Structures from the trivium in the Cantar de mío Cid /:
The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the au...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto [Ont.] :
University of Toronto Press,
©1991.
|
| Schriftenreihe: | University of Toronto romance series ;
66. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the authorship of the poem as revealed in key structural components. Placing the Cantar de Mio Cid more in the emerging culture of writing than in the sphere of oral poetry, Burke maintains that the text was produced in a manner typical for the Middle Ages by a writer who followed procedures very specific to the period. Medieval writers were invariably educated in the basic subjects of the trivium: grammatica, rhetorica, and dialectica, taught in the 'middle schools' of the twelfth century. In the process they acquired techniques that enabled them to rewrite pre-existing materials of an authoritative character, emphasizing themes and ideas important for contemporaries. Burke argues that someone rewrote epic material having to do with the Cid in this way. Referring to a device described by the twelfth-century Spanish philosopher Dominicus Gundissalinus as 'the imaginative, poetic syllogism, ' Burke identifies three instances of the device in the Cantar de Mio Cid. They support themes and motifs of awakening, manifestation, and revelation, and of the hero as exemplar. This volume sheds new light on a central work in Spanish literature and on medieval poetry in general. |
| Beschreibung: | 1 online resource (239 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 199-219) and index. |
| ISBN: | 9781442680241 1442680245 |
| ISSN: | 0082-5336 ; |
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| 245 | 1 | 0 | |a Structures from the trivium in the Cantar de mío Cid / |c James F. Burke. |
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| 588 | 0 | |a Print version record. | |
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| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |5 MiAaHDL |2 pda | |
| 520 | |a The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the authorship of the poem as revealed in key structural components. Placing the Cantar de Mio Cid more in the emerging culture of writing than in the sphere of oral poetry, Burke maintains that the text was produced in a manner typical for the Middle Ages by a writer who followed procedures very specific to the period. Medieval writers were invariably educated in the basic subjects of the trivium: grammatica, rhetorica, and dialectica, taught in the 'middle schools' of the twelfth century. In the process they acquired techniques that enabled them to rewrite pre-existing materials of an authoritative character, emphasizing themes and ideas important for contemporaries. Burke argues that someone rewrote epic material having to do with the Cid in this way. Referring to a device described by the twelfth-century Spanish philosopher Dominicus Gundissalinus as 'the imaginative, poetic syllogism, ' Burke identifies three instances of the device in the Cantar de Mio Cid. They support themes and motifs of awakening, manifestation, and revelation, and of the hero as exemplar. This volume sheds new light on a central work in Spanish literature and on medieval poetry in general. | ||
| 600 | 0 | 0 | |a Cid, |d approximately 1043-1099 |x Romances |x History and criticism. |
| 630 | 0 | 0 | |a Cantar de mío Cid. |0 http://id.loc.gov/authorities/names/n81065749 |
| 630 | 0 | 6 | |a Cantar de mío Cid. |
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| 650 | 0 | |a Literature, Medieval |x Themes, motives. | |
| 650 | 0 | |a Poetics |x History |y To 1500. | |
| 650 | 6 | |a Littérature médiévale |x Thèmes, motifs. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x Scandinavian. |2 bisacsh | |
| 650 | 7 | |a FICTION |x General. |2 bisacsh | |
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| 650 | 7 | |a Poetics |2 fast | |
| 650 | 7 | |a Romances |2 fast | |
| 650 | 7 | |a Artes liberales |2 gnd |0 http://d-nb.info/gnd/4143124-8 | |
| 650 | 7 | |a Trivium |2 gnd |0 http://d-nb.info/gnd/4302756-8 | |
| 650 | 1 | 7 | |a Poema de mío Cid (anoniem) |2 gtt |
| 650 | 1 | 7 | |a Trivium. |2 gtt |
| 648 | 7 | |a To 1500 |2 fast | |
| 653 | 0 | |a Spanish poetry | |
| 655 | 0 | |a Electronic books. | |
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| author | Burke, James F., 1939- |
| author_GND | http://id.loc.gov/authorities/names/n92053174 |
| author_facet | Burke, James F., 1939- |
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| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| callnumber-raw | PQ6373 .B87 1991eb |
| callnumber-search | PQ6373 .B87 1991eb |
| callnumber-sort | PQ 46373 B87 41991EB |
| callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
| collection | ZDB-4-EBA |
| contents | Poetry and the trivium -- The dialectical and rhetorical education of the poet -- Refashioning the material : the art of the poet -- Finding the topics -- Dominicus Gundissalinus and the imaginative, poetic syllogism -- Defining and dividing the adventures of the hero -- "Tan buen día es hoy" : the positive frame of the poem -- Themes of awakening and manifestation -- The lion as symbol -- Rhetoric and the Cortes episode -- Economics and poetry : the false sign. |
| ctrlnum | (OCoLC)431558992 |
| dewey-full | 861/.1 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 861 - Spanish poetry |
| dewey-raw | 861/.1 |
| dewey-search | 861/.1 |
| dewey-sort | 3861 11 |
| dewey-tens | 860 - Spanish & Portuguese literatures |
| discipline | Romanistik |
| era | To 1500 fast |
| era_facet | To 1500 |
| format | Electronic eBook |
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Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="5">MiAaHDL</subfield><subfield code="2">pda</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the authorship of the poem as revealed in key structural components. Placing the Cantar de Mio Cid more in the emerging culture of writing than in the sphere of oral poetry, Burke maintains that the text was produced in a manner typical for the Middle Ages by a writer who followed procedures very specific to the period. Medieval writers were invariably educated in the basic subjects of the trivium: grammatica, rhetorica, and dialectica, taught in the 'middle schools' of the twelfth century. In the process they acquired techniques that enabled them to rewrite pre-existing materials of an authoritative character, emphasizing themes and ideas important for contemporaries. Burke argues that someone rewrote epic material having to do with the Cid in this way. 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| genre | Electronic books. Criticism, interpretation, etc. fast History fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn431558992 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:16:49Z |
| institution | BVB |
| isbn | 9781442680241 1442680245 |
| issn | 0082-5336 ; |
| language | English |
| oclc_num | 431558992 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (239 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 1991 |
| publishDateSearch | 1991 |
| publishDateSort | 1991 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | University of Toronto romance series ; |
| series2 | University of Toronto romance series, |
| spelling | Burke, James F., 1939- https://id.oclc.org/worldcat/entity/E39PBJg8KvkQ4DxTXbFyqqFkDq http://id.loc.gov/authorities/names/n92053174 Structures from the trivium in the Cantar de mío Cid / James F. Burke. Toronto [Ont.] : University of Toronto Press, ©1991. 1 online resource (239 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier University of Toronto romance series, 0082-5336 ; 66 Includes bibliographical references (pages 199-219) and index. Poetry and the trivium -- The dialectical and rhetorical education of the poet -- Refashioning the material : the art of the poet -- Finding the topics -- Dominicus Gundissalinus and the imaginative, poetic syllogism -- Defining and dividing the adventures of the hero -- "Tan buen día es hoy" : the positive frame of the poem -- Themes of awakening and manifestation -- The lion as symbol -- Rhetoric and the Cortes episode -- Economics and poetry : the false sign. Print version record. Use copy Restrictions unspecified MiAaHDL star Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL pda The medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the authorship of the poem as revealed in key structural components. Placing the Cantar de Mio Cid more in the emerging culture of writing than in the sphere of oral poetry, Burke maintains that the text was produced in a manner typical for the Middle Ages by a writer who followed procedures very specific to the period. Medieval writers were invariably educated in the basic subjects of the trivium: grammatica, rhetorica, and dialectica, taught in the 'middle schools' of the twelfth century. In the process they acquired techniques that enabled them to rewrite pre-existing materials of an authoritative character, emphasizing themes and ideas important for contemporaries. Burke argues that someone rewrote epic material having to do with the Cid in this way. Referring to a device described by the twelfth-century Spanish philosopher Dominicus Gundissalinus as 'the imaginative, poetic syllogism, ' Burke identifies three instances of the device in the Cantar de Mio Cid. They support themes and motifs of awakening, manifestation, and revelation, and of the hero as exemplar. This volume sheds new light on a central work in Spanish literature and on medieval poetry in general. Cid, approximately 1043-1099 Romances History and criticism. Cantar de mío Cid. http://id.loc.gov/authorities/names/n81065749 Cantar de mío Cid. Cid, approximately 1043-1099 fast Cantar de mío Cid fast Poema del Cid gnd http://d-nb.info/gnd/4174961-3 Literature, Medieval Themes, motives. Poetics History To 1500. Littérature médiévale Thèmes, motifs. LITERARY CRITICISM European Scandinavian. bisacsh FICTION General. bisacsh Literature, Medieval Themes, motives fast Poetics fast Romances fast Artes liberales gnd http://d-nb.info/gnd/4143124-8 Trivium gnd http://d-nb.info/gnd/4302756-8 Poema de mío Cid (anoniem) gtt Trivium. gtt To 1500 fast Spanish poetry Electronic books. Criticism, interpretation, etc. fast History fast Print version: Burke, James F., 1939- Structures from the trivium in the Cantar de mío Cid. Toronto ; Buffalo : University of Toronto Press, 1991 0802059473 9780802059475 (DLC) 92159810 (OCoLC)24216424 University of Toronto romance series ; 66. 0082-5336 http://id.loc.gov/authorities/names/n42025735 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=682385 Volltext |
| spellingShingle | Burke, James F., 1939- Structures from the trivium in the Cantar de mío Cid / University of Toronto romance series ; Poetry and the trivium -- The dialectical and rhetorical education of the poet -- Refashioning the material : the art of the poet -- Finding the topics -- Dominicus Gundissalinus and the imaginative, poetic syllogism -- Defining and dividing the adventures of the hero -- "Tan buen día es hoy" : the positive frame of the poem -- Themes of awakening and manifestation -- The lion as symbol -- Rhetoric and the Cortes episode -- Economics and poetry : the false sign. Cid, approximately 1043-1099 Romances History and criticism. Cantar de mío Cid. http://id.loc.gov/authorities/names/n81065749 Cantar de mío Cid. Cid, approximately 1043-1099 fast Cantar de mío Cid fast Poema del Cid gnd http://d-nb.info/gnd/4174961-3 Literature, Medieval Themes, motives. Poetics History To 1500. Littérature médiévale Thèmes, motifs. LITERARY CRITICISM European Scandinavian. bisacsh FICTION General. bisacsh Literature, Medieval Themes, motives fast Poetics fast Romances fast Artes liberales gnd http://d-nb.info/gnd/4143124-8 Trivium gnd http://d-nb.info/gnd/4302756-8 Poema de mío Cid (anoniem) gtt Trivium. gtt |
| subject_GND | http://id.loc.gov/authorities/names/n81065749 http://d-nb.info/gnd/4174961-3 http://d-nb.info/gnd/4143124-8 http://d-nb.info/gnd/4302756-8 |
| title | Structures from the trivium in the Cantar de mío Cid / |
| title_auth | Structures from the trivium in the Cantar de mío Cid / |
| title_exact_search | Structures from the trivium in the Cantar de mío Cid / |
| title_full | Structures from the trivium in the Cantar de mío Cid / James F. Burke. |
| title_fullStr | Structures from the trivium in the Cantar de mío Cid / James F. Burke. |
| title_full_unstemmed | Structures from the trivium in the Cantar de mío Cid / James F. Burke. |
| title_short | Structures from the trivium in the Cantar de mío Cid / |
| title_sort | structures from the trivium in the cantar de mio cid |
| topic | Cid, approximately 1043-1099 Romances History and criticism. Cantar de mío Cid. http://id.loc.gov/authorities/names/n81065749 Cantar de mío Cid. Cid, approximately 1043-1099 fast Cantar de mío Cid fast Poema del Cid gnd http://d-nb.info/gnd/4174961-3 Literature, Medieval Themes, motives. Poetics History To 1500. Littérature médiévale Thèmes, motifs. LITERARY CRITICISM European Scandinavian. bisacsh FICTION General. bisacsh Literature, Medieval Themes, motives fast Poetics fast Romances fast Artes liberales gnd http://d-nb.info/gnd/4143124-8 Trivium gnd http://d-nb.info/gnd/4302756-8 Poema de mío Cid (anoniem) gtt Trivium. gtt |
| topic_facet | Cid, approximately 1043-1099 Romances History and criticism. Cantar de mío Cid. Cid, approximately 1043-1099 Cantar de mío Cid Poema del Cid Literature, Medieval Themes, motives. Poetics History To 1500. Littérature médiévale Thèmes, motifs. LITERARY CRITICISM European Scandinavian. FICTION General. Literature, Medieval Themes, motives Poetics Romances Artes liberales Trivium Poema de mío Cid (anoniem) Trivium. Electronic books. Criticism, interpretation, etc. History |
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