Brecht and political theatre :: the Mother on stage /
This production history of "The Mother" provides substantial new insights into Bertolt Brecht's theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republi...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford :
Clarendon,
2006.
|
| Schriftenreihe: | Oxford modern languages and literature monographs.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This production history of "The Mother" provides substantial new insights into Bertolt Brecht's theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republic, during his exile, and in the GDR, "The Mother" offers a unique opportunity to compare his theatrical practice in contrasting settings and at different points in his career. Through detailed analysis of original archival evidence, Bradley shows how Brecht became far more sensitive to his spectators' political views and cultural expectations, even making major tactical concessions in his 1951 production at the Berliner Ensemble. These compromises indicate that his 'mature' staging should not be regarded as definitive, for it was tailored to a unique and delicate situation. "The Mother" has appealed strongly to politically committed theatre practitioners both in and beyond Germany. By exploiting the text's generic hybridity and the interplay between Brecht's 'epic' and 'dramatic' elements, directors have interpreted it in radically different ways.; So, although Brecht's 1951 production stagnated into an affirmative GDR heritage piece, post-Brechtian directors have used "The Mother" to promote their own political and theatrical concerns, from anti-authoritarian theatre to reflections on the legacies of state Socialism. Their ideological and theatrical subversion have helped Brecht's text to outlive the political system that it came to uphold. |
| Beschreibung: | Title from PDF title page (viewed Mar. 10, 2009). |
| Beschreibung: | 1 online resource (xii, 261 pages) : illustrations. |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 231-247) and indexes. |
| ISBN: | 0199286582 9780199286584 9780191536779 0191536776 1280903856 9781280903854 9786610903856 6610903859 |
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| 100 | 1 | |a Bradley, Laura J. R. |0 http://id.loc.gov/authorities/names/nr2004015072 | |
| 245 | 1 | 0 | |a Brecht and political theatre : |b the Mother on stage / |c Laura Bradley. |
| 246 | 3 | |a Brecht and political theater | |
| 260 | |a Oxford : |b Clarendon, |c 2006. | ||
| 300 | |a 1 online resource (xii, 261 pages) : |b illustrations. | ||
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| 490 | 1 | |a Oxford modern languages and literature monographs | |
| 500 | |a Title from PDF title page (viewed Mar. 10, 2009). | ||
| 504 | |a Includes bibliographical references (pages 231-247) and indexes. | ||
| 505 | 0 | |a Introduction. Brecht, performance, and Die Mutter (The Mother) ; Brecht's political theatre: methods and concepts ; Die Mutter: the text and plot ; Re-interpreting Die Mutter for new audiences ; Methodology: reconstructing past productions ; Structural outline. -- From Nizhni-Novgorod to Moabit: The genesis and premiere of Die Mutter, 1931-2. Introduction ; The genesis of the text ; Preparations for the premiere ; Politics ; Dramaturgy and aesthetics ; Music ; The polarized reception and Brecht's response ; Conclusion. -- Model or museum exhibit? Die Mutter at the Berliner Ensemble, 1951-71. Introduction ; The process of production ; Brecht's new approach: Courting the audience ; The production's reception ; The 1967 revival: change and development ; The model and the museum exhibit ; Conclusion. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a This production history of "The Mother" provides substantial new insights into Bertolt Brecht's theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republic, during his exile, and in the GDR, "The Mother" offers a unique opportunity to compare his theatrical practice in contrasting settings and at different points in his career. Through detailed analysis of original archival evidence, Bradley shows how Brecht became far more sensitive to his spectators' political views and cultural expectations, even making major tactical concessions in his 1951 production at the Berliner Ensemble. These compromises indicate that his 'mature' staging should not be regarded as definitive, for it was tailored to a unique and delicate situation. "The Mother" has appealed strongly to politically committed theatre practitioners both in and beyond Germany. By exploiting the text's generic hybridity and the interplay between Brecht's 'epic' and 'dramatic' elements, directors have interpreted it in radically different ways.; So, although Brecht's 1951 production stagnated into an affirmative GDR heritage piece, post-Brechtian directors have used "The Mother" to promote their own political and theatrical concerns, from anti-authoritarian theatre to reflections on the legacies of state Socialism. Their ideological and theatrical subversion have helped Brecht's text to outlive the political system that it came to uphold. | ||
| 600 | 1 | 0 | |a Brecht, Bertolt, |d 1898-1956. |t Mutter. |0 http://id.loc.gov/authorities/names/no98008361 |
| 600 | 1 | 0 | |a Brecht, Bertolt, |d 1898-1956 |x Stage history. |
| 600 | 1 | 0 | |a Brecht, Bertolt, |d 1898-1956 |x Dramatic production. |
| 600 | 1 | 6 | |a Brecht, Bertolt, |d 1898-1956. |t Mutter. |
| 600 | 1 | 6 | |a Brecht, Bertolt, |d 1898-1956 |x Histoire scénique. |
| 600 | 1 | 6 | |a Brecht, Bertolt, |d 1898-1956 |x Mise en scène. |
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| 650 | 0 | |a Theater |x Political aspects |z Germany. | |
| 650 | 0 | |a German drama |x History and criticism. | |
| 650 | 0 | |a Theater |x Political aspects. |0 http://id.loc.gov/authorities/subjects/sh85134541 | |
| 650 | 6 | |a Théâtre allemand |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |x Aspect politique. | |
| 650 | 6 | |a Théâtre politique allemand |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |x Aspect politique |z Allemagne. | |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 7 | |a German drama |2 fast | |
| 650 | 7 | |a Political plays, German |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 650 | 7 | |a Theater |x Political aspects |2 fast | |
| 651 | 7 | |a Germany |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd | |
| 650 | 1 | 7 | |a Toneelvoorstellingen. |2 gtt |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Bradley, Laura J.R. |t Brecht and political theatre. |d Oxford : Clarendon Press ; New York : Oxford University Press, 2006 |z 0199286582 |z 9780199286584 |w (DLC) 2006011802 |w (OCoLC)67383466 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn313791221 |
|---|---|
| _version_ | 1816881688256446464 |
| adam_text | |
| any_adam_object | |
| author | Bradley, Laura J. R. |
| author_GND | http://id.loc.gov/authorities/names/nr2004015072 |
| author_facet | Bradley, Laura J. R. |
| author_role | |
| author_sort | Bradley, Laura J. R. |
| author_variant | l j r b ljr ljrb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| callnumber-search | PT2603.R397 M79337 2006eb |
| callnumber-sort | PT 42603 R397 M79337 42006EB |
| callnumber-subject | PT - European, Asian and African Literature |
| collection | ZDB-4-EBA |
| contents | Introduction. Brecht, performance, and Die Mutter (The Mother) ; Brecht's political theatre: methods and concepts ; Die Mutter: the text and plot ; Re-interpreting Die Mutter for new audiences ; Methodology: reconstructing past productions ; Structural outline. -- From Nizhni-Novgorod to Moabit: The genesis and premiere of Die Mutter, 1931-2. Introduction ; The genesis of the text ; Preparations for the premiere ; Politics ; Dramaturgy and aesthetics ; Music ; The polarized reception and Brecht's response ; Conclusion. -- Model or museum exhibit? Die Mutter at the Berliner Ensemble, 1951-71. Introduction ; The process of production ; Brecht's new approach: Courting the audience ; The production's reception ; The 1967 revival: change and development ; The model and the museum exhibit ; Conclusion. |
| ctrlnum | (OCoLC)313791221 |
| dewey-full | 832/.912 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 832 - German drama |
| dewey-raw | 832/.912 |
| dewey-search | 832/.912 |
| dewey-sort | 3832 3912 |
| dewey-tens | 830 - Literatures of Germanic languages |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:16:41Z |
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| isbn | 0199286582 9780199286584 9780191536779 0191536776 1280903856 9781280903854 9786610903856 6610903859 |
| language | English |
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| physical | 1 online resource (xii, 261 pages) : illustrations. |
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| spelling | Bradley, Laura J. R. http://id.loc.gov/authorities/names/nr2004015072 Brecht and political theatre : the Mother on stage / Laura Bradley. Brecht and political theater Oxford : Clarendon, 2006. 1 online resource (xii, 261 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Oxford modern languages and literature monographs Title from PDF title page (viewed Mar. 10, 2009). Includes bibliographical references (pages 231-247) and indexes. Introduction. Brecht, performance, and Die Mutter (The Mother) ; Brecht's political theatre: methods and concepts ; Die Mutter: the text and plot ; Re-interpreting Die Mutter for new audiences ; Methodology: reconstructing past productions ; Structural outline. -- From Nizhni-Novgorod to Moabit: The genesis and premiere of Die Mutter, 1931-2. Introduction ; The genesis of the text ; Preparations for the premiere ; Politics ; Dramaturgy and aesthetics ; Music ; The polarized reception and Brecht's response ; Conclusion. -- Model or museum exhibit? Die Mutter at the Berliner Ensemble, 1951-71. Introduction ; The process of production ; Brecht's new approach: Courting the audience ; The production's reception ; The 1967 revival: change and development ; The model and the museum exhibit ; Conclusion. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL This production history of "The Mother" provides substantial new insights into Bertolt Brecht's theatre and drama, his impact on political theatre, and the relationship between text, performance, and politico-cultural context. As the only play which Brecht staged in the Weimar Republic, during his exile, and in the GDR, "The Mother" offers a unique opportunity to compare his theatrical practice in contrasting settings and at different points in his career. Through detailed analysis of original archival evidence, Bradley shows how Brecht became far more sensitive to his spectators' political views and cultural expectations, even making major tactical concessions in his 1951 production at the Berliner Ensemble. These compromises indicate that his 'mature' staging should not be regarded as definitive, for it was tailored to a unique and delicate situation. "The Mother" has appealed strongly to politically committed theatre practitioners both in and beyond Germany. By exploiting the text's generic hybridity and the interplay between Brecht's 'epic' and 'dramatic' elements, directors have interpreted it in radically different ways.; So, although Brecht's 1951 production stagnated into an affirmative GDR heritage piece, post-Brechtian directors have used "The Mother" to promote their own political and theatrical concerns, from anti-authoritarian theatre to reflections on the legacies of state Socialism. Their ideological and theatrical subversion have helped Brecht's text to outlive the political system that it came to uphold. Brecht, Bertolt, 1898-1956. Mutter. http://id.loc.gov/authorities/names/no98008361 Brecht, Bertolt, 1898-1956 Stage history. Brecht, Bertolt, 1898-1956 Dramatic production. Brecht, Bertolt, 1898-1956. Mutter. Brecht, Bertolt, 1898-1956 Histoire scénique. Brecht, Bertolt, 1898-1956 Mise en scène. Brecht, Bertolt, 1898-1956 fast https://id.oclc.org/worldcat/entity/E39PBJvXhXJ8P7dxdqCpMRfjG3 Mutter (Brecht, Bertolt) fast Political plays, German History and criticism. Theater Political aspects Germany. German drama History and criticism. Theater Political aspects. http://id.loc.gov/authorities/subjects/sh85134541 Théâtre allemand Histoire et critique. Théâtre Aspect politique. Théâtre politique allemand Histoire et critique. Théâtre Aspect politique Allemagne. DRAMA Continental European. bisacsh German drama fast Political plays, German fast Theater fast Theater Political aspects fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd Toneelvoorstellingen. gtt @Mutter Courage und ihre Kinder (Brecht) gtt Criticism, interpretation, etc. fast Print version: Bradley, Laura J.R. Brecht and political theatre. Oxford : Clarendon Press ; New York : Oxford University Press, 2006 0199286582 9780199286584 (DLC) 2006011802 (OCoLC)67383466 Oxford modern languages and literature monographs. http://id.loc.gov/authorities/names/n42018414 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=201159 Volltext |
| spellingShingle | Bradley, Laura J. R. Brecht and political theatre : the Mother on stage / Oxford modern languages and literature monographs. Introduction. Brecht, performance, and Die Mutter (The Mother) ; Brecht's political theatre: methods and concepts ; Die Mutter: the text and plot ; Re-interpreting Die Mutter for new audiences ; Methodology: reconstructing past productions ; Structural outline. -- From Nizhni-Novgorod to Moabit: The genesis and premiere of Die Mutter, 1931-2. Introduction ; The genesis of the text ; Preparations for the premiere ; Politics ; Dramaturgy and aesthetics ; Music ; The polarized reception and Brecht's response ; Conclusion. -- Model or museum exhibit? Die Mutter at the Berliner Ensemble, 1951-71. Introduction ; The process of production ; Brecht's new approach: Courting the audience ; The production's reception ; The 1967 revival: change and development ; The model and the museum exhibit ; Conclusion. Brecht, Bertolt, 1898-1956. Mutter. http://id.loc.gov/authorities/names/no98008361 Brecht, Bertolt, 1898-1956 Stage history. Brecht, Bertolt, 1898-1956 Dramatic production. Brecht, Bertolt, 1898-1956. Mutter. Brecht, Bertolt, 1898-1956 Histoire scénique. Brecht, Bertolt, 1898-1956 Mise en scène. Brecht, Bertolt, 1898-1956 fast https://id.oclc.org/worldcat/entity/E39PBJvXhXJ8P7dxdqCpMRfjG3 Mutter (Brecht, Bertolt) fast Political plays, German History and criticism. Theater Political aspects Germany. German drama History and criticism. Theater Political aspects. http://id.loc.gov/authorities/subjects/sh85134541 Théâtre allemand Histoire et critique. Théâtre Aspect politique. Théâtre politique allemand Histoire et critique. Théâtre Aspect politique Allemagne. DRAMA Continental European. bisacsh German drama fast Political plays, German fast Theater fast Theater Political aspects fast Toneelvoorstellingen. gtt @Mutter Courage und ihre Kinder (Brecht) gtt |
| subject_GND | http://id.loc.gov/authorities/names/no98008361 http://id.loc.gov/authorities/subjects/sh85134541 |
| title | Brecht and political theatre : the Mother on stage / |
| title_alt | Brecht and political theater |
| title_auth | Brecht and political theatre : the Mother on stage / |
| title_exact_search | Brecht and political theatre : the Mother on stage / |
| title_full | Brecht and political theatre : the Mother on stage / Laura Bradley. |
| title_fullStr | Brecht and political theatre : the Mother on stage / Laura Bradley. |
| title_full_unstemmed | Brecht and political theatre : the Mother on stage / Laura Bradley. |
| title_short | Brecht and political theatre : |
| title_sort | brecht and political theatre the mother on stage |
| title_sub | the Mother on stage / |
| topic | Brecht, Bertolt, 1898-1956. Mutter. http://id.loc.gov/authorities/names/no98008361 Brecht, Bertolt, 1898-1956 Stage history. Brecht, Bertolt, 1898-1956 Dramatic production. Brecht, Bertolt, 1898-1956. Mutter. Brecht, Bertolt, 1898-1956 Histoire scénique. Brecht, Bertolt, 1898-1956 Mise en scène. Brecht, Bertolt, 1898-1956 fast https://id.oclc.org/worldcat/entity/E39PBJvXhXJ8P7dxdqCpMRfjG3 Mutter (Brecht, Bertolt) fast Political plays, German History and criticism. Theater Political aspects Germany. German drama History and criticism. Theater Political aspects. http://id.loc.gov/authorities/subjects/sh85134541 Théâtre allemand Histoire et critique. Théâtre Aspect politique. Théâtre politique allemand Histoire et critique. Théâtre Aspect politique Allemagne. DRAMA Continental European. bisacsh German drama fast Political plays, German fast Theater fast Theater Political aspects fast Toneelvoorstellingen. gtt @Mutter Courage und ihre Kinder (Brecht) gtt |
| topic_facet | Brecht, Bertolt, 1898-1956. Mutter. Brecht, Bertolt, 1898-1956 Stage history. Brecht, Bertolt, 1898-1956 Dramatic production. Brecht, Bertolt, 1898-1956 Histoire scénique. Brecht, Bertolt, 1898-1956 Mise en scène. Brecht, Bertolt, 1898-1956 Mutter (Brecht, Bertolt) Political plays, German History and criticism. Theater Political aspects Germany. German drama History and criticism. Theater Political aspects. Théâtre allemand Histoire et critique. Théâtre Aspect politique. Théâtre politique allemand Histoire et critique. Théâtre Aspect politique Allemagne. DRAMA Continental European. German drama Political plays, German Theater Theater Political aspects Germany Toneelvoorstellingen. @Mutter Courage und ihre Kinder (Brecht) Criticism, interpretation, etc. |
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