Ford Madox Ford and visual culture /:
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particu...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; New York, NY : [U.K.] :
Rodopi ; Ford Madox Ford Society,
2009.
|
| Schriftenreihe: | International Ford Madox Ford studies ;
v. 8. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. This volume marks the seventieth anniversary of Ford's death. Its focus is how his work engages with visual culture. He wrote criticism, biography, and reminiscences about the Pre-Raphaelite artists he'd been brought up amongst - Rossetti, Holman Hunt, and in particular his grandfather Ford Madox Brown. But his art-writing ranges much more widely, from Holbein to Cézanne and Matisse. Ford came to advocate Impressionism in literature. In London before the First World War he got to know avant-garde artists like Wyndham Lewis and Henri Gaudier-Brzeska, and wrote about modern visual art movements, such as Futurism, Vorticism and Cubism. This work is discussed, not just in terms of what it tells us about art, but for what it reveals about the development of Ford's own practice as a writer, and of his critical ideas. After the War he lived in France with two painters, first the Australian Stella Bowen, then the American Janice Biala, and moved in the Modernist art circles of Picasso, Juan Gris, Gertrude Stein and Brancusi. This volume includes sixteen new essays by critics and art historians on Ford's engagement with the rapidly transforming visual cultures of his era, which break new ground discussing his writing about visual arts, and how it affected his fiction, poetry and criticism. Among numerous illustrations are several portraits of Ford by Janice Biala reproduced for the first time. Also published here for the first time are generous extracts from Biala's marvelous letters from the 1930s about Ford. |
| Beschreibung: | 1 online resource (269 pages, 32 unnumbered pages of plates) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9789042026360 9042026367 |
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| 505 | 0 | 0 | |t Preliminary Material -- |t LIST OF ILLUSTRATIONS -- |t GENERAL EDITOR'S PREFACE / |r Max Saunders -- |t INTRODUCTION / |r Laura Colombino -- |t FROM PAINT TO PRINT -- GRANDFATHER'S LEGACY / |r Angela Thirlwell -- |t FORD MADOX FORD'S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS / |r Vita Fortunati -- |t FROM PRE-RAPHAELISM TO IMPRESSIONISM / |r Max Saunders -- |t IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC / |r Ashley Chantler -- |t TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR / |r Sara Haslam -- |t VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES / |r Rob Hawkes -- |t THE PORTRAIT: FORD'S CHEF-D'ɶUVRE INCONNU / |r Gene M. Moore -- |t FORD MADOX FORD'S LITERARY PORTRAITS / |r Anna Viola Sborgi -- |t FORDING HOLBEIN / |r Martin Stannard -- |t SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) / |r guy mannes-abbott -- |t 'IF WE SHADOWS HAVE OFFENDED': THE METAPHOR OF SHADOW IN THE MARSDEN CASE / |r Jenny Plastow -- |t A MAP OF TORY MISREADING IN PARADE'S END / |r Mark Conroy -- |t MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD'S PARADE'S END / |r Alexandra Becquet -- |t FORD, BOWEN, AND ITALIAN ART / |r Joseph Wiesenfarth -- |t FORD + BIALA: A LONG AND PASSIONATE DIALOGUE / |r Jason Andrew -- |t FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH / |r Laura Colombino -- |t CONTRIBUTORS -- |t ABSTRACTS -- |t ABBREVIATIONS. |
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| author2 | Colombino, Laura |
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| author_additional | Max Saunders -- Laura Colombino -- Angela Thirlwell -- Vita Fortunati -- Ashley Chantler -- Sara Haslam -- Rob Hawkes -- Gene M. Moore -- Anna Viola Sborgi -- Martin Stannard -- guy mannes-abbott -- Jenny Plastow -- Mark Conroy -- Alexandra Becquet -- Joseph Wiesenfarth -- Jason Andrew -- |
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| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR6011 |
| callnumber-raw | PR6011.O53 Z667 2009eb |
| callnumber-search | PR6011.O53 Z667 2009eb |
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| collection | ZDB-4-EBA |
| contents | Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR'S PREFACE / INTRODUCTION / FROM PAINT TO PRINT -- GRANDFATHER'S LEGACY / FORD MADOX FORD'S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS / FROM PRE-RAPHAELISM TO IMPRESSIONISM / IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC / TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR / VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES / THE PORTRAIT: FORD'S CHEF-D'ɶUVRE INCONNU / FORD MADOX FORD'S LITERARY PORTRAITS / FORDING HOLBEIN / SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) / 'IF WE SHADOWS HAVE OFFENDED': THE METAPHOR OF SHADOW IN THE MARSDEN CASE / A MAP OF TORY MISREADING IN PARADE'S END / MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD'S PARADE'S END / FORD, BOWEN, AND ITALIAN ART / FORD + BIALA: A LONG AND PASSIONATE DIALOGUE / FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH / CONTRIBUTORS -- ABSTRACTS -- ABBREVIATIONS. |
| ctrlnum | (OCoLC)505942569 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
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| dewey-search | 823/.912 |
| dewey-sort | 3823 3912 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. This volume marks the seventieth anniversary of Ford's death. Its focus is how his work engages with visual culture. He wrote criticism, biography, and reminiscences about the Pre-Raphaelite artists he'd been brought up amongst - Rossetti, Holman Hunt, and in particular his grandfather Ford Madox Brown. But his art-writing ranges much more widely, from Holbein to Cézanne and Matisse. Ford came to advocate Impressionism in literature. In London before the First World War he got to know avant-garde artists like Wyndham Lewis and Henri Gaudier-Brzeska, and wrote about modern visual art movements, such as Futurism, Vorticism and Cubism. This work is discussed, not just in terms of what it tells us about art, but for what it reveals about the development of Ford's own practice as a writer, and of his critical ideas. After the War he lived in France with two painters, first the Australian Stella Bowen, then the American Janice Biala, and moved in the Modernist art circles of Picasso, Juan Gris, Gertrude Stein and Brancusi. This volume includes sixteen new essays by critics and art historians on Ford's engagement with the rapidly transforming visual cultures of his era, which break new ground discussing his writing about visual arts, and how it affected his fiction, poetry and criticism. Among numerous illustrations are several portraits of Ford by Janice Biala reproduced for the first time. 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Moore --</subfield><subfield code="t">FORD MADOX FORD'S LITERARY PORTRAITS /</subfield><subfield code="r">Anna Viola Sborgi --</subfield><subfield code="t">FORDING HOLBEIN /</subfield><subfield code="r">Martin Stannard --</subfield><subfield code="t">SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) /</subfield><subfield code="r">guy mannes-abbott --</subfield><subfield code="t">'IF WE SHADOWS HAVE OFFENDED': THE METAPHOR OF SHADOW IN THE MARSDEN CASE /</subfield><subfield code="r">Jenny Plastow --</subfield><subfield code="t">A MAP OF TORY MISREADING IN PARADE'S END /</subfield><subfield code="r">Mark Conroy --</subfield><subfield code="t">MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD'S PARADE'S END /</subfield><subfield code="r">Alexandra Becquet --</subfield><subfield code="t">FORD, BOWEN, AND ITALIAN ART /</subfield><subfield code="r">Joseph Wiesenfarth --</subfield><subfield code="t">FORD + BIALA: A LONG AND PASSIONATE DIALOGUE /</subfield><subfield code="r">Jason 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| genre | Art fast Criticism, interpretation, etc. fast History fast |
| genre_facet | Art Criticism, interpretation, etc. History |
| geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocn505942569 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:56Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/no2002113180 |
| isbn | 9789042026360 9042026367 |
| language | English |
| oclc_num | 505942569 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (269 pages, 32 unnumbered pages of plates) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Rodopi ; Ford Madox Ford Society, |
| record_format | marc |
| series | International Ford Madox Ford studies ; |
| series2 | International Ford Madox Ford studies ; |
| spelling | Ford Madox Ford and visual culture / edited by Laura Colombino. Amsterdam ; New York, NY : Rodopi ; [U.K.] : Ford Madox Ford Society, 2009. 1 online resource (269 pages, 32 unnumbered pages of plates) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier International Ford Madox Ford studies ; v. 8 Print version record. Includes bibliographical references. The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. This volume marks the seventieth anniversary of Ford's death. Its focus is how his work engages with visual culture. He wrote criticism, biography, and reminiscences about the Pre-Raphaelite artists he'd been brought up amongst - Rossetti, Holman Hunt, and in particular his grandfather Ford Madox Brown. But his art-writing ranges much more widely, from Holbein to Cézanne and Matisse. Ford came to advocate Impressionism in literature. In London before the First World War he got to know avant-garde artists like Wyndham Lewis and Henri Gaudier-Brzeska, and wrote about modern visual art movements, such as Futurism, Vorticism and Cubism. This work is discussed, not just in terms of what it tells us about art, but for what it reveals about the development of Ford's own practice as a writer, and of his critical ideas. After the War he lived in France with two painters, first the Australian Stella Bowen, then the American Janice Biala, and moved in the Modernist art circles of Picasso, Juan Gris, Gertrude Stein and Brancusi. This volume includes sixteen new essays by critics and art historians on Ford's engagement with the rapidly transforming visual cultures of his era, which break new ground discussing his writing about visual arts, and how it affected his fiction, poetry and criticism. Among numerous illustrations are several portraits of Ford by Janice Biala reproduced for the first time. Also published here for the first time are generous extracts from Biala's marvelous letters from the 1930s about Ford. Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR'S PREFACE / Max Saunders -- INTRODUCTION / Laura Colombino -- FROM PAINT TO PRINT -- GRANDFATHER'S LEGACY / Angela Thirlwell -- FORD MADOX FORD'S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS / Vita Fortunati -- FROM PRE-RAPHAELISM TO IMPRESSIONISM / Max Saunders -- IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC / Ashley Chantler -- TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR / Sara Haslam -- VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES / Rob Hawkes -- THE PORTRAIT: FORD'S CHEF-D'ɶUVRE INCONNU / Gene M. Moore -- FORD MADOX FORD'S LITERARY PORTRAITS / Anna Viola Sborgi -- FORDING HOLBEIN / Martin Stannard -- SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) / guy mannes-abbott -- 'IF WE SHADOWS HAVE OFFENDED': THE METAPHOR OF SHADOW IN THE MARSDEN CASE / Jenny Plastow -- A MAP OF TORY MISREADING IN PARADE'S END / Mark Conroy -- MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD'S PARADE'S END / Alexandra Becquet -- FORD, BOWEN, AND ITALIAN ART / Joseph Wiesenfarth -- FORD + BIALA: A LONG AND PASSIONATE DIALOGUE / Jason Andrew -- FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH / Laura Colombino -- CONTRIBUTORS -- ABSTRACTS -- ABBREVIATIONS. Ford, Ford Madox, 1873-1939 Criticism and interpretation. Ford, Ford Madox, 1873-1939 Knowledge Art. Ford, Ford Madox, 1873-1939 fast https://id.oclc.org/worldcat/entity/E39PBJqQtqjyRFtjx7hbWFbKh3 Art criticism History 20th century. Art and literature Great Britain History 20th century. Influence (Literary, artistic, etc.) History 20th century. Critique d'art Histoire 20e siècle. Art et littérature Grande-Bretagne Histoire 20e siècle. Influence littéraire, artistique, etc. Histoire 20e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Art fast Art and literature fast Art criticism fast Influence (Literary, artistic, etc.) fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP 1900-1999 fast Criticism, interpretation, etc. fast History fast Colombino, Laura. http://id.loc.gov/authorities/names/nb2009017499 Ford Madox Ford Society. http://id.loc.gov/authorities/names/no2002113180 Print version: Ford Madox Ford and visual culture. Amsterdam ; New York, NY : Rodopi : [U.K.] : Ford Madox Ford Society, 2009 9789042026353 (OCoLC)428006939 International Ford Madox Ford studies ; v. 8. http://id.loc.gov/authorities/names/no2002113179 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=288648 Volltext |
| spellingShingle | Ford Madox Ford and visual culture / International Ford Madox Ford studies ; Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR'S PREFACE / INTRODUCTION / FROM PAINT TO PRINT -- GRANDFATHER'S LEGACY / FORD MADOX FORD'S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS / FROM PRE-RAPHAELISM TO IMPRESSIONISM / IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC / TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR / VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES / THE PORTRAIT: FORD'S CHEF-D'ɶUVRE INCONNU / FORD MADOX FORD'S LITERARY PORTRAITS / FORDING HOLBEIN / SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) / 'IF WE SHADOWS HAVE OFFENDED': THE METAPHOR OF SHADOW IN THE MARSDEN CASE / A MAP OF TORY MISREADING IN PARADE'S END / MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD'S PARADE'S END / FORD, BOWEN, AND ITALIAN ART / FORD + BIALA: A LONG AND PASSIONATE DIALOGUE / FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH / CONTRIBUTORS -- ABSTRACTS -- ABBREVIATIONS. Ford, Ford Madox, 1873-1939 Criticism and interpretation. Ford, Ford Madox, 1873-1939 Knowledge Art. Ford, Ford Madox, 1873-1939 fast https://id.oclc.org/worldcat/entity/E39PBJqQtqjyRFtjx7hbWFbKh3 Art criticism History 20th century. Art and literature Great Britain History 20th century. Influence (Literary, artistic, etc.) History 20th century. Critique d'art Histoire 20e siècle. Art et littérature Grande-Bretagne Histoire 20e siècle. Influence littéraire, artistique, etc. Histoire 20e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Art fast Art and literature fast Art criticism fast Influence (Literary, artistic, etc.) fast |
| title | Ford Madox Ford and visual culture / |
| title_alt | Preliminary Material -- LIST OF ILLUSTRATIONS -- GENERAL EDITOR'S PREFACE / INTRODUCTION / FROM PAINT TO PRINT -- GRANDFATHER'S LEGACY / FORD MADOX FORD'S ART CRITICISM AS A RESERVOIR FOR HIS NARRATIVE POETICS / FROM PRE-RAPHAELISM TO IMPRESSIONISM / IMAGE-MUSIC-TEXT: FORD AND THE IMPRESSIONIST LYRIC / TO COOK, OR TO PAINT, IN PARIS?: FORD IN COLOUR / VISUALITY VS. TEMPORALITY: PLOTTING AND DEPICTION IN THE FIFTH QUEEN AND LADIES WHOSE BRIGHT EYES / THE PORTRAIT: FORD'S CHEF-D'ɶUVRE INCONNU / FORD MADOX FORD'S LITERARY PORTRAITS / FORDING HOLBEIN / SKULL/BRAIN DRAIN STAIN (THE AMBASSADORS) / 'IF WE SHADOWS HAVE OFFENDED': THE METAPHOR OF SHADOW IN THE MARSDEN CASE / A MAP OF TORY MISREADING IN PARADE'S END / MODERNITY, SHOCK AND CINEMA: THE VISUAL AESTHETICS OF FORD MADOX FORD'S PARADE'S END / FORD, BOWEN, AND ITALIAN ART / FORD + BIALA: A LONG AND PASSIONATE DIALOGUE / FORD, MATISSE AND THE BOOK OF THE DEAD: THE (IN)VISIBLE OBJECTS OF THE RASH ACT AND HENRY FOR HUGH / CONTRIBUTORS -- ABSTRACTS -- ABBREVIATIONS. |
| title_auth | Ford Madox Ford and visual culture / |
| title_exact_search | Ford Madox Ford and visual culture / |
| title_full | Ford Madox Ford and visual culture / edited by Laura Colombino. |
| title_fullStr | Ford Madox Ford and visual culture / edited by Laura Colombino. |
| title_full_unstemmed | Ford Madox Ford and visual culture / edited by Laura Colombino. |
| title_short | Ford Madox Ford and visual culture / |
| title_sort | ford madox ford and visual culture |
| topic | Ford, Ford Madox, 1873-1939 Criticism and interpretation. Ford, Ford Madox, 1873-1939 Knowledge Art. Ford, Ford Madox, 1873-1939 fast https://id.oclc.org/worldcat/entity/E39PBJqQtqjyRFtjx7hbWFbKh3 Art criticism History 20th century. Art and literature Great Britain History 20th century. Influence (Literary, artistic, etc.) History 20th century. Critique d'art Histoire 20e siècle. Art et littérature Grande-Bretagne Histoire 20e siècle. Influence littéraire, artistique, etc. Histoire 20e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Art fast Art and literature fast Art criticism fast Influence (Literary, artistic, etc.) fast |
| topic_facet | Ford, Ford Madox, 1873-1939 Criticism and interpretation. Ford, Ford Madox, 1873-1939 Knowledge Art. Ford, Ford Madox, 1873-1939 Art criticism History 20th century. Art and literature Great Britain History 20th century. Influence (Literary, artistic, etc.) History 20th century. Critique d'art Histoire 20e siècle. Art et littérature Grande-Bretagne Histoire 20e siècle. Influence littéraire, artistique, etc. Histoire 20e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Art Art and literature Art criticism Influence (Literary, artistic, etc.) Great Britain Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=288648 |
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