Schoenberg's musical imagination /:
No composer was more responsible for changes in the landscape of twentieth century music than Arnold Schoenberg (1874-1951), and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between S...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
©2007.
|
Schriftenreihe: | Music in the twentieth century.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | No composer was more responsible for changes in the landscape of twentieth century music than Arnold Schoenberg (1874-1951), and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas, and scholars without an understanding of the formidable musical technique are ill-equipped to understand the music Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer, and their impact on his ever-changing compositional style over the course of this remarkable career. |
Beschreibung: | 1 online resource (xvi, 397 pages) : illustrations, music |
Bibliographie: | Includes bibliographical references (pages 384-389) and indexes. |
ISBN: | 9780511481987 0511481985 0511289677 9780511289675 9780511290275 0511290276 9786610917082 6610917086 9780521108348 0521108349 1107176115 9781107176119 1280917083 9781280917080 0511322232 9780511322235 |
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245 | 1 | 0 | |a Schoenberg's musical imagination / |c Michael Cherlin. |
260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c ©2007. | ||
300 | |a 1 online resource (xvi, 397 pages) : |b illustrations, music | ||
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490 | 1 | |a Music in the 20th century | |
504 | |a Includes bibliographical references (pages 384-389) and indexes. | ||
505 | 0 | |a A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg. | |
520 | |a No composer was more responsible for changes in the landscape of twentieth century music than Arnold Schoenberg (1874-1951), and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas, and scholars without an understanding of the formidable musical technique are ill-equipped to understand the music Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer, and their impact on his ever-changing compositional style over the course of this remarkable career. | ||
588 | 0 | |a Print version record. | |
546 | |a English. | ||
600 | 1 | 0 | |a Schoenberg, Arnold, |d 1874-1951 |x Criticism and interpretation. |
600 | 1 | 7 | |a Schoenberg, Arnold, |d 1874-1951 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 |
600 | 1 | 7 | |a Schönberg, Arnold |d 1874-1951 |2 gnd |
600 | 1 | 7 | |a Schönberg, Arnold. |2 swd |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
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655 | 0 | |a Electronic book. | |
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776 | 0 | 8 | |i Print version: |a Cherlin, Michael. |t Schoenberg's musical imagination. |d Cambridge ; New York : Cambridge University Press, 2007 |z 9780521851664 |w (DLC) 2007279529 |w (OCoLC)82671855 |
830 | 0 | |a Music in the twentieth century. |0 http://id.loc.gov/authorities/names/n86709337 | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn422727877 |
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adam_text | |
any_adam_object | |
author | Cherlin, Michael |
author_facet | Cherlin, Michael |
author_role | |
author_sort | Cherlin, Michael |
author_variant | m c mc |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.S283 C53 2007eb |
callnumber-search | ML410.S283 C53 2007eb |
callnumber-sort | ML 3410 S283 C53 42007EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg. |
ctrlnum | (OCoLC)422727877 |
dewey-full | 780.92 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.92 |
dewey-search | 780.92 |
dewey-sort | 3780.92 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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genre | Electronic book. Criticism, interpretation, etc. fast |
genre_facet | Electronic book. Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn422727877 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:16:47Z |
institution | BVB |
isbn | 9780511481987 0511481985 0511289677 9780511289675 9780511290275 0511290276 9786610917082 6610917086 9780521108348 0521108349 1107176115 9781107176119 1280917083 9781280917080 0511322232 9780511322235 |
language | English |
oclc_num | 422727877 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xvi, 397 pages) : illustrations, music |
psigel | ZDB-4-EBA |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Cambridge University Press, |
record_format | marc |
series | Music in the twentieth century. |
series2 | Music in the 20th century |
spelling | Cherlin, Michael. Schoenberg's musical imagination / Michael Cherlin. Cambridge ; New York : Cambridge University Press, ©2007. 1 online resource (xvi, 397 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Music in the 20th century Includes bibliographical references (pages 384-389) and indexes. A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg. No composer was more responsible for changes in the landscape of twentieth century music than Arnold Schoenberg (1874-1951), and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas, and scholars without an understanding of the formidable musical technique are ill-equipped to understand the music Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer, and their impact on his ever-changing compositional style over the course of this remarkable career. Print version record. English. Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Schönberg, Arnold 1874-1951 gnd Schönberg, Arnold. swd BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh Muziekwerken. gtt Electronic book. Criticism, interpretation, etc. fast Print version: Cherlin, Michael. Schoenberg's musical imagination. Cambridge ; New York : Cambridge University Press, 2007 9780521851664 (DLC) 2007279529 (OCoLC)82671855 Music in the twentieth century. http://id.loc.gov/authorities/names/n86709337 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=206565 Volltext |
spellingShingle | Cherlin, Michael Schoenberg's musical imagination / Music in the twentieth century. A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg. Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Schönberg, Arnold 1874-1951 gnd Schönberg, Arnold. swd BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh Muziekwerken. gtt |
title | Schoenberg's musical imagination / |
title_auth | Schoenberg's musical imagination / |
title_exact_search | Schoenberg's musical imagination / |
title_full | Schoenberg's musical imagination / Michael Cherlin. |
title_fullStr | Schoenberg's musical imagination / Michael Cherlin. |
title_full_unstemmed | Schoenberg's musical imagination / Michael Cherlin. |
title_short | Schoenberg's musical imagination / |
title_sort | schoenberg s musical imagination |
topic | Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Schönberg, Arnold 1874-1951 gnd Schönberg, Arnold. swd BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. bisacsh MUSIC Individual Composer & Musician. bisacsh Muziekwerken. gtt |
topic_facet | Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 Schönberg, Arnold 1874-1951 Schönberg, Arnold. BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. MUSIC Individual Composer & Musician. Muziekwerken. Electronic book. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=206565 |
work_keys_str_mv | AT cherlinmichael schoenbergsmusicalimagination |