Indian cinema through a transnational lens / |
| title_exact_search | Bollyworld : popular Indian cinema through a transnational lens / |
| title_full | Bollyworld : popular Indian cinema through a transnational lens / editors, Raminder Kaur, Ajay J. Sinha. |
| title_fullStr | Bollyworld : popular Indian cinema through a transnational lens / editors, Raminder Kaur, Ajay J. Sinha. |
| title_full_unstemmed | Bollyworld : popular Indian cinema through a transnational lens / editors, Raminder Kaur, Ajay J. Sinha. |
| title_short | Bollyworld : |
| title_sort | bollyworld popular indian cinema through a transnational lens |
| title_sub | popular Indian cinema through a transnational lens / |
| topic | Motion pictures Social aspects India. Motion pictures India Foreign influences. Motion pictures, Indic. http://id.loc.gov/authorities/subjects/sh2005000983 Cinéma Aspect social Inde. Cinéma Inde Influence étrangère. Cinéma de l'Inde. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Motion pictures Foreign influences fast Motion pictures, Indic fast Motion pictures Social aspects fast Film gnd http://d-nb.info/gnd/4017102-4 Films. gtt Sociale aspecten. gtt Internationale aspecten. gtt 05.37 film, video. (NL-LeOCL)077592735 bcl 24.32 history of film art. (NL-LeOCL)077601394 bcl |
| topic_facet | Motion pictures Social aspects India. Motion pictures India Foreign influences. Motion pictures, Indic. India In motion pictures. Cinéma Aspect social Inde. Cinéma Inde Influence étrangère. Cinéma de l'Inde. PERFORMING ARTS Film & Video Reference. Motion pictures Motion pictures Foreign influences Motion pictures, Indic Motion pictures Social aspects India Indien Film Films. Sociale aspecten. Internationale aspecten. Chicago <Ill., 2001> 05.37 film, video. 24.32 history of film art. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=305614 |
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