From May fourth to June fourth :: fiction and film in twentieth-century China /
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. :
Harvard University Press,
1993.
|
| Schriftenreihe: | Harvard contemporary China series ;
9. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S.M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu, and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization.--Cyril Birch, University of California, Berkeley |
| Beschreibung: | 1 online resource (xviii, 435 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9780674045163 0674045165 |
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| 245 | 0 | 0 | |a From May fourth to June fourth : |b fiction and film in twentieth-century China / |c edited by Ellen Widmer, David Der-wei Wang. |
| 260 | |a Cambridge, Mass. : |b Harvard University Press, |c 1993. | ||
| 300 | |a 1 online resource (xviii, 435 pages) : |b illustrations | ||
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| 490 | 1 | |a Harvard contemporary China series ; |v 9 | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Visitation of the past in Han Shaogong's post-1985 fiction / Joseph S.M Lau -- Past, present, and future in Mo Yan's fiction of the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature ot the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature of the 1980s / Jeffrey C. Kinkley -- Imaginary nostalgia / David Der-wei Wang -- Urban exoticism in modern and contemporary Chinese literature / Heinrich Fruehauf -- Text, intertext, and the representation of the writing self in Lu Xun, Yu Dafu, and Wang Meng / Yi-tsi Mei Feuerwerker -- Invention and intervention / Lydia H. Liu -- Living in sin / Margaret H. Decker -- Lu Xun's facetious muse / Marston Anderson -- Lives in profile / Theodore Huters -- Melodramatic representation and the "May Fourth" tradition of Chinese cinema / Paul G. Pickowicz -- Male narcissism and national culture / Rey Chow. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | |a What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S.M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu, and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization.--Cyril Birch, University of California, Berkeley | ||
| 650 | 0 | |a Chinese literature |y 20th century |x History and criticism. | |
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| _version_ | 1816881698869084160 |
| adam_text | |
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| author2 | Widmer, Ellen Wang, Dewei |
| author2_role | edt edt |
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| author_facet | Widmer, Ellen Wang, Dewei |
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| contents | Visitation of the past in Han Shaogong's post-1985 fiction / Joseph S.M Lau -- Past, present, and future in Mo Yan's fiction of the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature ot the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature of the 1980s / Jeffrey C. Kinkley -- Imaginary nostalgia / David Der-wei Wang -- Urban exoticism in modern and contemporary Chinese literature / Heinrich Fruehauf -- Text, intertext, and the representation of the writing self in Lu Xun, Yu Dafu, and Wang Meng / Yi-tsi Mei Feuerwerker -- Invention and intervention / Lydia H. Liu -- Living in sin / Margaret H. Decker -- Lu Xun's facetious muse / Marston Anderson -- Lives in profile / Theodore Huters -- Melodramatic representation and the "May Fourth" tradition of Chinese cinema / Paul G. Pickowicz -- Male narcissism and national culture / Rey Chow. |
| ctrlnum | (OCoLC)438798056 |
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| dewey-ones | 895 - Literatures of East and Southeast Asia |
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| dewey-search | 895.1/509 |
| dewey-sort | 3895.1 3509 |
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| discipline | Außereuropäische Sprachen und Literaturen |
| era | 1900-1999 fast Geschichte 1918-1990. swd Geschichte 1980-1990. swd |
| era_facet | 1900-1999 Geschichte 1918-1990. Geschichte 1980-1990. |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 China gnd http://d-nb.info/gnd/4009937-4 Chinesisch. swd |
| geographic_facet | China Chinesisch. |
| id | ZDB-4-EBA-ocn438798056 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:16:52Z |
| institution | BVB |
| isbn | 9780674045163 0674045165 |
| language | English |
| oclc_num | 438798056 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xviii, 435 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | Harvard University Press, |
| record_format | marc |
| series | Harvard contemporary China series ; |
| series2 | Harvard contemporary China series ; |
| spelling | From May fourth to June fourth : fiction and film in twentieth-century China / edited by Ellen Widmer, David Der-wei Wang. Cambridge, Mass. : Harvard University Press, 1993. 1 online resource (xviii, 435 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Harvard contemporary China series ; 9 Includes bibliographical references. Visitation of the past in Han Shaogong's post-1985 fiction / Joseph S.M Lau -- Past, present, and future in Mo Yan's fiction of the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature ot the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature of the 1980s / Jeffrey C. Kinkley -- Imaginary nostalgia / David Der-wei Wang -- Urban exoticism in modern and contemporary Chinese literature / Heinrich Fruehauf -- Text, intertext, and the representation of the writing self in Lu Xun, Yu Dafu, and Wang Meng / Yi-tsi Mei Feuerwerker -- Invention and intervention / Lydia H. Liu -- Living in sin / Margaret H. Decker -- Lu Xun's facetious muse / Marston Anderson -- Lives in profile / Theodore Huters -- Melodramatic representation and the "May Fourth" tradition of Chinese cinema / Paul G. Pickowicz -- Male narcissism and national culture / Rey Chow. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. English. What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S.M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu, and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization.--Cyril Birch, University of California, Berkeley Chinese literature 20th century History and criticism. Motion pictures China History. Littérature chinoise 20e siècle Histoire et critique. Cinéma Chine Histoire. LITERARY CRITICISM Asian General. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh Chinese literature fast Motion pictures fast China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 Literatur gnd Kongress gnd China gnd http://d-nb.info/gnd/4009937-4 Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Letterkunde. gtt Cinéma Chine 20e siècle Histoire et critique. ram Littérature chinoise 20e siècle Histoire et critique. ram Cinéma chinois. ram Chinesisch. swd 1900-1999 fast Geschichte 1918-1990. swd Geschichte 1980-1990. swd Chinese literature Cinema Films (Motion pictures) China Criticism, interpretation, etc. fast History fast Widmer, Ellen, editor. http://id.loc.gov/authorities/names/n86812016 Wang, Dewei, editor. has work: From May fourth to June fourth (Text) https://id.oclc.org/worldcat/entity/E39PCFwgyDJvCfRxjx6QQQMGd3 https://id.oclc.org/worldcat/ontology/hasWork Print version: From May fourth to June fourth. Cambridge, Mass. : Harvard University Press, 1993 067432501X 9780674325012 (DLC) 92019186 (OCoLC)25916322 Harvard contemporary China series ; 9. http://id.loc.gov/authorities/names/n84740174 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=282646 Volltext |
| spellingShingle | From May fourth to June fourth : fiction and film in twentieth-century China / Harvard contemporary China series ; Visitation of the past in Han Shaogong's post-1985 fiction / Joseph S.M Lau -- Past, present, and future in Mo Yan's fiction of the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature ot the 1980s / Michael S. Duke -- Shen Congwen's legacy in Chinese literature of the 1980s / Jeffrey C. Kinkley -- Imaginary nostalgia / David Der-wei Wang -- Urban exoticism in modern and contemporary Chinese literature / Heinrich Fruehauf -- Text, intertext, and the representation of the writing self in Lu Xun, Yu Dafu, and Wang Meng / Yi-tsi Mei Feuerwerker -- Invention and intervention / Lydia H. Liu -- Living in sin / Margaret H. Decker -- Lu Xun's facetious muse / Marston Anderson -- Lives in profile / Theodore Huters -- Melodramatic representation and the "May Fourth" tradition of Chinese cinema / Paul G. Pickowicz -- Male narcissism and national culture / Rey Chow. Chinese literature 20th century History and criticism. Motion pictures China History. Littérature chinoise 20e siècle Histoire et critique. Cinéma Chine Histoire. LITERARY CRITICISM Asian General. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh Chinese literature fast Motion pictures fast Literatur gnd Kongress gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Letterkunde. gtt Cinéma Chine 20e siècle Histoire et critique. ram Littérature chinoise 20e siècle Histoire et critique. ram Cinéma chinois. ram |
| subject_GND | http://d-nb.info/gnd/4009937-4 http://d-nb.info/gnd/4017102-4 |
| title | From May fourth to June fourth : fiction and film in twentieth-century China / |
| title_auth | From May fourth to June fourth : fiction and film in twentieth-century China / |
| title_exact_search | From May fourth to June fourth : fiction and film in twentieth-century China / |
| title_full | From May fourth to June fourth : fiction and film in twentieth-century China / edited by Ellen Widmer, David Der-wei Wang. |
| title_fullStr | From May fourth to June fourth : fiction and film in twentieth-century China / edited by Ellen Widmer, David Der-wei Wang. |
| title_full_unstemmed | From May fourth to June fourth : fiction and film in twentieth-century China / edited by Ellen Widmer, David Der-wei Wang. |
| title_short | From May fourth to June fourth : |
| title_sort | from may fourth to june fourth fiction and film in twentieth century china |
| title_sub | fiction and film in twentieth-century China / |
| topic | Chinese literature 20th century History and criticism. Motion pictures China History. Littérature chinoise 20e siècle Histoire et critique. Cinéma Chine Histoire. LITERARY CRITICISM Asian General. bisacsh SOCIAL SCIENCE Ethnic Studies General. bisacsh Chinese literature fast Motion pictures fast Literatur gnd Kongress gnd Film gnd http://d-nb.info/gnd/4017102-4 Filmkunst. gtt Letterkunde. gtt Cinéma Chine 20e siècle Histoire et critique. ram Littérature chinoise 20e siècle Histoire et critique. ram Cinéma chinois. ram |
| topic_facet | Chinese literature 20th century History and criticism. Motion pictures China History. Littérature chinoise 20e siècle Histoire et critique. Cinéma Chine Histoire. LITERARY CRITICISM Asian General. SOCIAL SCIENCE Ethnic Studies General. Chinese literature Motion pictures China Literatur Kongress Film Filmkunst. Letterkunde. Cinéma Chine 20e siècle Histoire et critique. Cinéma chinois. Chinesisch. Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=282646 |
| work_keys_str_mv | AT widmerellen frommayfourthtojunefourthfictionandfilmintwentiethcenturychina AT wangdewei frommayfourthtojunefourthfictionandfilmintwentiethcenturychina |