Verfügbarkeit: The imaginary museum of musical works :

The imaginary museum of musical works :: an essay in the philosophy of music /

What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? Lydia Goehr combines philosophical and historical methods of enquiry to show that a historical perspective is indispensable to a full understanding of musical ontology.

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Goehr, Lydia
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Oxford : New York : Clarendon Press ; Oxford Univ. Press, ©1992.
Schlagworte:	Music > Philosophy and aesthetics. Musique > Philosophie et esthétique. MUSIC > Reference. MUSIC > Genres & Styles > Classical. Music > Philosophy and aesthetics Muziekfilosofie. Music
Online-Zugang:	Volltext
Zusammenfassung:	What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? Lydia Goehr combines philosophical and historical methods of enquiry to show that a historical perspective is indispensable to a full understanding of musical ontology.
Beschreibung:	1 online resource (vii, 314 pages)
Bibliographie:	Includes bibliographical references (pages 287-299) and index.
ISBN:	9780191520013 0191520012 9780191597503 0191597503 9780198235415 0198235410

Internformat

MARC


LEADER	00000cam a2200000 a 4500
001	ZDB-4-EBA-ocn340722507
003	OCoLC
005	20241004212047.0
006	m o d
007	cr cnu---unuuu
008	090522s1992 enk ob 001 0 eng d
040			\|a N$T \|b eng \|e pn \|c N$T \|d OCLCQ \|d LGG \|d IDEBK \|d UBY \|d E7B \|d OCLCQ \|d YDXCP \|d OCLCQ \|d OCLCE \|d OCLCQ \|d DKDLA \|d OCLCQ \|d OCLCF \|d EUX \|d NLGGC \|d EBLCP \|d OCLCQ \|d STBDS \|d AGLDB \|d FIE \|d MERUC \|d CSAIL \|d CUY \|d LOA \|d ICG \|d K6U \|d ZCU \|d STF \|d COO \|d OCLCQ \|d VTS \|d OCLCQ \|d VT2 \|d U3W \|d AU@ \|d OCLCQ \|d WYU \|d LVT \|d YOU \|d TKN \|d SOI \|d DKC \|d OCLCQ \|d W2U \|d CUT \|d AJS \|d OCLCO \|d INARC \|d OCLCQ \|d SFB \|d OCLCQ \|d OCLCO \|d OCLCL
019			\|a 252577851 \|a 646804791 \|a 755194797 \|a 767751972 \|a 774514224 \|a 874828623 \|a 1030817078 \|a 1030838925 \|a 1033543094 \|a 1041655646 \|a 1047942519 \|a 1058412774 \|a 1058754897 \|a 1065281181 \|a 1086939468 \|a 1097092211 \|a 1100537569 \|a 1157995991 \|a 1178727169 \|a 1183921846
020			\|a 9780191520013 \|q (electronic book)
020			\|a 0191520012 \|q (electronic book)
020			\|a 9780191597503 \|q (electronic book)
020			\|a 0191597503 \|q (electronic book)
020			\|a 9780198235415
020			\|a 0198235410
020			\|z 0198248180 \|z 0198235410
020			\|z 9780198248187
035			\|a (OCoLC)340722507 \|z (OCoLC)252577851 \|z (OCoLC)646804791 \|z (OCoLC)755194797 \|z (OCoLC)767751972 \|z (OCoLC)774514224 \|z (OCoLC)874828623 \|z (OCoLC)1030817078 \|z (OCoLC)1030838925 \|z (OCoLC)1033543094 \|z (OCoLC)1041655646 \|z (OCoLC)1047942519 \|z (OCoLC)1058412774 \|z (OCoLC)1058754897 \|z (OCoLC)1065281181 \|z (OCoLC)1086939468 \|z (OCoLC)1097092211 \|z (OCoLC)1100537569 \|z (OCoLC)1157995991 \|z (OCoLC)1178727169 \|z (OCoLC)1183921846
050		4	\|a ML3800 \|b .G576 1992eb
072		7	\|a MUS \|x 033000 \|2 bisacsh
072		7	\|a MUS \|x 006000 \|2 bisacsh
082	7		\|a 780/.1 \|2 22
084			\|a 24.43 \|2 bcl
049			\|a MAIN
100	1		\|a Goehr, Lydia. \|0 http://id.loc.gov/authorities/names/n91073873
245	1	4	\|a The imaginary museum of musical works : \|b an essay in the philosophy of music / \|c Lydia Goehr.
260			\|a Oxford : \|b Clarendon Press ; \|a New York : \|b Oxford Univ. Press, \|c ©1992.
300			\|a 1 online resource (vii, 314 pages)
336			\|a text \|b txt \|2 rdacontent
337			\|a computer \|b c \|2 rdamedia
338			\|a online resource \|b cr \|2 rdacarrier
504			\|a Includes bibliographical references (pages 287-299) and index.
520	8		\|a What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? Lydia Goehr combines philosophical and historical methods of enquiry to show that a historical perspective is indispensable to a full understanding of musical ontology.
588	0		\|a Print version record.
505	0		\|a Preface -- Acknowledgements -- CONTENTS -- INTRODUCTION -- PART I. THE ANALYTIC APPROACH -- 1. A Nominalist Theory of Musical Works -- 2. A Platonist Theory of Musical Works -- 3. The Limits of Analysis and the Need for History -- PART II. THE HISTORICAL APPROACH -- 4. The Central Claim -- 5. Musical Meaning: From Antiquity to the Enlightenment -- 6. Musical Meaning: Romantic Transcendence and the Separability Principle -- 7. Musical Production without the Work-Concept -- 8. After 1800: The Beethoven Paradigm -- 9. Werktreue: Confirmation and Challenge in Contemporary Movements.
650		0	\|a Music \|x Philosophy and aesthetics. \|0 http://id.loc.gov/authorities/subjects/sh85088808
650		6	\|a Musique \|x Philosophie et esthétique.
650		7	\|a MUSIC \|x Reference. \|2 bisacsh
650		7	\|a MUSIC \|x Genres & Styles \|x Classical. \|2 bisacsh
650		7	\|a Music \|x Philosophy and aesthetics \|2 fast
650	1	7	\|a Muziekfilosofie. \|2 gtt
653	0		\|a Music
758			\|i has work: \|a The imaginary museum of musical works (Text) \|1 https://id.oclc.org/worldcat/entity/E39PCFwRdrWKtTJvGBjh9xBDxC \|4 https://id.oclc.org/worldcat/ontology/hasWork
776	0	8	\|i Print version: \|a Goehr, Lydia. \|t Imaginary museum of musical works. \|d Oxford : Clarendon Press ; New York : Oxford Univ. Press, ©1992 \|z 0198248180 \|z 9780198248187 \|w (DLC) 91028284 \|w (OCoLC)24246437
856	4	0	\|l FWS01 \|p ZDB-4-EBA \|q FWS_PDA_EBA \|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=273479 \|3 Volltext
938			\|a EBL - Ebook Library \|b EBLB \|n EBL3053152
938			\|a ebrary \|b EBRY \|n ebr10283470
938			\|a EBSCOhost \|b EBSC \|n 273479
938			\|a Internet Archive \|b INAR \|n imaginarymuseumo0000goeh
938			\|a Internet Archive \|b INAR \|n imaginarymuseumo0000goeh_n5y5
938			\|a Oxford University Press USA \|b OUPR \|n EDZ0000075590
938			\|a YBP Library Services \|b YANK \|n 11586970
938			\|a YBP Library Services \|b YANK \|n 3038016
994			\|a 92 \|b GEBAY
912			\|a ZDB-4-EBA
049			\|a DE-863

Datensatz im Suchindex

DE-BY-FWS_katkey	ZDB-4-EBA-ocn340722507
_version_	1816881692505276416
adam_text
any_adam_object
author	Goehr, Lydia
author_GND	http://id.loc.gov/authorities/names/n91073873
author_facet	Goehr, Lydia
author_role
author_sort	Goehr, Lydia
author_variant	l g lg
building	Verbundindex
bvnumber	localFWS
callnumber-first	M - Music
callnumber-label	ML3800
callnumber-raw	ML3800 .G576 1992eb
callnumber-search	ML3800 .G576 1992eb
callnumber-sort	ML 43800 G576 41992EB
callnumber-subject	ML - Literature on Music
collection	ZDB-4-EBA
contents	Preface -- Acknowledgements -- CONTENTS -- INTRODUCTION -- PART I. THE ANALYTIC APPROACH -- 1. A Nominalist Theory of Musical Works -- 2. A Platonist Theory of Musical Works -- 3. The Limits of Analysis and the Need for History -- PART II. THE HISTORICAL APPROACH -- 4. The Central Claim -- 5. Musical Meaning: From Antiquity to the Enlightenment -- 6. Musical Meaning: Romantic Transcendence and the Separability Principle -- 7. Musical Production without the Work-Concept -- 8. After 1800: The Beethoven Paradigm -- 9. Werktreue: Confirmation and Challenge in Contemporary Movements.
ctrlnum	(OCoLC)340722507
dewey-full	780/.1
dewey-hundreds	700 - The arts
dewey-ones	780 - Music
dewey-raw	780/.1
dewey-search	780/.1
dewey-sort	3780 11
dewey-tens	780 - Music
discipline	Musikwissenschaft
format	Electronic eBook
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04502cam a2200661 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn340722507</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">090522s1992 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LGG</subfield><subfield code="d">IDEBK</subfield><subfield code="d">UBY</subfield><subfield code="d">E7B</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCE</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DKDLA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">EUX</subfield><subfield code="d">NLGGC</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">STBDS</subfield><subfield code="d">AGLDB</subfield><subfield code="d">FIE</subfield><subfield code="d">MERUC</subfield><subfield code="d">CSAIL</subfield><subfield code="d">CUY</subfield><subfield code="d">LOA</subfield><subfield code="d">ICG</subfield><subfield code="d">K6U</subfield><subfield code="d">ZCU</subfield><subfield code="d">STF</subfield><subfield code="d">COO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VT2</subfield><subfield code="d">U3W</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">LVT</subfield><subfield code="d">YOU</subfield><subfield code="d">TKN</subfield><subfield code="d">SOI</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">W2U</subfield><subfield code="d">CUT</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">252577851</subfield><subfield code="a">646804791</subfield><subfield code="a">755194797</subfield><subfield code="a">767751972</subfield><subfield code="a">774514224</subfield><subfield code="a">874828623</subfield><subfield code="a">1030817078</subfield><subfield code="a">1030838925</subfield><subfield code="a">1033543094</subfield><subfield code="a">1041655646</subfield><subfield code="a">1047942519</subfield><subfield code="a">1058412774</subfield><subfield code="a">1058754897</subfield><subfield code="a">1065281181</subfield><subfield code="a">1086939468</subfield><subfield code="a">1097092211</subfield><subfield code="a">1100537569</subfield><subfield code="a">1157995991</subfield><subfield code="a">1178727169</subfield><subfield code="a">1183921846</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780191520013</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0191520012</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780191597503</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0191597503</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780198235415</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0198235410</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0198248180</subfield><subfield code="z">0198235410</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780198248187</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)340722507</subfield><subfield code="z">(OCoLC)252577851</subfield><subfield code="z">(OCoLC)646804791</subfield><subfield code="z">(OCoLC)755194797</subfield><subfield code="z">(OCoLC)767751972</subfield><subfield code="z">(OCoLC)774514224</subfield><subfield code="z">(OCoLC)874828623</subfield><subfield code="z">(OCoLC)1030817078</subfield><subfield code="z">(OCoLC)1030838925</subfield><subfield code="z">(OCoLC)1033543094</subfield><subfield code="z">(OCoLC)1041655646</subfield><subfield code="z">(OCoLC)1047942519</subfield><subfield code="z">(OCoLC)1058412774</subfield><subfield code="z">(OCoLC)1058754897</subfield><subfield code="z">(OCoLC)1065281181</subfield><subfield code="z">(OCoLC)1086939468</subfield><subfield code="z">(OCoLC)1097092211</subfield><subfield code="z">(OCoLC)1100537569</subfield><subfield code="z">(OCoLC)1157995991</subfield><subfield code="z">(OCoLC)1178727169</subfield><subfield code="z">(OCoLC)1183921846</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3800</subfield><subfield code="b">.G576 1992eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">033000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">780/.1</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">24.43</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Goehr, Lydia.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n91073873</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The imaginary museum of musical works :</subfield><subfield code="b">an essay in the philosophy of music /</subfield><subfield code="c">Lydia Goehr.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Oxford :</subfield><subfield code="b">Clarendon Press ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Oxford Univ. Press,</subfield><subfield code="c">©1992.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (vii, 314 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 287-299) and index.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? Lydia Goehr combines philosophical and historical methods of enquiry to show that a historical perspective is indispensable to a full understanding of musical ontology.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Preface -- Acknowledgements -- CONTENTS -- INTRODUCTION -- PART I. THE ANALYTIC APPROACH -- 1. A Nominalist Theory of Musical Works -- 2. A Platonist Theory of Musical Works -- 3. The Limits of Analysis and the Need for History -- PART II. THE HISTORICAL APPROACH -- 4. The Central Claim -- 5. Musical Meaning: From Antiquity to the Enlightenment -- 6. Musical Meaning: Romantic Transcendence and the Separability Principle -- 7. Musical Production without the Work-Concept -- 8. After 1800: The Beethoven Paradigm -- 9. Werktreue: Confirmation and Challenge in Contemporary Movements.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088808</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="x">Philosophie et esthétique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Muziekfilosofie.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="653" ind1="0" ind2=" "><subfield code="a">Music</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">The imaginary museum of musical works (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFwRdrWKtTJvGBjh9xBDxC</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Goehr, Lydia.</subfield><subfield code="t">Imaginary museum of musical works.</subfield><subfield code="d">Oxford : Clarendon Press ; New York : Oxford Univ. Press, ©1992</subfield><subfield code="z">0198248180</subfield><subfield code="z">9780198248187</subfield><subfield code="w">(DLC) 91028284</subfield><subfield code="w">(OCoLC)24246437</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=273479</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL3053152</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10283470</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">273479</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">imaginarymuseumo0000goeh</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">imaginarymuseumo0000goeh_n5y5</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Oxford University Press USA</subfield><subfield code="b">OUPR</subfield><subfield code="n">EDZ0000075590</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11586970</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">3038016</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection>
id	ZDB-4-EBA-ocn340722507
illustrated	Not Illustrated
indexdate	2024-11-27T13:16:46Z
institution	BVB
isbn	9780191520013 0191520012 9780191597503 0191597503 9780198235415 0198235410
language	English
oclc_num	340722507
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (vii, 314 pages)
psigel	ZDB-4-EBA
publishDate	1992
publishDateSearch	1992
publishDateSort	1992
publisher	Clarendon Press ; Oxford Univ. Press,
record_format	marc
spelling	Goehr, Lydia. http://id.loc.gov/authorities/names/n91073873 The imaginary museum of musical works : an essay in the philosophy of music / Lydia Goehr. Oxford : Clarendon Press ; New York : Oxford Univ. Press, ©1992. 1 online resource (vii, 314 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 287-299) and index. What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? Lydia Goehr combines philosophical and historical methods of enquiry to show that a historical perspective is indispensable to a full understanding of musical ontology. Print version record. Preface -- Acknowledgements -- CONTENTS -- INTRODUCTION -- PART I. THE ANALYTIC APPROACH -- 1. A Nominalist Theory of Musical Works -- 2. A Platonist Theory of Musical Works -- 3. The Limits of Analysis and the Need for History -- PART II. THE HISTORICAL APPROACH -- 4. The Central Claim -- 5. Musical Meaning: From Antiquity to the Enlightenment -- 6. Musical Meaning: Romantic Transcendence and the Separability Principle -- 7. Musical Production without the Work-Concept -- 8. After 1800: The Beethoven Paradigm -- 9. Werktreue: Confirmation and Challenge in Contemporary Movements. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Reference. bisacsh MUSIC Genres & Styles Classical. bisacsh Music Philosophy and aesthetics fast Muziekfilosofie. gtt Music has work: The imaginary museum of musical works (Text) https://id.oclc.org/worldcat/entity/E39PCFwRdrWKtTJvGBjh9xBDxC https://id.oclc.org/worldcat/ontology/hasWork Print version: Goehr, Lydia. Imaginary museum of musical works. Oxford : Clarendon Press ; New York : Oxford Univ. Press, ©1992 0198248180 9780198248187 (DLC) 91028284 (OCoLC)24246437 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=273479 Volltext
spellingShingle	Goehr, Lydia The imaginary museum of musical works : an essay in the philosophy of music / Preface -- Acknowledgements -- CONTENTS -- INTRODUCTION -- PART I. THE ANALYTIC APPROACH -- 1. A Nominalist Theory of Musical Works -- 2. A Platonist Theory of Musical Works -- 3. The Limits of Analysis and the Need for History -- PART II. THE HISTORICAL APPROACH -- 4. The Central Claim -- 5. Musical Meaning: From Antiquity to the Enlightenment -- 6. Musical Meaning: Romantic Transcendence and the Separability Principle -- 7. Musical Production without the Work-Concept -- 8. After 1800: The Beethoven Paradigm -- 9. Werktreue: Confirmation and Challenge in Contemporary Movements. Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Reference. bisacsh MUSIC Genres & Styles Classical. bisacsh Music Philosophy and aesthetics fast Muziekfilosofie. gtt
subject_GND	http://id.loc.gov/authorities/subjects/sh85088808
title	The imaginary museum of musical works : an essay in the philosophy of music /
title_auth	The imaginary museum of musical works : an essay in the philosophy of music /
title_exact_search	The imaginary museum of musical works : an essay in the philosophy of music /
title_full	The imaginary museum of musical works : an essay in the philosophy of music / Lydia Goehr.
title_fullStr	The imaginary museum of musical works : an essay in the philosophy of music / Lydia Goehr.
title_full_unstemmed	The imaginary museum of musical works : an essay in the philosophy of music / Lydia Goehr.
title_short	The imaginary museum of musical works :
title_sort	imaginary museum of musical works an essay in the philosophy of music
title_sub	an essay in the philosophy of music /
topic	Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musique Philosophie et esthétique. MUSIC Reference. bisacsh MUSIC Genres & Styles Classical. bisacsh Music Philosophy and aesthetics fast Muziekfilosofie. gtt
topic_facet	Music Philosophy and aesthetics. Musique Philosophie et esthétique. MUSIC Reference. MUSIC Genres & Styles Classical. Music Philosophy and aesthetics Muziekfilosofie.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=273479
work_keys_str_mv	AT goehrlydia theimaginarymuseumofmusicalworksanessayinthephilosophyofmusic AT goehrlydia imaginarymuseumofmusicalworksanessayinthephilosophyofmusic

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Volltext öffnen

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge