Hard hats, rednecks, and macho men :: class in 1970s American cinema /
Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford ; New York :
Oxford University Press,
©2009.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Ston. |
Beschreibung: | 1 online resource (x, 251 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780199714322 0199714320 9780195336764 0195336763 9780195336771 0195336771 |
Internformat
MARC
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100 | 1 | |a Nystrom, Derek. |0 http://id.loc.gov/authorities/names/nb2002081650 | |
245 | 1 | 0 | |a Hard hats, rednecks, and macho men : |b class in 1970s American cinema / |c Derek Nystrom. |
260 | |a Oxford ; |a New York : |b Oxford University Press, |c ©2009. | ||
300 | |a 1 online resource (x, 251 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others. | |
520 | |a Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Ston. | ||
588 | 0 | |a Print version record. | |
650 | 0 | |a Working class in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85073669 | |
650 | 0 | |a Rednecks in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2004004762 | |
650 | 0 | |a Men, White, in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2005008471 | |
650 | 0 | |a Masculinity in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2002007718 | |
650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
650 | 6 | |a Travailleurs au cinéma. | |
650 | 6 | |a Pauvres Blancs au cinéma. | |
650 | 6 | |a Personnes blanches au cinéma. | |
650 | 6 | |a Masculinité au cinéma. | |
650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
650 | 7 | |a Masculinity in motion pictures |2 fast | |
650 | 7 | |a Men, White, in motion pictures |2 fast | |
650 | 7 | |a Motion pictures |2 fast | |
650 | 7 | |a Rednecks in motion pictures |2 fast | |
650 | 7 | |a Working class in motion pictures |2 fast | |
651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
648 | 7 | |a 1900-1999 |2 fast | |
655 | 7 | |a History |2 fast | |
758 | |i has work: |a Hard hats, rednecks, and macho men (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGqf6TrPWRHk6jyhYThrFX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Nystrom, Derek. |t Hard hats, rednecks, and macho men. |d Oxford ; New York : Oxford University Press, 2009 |z 9780195336764 |w (DLC) 2008048396 |w (OCoLC)271647795 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=294842 |3 Volltext |
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938 | |a Internet Archive |b INAR |n hardhatsrednecks0000nyst | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn472465956 |
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adam_text | |
any_adam_object | |
author | Nystrom, Derek |
author_GND | http://id.loc.gov/authorities/names/nb2002081650 |
author_facet | Nystrom, Derek |
author_role | |
author_sort | Nystrom, Derek |
author_variant | d n dn |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.L28 N97 2009eb |
callnumber-search | PN1995.9.L28 N97 2009eb |
callnumber-sort | PN 41995.9 L28 N97 42009EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others. |
ctrlnum | (OCoLC)472465956 |
dewey-full | 791.43/6352623097309047 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/6352623097309047 |
dewey-search | 791.43/6352623097309047 |
dewey-sort | 3791.43 166352623097309047 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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indexdate | 2024-11-27T13:16:54Z |
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isbn | 9780199714322 0199714320 9780195336764 0195336763 9780195336771 0195336771 |
language | English |
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publishDate | 2009 |
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publisher | Oxford University Press, |
record_format | marc |
spelling | Nystrom, Derek. http://id.loc.gov/authorities/names/nb2002081650 Hard hats, rednecks, and macho men : class in 1970s American cinema / Derek Nystrom. Oxford ; New York : Oxford University Press, ©2009. 1 online resource (x, 251 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others. Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Ston. Print version record. Working class in motion pictures. http://id.loc.gov/authorities/subjects/sh85073669 Rednecks in motion pictures. http://id.loc.gov/authorities/subjects/sh2004004762 Men, White, in motion pictures. http://id.loc.gov/authorities/subjects/sh2005008471 Masculinity in motion pictures. http://id.loc.gov/authorities/subjects/sh2002007718 Motion pictures United States History 20th century. Travailleurs au cinéma. Pauvres Blancs au cinéma. Personnes blanches au cinéma. Masculinité au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. bisacsh Masculinity in motion pictures fast Men, White, in motion pictures fast Motion pictures fast Rednecks in motion pictures fast Working class in motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast History fast has work: Hard hats, rednecks, and macho men (Text) https://id.oclc.org/worldcat/entity/E39PCGqf6TrPWRHk6jyhYThrFX https://id.oclc.org/worldcat/ontology/hasWork Print version: Nystrom, Derek. Hard hats, rednecks, and macho men. Oxford ; New York : Oxford University Press, 2009 9780195336764 (DLC) 2008048396 (OCoLC)271647795 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=294842 Volltext |
spellingShingle | Nystrom, Derek Hard hats, rednecks, and macho men : class in 1970s American cinema / Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others. Working class in motion pictures. http://id.loc.gov/authorities/subjects/sh85073669 Rednecks in motion pictures. http://id.loc.gov/authorities/subjects/sh2004004762 Men, White, in motion pictures. http://id.loc.gov/authorities/subjects/sh2005008471 Masculinity in motion pictures. http://id.loc.gov/authorities/subjects/sh2002007718 Motion pictures United States History 20th century. Travailleurs au cinéma. Pauvres Blancs au cinéma. Personnes blanches au cinéma. Masculinité au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. bisacsh Masculinity in motion pictures fast Men, White, in motion pictures fast Motion pictures fast Rednecks in motion pictures fast Working class in motion pictures fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85073669 http://id.loc.gov/authorities/subjects/sh2004004762 http://id.loc.gov/authorities/subjects/sh2005008471 http://id.loc.gov/authorities/subjects/sh2002007718 |
title | Hard hats, rednecks, and macho men : class in 1970s American cinema / |
title_auth | Hard hats, rednecks, and macho men : class in 1970s American cinema / |
title_exact_search | Hard hats, rednecks, and macho men : class in 1970s American cinema / |
title_full | Hard hats, rednecks, and macho men : class in 1970s American cinema / Derek Nystrom. |
title_fullStr | Hard hats, rednecks, and macho men : class in 1970s American cinema / Derek Nystrom. |
title_full_unstemmed | Hard hats, rednecks, and macho men : class in 1970s American cinema / Derek Nystrom. |
title_short | Hard hats, rednecks, and macho men : |
title_sort | hard hats rednecks and macho men class in 1970s american cinema |
title_sub | class in 1970s American cinema / |
topic | Working class in motion pictures. http://id.loc.gov/authorities/subjects/sh85073669 Rednecks in motion pictures. http://id.loc.gov/authorities/subjects/sh2004004762 Men, White, in motion pictures. http://id.loc.gov/authorities/subjects/sh2005008471 Masculinity in motion pictures. http://id.loc.gov/authorities/subjects/sh2002007718 Motion pictures United States History 20th century. Travailleurs au cinéma. Pauvres Blancs au cinéma. Personnes blanches au cinéma. Masculinité au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. bisacsh Masculinity in motion pictures fast Men, White, in motion pictures fast Motion pictures fast Rednecks in motion pictures fast Working class in motion pictures fast |
topic_facet | Working class in motion pictures. Rednecks in motion pictures. Men, White, in motion pictures. Masculinity in motion pictures. Motion pictures United States History 20th century. Travailleurs au cinéma. Pauvres Blancs au cinéma. Personnes blanches au cinéma. Masculinité au cinéma. Cinéma États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. Masculinity in motion pictures Men, White, in motion pictures Motion pictures Rednecks in motion pictures Working class in motion pictures United States History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=294842 |
work_keys_str_mv | AT nystromderek hardhatsrednecksandmachomenclassin1970samericancinema |